easy電影簡介

1. [easy]和[當代歌壇]哪個更好看

我會更喜歡easy
買了好幾年了
也算是老讀者了
我覺得easy的覆蓋面會更廣一些
有歐美的，日韓的
還會介紹一些電影啊，鞋子衣服什麼的
總的來說easy更實用一些
要說當代歌壇的話
了解的不是很多
應為買了easy之後就很少再買別的了
easy可以說是同類雜志中比較好的一本了

2. 雜志《EASY》

EASY雜志上關於韓國明星介紹的稍微多一些，其次是韓國，再其次是中國的~
（恰巧我比較喜歡這本雜志啊~~）
其中幾乎每期都有的人物是：東方神起 KATTUN SJ 小池徹平 SHINee FTISLAND 金賢重 龜梨和也 赤西仁 本鄉奏多 飛輪海和花樣男子韓國版中的演員

雜志共160頁 （我覺得挺厚了 呵呵~） 有日本單曲排行榜 日劇專題 韓劇專題 中國文歌曲排行榜 新碟商上架信息 電影 明星的秘密 寫真 FASHION服飾 星座 的各種欄目
7.9元一本，在書報亭就可以買到

其實這本雜志的圖蠻多的 （所以有時候我總覺得是本美男志~看著特幸福！） 字不是特別多~ 而且雜志的選圖都是很正點的 但是如果這位親比較喜歡文字量大的雜志的話，而且比較喜歡日韓娛樂，那我就要建議你看看 COOL輕音樂，那本也很好
但是如果也是比較喜歡圖的話，那我就強烈建議你看EASY嘍~~

呵呵~ 鑒定完畢！
希望會對你有所幫助哦！

3. 電影中easy什麼意思

就是簡單的意思啊。。小事一樁，，

4. 我需要這些電影的英文簡介!

1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)

Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文評論
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.

2 a clockwork orange

Director:Stanley Kubrick

Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)

Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more

Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie

Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文評論
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.

3 annie hall

Director:Woody Allen

Writers:Woody Allen (written by) and
Marshall Brickman (written by)

Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more

Woody Allen ... Alvy Singer

Diane Keaton ... Annie Hall
Tony Roberts ... Rob

Carol Kane ... Allison
Paul Simon ... Tony Lacey

Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall

Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall

Mordecai Lawner ... Mr. Singer

評論
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.

4 bonnie and clyde
Arthur Penn

Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more

Warren Beatty ... Clyde Barrow

Faye Dunaway ... Bonnie Parker

Michael J. Pollard ... C.W. Moss

Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis

Gene Wilder ... Eugene Grizzard

評論
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.

Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.

The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.

In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre

5 brief encounger

Director:David Lean

Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more

Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room

評論
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.

Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.

Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.

6 chariotes of fire

Hugh Hudson

Writer:Colin Welland (original screenplay)

Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell

Ben Cross ... Harold Abrahams

Daniel Gerroll ... Henry Stallard

Ian Holm ... Sam Mussabini

John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
評論
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.

The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.

The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.

Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.

Do watch it - it's very fine, very moving, very exciting.

字數太多，可去網站上自己查詢

5. 誰知道有一部美國電影，沒上映，是關於水裡有怪物，整個城市都毀了，自由女神像的頭也沒了，EASY里有介紹

沒看過，以前看過一個章魚西河驚魂的美國片子，也是把自由女神像拉斷了

剛才查了下，樓上說的那個正確

6. 求一部電影名

小豬進城
小豬寶貝：小豬進城 Babe: Pig in the City (1998)
IMDb:0120595
導演：
George Miller

編劇：
George Miller &
Judy Morris &
(更多...)

類型：幻想 / 家庭 / 喜劇
影片評分： 7.4 分 (24票) 我要評分
上映日期：1998年11月25日 美國 (更多...)
宣傳語：This little pig went to the city... (更多...)
劇情梗概：

描述當小豬「寶貝」像英雄般地凱旋迴到何氏農庄後，這只熱心過度的小豬不小心造成意外，害主人何先生卧病在床，由於他無法工作，加上銀行威脅要沒收他們的農庄，於是何太太為了拯救這座農庄，就決定接受一筆很高的酬勞，帶著小豬到大城市表演那手令人目瞪口呆的牧羊本領，展開一場精彩逗趣的冒險故事。

(更多...) (觀看預告片...)
演員表：
Magda Szubanski
..... Mrs. Esme Cordelia Hoggett
James Cromwell
..... Farmer Arthur Hoggett
Mary Stein
..... The Landlady
Mickey Rooney

Elizabeth Daily

Danny Mann

Glenne Headly
..... Zootie (voice)
Steven Wright
..... Bob (voice)
James Cosmo
..... Thelonius (voice)
Nathan Kress
..... Easy/Tough Pup (voice)
(更多...)

其他外語片名：
Babe 2 (USA) (working title)
Babe in Metropolis (USA) (working title)
片長：97 min
國家/地區：澳大利亞 / 美國
對白語言：英語
色彩：彩色
混音：DTS / Dolby Digital / SDDS
級別：Argentina:Atp / Australia:G / Chile:TE / Finland:S / France:U / Germany:6 (w) / Netherlands:AL / New Zealand:G / Portugal:M/6 / Spain:T / Sweden:7 / Switzerland:7 (canton of Geneva) / Switzerland:7 (canton of Vaud) / USA:G / Peru:PT

7. 肖申克的救贖"easy,peasy,japanesey"

為了押韻，把後面的兩個字變形了，實際上就等於easy，peace，japanese，別急，別動武，日本人（樣子的）（那樣的），其實跟日本人沒啥關系，就是為了押韻了好玩、俏皮。

《肖申克的救贖》（The Shawshank Redemption）是由弗蘭克·達拉邦特執導，蒂姆·羅賓斯、摩根·弗里曼等主演。

該片改編自斯蒂芬·金《四季奇譚》中收錄的同名小說，該片中涵蓋全片的主題是「希望」，全片透過監獄這一強制剝奪自由、高度強調紀律的特殊背景來展現作為個體的人對「時間流逝、環境改造」的恐懼。影片的結局有《基督山伯爵》式的復仇宣洩。

在IMDB當中被超過160萬以上的會員選為250佳片中第一名。並入選美國電影學會20世紀百大電影清單。

劇情簡介：

故事發生在1947年，銀行家安迪（Andy）被指控槍殺了妻子及其情人，安迪被判無期徒刑，這意味著他將在肖申克監獄中渡過餘生。

瑞德（Red）1927年因謀殺罪被判無期徒刑，數次假釋都未獲成功。他成為了肖申克監獄中的「權威人物」，只要你付得起錢，他幾乎有辦法搞到任何你想要的東西：

香煙、糖果、酒，甚至是大麻。每當有新囚犯來的時候，大家就賭誰會在第一個夜晚哭泣。瑞德認為弱不禁風、書生氣十足的安迪一定會哭，結果安迪的沉默使他輸掉了兩包煙，但同時也使瑞德對他另眼相看。

很長時間以來，安迪不和任何人接觸，在大家抱怨的同時，他在院子里很悠閑地散步，就像在公園里一樣。

一個月後，安迪請瑞德幫他搞的第一件東西是一把小的鶴嘴鋤，他的解釋是他想雕刻一些小東西以消磨時光，並說他自己想辦法逃過獄方的例行檢查。不久，瑞德就玩上了安迪刻的國際象棋。之後，安迪又搞了一幅影星麗塔·海華絲的巨幅海報貼在了牢房的牆上。

一次，安迪和另幾個犯人外出勞動，他無意間聽到監獄官在講有關上稅的事。安迪說他有辦法可以使監獄官合法地免去這一大筆稅金，做為交換，他為十幾個犯人朋友每人爭得了兩瓶Tiger啤酒。兩天後，他們坐在夕陽下的屋頂，喝著啤酒，瑞德說多年來，他第一次感受到了自由的感覺。

由於安迪精通財務制度方面的知識，很快使他擺脫了獄中繁重的體力勞動和其它變態囚犯的騷擾。

不久，聲名遠揚的安迪開始為越來越多的獄警處理稅務問題，甚至孩子的升學問題也來向他請教。同時安迪也逐步成為肖恩克監獄長沃登洗黑錢的重要工具。

由於安迪不停地寫信給州長，終於為監獄申請到了一小筆錢用於監獄圖書館的建設。監獄生活非常平淡，總要自己找一些事情來做。安迪聽說瑞德原來很喜歡吹口琴，就買了一把送給他。夜深人靜之後，可以聽到悠揚而輕微的口琴聲回盪在監獄里。

一個年輕犯人的到來打破了安迪平靜的獄中生活：這個犯人以前在另一所監獄服刑時聽到過安迪的案子，他知道誰是真凶。但當安迪向監獄長提出要求重新審理此案時，卻遭到了拒絕，並受到了單獨禁閉兩個月的嚴重懲罰。而為了防止安迪獲釋，監獄長設計害死了知情人。

面對殘酷的現實，安迪變得很消沉。有一天，他對瑞德說：「如果有一天，你可以獲得假釋，一定要到某個地方替我完成一個心願。那是我第一次和妻子約會的地方，把那裡一棵大橡樹下的一個盒子挖出來。到時你就知道是什麼了。」當天夜裡，風雨交加，雷聲大作，已得到靈魂救贖的安迪越獄成功。

原來二十年來，安迪每天都在用那把小鶴嘴鋤挖洞，然後用海報將洞口遮住。安迪出獄後，領走了部分監獄長存的黑錢，並告發了監獄長貪污受賄的真相。

監獄長在自己存小賬本的保險櫃里見到的是安迪留下的一本聖經，第一頁寫到「得救之道，就在其中」，另外聖經里邊還有個挖空的部分，用來藏挖洞的鶴嘴鋤。

經過40年的監獄生涯，瑞德終於獲得假釋，他在與安迪約定的橡樹下找到了一個鐵盒，裡面有一些現金和一封安迪的手寫信，兩個老朋友終於在蔚藍色的太平洋海濱重逢了。

8. easy有沒有冷靜的意思，為什麼在電影上有easy!easy!

冷靜，估計是easy的意譯！ take easy ！！有放輕松的意思，電影裡面的字幕估計是想營造一股緊張的氛圍！所以省略了take

9. 求以下5部電影的英文簡介，最好是權威的，答案好的另附50分

2012年12月，地球各地突然出現極其反常的氣候變化，由於這一切與已經消失的瑪雅文明裡關於世界末日的預言不謀而合，根據瑪雅文明中的預言，2012年的12月21日，末日將會到來，世界將會陷入永無止境的黑暗，而滔天的洪水會湮沒整個地球。全球人類的恐慌、騷亂在各地時有發生，一個名為諾亞方舟的計劃開始浮出水面
December 2012, the Earth suddenly appeared around the climate change is extremely unusual, since all these have disappeared with the Mayan civilization on the doomsday prophecies coincide, according to the prophecies in the Mayan civilization, 2012 December 21, end will come, the world will be plunged into endless darkness, and the monstrous floods buried the entire planet. Global human panic, riots have occurred in various places, a program called Noah's Ark began to emerge
本故事敘述一位小女孩 Alice 做夢到一處神奇的王國，經歷一堆千奇百怪的遭遇，包括趕時間的白兔、會隱身的妙妙貓、奇怪的非生日宴會、撲克牌紅心女王…等等。華特迪士尼一直很喜歡 Lewis Carroll 的這部作品，早在1920年代，迪士尼開始拍片的處女作即是一系列真人、卡通合演的【愛麗絲游歷卡通國】，當時只是無聲、黑白的短片而已。後來迪士尼拍出有音效卡通、彩色卡通、長篇動畫之後，原本在大戰前就已有籌拍本片的計畫，後來因戰爭爆發而計畫停擺，到戰後才終於將這部小說以長篇劇情動畫片呈現。不過本片推出時正值戰後經濟困頓的時局，當時文化主流盛行寫實主義，故本片超現實的手法在當時並未引起太大的回響，也不被影評所青睞，到了60、70年代以後，隨著心理學的流行，本片才受到重視。不論如何，華特迪士尼多方嘗試、The story describes a little girl Alice dream to a magical kingdom, through a bunch of strange encounters, including a hurry rabbit, cat, Miu Miu will be invisible, strange non-birthday party, poker and so the Red Queen ... . Walt Disney has always been very fond of this work Lewis Carroll, as early as the 1920s, Disney began filming the reality series debut Jishi Yi, cartoon cartoon starred traveled the country】 【Alice, was just silent, black and white video only. Later, Disney sold sound cartoon, color cartoons, animation long after the original has been Choupai before the war film plan, the project was shut down e to the outbreak of war, to the post-war novel was finally full-length animated film showing the story. But the film released at a time when post-war economic hardship of the current situation, when the mainstream of popular culture, realism, surreal film the way it is at that time did not attract much response, not favored by critics, to the 60,70 years later, with the pop psychology, the film was taken seriously. In any case, Walt Disney multi-try, do not draw the courage to set limits really impressive.
溫柔的伊莉莎白是班尼家最有才氣的五千金之一，卻因第一印象對英俊多金的達西先生執有偏見。然而習慣將自己的情感包裹在傲慢外表之下的達西，直到遇見伊莉莎白才不再冷陌，一對相互吸引但身世迥異的男女，為追尋真愛而逐漸釐清彼此間的差異點
Elizabeth is home sweet Benny one of the most talented of the five thousand gold, but because the first impression on the handsome Mr. Darcy more than gold biased enforcement. But the habit of wrapping their emotions beneath the surface of the arrogant Darcy, Elizabeth was not until she met the cold street, a pair of mutual attraction between men and women, but very different life experience, and a quest for true love and graally clarify the differences bet當經典的迪斯尼童話世界遭遇現代的紐約市……對於美麗可愛的吉塞爾公主來說，出生在動畫國度--安大拉西亞的她，過著有如童話故事般美好的生活。吉塞爾擁有一個完美公主應該具備的一切：美麗的容貌、純潔無瑕的心靈、動聽的嗓音、能夠與小動物交流的奇特本領。她和所有的公主一樣，期待著有朝一日能和真愛分享最甜蜜的初吻。 幸運的是，擁有一切的吉塞爾還具備了無人能及的好運氣，她的願望在遇見愛德華王子之後，變成了美好的現實，這位帥氣灑脫的勇士，是通過吉塞爾快樂的歌聲，在森林裡尋覓到了她的倩影……四目相接之時，他們知道真愛就站在眼前，雖然只相識了一天的時間，吉塞爾已經和愛德華定下終身的誓約，相邀第二天舉行婚禮。
然而，在去婚禮的路上，吉塞爾卻遇到了阻礙，她碰到了邪惡的娜麗莎女王，一個嫉妒心極強的女巫，她不能容忍威脅到了她的王位的吉塞爾，化身為一個老乞婆，將吉塞爾推進了無底的泉眼……那是一個逆轉時空的漩渦，穿越了漩渦的吉塞爾竟然來到了一個遠離童話的地方，那裡不再是豐富多彩的音樂之鄉，更沒有動畫人物。吉塞爾自己也變成了一個真正的女人，出現在一個永遠都不可能相信魔法的存在的世界--曼哈頓。 在這個全然陌生的環境中，一個嚴肅實際的離婚律師羅伯特和他的小女兒摩根，向這個天真無邪、穿著公主裙的女孩伸出了援手，為她提供了一個暫時的住所。與此同時，吉塞爾的白馬王子也不顧一切地沖過魔法漩渦，來到現實世界中拯救自己的愛人，與愛德華一起的，還有他的僕人納撒尼爾和吉塞爾最好的朋友，一隻名叫皮普的花栗鼠。雖然現實是冷漠且殘酷的，吉塞爾卻用她無邊的熱情和快樂感染著身邊的每一個人，經歷了兩個完全不同的世界的沖擊與碰撞之後，吉塞爾最想知道的，仍然是童話故事中「王子和公主永遠幸福地生活在一起」，在現實世界裡是不是依然可以存在？
When the classic Disney fairy tale world of modern New York City experience ... ... for the beautiful princess Giselle is lovely, was born in the animated kingdom - On a large Australasian, she lived a fairy tale like a good life. Giselle has a perfect princess should have everything: a beautiful face, immaculate heart, beautiful voice, can communicate with the peculiar ability of small animals. She and all of the princess, looking forward to one day and love to share the sweetest kiss. Fortunately, Giselle has everything and no one can also have the good fortune to meet her Prince Edward after the desires, into a beautiful reality, this handsome warrior free and easy, happy by Giselle The song, in the forest to find the shadows of her eyes met ... ... the time, they know true love to stand in front, though only known each other for one day, Giselle and Edward have been set for life vows phase invited to the wedding the next day.
However, the way to the wedding, Giselle has encountered obstacles, she ran into the Nali Sha evil queen, a highly jealous witch, she can not tolerate a threat to her throne of Giselle, the embodiment of a Lao Qipo, Giselle pushed to the end of spring ... no ... It was a reversal of time and space vortex, through the swirl of Giselle even come to a place far from the fairy tale, where a variety of music is no longer Township, and no animated characters. Giselle himself into a real woman, there will never believe in a magic world of the existence of - Manhattan. In this totally strange environment, a serious practical divorce lawyer, Robert and his daughter Morgan, to the innocent, the girl wearing a princess dress lent a helping hand, to provide her with a temporary residence. Meanwhile, Giselle's prince charming has recklessly crossed the magical vortex, to the real world to save his wife, together with Edward, and his servant, Nathaniel and Giselle best friend, a Mingjiaopipu chipmunk. Although the reality is cold and cruel, Giselle was with her boundless enthusiasm and joy with everyone around the infection, with two completely different world after the impact and collision, Giselle most want to know, is still is a fairy tale, "the prince and the princess lived happily together", in the real world is not still exist?