美國電影的影響英文版

『壹』 美國電影史英文版

英譯：For a long time, the United States only to the film as a means of entertainment to Hollywood as a story and fantasy proction factories, so first of all note that the movie business value. However, after 70 years, the American film has been great development in academic research. In 1967, both in Washington and Los Angeles have established the American Film Institute (AFI). Film Archive, throughout the United States, including important ones are the New York Museum of Modern Art, Rochester's Eastman Film Archive, the Library of Congress, Washington, Berkeley Pacific Film Archive. 8 large film company has disintegrated or converting 60 years after the
A large number of film and archives donated to the museum and the University Film Studies Center, the study of national film traditions, protect their heritage plays a significant role in the film.

By 1900, Hollywood has a post office, a newspaper, a hotel and two markets, its residents number 500. 100,000 population in Los Angeles in the city, 11 kilometers east. In Hollywood and Los Angeles have only a single-track tram. 1902 Hollywood hotel, now known as the first part of the opening. In 1903, here upgraded to the city's 177 voting residents of the right to vote unanimously endorsed by the "Hollywood," named after whom. That year under the two commands are: In addition to pharmacies in other stores outside the prohibition, and no amount of driving in the streets more than 200 cattle. 1904
A new so-called Hollywood Avenue streetcar opened, so that between the Hollywood and Los Angeles round-trip time significantly shortened. In 1910, Hollywood residents voted to join the Los Angeles. The reason is so that they can be in Los Angeles drinking water and access to adequate drainage facilities.
In 1907, director Francis Burgess led his crew arrived in Los Angeles, filming "Count of Monte Cristo." They found that, where beautiful natural scenery, plenty of light and suitable climate is the natural place for filming. The early 1910s, director David Griffith Biograph company was sent to the West Coast to make a film, he took Lillian Gish, Mary-bi g-fu and other actors came to Los Angeles. They were then looking for a new site, so proceed north, came a warm small town, and that is Hollywood. Biograph company found here in good condition
So back to New York before they filmed several movies. Graally many people in the instry know that invaluable piece of land, to the increasing number of Hollywood movie crew, the U.S. film instry moved to Hollywood's big movement started, Hollywood movies have to be forward.
October 1911, a group from New Jersey to film-makers on the ground that under the leadership of the photographer came to a small Inn called Bu Lang, they will rent the inn converted into a studio look. In this way, they created Hollywood's first film studio - Ernest Pictures.
Since then, many film companies settled in Hollywood, the famous film companies: MGM (Metro Goldwyn Mayer, called MGM), Paramount Pictures (Paramount Pictures, Inc.), Twentieth Century Fox (20th Century Fox), Warner Bros. (Warner Brothers), RKO (Radio Keith Orpheum, referred to as RKO), Universal (Universal), United Artists Corporation (United Artists), Columbia Pictures (Columbia Pictures).

【中文】
關於美國電影
長期以來，美國只把電影看作是娛樂手段，把好萊塢當成生產故事和幻想的工廠，因此首先注意影片的商業價值。但是，70年代前後，美國電影學術研究有了很大的發展。1967年，在華盛頓和洛杉磯兩地成立了美國電影研究院（AFI）。電影資料館遍布全美，其中重要的有紐約現代藝術博物館、羅切斯特的伊斯曼電影數據館、華盛頓國會圖書館、伯克利太平洋電影資料館等。8大影片公司於60年代先後解體或轉產之後，影片和檔案大量捐贈給上述資料館和各大學的電影研究中心，對研究本國電影傳統、保護本國電影文物起著很大作用。

二十世紀的好萊塢：到1900年，好萊塢已經有一間郵局、一張報紙、一座旅館和兩個市場，其居民數為500人。10萬人口的洛杉磯位於市東11公里處。在好萊塢和洛杉磯間只有一條單軌的有軌電車。1902年，今天著名的好萊塢酒店的第一部分開業。1903年，此地升格為市，參加投票的177位有選舉權的居民一致贊同以「好萊塢」為之命名。當年下的兩條命令是：除葯店外其他商店禁酒，及不準在街上驅趕數量多於200的牛群。1904年，一條新的被稱為好萊塢大街的有軌電車開業，使好萊塢與洛杉磯間的往返時間大大縮短。1910年，好萊塢的居民投票決定加入洛杉磯。原因是這樣他們可以通過洛杉磯取得足夠的飲水和獲得排水設施。
1907年，導演弗朗西斯·伯格斯帶領他的攝制組來到洛杉磯，拍攝《基督山伯爵》。他們發現，這里明媚的自然風光、充足的光線和適宜的氣候是拍攝電影的天然場所。1910年代初，導演大衛·格里菲斯被Biograph公司派到西海岸來拍電影，他帶著麗蓮·吉許、瑪麗·璧克馥等演員來到了洛杉磯。他們後來想尋找一塊新的地盤，於是向北出發，來到了一個熱情的小鎮，那就是好萊塢。Biograph公司發現此地條件不錯，於是在回紐約前又陸續拍了好幾部電影。漸漸許多業內人士都知道了這塊寶地，到好萊塢的電影劇組越來越多，美國電影業移師好萊塢的大轉移開始，好萊塢向成為電影之都邁進。
1911年10月，一批從新澤西來的電影工作者在當地以為攝影師的帶領下，來到一家叫布朗杜的小客棧，他們將租到的客棧改裝成一家電影公司的樣子。這樣，他們創建了好萊塢的第一家電影製片廠——內斯特影片公司。
從那以後，許多電影公司在好萊塢落戶，著名的電影公司有：米高梅電影公司（Metro Goldwyn Mayer，簡稱MGM）、派拉蒙影業公司（Paramount Pictures, Inc.）、二十世紀福克斯公司（20th Century Fox）、華納兄弟公司（Warner Brothers）、雷電華公司（Radio Keith Orpheum，簡稱RKO）、環球公司（Universal）、聯美公司（United Artists）、哥倫比亞影業公司（Columbia Pictures）。

『貳』 看英語原版電影對英語學習的影響

比較好的英語學習的電影有：《成長的煩腦》《走向美國》《絕望的主婦》和《friend》又稱《老友記》。。。。。。

把思維、文化和語言"泡"來吃

學了幾十年的英語卻不會說，說出來也是老外聽不懂的句子，為什麼？因為你把語言當成了科學知識來學。上海新東方學校聽力口語培訓部主任，電影教學專家邱政政認為，看外文原版電影才能把外國人的思維、文化和語言一起"泡"來吃。

電影的選擇

哪些電影比較適合用來學習外語呢？邱先生指出，選擇電影有三看：一看語言含量是否大，二看內容是否貼近生活，三看發音是否清晰地道。以上三個方面幾乎涵蓋了語言學習中語音、語調、節奏、用詞、思維、感情等幾大要素。

說到看原版外文電影，很多人第一反應是，涌進電影院去看目前被炒得火熱的大片，這實際上是一種誤解。邱先生說，現在的大片往往製作時注重追求視覺等感官刺激，而忽視語言的錘煉。看這樣的影片，看的是熱鬧
看電影學外語四步曲

第一步：硬著頭皮看電影。在看一部新電影之前，千萬不要看劇本，看不懂也要硬著頭皮上，至少能對情節有所了解。

第二步：邊看電影邊研讀劇本。不要以為考完了托福、GRE等就可以應付一切閱讀。實際上，電影中的有些對話看起來很費勁，裡面充斥著習慣用法和美國人獨有的思維方式，要多看多聽，才能適應它。

第三步：反復精聽。爭取聽懂每一個單詞，可以採取聽寫的方法。

第四步：背誦。一開始可以用中文思考美國人的邏輯思維，邊思考邊背誦，大約堅持10天左右。之後可以大體上用英文思考，把美國人的邏輯慢慢變為自己的了。背誦時重視模仿。

很偶然，在一次考試後我看了一盤原文的《黑衣人》VCD，裡面有大量的非常詼諧的英文對白，這讓我在笑得前仰後合之餘突然對英語產生了很大的興趣。由於電影里運用了大量的美國本土俚語，為此我還專門買了一本俚語詞典。也是巧合，那段時間我接著看了好幾部歐美的喜劇片，台詞中那種對英語異常熟練的駕馭，不斷涌現的輕松幽默的談吐以及演員精湛的演出，讓我對英語的興趣大幅度提升。從這以後我保留了看原文電影的習慣；所以我的絕招就是看電影學英語。

無庸贅言，這種方法最大的好處就是可以鍛煉聽力。這種電影聽力不像聽磁帶那樣乾巴巴的，你可以通過事件發展的邏輯推理，感覺到台詞的意思，或者可以多看幾遍電影，熟知內容後對台詞自然就有感覺了。

在詞彙學習上，你可以將詞彙的用法做詳盡的分析，挖掘詞語的深層含義，對詞彙有一個全方位的認識，而不僅僅停留在"就詞論詞"上。例如《阿甘正傳》中，阿甘在表達自己極愛吃巧克力時說，自己可以吃下"一百五十萬塊巧克力"，I could eat a bout a million and a half of these. "million"一詞在本句中是大量的意思，而並非說阿甘有過人之處，通過對"million"用法的分析，我對美國人的日常用語中用誇張的語氣表示數量多的用法，有了一個更直觀的了解。

另外，電影是文化的傳播者，無論是故事的敘述，情節的發展以及人物關系的變遷都有著很多和中式思維不太相同的地方，而這些通過語言表達出來的文化差異，卻不能僅僅用語言分析透徹，這就需要我們對西方文化，尤其是美國文化的一些特點加以了解，在了解的基礎上再逐點分析，不斷地加以總結，用心體會東西方價值觀念的不同，以及由此產生的思維方式的差異，通過對西方歷史文化等方面的綜合理解，將語言上升到真正意義上的交流，讓英語"活"起來。

當然，學外語也不能把精力全放到看電影上，這只能是一種學習的輔助方法。更重要的還是要你自己下工夫努力學習，我所強調的不過就是在學習里加上一些快樂和興趣，畢竟讓學習很快樂是一件幸福的事。

時下非常流行的一種學習方法是看電影學英語。通過電影能夠掌握常用的口語句型，更重要的是學生可以通過電影情節非常容易的理解這種句型的適用語境，以至於有的人認為看好幾部電影就能夠學好英語口語了。然而，大部分學員在通過電影學習英語過程中有很大的隨意性和盲目性，更多的時候是在看電影而不是在學習。作為北文英語學校英文電影賞析課的設計者和主要操作者，本人對此有一些看法，希望能夠對廣大學員有所幫助。

利用英文電影學習英語應該從硬體設施，電影選擇，以及看片方法等多個方面加以注意。

首先，看英文電影最好做好物質准備。最好能夠利用DVD影碟機或者電腦的DVD光碟機。這一點尤其重要，因為DVD具有能夠輕易調入調出字幕，中英文字幕隨意切換的優點，這一點是VCD或者RM格式所難以達到的。絕大多數學員在看電影的過程中都離不開字幕的幫助。如果條件上不具備大家可以上網下載一些電影的DVD drip，另外再去一些字幕網站尋找這個電影的中英文字幕文件就是了。

適當的英文電影的選擇可以說決定了學習效果的好壞，對於初級學員，我建議大家選擇電影的時候以題材輕松、內容簡單、畫面對語言說明作用強為原則。這樣有助於大家通過電影的畫面情節猜出語言的含義，避免學習中因聽不懂、看不懂而去尋求字典等其他手段幫助而導致的疲勞現象。推薦電影：Sound of Music, Finding Nemo, Lion King， Beauty and Beast 等等

中級水平的學員除了學習語言本身外，更要提高對英語文化背景知識的了解。因此選擇一些歷史題材的影片進行學習非常重要。推薦電影：Forest Gump， Heaven Earth, Troy, Patriot, Brave Heart, Gone With the Wind 等等。

對自己的水平比較有信心的同學可以選擇Sex and the City, Friends 等等時下比較流行的肥皂劇，通過劇情學習一些比較地道的口語表達，讓自己的英語顯得更加的地道。

在英國幾年下來，平均每年要在電影院里看20部左右的電影，最多的時候，一個月看了5部。尤其近年來新片大片不斷，而且買兩張學生票的價格比國內一個人看場電影還要便宜，所以好電影自然不容錯過。

但是，電影看得精彩，語言卻經常是個障礙。自然生活對話的語速，搶白時快急得台詞，而且在美國電影中還有大量的本土俚語，都是會令人沮喪的因素。如何將那些對話聽得明白呢？如何理解那些經常出現的俚語呢？如何意會英語中不同於中文的幽默呢？在這里淺談幾點經驗，希望能拋磚引玉。

首先看英文原版的電影能夠鍛煉聽力，從而提高英語的聽力水平，應該是大家都承認的。所以從基礎來講，你必須有一定的單詞量，尤其是對英語中千變萬化的片語要盡可能的學習和了解。因為在日常生活中，你會發現英國人最喜歡用的大多是片語的靈活搭配，從而來體現細膩的神情或動作描寫。那麼這在看電影的時候，就已經起了相當大的作用。

那麼是否要很大的詞彙量和片語量才能看懂電影呢？答案是否定的。雅思的詞彙量可能大家都知道，而只要具備雅思的詞彙量，照筆者看來，就已經足夠能看懂電影了。尤其在電影院里，坐在英國本地人中間，很多電影外的因素本身就會大大的幫助你融入到電影的情節之中。譬如說，對很多學生來講，看喜劇片非常困難，因為涉及到對片語潛台詞的理解以及文化背景的限制。但是，當別的觀眾笑的時候，你已經得到了一個完全充分的信號和理由說，剛才的對白和台詞是一段幽默。那麼時間一久，看電影時對語言的信心就會大大增加了。

另外一些小的技巧也值得一提：

1．看電影前一定先看懂它的介紹，並且對其情節有一定的掌握。對介紹中的生詞和片語預先查字典了解中文的大致函（註：經常中文不好翻或不準確對有些詞的應用）。

2．看電影時，抓住關鍵字詞。這一點很重要，經常在為一句台詞沒聽懂而發愁時，你可能又錯過了一句能幫助你理解上一句台詞含義的句子。所以，如果你的詞彙量不是很大，記住，對理解電影起重要作用的是出現在影片中的：人名，地名，形容人或事件的形容詞，動詞或短語等。

3．如果是系列電影的話，如指環王，哈利波特，看電影前先看他們的小說也會大大幫助對電影的理解。當然這里的小說是指英文原版的。

那麼，看懂電影夠了嗎？答案還是否定的。我們從電影中要得到的可能除了娛樂放鬆外，還有真正的想過把癮-讓電影感染你。很多好的電影通過畫面和音樂就做到這一點了，但是力求上進的你，不是想把文字在台詞中的如何運用也了解一下嗎？如果是的話，這就是看電影時語言給我們的最大挑戰了。不過不用擔心的是，你已經有相當的詞彙量，對俚語也有些基礎，看電影時的信心也和以前不同了。所以我的經驗是，用最基本的方法，讓自己有一個質的飛躍。是什麼呢？筆記。對，這可能是讓本文讀者有些失望，這么老的方法！但是很管用。好記性不如爛筆頭。當你把經常錯過的，聽不懂的，常用的語言句子片語寫在本本上，經過十來部電影後，你會馬上體會到這個方法會帶給你得巨大收獲。當然這不能在電影院里進行，通常電視機上有字幕的電影是最好的。以後到電影院里看電影的時候，你就甚至可以和同去的夥伴解釋他們沒聽懂的台詞了。

好了，就讓我們在英國，看電影，學英語，找樂趣。

在語言環境中耳濡目染，才能真正「活學」，掌握語音、詞彙、句型、思維和文化；在語言環境中入鄉隨俗，也才能真正「活用」，達到理解和表達、交流和溝通。但是中國人在跟電影學英語時，多數人走入只看不聽，或只聽不看；只泛不精，或只精不泛的誤區，以致看了一些英文電影，但是聽和說卻沒有本質的提高。

但是學好英語，又必須從聽說入手。因為學習英語聽說可以使英語不再是望而生畏、死氣沉沉的學問，而成為妙趣橫生、鮮活靈動的實踐。但是學習聽說不等於「習得聽說」，美籍華人的英語好是因為具備了「習得聽說」的必要條件：英語環境。但是我們沒有條件，可以創造條件，比如看美國電影和情景喜劇，有意識地給自己營造出一種國外的英語環境強迫自己用耳朵接受英語，同時開口說英文，就能在輕松、愉快的氛圍中「習得聽說」。

英語聽說包括語音、語調節奏、用詞、句式、思維和文化六部分。首先，對於任何一門語言，語音是基礎，它不僅包括單詞的發音，還包括真實交際中詞彙、習語的連讀、失爆、弱化、濁化、重音、縮讀等許多音變形式。至於語調節奏，則是地道流利表達英語的潤滑劑，沒有接觸過地道的老外，沒有和他們有過面對面的交談，是很難感受到語調節奏在表達思想中的巨大作用和強大震撼力的。語言是文化的載體，用詞和句式的正確與否直接體現了對異國文化了解的程度。可以說，達到前三者就達到了與美國人的形似，若是又學會了美國人的思維和文化，能夠用美國文化思維則可達到神似的效果。這就是立體英語教育模式，電影則是最好的媒介。

做到語言、文化雙豐收。1、融入原則：不要把自己看成旁觀者，而要是當成局內人看待，要與角色同呼吸、共命運，產生場景感覺。2、突破原則：關鍵在於模仿，模仿不能離開背誦，熟練直到能脫口而出。3、擴展原則：首先要在詞彙和句式層面上擴展；其次是在此基礎上，「泛看」電影，電影題材可以不受很大限制，但每部影片都至少要看三遍以上。4、挖掘原則：此時不能僅限於看懂表面意思，而是要透過現象看本質，去挖掘語言背後深刻的文化內涵，變被動為主動，以此達到聽說的最高境界。周寧人暑期看電影學地道英語身臨其境的快感英語聽說六要素影視學習四原則影視選材原則1、生活類影片：這是最好的語言素材，向大家推薦的書目有：初級???《情歸巴黎》、中級???《阿甘正傳》、《西雅圖不眠夜》、《漂亮女人》、高級???《旅行冒險記》2、美國情景喜劇：代表作是七、八年前在電視上播出的那部《成長的煩惱》，當代最流行的有《森弗一家》、《朋友》等，更多內容可參看：《美國「情景喜劇」俚語百分百》。

『叄』 推薦美國電影，英文版的

給你推薦一部《天堂電影院》

『肆』 請列出盡可能多的歐美的好看電影的英文名，中文翻譯也要。好的加分。

豆瓣排名top500的電影有戰狼2、流浪地球、變形金剛5：最後的騎士、神偷奶爸3、加勒比海盜5：死無對證、哪吒之魔童降世、紅海行動、摔跤吧！爸爸、悟空傳、復仇者聯盟4：終局之戰、速度與激情7等。

豆瓣排名top500的電影合集網路網盤高清資源免費在線觀看：

鏈接：https://pan..com/s/1e6Q1zPR2A7Nx_Z4DrT8yVA

1、變形金剛5：最後的騎士

《變形金剛5：最後的騎士》是《變形金剛》系列第五部電影，是由美國派拉蒙影業公司出品的科幻動作片，由邁克爾·貝執導，馬克·沃爾伯格、喬什·杜哈明、斯坦利·圖齊、安東尼·霍普金斯、勞拉·哈德克、傑洛·卡邁克爾、伊莎貝拉·莫奈、約翰·特托羅聯合主演。

2、加勒比海盜5：死無對證

《加勒比海盜5：死無對證》是由迪士尼電影公司推出的奇幻歷險電影加勒比海盜系列的第五部作品，由喬阿吉姆·羅恩尼、艾斯彭·山德伯格聯合執導，傑瑞·布魯克海默製片，約翰尼·德普、哈維爾·巴登、布蘭頓·思懷茲、卡雅·斯考達里奧、傑弗里·拉什等人主演 。

該片講述了傑克船長一行人懷揣著各自的目的踏上尋找傳說中海神波塞冬的三叉戟的奇幻冒險故事 。

3、哪吒之魔童降世

《哪吒之魔童降世》是由霍爾果斯彩條屋影業有限公司出品的動畫電影，由餃子執導兼編劇，呂艷婷、囧森瑟夫、瀚墨、陳浩、綠綺、張珈銘、楊衛擔任主要配音。

該片改編自中國神話故事，講述了哪吒雖「生而為魔」卻「逆天而行斗到底」的成長經歷的故事。該片於2019年7月26日在中國內地上映。

『伍』 求近10年來美國經典電影和其英文名字，越多越好，有利於學英語的，謝謝！

我跟說句實話，看電影學英語不是好的途徑！
而且，美國獨立後，不僅政治 文化獨立了，而且語言他們也要求獨立，所以他們的英語（也就是我們說的美式英語）並不是現代流行的且純正的美國英語，他們現在說的是古英語，比如CEO這個詞，是羅馬宗教改革時期的衍生詞，尤其是電影中。而我們現在學習的是現代英語，所以要慎重好一些。
我今說說我愛看看的歐美電影吧：
駭客帝國；
明日之後；
獨立日；
飄；
（英文名字我不知道）

『陸』 美國電影對中國文化影響，英文版

American movies and Chinese culture

From 1980s, a lot of western things, especially Hollywood movies have been swarming into China, which have influenced Chinese culture greatly. Just as everything has two sides. I think these influences include positive and negative aspects.

Positive aspects:
Political culture----the concept of democracy
In American movies, there are lots of scenes such as election, parliament and ballot. Chinese know the western democracy truly that is different from the ecation of the Chinese Communist Party.
Life culture----real western life style
In American movies, we find that life can be so degage like that. It makes many people thirsty for American life even paying with their lives.
Family culture----the new family concept
In the Chinese culture, there are usually big families. Lots of people live together including your grandparents, your parents, your aunts, your uncles, your brothers, your sisters and you. However, when we have seen American movies, we changed our concept. We know that parents and we can live separately. Parents will not put so much attention on us as before after we could support ourselves. They can live happily by themselves, but in past, parents put their attention on us all their lives. Meanwhile, we also find that we will not take care of our parents so much when we come up the stage. In past, the situation is not so. Chinese attach importance to filial piety so that we should take care of our parents very much.
Clothing culture----various clothing
In American movies, we find that we can live by ourselves which is called indivialism. In the past, Chinese clothing is simple that is different from motley clothing and hairstyle in America. Recently, from Sun Yet Sen's uniform to business suit, from cheongsam to erogenous clothes，the clothing has changed greatly.
Food culture----food and drink
In American movies, we can frequently see a family having breakfast together in the morning. Milk and coffee become more and more popular among youths in China. Meanwhile, tea that represents traditional drink in Chinese culture has less influence than before. Moreover, fast foods such as hamburgers, sandwiches, chips and buffet dinners impact Chinese food. A lot of Chinese, especially youths consider them as their favourite food, though they are a litter expensive.

Negative aspects:
Sexual culture----eroticism
As everyone known, there are lot of sexual scenes such as bareness and sex in Hollywood movies. Praiseworthily, they bring liberation of sex in China. However, it leads many problems such as porno, coprology, carnalism and one-night love.
Violent culture----adoring violence
Typical violent movies such as 007 greatly influence Chinese. A lot of people like to use violence to settle problems.

『柒』 英文版奧斯卡金像獎簡介

The Academy Awards, officially known as the American academy of motion picture arts and sciences, are the world's most prestigious film awards.

（奧斯卡金像獎，正式名稱是美國電影藝術與科學學院獎，世界著名電影獎項。）

The Academy Awards are an annual award in the United States that honors the achievements of the film instry.

（奧斯卡金像獎是美國一項表彰電影業成就的年度獎項。）

Designed to encourage the creation and development of excellent films, it covers a wide range of film genres.

（旨在鼓勵優秀電影的創作與發展，囊括了各種電影類型。）

There are more than 20 different awards, and it is the oldest media award in the world.

（有20多個不同的獎項，也是世界歷史最悠久的媒體獎項。）

Has become the world's most influential film awards.

（已成為全世界最具影響力的電影獎項。）

Each year, the oscars are broadcast live on television and on the Internet in more than 100 countries.

（每年的奧斯卡頒獎典禮都會在超過100個國家進行電視和網路直播。）

(7)美國電影的影響英文版擴展閱讀

奧斯卡名稱來歷：

1，說法一

「奧斯卡」這個名稱的來歷說法不一，較為可信的是，1931年電影藝術與科學學院圖書館的女管理員瑪格麗特·赫里奇在仔細端詳了金像獎之後，驚呼道：「啊！他看上去真像我的叔叔奧斯卡！」隔壁的新聞記者聽後寫道：「藝術與科學院的工作人員深情地稱呼他們的金塑像為「奧斯卡。」從此，這一別名不脛而走。

2，說法二

「著名演員貝蒂·戴維斯申述，是她最早命名奧斯卡的。她說自己首次領金像獎時，無意中叫了聲丈夫海蒙·奧斯卡·奈爾遜的名字「奧斯卡」，被現場采訪的記者聽到，於是一下子傳開來了。

『捌』 求經典美國電影影評，最好是英文版的，中文也行，一個電影最好有多個影評 發776900490，非常感謝了

網上資源很多的，列舉兩個~
《肖申克的救贖》的英文影評 版本二郵件發給你

Though adapted from a Stephen King novella, "The Shawshank Redemption" has more to do with a man's internal demons than the kind that routinely rise up from overgrown graveyards. Like "Stand by Me," it's not a typical story from the horror King. Instead, it's a devoutly old-fashioned, spiritually uplifting prison drama about two lifers who must break their emotional shackles before they can finally become free men.

Set in a spooky old penitentiary with turrets and towers, the movie manages to be true to its Big House origins while incorporating such horrific mainstays as the clanking of chains and the creaking of the walls. There's even a raven that roosts in the prison library, where he is cared for by a darling old trusty (James Whitmore). For the most part, however, the movie expands upon cliches that date back to James Cagney's prison portraits梩he twisted warden (Bob Gunton) and the sadistic guard (Clancy Brown).

Director Frank Darabont, who apprenticed on B-scripts ("The Fly II") and TV movies ("Buried Alive"), manages to fashion an improbable new pattern from the same old material in his remarkable debut. While he deals with the grimmest aspects of prison life (sadistic guards, gang rapes and befouled food), Darabont is chiefly interested in the 20-year friendship that sustains Andy (Tim Robbins) and Red (Morgan Freeman) .

The movie opens in 1947 as Andy, a prominent New England banker, is on trial for murdering his wife and her lover. Not only did he have a motive, but he had the opportunity梙is footprints were found at the scene of the crime梐nd he had a weapon of the caliber used in the shootings. He insists that he is innocent, but the jury finds him guilty. Sentenced to life twice over, Andy is shipped to the maximum-security state prison at Shawshank, Maine. An introverted loner with an interest in reading, chess and rock carving, Andy doesn't make himself many friends until Red, a 30-year-veteran of the system, decides to take him under his wing.

Things begin to change for the better when Andy finds a way to use his skills and ecation to benefit his fellow felons. When he overhears the guard captain complaining about losing most of an inheritance to taxes, he offers to trade his advice for three beers for each of the men who are working with him that day tarring the roof.

His reputation as a financial adviser spreads, and soon he is doing the taxes for all the guards and running the warden's outside scams. This leads to a position in the tiny prison library, which Andy graally expands into the best ecational facility of its kind in the area. It takes him six years to do it, but Andy never gives up hope.

It is hope that allows the self-proclaimed innocent man to survive what may or may not be an unjust imprisonment. And hope is his gift to his friend Red, who no longer even tries to impress the parole board at his hearings. He's become "institutionalized," he explains to Andy, and would be a "nobody" on the outside.

Red's gift to Andy is absolution when he finally confesses his true sins. Whether or not he pulled the trigger, Andy blames himself for causing his wife's death; his redemption comes as he learns to give of himself over the course of this marvelously acted and directed film.

Robbins gives a performance that evolves with beautiful clarity from starchy banker to warm and loving friend. Freeman is sure to gain his third Oscar nomination for his portrayal of Red. He also reads the film's lovely narration, much of it drawn verbatim from King's 1982 novella.

A detailed portrait of the routine of cellblock life, "The Shawshank Redemption" might change a few minds about the usefulness of incarceration in terms of rehabilitation. Mostly, though, it reminds us of that we all hold the keys to our own prisons.

《楚門的世界》英文影評The Truman Show'' is founded on an enormous secret that all of the studio's advertising has been determined to reveal. I didn't know the secret when I saw the film, and was able to enjoy the little doubts and wonderings that the filmmakers so carefully planted. If by some good chance you do not know the secret, read no further.

Those fortunate audience members (I trust they have all left the room?) will be able to appreciate the meticulous way director Peter Weir and writer Andrew Niccol have constructed a jigsaw plot around their central character, who doesn't suspect that he's living his entire life on live television. Yes, he lives in an improbably ideal world, but I fell for that: I assumed the movie was taking a sitcom view of life, in which neighbors greet each other over white picket fences, and Ozzie and Harriet are real people.

Actually, it's Seaside, a planned community on the Gulf Coast near Tampa. Called Seahaven in the movie, it looks like a nice place to live. Certainly Truman Burbank (Jim Carrey) doesn't know anything else. You accept the world you're given, the filmmakers suggest; more thoughtful viewers will get the buried message, which is that we accept almost everything in our lives without examining it very closely. When was the last time you reflected on how really odd a tree looks? Truman works as a sales executive at an insurance company, is happily married to Meryl (Laura Linney), and doesn't find it suspicious that she describes household procts in the language of TV commercials. He is happy, in a way, but an uneasiness gnaws away at him. Something is missing, and he thinks perhaps he might find it in Fiji, where Lauren (Natascha McElhone), the only woman he really loved, allegedly has moved with her family.

Why did she leave so quickly? Perhaps because she was not a safe bet for Truman's world: The actress who played her (named Sylvia) developed real feeling and pity for Truman, and felt he should know the truth about his existence. Meryl, on the other hand, is a reliable pro (which raises the question, unanswered, of their sex life).

Truman's world is controlled by a TV procer named Christof (Ed Harris), whose control room is high in the artificial dome that provides the sky and horizon of Seahaven. He discusses his programming on talk shows, and dismisses the protests of those (including Sylvia) who believe Truman is the victim of a cruel deception. Meanwhile, the whole world watches Truman's every move, and some viewers even leave the TV on all night, as he sleeps.

The trajectory of the screenplay is more or less inevitable: Truman must graally realize the truth of his environment, and try to escape from it. It's clever the way he's kept on his island by implanted traumas about travel and water. As the story unfolds, however, we're not simply expected to follow it: We're invited to think about the implications. About a world in which modern communications make celebrity possible, and inhuman.

Until fairly recently, the only way you could become really famous was to be royalty, or a writer, actor, preacher or politician--and even then, most people had knowledge of you only through words or printed pictures.

Television, with its insatiable hunger for material, has made celebrities into ``content,'' devouring their lives and secrets. If you think ``The Truman Show'' is an exaggeration, reflect that Princess Diana lived under similar conditions from the day she became engaged to Charles.

Carrey is a surprisingly good choice to play Truman. We catch glimpses of his manic comic persona, just to make us comfortable with his presence in the character, but this is a well-planned performance; Carrey is on the right note as a guy raised to be liked and likable, who decides his life requires more risk and hardship. Like the angels in ``City of Angels,'' he'd like to take his chances.

Ed Harris also finds the right notes as Christof, the TV svengali. He uses the technospeak by which we distance ourselves from the real meanings of our words. (If TV procers ever spoke frankly about what they were really doing, they'd come across like Bulworth.) For Harris, the demands of the show take precedence over any other values, and if you think that's an exaggeration, tell it to the TV news people who broadcast that Los Angeles suicide.

I enjoyed ``The Truman Show'' on its levels of comedy and drama; I liked Truman in the same way I liked Forrest Gump--because he was a good man, honest, and easy to sympathize with.

But the underlying ideas made the movie more than just entertainment. Like ``Gattaca,'' the previous film written by Niccol, it brings into focus the new values that technology is forcing on humanity.

Because we can engineer genetics, because we can telecast real lives--of course we must, right? But are these good things to do? The irony is, the people who will finally answer that question will be the very ones proced by the process.
如果你找不到，還需要的話，歡迎繼續聯系

『玖』 急求有關美國電影文化方面的資料，盡量是英文版的

推薦看《胡佛》

『拾』 好萊塢電影對中國的負面影響 麻煩快點給我點幫助 英文最好

我給你觀點吧！
英文你自己去翻譯。
1.不同社會形態產生的世界觀不同，對中國的青少年具有不客觀甚至不好的導向。
2.過多的大片和美國拯救世界的意識侵略是與中國精神文明建設相背離的。
3.好萊塢開放式的性愛觀念不適合中國，也給青少年造成了不好影響。
4.好萊塢大片中暴力鏡頭過多。

我很喜歡好萊塢的片子，寫反方觀點很難受啊，呵呵。
希望能幫助到你。
再者，辯論賽主要是有自己的觀點大方向，其實最重要的是要抓住對方理論中的錯誤觀點或者爭議觀點進行辯論