1. 怎麼用英文介紹花木蘭
寫作思路:首開介紹花木蘭的基本信息,然後介紹花木蘭的榮譽故事,接著介紹故事來源,最後介紹文藝作品。
範文:
Mulan(412 years - 502 years),the story of Mulan spread so far,the ancient Chinese heroes,loyalty filial piety,on behalf of the father defeated the invasion of the nation and spread through the ages,the Tang Dynasty emperor chase as "Xiaolie general."
木蘭(412年-502年),木蘭的故事流傳至今,中國古代英雄輩出,忠孝孝順,代表父親戰勝了民族的侵略而流傳千古,被唐朝皇帝追稱為「孝烈將軍」
Mulan story of the spread,should be attributed to the "Mulan" this folk song,but Mulan's surname,place of origin,history books are not sure.
木蘭故事的流傳,本應歸於《木蘭》這首民歌,但木蘭的姓氏、籍貫、史籍卻不確定。
Mulan is a variety of literary and artistic works by the performance of the film,drama,opera and opera.
木蘭是由多種文藝作品表現的電影、戲劇、戲曲和歌劇。
2. 英文《花木蘭》觀後感
木蘭是一部優秀的電影。這部電影是阿邦的一個鄉村女孩,木蘭。她打扮得像個男孩,代替父親參軍。好好想想女演員拉木蘭的角色吧。其他演員也是全國大學生體育協會的,他們在電影中做得很好。我喜歡木蘭。這部電影是她對家庭、朋友和國家的愛。如果你這個周末想看電影,想看一些有趣的東西,那就選木蘭吧!
3. 求五部英文卡通電影,要是英文配音和中文字幕
冰河世紀3:恐龍的黎明 Ice Age: Dawn of the Dinosaurs 曼尼(長毛象)Manny 迪亞哥(老虎)Diego 希德(樹賴)Sid
機器人總動員 WALL·E 伊芙 Eve 瓦力 WALL·E
僵屍新娘 Corpse Bride Victor Van Dort Corpse Bride
飛屋環游記Up Carl Fredricksen Russell
花木蘭 mulan 花木蘭Mulan 木須
4. 你如何評價電影"花木蘭"
《花木蘭》是一部激動人心的動作片。它取材於一個古老的中國故事。這部影片是關於一個村姑花木蘭的。她裝扮成男孩,替父從軍打仗。我認為那個女演員把花木蘭這個角色演得很好。其他演員也很好,在影片中的表演也很精彩。我非常喜歡花木蘭。影片表現了她對家庭、朋友和國家的愛。如果你計劃本周末看電影,並且你想看令人愉快的東西,那就選擇《花木蘭》吧!
附原文:
文章中的填空答案:
exciting action
comes from
about
played
fantastic
like
shows
plan
want
5. 求一篇描寫電影花木蘭的英文文章!
Disney turned East seeking inspiration and found it in Mulan, a thoughtful coming-of-age adventure story about a brave and clever daughter risking her life to save her ailing father in Imperial China. Having fun with the comic possibilities of cross-dressing and gender confusions, this beautifully animated feature places its title character in armor and eventually into the thick of battle, with the stakes no less than the fate of her country. Based on a popular Chinese legend (similar to that of Joan of Arc, but with a kinder conclusion), Mulan is that rarity in any patriarchal culture, a genuine heroine celebrated for breaking the conventions of her sex.
Mulan tries to honor her family the traditional way, letting her mother and grandmother powder her face white and dress her like a China doll in preparation for her interview with the matchmaker, but she utterly fails to please the pompous power broker e to the unintentional interference of her 'good luck' cricket (a close, though mute, cousin to Jimminy). Presented in song with amusing lyrics and overtones of Gigi, this comedy of errors evolves into fairly serious drama. Mulan is deeply ashamed at her failure to bring honor to her family in the only way her society deems possible.
She discovers, however, that her father still believes in her. Beneath the gentle canopy of a cherry blossom tree, he tells her that 'the flower that blooms in adversity is the most rare and beautiful of all.' In this one scene, directors Barry Cook and Tony Bancroft poignantly establish the powerful bond between the tiful but independent-minded daughter and her conventional but compassionate, aged father.
When Mulan learns that the Emperor is demanding one male volunteer from every family to fight the Hun invaders, she secretly cuts her hair, dons her father's armor, takes his sword and rides off in his place. Dramatically staged without dialogue, this is the film's most stirring sequence.
That's where Eddie Murphy comes in, as the voice of Mushu, Mulan's diminutive, streetwise, would-be guardian dragon. Though less witty than Robin Williams in Aladdin, Murphy breathes some edgy, contemporary humor into his toon with attitude. In a wonderfully funny meeting of Mulan's ancestral spirits, the demoted Mushu is sent to notify a 'real' guardian dragon to protect the inexperienced young warrior. But Mushu seizes the opportunity to prove himself by attempting to make Mulan a war hero. Though romance is secondary in the story, Mulan does fall in love with her hunky commanding officer, Captain Shang, who nearly drops his slender recruit until he/she uses her intelligence to complete a daunting task, in a G.I. Jane moment.
As usual, Disney animators succeed in creating a stylishly scary villain-in this case, the monolithic, square-faced Hun leader Shan-Yu, whose yellow eyes gleam with hate. Mulan, with her grace under fire, prevails against this seemingly invincible enemy, but not without some interesting setbacks, including her rejection by Shang and her three army buddies-Ling, Chien Po and Yao-after they find out that 'she' is a woman.
Soon after Mulan enlists, there's a Yentl-like scene in which she is bathing in a pond, only to be joined by this trio of boisterous cohorts. Although she deftly makes her getaway before blowing her cover, it makes for some wry comic suspense. Late in the film, the roles are reversed, as Ling, Chien Po and Yao discover that cross-dressing can serve their martial purposes as well.
With its striking computer-assisted visuals, such as the nearly 3D Great Wall of China that opens the film, and the massive attack of the Huns that recalls the wildebeest stampede in The Lion King, Mulan sets new standards in animation. But it is in the subtlety of its characters' 'acting' that Mulan excels. As has been noted in the past, Disney's cartoon characters show more vitality than many flesh-and-blood actors in non-animated films, and Mulan's are no exception.
But, of course, actors invest these character with life, and all of Mulan's voices do their drawings proud. Ming-Na Wen lends Mulan vulnerability and grit, and Lea Salonga provides as lovely a singing voice for her as she did for Princess Jasmine in Aladdin. B.D. Wong (Seven Years in Tibet) as Shang and Donny Osmond as his singing voice team up to make one virile but multi-faceted drill sergeant. Harvey Fierstein's inimitable gravely voice adds character to the macho, pint-sized Yao, and Miguel Ferrer (recently of television's 'Lateline') fuels Shan-Yu's villainy.
While Stevie Wonder and 98% let you leave the theatre buoyed by Matthew Wilder and David Zippel's 'True to Your Heart,' the other Wilder/Zippel songs in Mulan are less memorable. Veteran Jerry Goldsmith's score, however, adds urgency and emotion to the narrative.
As the Emperor (Pat Morita) tells Shang after Mulan rides back to her family, 'You don't meet a girl like that every dynasty.' He's right.
6. 求一篇關於花木蘭的英語作文
求一篇關於花木蘭的英語作文?
Hua Mulan is a heroine who joined the army for her father, according to what is described in a famous Chinese ancient poetry The Ballad of Mulan. Mulan's father is too old to bear suffering from the bitterness, and she doesn't have an elder brother to go and fight instead of the old father. So Mulan decides to disguised herself as a man to join the army for her father. Hua Mulan has been highly respected as a filial model by the Chinese people for hundreds of years, even though it is unknown whether the story has any factual basis. In 1998,her story was adapted into an animated cartoon by Disney of the United States, and the cartoon was very popular all over the world.
花木蘭是中國有名古詩《木蘭辭》中描繪的一位替父從軍的英雄。因木蘭的父親年事已高,不能經受奔波勞苦,木蘭又沒有兄長可以代替老父,於是她把自己喬裝成男子代父從軍。雖然這個故事是否真實不得而知,但是千百年來,花木蘭作為孝順的典範而深受中國人的尊敬。1998年,美國迪士尼公司將花木蘭的故事改編成了動畫片,受到了全世界的歡迎。
7. 幫忙找一下動畫花木蘭的英文介紹和評論
介紹:
This retelling of the old Chinese folktale is about the story of a young Chinese maiden who learns that her weakened and lame father is to be called up into the army in order to fight the invading Huns. Knowing that he would never survive the rigours of war in his state, she decides to disguise herself and join in his place. Unknown to her, her ancestors are aware of this and to prevent it, they order a tiny disgraced dragon, Mushu to join her in order to force her to abandon her plan. He agrees, but when he meets Mulan, he learns that she cannot be dissuaded and so decides to help her in the perilous times ahead.
評論:
Yes, Disney's Mulan is very much a western/ American movie, made for western and American- not Asian- audiences. No, they "didn't get it right"; or, not exactly. But I never expected them to, and I give them a good deal of credit for trying. They came quite a bit closer that I ever thought that they would. Nor do I find this movie overly feminist (no more than Snow White or Cinderella are "chauvinist"). Mulan may be a strong female character, but she is not Aladdin's Princess Jasmine. Mulan is not defined by rebellion, nor by what she rejects. Instead she upholds her sense of honor as she struggles to find out who she is and where she fits in. Moreover, in a genre known for its blatant ad nauseum boy-meets-girl love themes, I truly appreciated the downplayed understatedness of the "interest" between Mulan and Captain Shang.
As to the "commercial" aspect of the film; yes, it had its tie-ins and its merchandising. What Disney movie doesn't? But the real issue is the worth of the film itself, and on this I take exception to the review below. I believe there is more in it than Mr. Mydo gives credit for.
The film does have its awkward moments. The scene with the match-maker and Mulan's first entrance into the army camp are both extremely painful to watch- I do not enjoy watching anyone be utterly humiliated- not even a cartoon character (and I do not believe that someone as bright as Mulan would fumble so badly over simply coming up with a new name). I also find it somewhat irksome that one minor character, Mushu the dragon, continually steals attention away from the movie's proper focus. And there are a number of jokes and visual gags that closely border on PG. I found this in somewhat poor taste in a kid's movie.
But these faults are counterbalanced, and more than compensated for, by the scenes that really work. The opening "brush painting" of the Great Wall; Mulan's song (Reflections) and the ensuing scene of loving encouragement from her father; the scene where she decides to leave home; her heart-to-heart talk with Mushu at the abandoned camp in the mountains; the Imperial Palace where she is honored by the Emperor before all China... the sheer artistry of these scenes is breathtaking.