『壹』 求鄭中基的一部古裝電影名
花田喜事2009 花田國國王(古天樂 飾)把妹妹遺珠公主(楊穎 飾)送到中原學習禮儀多年,太後憶女成疾,為給母後沖喜,國王決定接回公主並替她招親。不想公主早已在中原與大將軍麥炳榮(鄭中基 飾)私定終身,兩人慾求得國王成全,一同坐船回國。正當兩人於船頭你儂我儂時,有人投海,麥炳榮救起落水女子黃鶯(熊黛林 飾),恰在此時,船隊突遇海盜「索瑪麗」襲擊,混戰中公主落水失蹤,麥炳榮傷心欲絕。無奈,黃鶯反被當成公主接回宮,天性愛美的她在滿屋名牌誘惑下默默接受了自己的「身份」,亦答應為太後沖喜,遴選駙馬。一場比武招親大會,在「武痴」國王的干涉下笑料百出。
『貳』 誰知道中文版的007電影系列
《007》系列
[007系列之一][第七號情報員][DVD-RMVB][中文字幕]
CD1,http://www.uploading.com/en/file ... baoyuan01.rmvb.html
CD2,http://www.uploading.com/en/file ... baoyuan02.rmvb.html
[007系列之二][勇破間諜網][DVD-RMVB][中文字幕]
CD1,http://www.uploading.com/en/file ... jiandie01.rmvb.html
CD2,part1,http://www.uploading.com/files/4 ... ie02.part1.rar.html
Part2,http://www.uploading.com/en/file ... ie02.part2.rar.html
[007系列之三][金手指][DVD-RMVB][中文字幕]
CD1,http://www.uploading.com/en/file ... shou01.rmvb.html
CD2,part1,http://www.uploading.com/en/file ... hi02.part1.rar.html
Part2,http://www.uploading.com/en/file ... hi02.part2.rar.html
[007系列之四][霹靂彈/鐵金剛勇戰魔鬼黨][DVD-RMVB][中文字幕]
CD1,part1,http://www.uploading.com/en/file ... an01.part1.rar.html
Part2,http://www.uploading.com/en/file ... an01.part2.rar.html
CD2,part1,http://www.uploading.com/en/file ... an02.part1.rar.html
Part2,http://www.uploading.com/en/file ... an02.part2.rar.html
[007系列之五][雷霆谷/鐵金剛勇戰火箭嶺][DVD-RMVB][中文字幕]
CD1,http://www.uploading.com/en/file ... itinggu01.rmvb.html
CD2,http://www.uploading.com/en/file ... itinggu02.rmvb.html
[007系列之六][女王密使/鐵金剛勇破雪山堡][DVD-RMVB][中文字幕]
CD1,part1,http://www.uploading.com/en/file ... ao01.part1.rar.html
Part2,http://www.uploading.com/en/file ... ao01.part2.rar.html
CD2,part1,http://www.uploading.com/en/file ... ao02.part1.rar.html
Part2,http://www.uploading.com/en/file ... ao02.part2.rar.html
[007系列之七][金剛鑽/鐵金剛勇破鑽石黨][DVD-RMVB][中文字幕]
CD1,http://www.uploading.com/en/file ... shidang01.rmvb.html
CD2,http://www.uploading.com/en/file ... shidang02.rmvb.html
[007系列之八][生死關頭/鐵金剛勇破黑魔黨][DVD-RMVB][中文字幕]
CD1,part1,http://www.uploading.com/en/file ... ng01.part1.rar.html
Part2,http://www.uploading.com/en/file ... ng01.part2.rar.html
CD2,http://www.uploading.com/en/file ... imodang02.rmvb.html
[007系列之九][金槍人/鐵金剛大戰金槍客][DVD-RMVB][中文字幕]
CD1,part1,http://www.uploading.com/en/file ... en01.part1.rar.html
Part2,http://www.uploading.com/en/file ... en01.part2.rar.html
CD2,http://www.uploading.com/en/file ... iangren02.rmvb.html
[007系列之十][海底城/鐵金剛勇破海底城][DVD-RMVB][中文字幕]
CD1,http://www.uploading.com/en/file ... dicheng01.rmvb.html
CD2,http://www.uploading.com/en/file ... dicheng02.rmvb.html
[007系列之十一][太空城/鐵金剛勇破太空城][DVD-RMVB][中文字幕]
CD1,http://www.uploading.com/en/file ... ngcheng01.rmvb.html
CD2,http://www.uploading.com/en/file ... ngcheng02.rmvb.html
[007系列之十二][最高機密/鐵金剛勇破海龍幫][DVD-RMVB][中文字幕]
CD1,part1,http://www.uploading.com/en/file ... mi01.part1.rar.html
Part2,http://www.uploading.com/en/file ... mi01.part2.rar.html
CD2,http://www.uploading.com/en/file ... gaojimi02.rmvb.html
[007系列之十三][八爪女][DVD-RMVB][中文字幕]
CD1,part1,http://www.uploading.com/en/file ... nv01.part1.rar.html
Part2,http://www.uploading.com/en/file ... nv01.part2.rar.html
CD2,http://www.uploading.com/en/file ... azhuanv02.rmvb.html
[007系列之十四][雷霆殺機/鐵金剛勇戰大狂魔][DVD-RMVB][中文字幕]
CD1,http://www.uploading.com/en/file ... ngshaji01.rmvb.html
CD2,http://www.uploading.com/en/file ... ngshaji02.rmvb.html
[09.13][007系列之十五][黎明生機/大戰特務飛龍][DVD-RMVB][中文字幕]
CD1,part1,http://www.uploading.com/en/file ... ji01.part1.rar.html
Part2,http://www.uploading.com/en/file ... ji01.part2.rar.html
CD2,part1,http://www.uploading.com/en/file ... ji02.part1.rar.html
Part2,http://www.uploading.com/en/file ... ji02.part2.rar.html
[007系列之十六][殺人執照/鐵金剛勇戰殺人狂魔][DVD-RMVB][中文字幕]
CD1,part1,http://www.uploading.com/en/file ... ao01.part1.rar.html
Part2,http://www.uploading.com/en/file ... ao01.part2.rar.html
CD2,part1,http://www.uploading.com/en/file ... ao02.part1.rar.html
Part2,http://www.uploading.com/en/file ... ao02.part2.rar.html
[007系列第17-20集][007之皮爾斯·布魯斯南合集][DVD-RMVB][中文字幕]
CD1,http://www.uploading.com/en/file ... gjinyan01.rmvb.html
CD2,part1,http://www.uploading.com/en/file ... an02.part1.rar.html
Part2,http://www.uploading.com/en/file ... an02.part2.rar.html
片名:Tomorrow Never Dies
CD1, http://www.uploading.com/en/file ... ridiguo01.rmvb.html
CD2,part1,http://www.uploading.com/en/file ... uo02.part1.rar.html
Part2,http://www.uploading.com/en/file ... uo02.part2.rar.html
007之黑日危機 :The World Is Not Enough
CD1,part1,http://www.uploading.com/en/file ... ji01.part1.rar.html
Part2,http://www.uploading.com/en/file ... ji01.part2.rar.html
CD2,http://www.uploading.com/en/files/82KVC79Q/heiriweiji02.rmvb.html
『叄』 名著讀後感,或英語電影影評,1000字以上,要英文的,三篇……謝謝
你不給我加分,怎麼對得起我!!!!!!!!!!!!!
英文影評:千與千尋(Spirited Away)
Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs
There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never.
After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hîragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped.
The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop.
Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc).
Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially.
Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is Jô Hisaishi's score, which is overbearing in places.
It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful.
蜜蜂總動員 Bee Movie review by Roger Ebert
From each according to his ability, to each according to his need.
-- Karl Marx
Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around.
One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy.
This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it.
Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches.
All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could.
Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke.
In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees.
Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.
貧民富翁(Slumdog Millionaire)
An orphaned Mum slum kid tries to change his life by winning TV's 'Who Wants To Be A Millionaire?' in a feelgood fable from director Danny Boyle and the writer of The Full Monty, Simon Beaufoy
Jamal Malik ('Skins' star Dev Patel) is being beaten by Mum police for allegedly cheating on hit TV show 'Who Wants To Be A Millionaire?' One question away from the ultimate 20 million rupee prize, no one, including slick show host Prem (Anil Kapoor), believes a chai wallah (teaboy) like Jamal could know all the answers. As the tough inspector (Irfan Khan) replays Jamal's appearance on the show, it's revealed that each question corresponds to a specific life lesson from Jamal's tragic past.
Raised in abject poverty in Mum's grimmest slum along with older brother Salim, then orphaned by a Hin mob attack, Jamal and Salim are forced to fend for themselves on the streets through opportunistic petty crime. They pick up a young girl, fellow orphan Latika (Freida Pinto), escape the clutches of a vicious Fagin-like crime boss, lose Latika, and continue their picaresque adventures, one step ahead of the law. As adolescents, however, Salim becomes entranced by a life of crime and Latika's unexpected return sets brother against brother. Will Jamal salvage his girl, his fortune and his life on 'Millionaire'?
Adapted by Full Monty writer Simon Beaufoy from Vikas Swarup's hit novel 'Q&A', Slumdog is an underdog tale. Beaufoy's lively screenplay scampers after Swarup's self-consciously Dickensian storytelling tradition, and is even built around the 'Millionaire' show, as iconic a symbol of Western capitalist entertainment as exists.
Director Danny Boyle and cinematographer Anthony Dod Mantle have evidently immersed themselves in India's sensory overload. The film revels in the sub-continent's chaotic beauty and raging colours, from Mum shantytowns to Agra's regal Taj Mahal. The thrillingly off-the-cuff digital imagery reflects a nation in a state of explosive flux, looming skyscrapers erupting from wasteland, slum kids turning into overnight millionaires through the kiss of television. The film's uniquely vibrant, headlong 21st century rush is that of the infinite possibilities of modern India itself.
Slumdog's such a crowd-pleaser that some critics might brand it Boyle's best since Trainspotting . It even echoes a couple of that film's classic set pieces, notably a slum chase reminiscent of Renton and Co's opening Edinburgh dash and a lavatorial incident so stomach-churning (yet hilarious), it makes Trainspotting's infamous toilet scene seem like Ewan McGregor took an Evian bath.
In fact, the likable Boyle has been on great form for some time - 28 Days Later revamped the zombie movie, Millions is perhaps the best kids film of recent years. No other current British director makes such thrillingly current (all his films are set in either the present or future), kinetic, inherently visual films and proper recognition is long overe - though, true to form, he's insistent here on crediting co-director Loveleen Tandan, whose major contribution seems to have been unearthing the wonderfully naturalistic kids to play Jamal, Salim and Latika.
Verdict
A spirited underdog fable marinated in modern India's melting pot. Danny Boyle's still the master of spices.
『肆』 如何評價管虎
很有一種大男孩的混勁兒,沒有被社會打磨成渾圓平和的狀態,還是保持了鋒利的稜角和一股不忿的勁。據黃渤說管虎從前的口頭禪是:「絕不!憑什麼非要這樣!我就不這樣能怎麼著!」管虎自己也說過:「比如十八歲的時候有想說的話,可是沒人聽,或者說人微言輕,那你就會憋著一股勁兒,很多年後,有些人這股勁兒就過去了,但是我過不去。」另外感覺管虎婚後有孩子之後想法可能會變的更柔軟一些,比如他說電影殺生原本的結局是牛結實發現自己上當了,回去屠了全村,可是有了孩子之後,就將結局改成了牛結實為了孩子而甘願犧牲。感覺是一個很有才華的導演,比較喜歡表達一些不是那麼融入主流群體,不那麼合群的邊緣人物。很有做藝術的那種不忿的勁兒,是我非常欣賞的一位導演。
『伍』 21世紀的美國戰爭片過戰爭喜劇片
看看好萊塢的
很多都不錯
下面推薦幾部:
《現代啟示錄》Apocalypse
Now
講的是越戰,非常深刻
《拯救大兵瑞恩》Saing
Priate
Ryan
《巴頓將軍》Patton
《最長的一日》The
Longest
Day
《虎!虎!虎!》Tora!
Tora!
Tora!
《野戰排》Platoon
《獵鹿人》Deer
Hunter
……
迅雷豆瓣評分都是很高的經典電影
參考
http://www.mybaobaoyu.com/movie/324.html
好萊塢十大經典戰爭電影
都是很經典的戰爭電影