『壹』 從電影雨果里找出二十句經典英文句子
everything has a purpose, even machines. clock tell the time and trains take you places. they do what they're meant to do, like monsieur labisse. maybe that's why broken machines make me so sad. they can't do what they're meant to do. maybe it's the same with people. if you lose your purpose, it's like you're broken.
一切事物都有使命，就連機器也是一樣。鍾要報時，火車要帶你去往目的地。他們都在做著本職的工作。也許這就是為什麼機器壞掉我會這么難過。這樣他們就不能盡到自己的職責了。也許人也是一樣的。如果你的生活毫無目的，就好像你壞掉了一樣。
right after my father died, i would come up here a lot. i'd imagine the whole world was one big machine. machines never come with any extra parts, you know. they always come with the exact amount they need. so i figure if the entire world was one big machine, i couldn't be an extra part. i had to be here for some reason. and that means you have to be here for some reason, too. 我父親死後，我經常到這兒來。我會把整個世界想像成一個巨大的機器，機器永遠不會有多出來的零件，你知道的。他們總是精確地有著自己需要的份量，所以我想，如果這個世界是一個巨大的機器，我就不會是多餘的零件，我在這里，總是有原因的，這也說明，你能在這里，也是有原因的。
『貳』 哪位大蝦 給我准備一篇雨果《悲慘世界》的簡介 英文簡介 三分鍾之內完事，重謝哦
1.Les Miserables (Synopsis)
Jean Valjean, released on parole after 19 years on the chain gang, finds that the yellow ticket-of-leave condemns him to be an outcast. Only the saintly Bishop of Digne treats him kindly and Valjean, embittered by years of hardship, repays him by stealing some silver. Valjean is caught and brought back by police, and is astonished when the Bishop lies to the police to save him and also gives him two precious candlesticks. Valjean decides to start his life anew.
Eight years have passed and Valjean, having broken his parole and changed his name to Monsieur Madeleine, has risen to become mayor of Montreuil. Javert, a police sergeant who has been tracking the parole-breaker for years, discovers Valjean』s true identity and swears to put him back in jail. To keep his promise to Fantine, a dying woman, Valjean escapes from Javert and rescues Cossette, Fauntine』s illegitimate daughter, from the Thenardiers who have been lodging and mistreating the girl for five years. Valjean is again in disguise and lives a quiet life in Paris with Cossette, his 「daughter」. He rescues Marius, a revolutionist who is in love with Cossette, from the fierce battle at the barricade. He is given the chance to kill Javert, but instead lets him go.
Valjean confesses the truth of his past to Marius before the young couple gets married and Maruis decides that Valjean should keep away from Cossette so as not to taint the sanctity and safety of their union. Thenardier tries to blackmail Marius, only to reveal the truth that it is Valjean who saved Marius from the barricade that night. Marius and Cossette go to Valjean before the old man dies. Moved by Valjean』s generosity and kindness, Jarvet gives up his ty as a police sergeant and commits suicide. The miserable world is enlightened by the glory of humanity.
2." Les Miserables " (1862) is representative works of Victor Hugo,as one of the most famous novels in the French literature.
The novel basic plot is Ran A Rang pitiful life history. He originally is one poor family background worker, because the income insufficient family member gets by, by one time stole the bread is arrested is put in prison. Passed 19 years firm prison and the bitter service life. The punishment completely after also has the larceny behavior, but benevolent bishop in the rice the sorrowful influence, the transformation is one shed oneself manner person. He uses an alias is Madland, works as the entrepreneur, and is pushed for mayor. But soon and further because exposed the status is arrested is put in prison, after escapes rescues the deceased female worker Fantin's daughter Cosette match from one bastard hand special, went to Paris. Afterwards again unceasingly encountered police's pursuit. The Ran A Rang entire life fills is imprisoned the pain which the bitter service and drifts about destitute, this is the novel main clue.
" Les Miserables " is the work which one realism and the romanticism unifies, the very many chapters glitter the realism glory, such as , in 1832 Paris's street barricade war all wrote is quite real. But the romanticism technique quite was also obvious in the plot arrangement, writes the many extraordinary events. If Ran A rang lets lie down is lifted in the coffin the monastery, he rescues from the street barricade Marilius, all is strange, molds, environment description, symbolic and contrast technique aspect and so on utilization in the character image, also manifests the romanticism the characteristic.
『叄』 雨果的英文簡介——急求！！
Hugo, Victor
born Feb. 26, 1802, Besançon, Fr.
died May 22, 1885, Paris
poet, novelist, and dramatist who was the most important of the French Romantic writers. Though regarded in France as one of that country's greatest poets, he is better known abroad for such novels as Notre-Dame de Paris (1831) and Les Misérables (1862).
Early years (1802–30).
Victor was the third son of Joseph-Léopold-Sigisbert Hugo, a major and, later, general in Napoleon's army. His childhood was coloured by his father's constant traveling with the imperial army and by the disagreements that soon alienated his parents from one another. His mother's royalism and his father's loyalty to successive governments—the Convention, the Empire, the Restoration—reflected their deeper incompatibility. It was a chaotic time for Victor, continually uprooted from Paris to set out for Elba or Naples or Madrid, yet always returning to Paris with his mother, whose royalist opinions he initially adopted. The fall of the empire gave him, from 1815 to 1818, a time of uninterrupted study at the Pension Cordier and the Lycée Louis-le-Grand, after which he matriculated at the law faculty at Paris, where his studies seem to have been purposeless and irregular. Memories of his life as a poor student later inspired the figure of Marius in his novel Les Misérables.
From 1816, at least, Hugo had conceived ambitions other than the law. He was already filling notebooks with verses, translations—particularly from Virgil—two tragedies, a play, and elegies. Encouraged by his mother, Hugo founded a review, the Conservateur Littéraire (1819–21), in which his own articles on the poets Alphonse de Lamartine and André de Chénier stand out. His mother died in 1821, and a year later Victor married a childhood friend, Adèle Foucher, with whom he had five children. In that same year he published his first book of poems, Odes et poésies diverses, whose royalist sentiments earned him a pension from Louis XVIII. Behind Hugo's concern for classical form and his political inspiration, it is possible to recognize in these poems a personal voice and his own particular vein of fantasy.
In 1823 he published his first novel, Han d'Islande, which in 1825 appeared in an English translation as Hans of Iceland. The journalist Charles Nodier was enthusiastic about it and drew Hugo into the group of friends, all devotees of Romanticism, who met regularly at the Bibliothèque de L'Arsenal. While frequenting this literary circle, which was called the Cénacle, Hugo shared in launching a new review of moderate tendencies, the Muse Française (1823–24). In 1824 he published a new verse collection, Nouvelles Odes, and followed it two years later with an exotic romance, Bug-Jargal (Eng. trans. The Slave King). In 1826 he also published Odes et ballades, an enlarged edition of his previously printed verse, the latest of these poems being brilliant variations on the fashionable Romantic modes of mirth and terror. The youthful vigour of these poems was also characteristic of another collection, Les Orientales (1829), which appealed to the Romantic taste for Oriental local colour. In these poems it can be remarked that the poet, while skillfully employing a great variety of metres in his verse and using ardent and brilliant imagery, was also graally shedding the legitimist royalism of his youth. It may be noted, too, that 「Le Feu ciel,」 a visionary poem, forecast those he was to write 25 years later. The fusion of the contemporary with the apocalyptic was always a particular mark of Hugo's genius.
Hugo emerged as a true Romantic, however, with the publication in 1827 of his verse drama Cromwell and a once-famous preface. The subject of this play, with its near-contemporary overtones, is that of a national leader risen from the people who seeks to be crowned king; but the play's reputation rested largely on the long, elaborate preface, in which Hugo proposed a doctrine of Romanticism that for all its intellectual moderation was extremely provocative. He demanded a verse drama in which the contradictions of human existence—good and evil, beauty and ugliness, tears and laughter—would be resolved by the inclusion of both tragic and comic elements in a single play. Such a type of drama would abandon the formal rules of classical tragedy for the freedom and truth to be found in the plays of William Shakespeare. Cromwell itself, though immensely long and almost impossible to stage, was written in verse of great force and originality.
Success (1830–51).
The defense of freedom and the cult of an idealized Napoleon in such poems as the ode 「À la Colonne」 and 「Lui」 brought Hugo into touch with the liberal group of writers on the newspaper Le Globe, and his move toward liberalism was strengthened by the French king Charles X's restrictions on the liberty of the press as well as by the censor's prohibiting the stage performance of his play Marion de Lorme (1829), in which the character of Louis XIII was portrayed unfavourably. Hugo immediately retorted with Hernani, the first performance of which, on Feb. 25, 1830, gained victory for the young Romantics over the traditional Classicists in a now-famous literary battle. In this play he extolled the Romantic hero in the form of a noble outlaw at war with society, dedicated to a passionate love and driven on by inexorable fate. The actual impact of the play owed less to the plot than to the sound and beat of the verse, which was softened only in the elegiac passages spoken by Hernani and Doña Sol.
Hugo had derived his early renown from his plays; he gained wider fame in 1831 with his historical novel Notre-Dame de Paris (Eng. trans. The Hunchback of Notre-Dame), an evocation of life in medieval Paris ring the reign of Louis XI. The novel condemns a society that, in the persons of Frollo the archdeacon and Phoebus the soldier, heaps misery on the hunchback Quasimodo and the gypsy girl Esmeralda. The theme touched the public consciousness more deeply than had that of his previous novel, Le Dernier Jour d'un condamné (1829; The Last Days of a Condemned), the story of a condemned man's last day, in which Hugo launched a humanitarian protest against the death penalty. While Notre-Dame was being written, Louis-Philippe, a constitutional king, had been brought to power by the July Revolution. Hugo composed a poem in honour of this event, Dicté aprés juillet 1830; it was a forerunner of much of his political verse.
Four books of poems came from Hugo in the period of the July Monarchy: Les Feuilles d'automne (1831; 「Autumn Leaves」), intimate and personal in inspiration; Les Chants crépuscule (1835; Songs of Twilight), overtly political; Les Voix intérieures (1837; 「Inner Voices」), both personal and philosophical; and Les Rayons et les ombres (1840; 「Sunlight and Shadows」), in which the poet, renewing these different themes, inlges his gift for colour and picturesque detail. But Hugo was not content merely to express personal emotions; he wanted to be the 「sonorous echo」 of his time. In his verse political and philosophical problems were integrated with the religious and social disquiet of the period; one poem evoked the misery of the workers, another praised the efficacy of prayer. He addressed many poems to the glory of Napoleon, though he shared with his contemporaries the reversion to republican ideals. Hugo restated the problems of his century and the great and eternal human questions, and he spoke with a warmhearted eloquence and reasonableness that moved people's souls.
So intense was Hugo's creative activity ring these years that he also continued to pour out plays. There were two motives for this: first, he needed a platform for his political and social ideas, and, second, he wished to write parts for a young and beautiful actress, Juliette Drouet, with whom he had begun a liaison in 1833. Juliette had little talent and soon renounced the stage in order to devote herself exclusively to him, becoming the discreet and faithful companion she was to remain until her death in 1883. The first of these plays was another verse drama, Le Roi s'amuse (1832; Eng. trans. The King's Fool), set in Renaissance France and depicting the frivolous love affairs of Francis I while antithetically revealing the noble character of his court jester. This play was at first banned but was later used by Giuseppe Verdi as the libretto of his opera Rigoletto. Three prose plays followed: Lucrèce Borgia and Marie Tudor in 1833 and Angelo, tyran de Padoue (「Angelo, Tyrant of Paa」) in 1835. Ruy Blas, a play in verse, appeared in 1838 and was followed by Les Burgraves in 1843.
Hugo's literary achievement was recognized in 1841 by his election, after three unsuccessful attempts, to the French Academy and by his nomination in 1845 to the Chamber of Peers. From this time he almost ceased to publish, partly because of the demands of society and political life but also as a result of personal loss: his daughter Léopoldine, recently married, was accidentally drowned with her husband in September 1843. Hugo's intense grief found some mitigation in poems that later appeared in Les Contemplations, a volume that he divided into 「Autrefois」 and 「Aujourd'hui,」 the moment of his daughter's death being the mark between yesterday and today. He found relief above all in working on a new novel, which became Les Misérables, published in 1862 after work on it had been set aside for a time and then resumed.
With the Revolution of 1848, Hugo was elected a deputy for Paris in the Constituent Assembly and later in the Legislative Assembly. He supported the successful candidacy of Prince Louis-Napoléon for the presidency that year. The more the president evolved toward an authoritarianism of the right, however, the more Hugo moved toward the assembly's left. When in December 1851 a coup d'état took place, which eventually resulted in the Second Empire under Napoleon III, Hugo made one attempt at resistance and then fled to Brussels.
Exile (1851–70).
Hugo's exile was to last until the return of liberty and the reconstitution of the republic in 1870. Enforced at the beginning, exile later became a voluntary gesture and, after the amnesty of 1859, an act of pride. He remained in Brussels for a year until, foreseeing expulsion, he took refuge on British territory. He first established himself on the island of Jersey, in the English Channel, where he remained from 1852 to 1855. When he was expelled from there, he moved to the neighbouring island of Guernsey. During this exile of nearly 20 years he proced the most extensive part of all his writings and the most original.
Immersed in politics as he was, Hugo devoted the first writings of his exile to satire and recent history: Napoléon le Petit (1852), an indictment of Napoleon III, and Histoire d'un crime, a day-by-day account of Louis Bonaparte's coup. Hugo's return to poetry was an explosion of wrath: Les Châtiments (1853; 「The Punishments」). This collection of poems unleashed his anger against the new emperor and, on a technical level, freed him from his remaining classical prejudices and enabled him to achieve the full mastery of his poetic powers. Les Châtiments ranks among the most powerful satirical poems in the French language. All Hugo's future verse profited from this release of his imagination: the tone of this collection of poems is sometimes lyrical, sometimes epic, sometimes moving, but most often virulent, containing an undertone of national and personal frustration.
Despite the satisfaction he derived from his political poetry, Hugo wearied of its limitations and, turning back to the unpublished poems of 1840–50, set to work on the volume of poetry entitled Les Contemplations (1856). This work contains the purest of his poetry—the most moving because the memory of his dead daughter is at the centre of the book, the most disquieting, also, because it transmits the haunted world of a thinker. In poems such as 「Pleurs dans la nuit」 and 「La Bouche d'ombre,」 he reveals a tormented mind that struggles between doubt and faith in its lonely search for meaning and significance.
Hugo's apocalyptic approach to reality was the source of two epic or metaphysical poems, La Fin de Satan (「The End of Satan」) and Dieu (「God」), both of them confrontations of the problem of evil. Written between 1854 and 1860, they were not published until after his death because his publisher preferred the little epics based on history and legend contained in the first installment (1859) of the gigantic epic poem La Légende des siècles (The Legend of the Centuries), whose second and third installments appeared in 1877 and 1883, respectively. The many poems that make up this epic display all his spiritual power without sacrificing his exuberant capacity to tell a story. Hugo's personal mythology of the human struggle between good and evil lies behind each of the legends: Eve's motherhood is exalted in 「Le Sacre de la femme」; mankind liberating itself from all religions in order to attain divine truth is the theme of 「Le Satyre」; and 「Plein Ciel」 proclaims, through utopian prediction of men's conquest of the air, the poet's conviction of indefinite progress toward the final unity of science with moral awareness.
After the publication of three long books of poetry, Hugo returned to prose and took up his abandoned novel, Les Misérables. Its extraordinary success with readers of every type when it was published in 1862 brought him instant popularity in his own country, and its speedy translation into many languages won him fame abroad. The novel's name means 「the wretched,」 or 「the outcasts,」 but English translations generally carry the French title. The story centres on the convict Jean Valjean, a victim of society who has been imprisoned for 19 years for stealing a loaf of bread. A hardened and astute criminal upon his release, he eventually softens and reforms, becoming a successful instrialist and mayor of a northern town. Yet he is stalked obsessively by the detective Javert for an impulsive, regretted former crime, and Jean Valjean eventually sacrifices himself for the sake of his adopted daughter, Cosette, and her husband, Marius. Les Misérables is a vast panorama of Parisian society and its underworld, and it contains many famous episodes and passages, among them a chapter on the Battle of Waterloo and the description of Jean Valjean's rescue of Marius by means of a flight through the sewers of Paris. Les Misérables's plot is basically that of a detective story, but by virtue of its characters, who are sometimes a little larger than life yet always vital and engaging, and by its re-creation of the swarming Parisian underworld, the main theme of man's ceaseless combat with evil clearly emerges while the whole gives a faithful picture of the ebb and flow of life.
The remaining works Hugo completed in exile include the essay William Shakespeare (1864) and two novels: Les Travailleurs de la mer (1866; The Toilers of the Sea), dedicated to the island of Guernsey and its sailors; and L'Homme qui rit (1869; The Man Who Laughs), a curious baroque novel about the English people's fight against feudalism in the 17th century, which takes its title from the perpetual grin of its disfigured hero. Hugo's last novel, Quatrevingt-treize (1874; Ninety-three), centred on the tumultuous year 1793 in France and portrayed human justice and charity against the background of the French Revolution.
Last years (1870–85).
The defeat of France in the Franco-German War and the proclamation of the French Third Republic in 1871 brought Hugo back to Paris. He became a deputy in the National Assembly (1871) but resigned the following month. Though he still fought for his old ideals, he no longer possessed the same energies. The trials of recent years had aged him, and there were more to come: in 1868 he had lost his wife, Adèle, a profound sadness to him; in 1871 one son died, as did another in 1873. Though increasingly detached from life around him, the poet of L'Année terrible (1872), in which he recounted the siege of Paris ring the 「terrible year」 of 1870, had become a national hero and a living symbol of republicanism in France. In 1878 Hugo was stricken by cerebral congestion, but he lived on for some years in the Avenue d'Eylau, renamed Avenue Victor-Hugo on his 80th birthday. In 1885, two years after the death of his faithful companion Juliette, Hugo died and was given a national funeral; his body lay in state under the Arc de Triomphe and was buried in the Panthéon.
Reputation.
Victor Hugo's enormous output is unique in French literature; it is said that he used to write each morning 100 lines of verse or 20 pages of prose. 「The most powerful mind of the Romantic movement,」 as he was described in 1830, laureate and peer of France in 1845, he went on to assume the role of an outlawed sage who, with the easy consciousness of authority, put down his insights and prophetic visions in prose and verse, becoming at last the genial grandfather of popular literary portraiture and the national poet who gave his name to a street in every town in France.
This instinctive recognition of Hugo as a great poet at the time of his death was followed by a period of critical neglect. A few of his poems were remembered, and Les Misérables continued to be widely read. The generosity of his ideas and the warmth of their expression still moved the public mind, for Hugo was a poet of the common man and knew how to write with simplicity and power of common joys and sorrows. But there was another side to him—what Paul Claudel called his 「panic contemplation」 of the universe, the numinous fear that penetrates his sombre poems La Fin de Satan and Dieu. Hugo's knowledge of the resources of French verse and his technical virtuosity in metre and rhyme, moreover, rescued French poetry from the sterility of the 18th century. André Gide, when asked whom he considered the greatest French poet, replied 「Victor Hugo, alas,」 explaining that if it was a regrettable fact at least it was fact.
Jean-Bertrand Barrère
Additional Reading
Biographies include Andre Maurois, Olympio: The Life of Victor Hugo (1956, reissued 1985); Joanna Richardson, Victor Hugo (1976); and Elliott M. Grant, The Career of Victor Hugo (1945, reprinted 1969). John Porter Houston, Victor Hugo, rev. ed. (1988), is an introction, focusing especially on his poetry and its technical aspects. An analysis of Hugo's romantic drama is found in Charles Affron, A Stage for Poets: Studies in the Theatre of Hugo & Musset (1971). Victor Brombert, Victor Hugo and the Visionary Novel (1984), explores the symbolic and mythological character of Hugo's works and is illustrated with Hugo's drawings.
『肆』 巴黎聖母院讀後感英語作文 初中水平
傲雪寒梅
我愛梅花,愛它的堅強,愛它的清高.我家的院子里就有一株梅花樹.
在春夏秋三季里,梅花並沒有什麼出眾之處,唯有到了千里冰封的冬天,它傲立在風雪中的堅強性格,才顯露出來.
去年冬末,接連幾日濃雲密布,朔風呼嘯,鵝毛般的大雪從天而降,下個不停.我透過窗子向外望去,嗬,好一株梅花!枝頭上既有含苞欲放的花蕾,也有綻放的花朵.火紅的花瓣,淡黃的花蕊,雪片落到花瓣上,紅里帶白,白里透紅,我彷彿聞到了一陣沁人心脾的清香,心情不由得豁然開朗,走到院子里欣賞這完美的"傲雪寒梅圖"!
入夜,雪片輕飄,朦朧的月光灑在梅花梢頭,更平添了幾許清高.陸游寫過一首詠梅的《卜運算元》,其中有這樣一句:"無意苦爭春,一任群芳妒",李清照的《漁家傲》中也有類似的句子:"莫辭醉,此花不與群花比".是啊,在百花齊放,爭芳吐艷的春天,你不會注意到它的身影;而在這冰天雪地中,在其它花草全部凋謝枯萎的時候,它卻綻開了鮮艷的花朵!梅花在我心中是清高的象徵,它不甘隨波逐流,與百花一齊盛開在春天,寧可超凡脫俗地挺立在風雪中.
古人說過這樣一句話:"梅花香自苦寒來",梅花不畏嚴寒,傲霜鬥雪,經過寒冬風雪的錘煉,花兒更艷,更香了,我們這一代的青少年兒童,就應像這傲雪的寒梅,在艱難困苦中掙扎,磨煉,而不能被父母,長輩的嬌慣,只有這樣,將來步人社會,才能被社會所接受,為祖國的建設描繪光輝的一頁!
我願意作一株傲雪的寒梅!
點評:
這是一篇好的抒情散文,它的感人之處不僅在於它具有藝術化的散文風格,尤其是在於它的情——真實的,真切的,動人的情.抒情散文的意韻貴在情真.《傲雪寒梅》一文寫出作者對梅的熱愛,不僅中心突出,立意深刻,而且寫出了它的魂,這正是"散文不散"的體現."無意苦爭春""只把春來報,待到山花爛漫時,她在叢中笑"梅如此,人亦應如此.只有經過風雪霜寒的考驗,才能茁壯成長.望廣大青少年認真讀該文,會從中體悟到一些真諦.
我愛家鄉的梅花
我的家鄉在流溪河林場,這里的景色美不勝收,像一幅美妙的圖畫!
流溪河林場最迷人的景物要算梅花了,梅花分為三個品種:白梅,臘梅,紅梅.
梅花是在冬天十二月左右盛開的.每到梅花盛開的時候,來自各地不同的遊客絡繹不絕地慕名來到梅園觀賞梅花.一進梅園,一陣陣清香撲鼻而來,使人心曠神怡,遊客們都贊不絕口.這時候的白梅花大多都是含苞欲放的.有些梅花的花瓣翩翩落下,就像下雪,顯得嬌柔可愛.怪不得有那麼多遊客紛紛留下它們的倩影呢!
有一股花香跟白梅花的味不同.那是一股濃郁的香味,它把我引到了臘梅區.臘梅的全身是金黃的,顯得很高雅,我被它的美陶醉了.有些臘梅樹的樹形特別優美,也引來了不少的攝影愛好者.
走上望梅亭,梅園內的景色都盡收眼底.頓時,我的心情變得越來越舒暢,真想高聲歌唱.我仔細觀賞,突然,我發現梅園內有幾棵紅梅樹,樹上長有紅梅花,孤傲而冷艷,這美真是別具一格呀!
啊,家鄉的梅花,我為你而感到自豪!因為有你,我們的家鄉才更顯出勃勃的生機.如果你們有空也到我們美麗的家鄉來遊玩吧,這里一定會令你們留連忘返!
雪海探梅
白梅似雪,暗香浮動,茫茫一片.1696年清巡撫宋犖來到光福賞梅,故題名"香雪海".我的家鄉就位於光福,為中國三大賞梅勝地之首.
3月10日那天,春光明媚,我們來到香雪海.剛近香雪海,就聞到一股沁人心脾的清香,那香味淡淡的,似蘭非蘭,似桂非桂.越近,香味越濃,真稱得上"香飄雲天外"了.
迎著香味跨入香雪海大門,展現在眼前的是滿山的梅花,白得像雪,像雲."遙知不是雪,為有暗香來",我今日才真正領略了古人為之感嘆不已的梅林景色.
走近梅花,又一陣濃香襲來,我深深地吸了一口氣,不禁為"香雪海"美名叫絕.拾級而上到達半山腰,眼前豁然開朗,只見山坳里銀海盪漾,凝如積雪,一朵朵梅花爭奇斗艷,競相展示出自己最美麗的風姿.
進入梅花林中,俳徊在雪海里,輕撫著微微顫動的花枝,強烈地感受到了春的脈博,春的生機,心中不由得湧起陣陣暖意.難怪幾千年來詠梅之詩,描梅之詩不歇,她那美而不艷,香而不膩的冰清玉潔,她那堅強的意志與頑強的生命力,曾使多少文人遊客為之陶醉,為之贊頌啊!
我愛梅花,我愛香雪海,我更愛美麗的家鄉.
愛梅說
梅蘭竹菊,歲寒四友,而我獨愛梅花.宋代王安石的"牆角數枝梅,凌寒獨自開.遙知不是雪,為有暗香來."詩句是那樣的優美,把梅花的樣子深深刻在了我的心中.
梅,一種極為平凡的植物,盛開在令人畏懼的嚴寒,獨占枝頭,不畏不懼.他是冬天的佼佼者,以高潔,堅強來征服花的世界.愈是寒冷,愈是風欺雪壓,
花開的就愈精神,寒冷造就了冰肌玉骨,清雅俊秀.他由五瓣嬌小的花瓣組成,
白梅是那樣的純潔無瑕,墨梅是那樣的高貴典雅,紅梅是那樣的清香濃郁,梅花所獨有的那種幽香,能把人深深地吸引住.
梅,典雅,冷俏,高潔,堅貞.江山萬里雪,一花天下春!冬天,大地萬物都沉睡,看不見牡丹的富貴,百合的可人,蓮花的出淤泥而不染,只有它,一朵朵小小的梅花,正義凜然地聳立在冰雪地的嚴冬.他抬頭挺胸,十分神氣的佔領了整個冬季人們的目光.他不與百花爭春,只在乾枯的冬天綻放,吐露芬芳,把寒冷的冬天點綴得冷艷動人.
借花喻人,梅花的凌寒斗艷,冰雪留香被喻為民族之精神,堅強勇敢的品格,為世人所敬重!我們應該學習他的不怕困難,勇於戰勝挫折的精神.在學習中,要刻苦努力,不斷進取,更上一層樓;在失敗後,要挺起胸膛,抬起頭,繼續向前;在生活中,要勇敢的生存,不被惡勢所擊敗.勇於面對,勇敢戰勝,這就是梅花給我們的啟示.
我愛梅花,愛它的嬌小動人,愛它的幽雅清香,更愛它的不懼嚴寒,勇往直前.
我愛梅花
花的世界裡開放著各種爭奇斗艷,多姿多彩的花兒.因為他們是美好的象徵,所以,誰都喜歡.有人喜歡華貴艷麗的牡丹,有人喜歡絢麗火紅的玫瑰,有人喜歡淡雅幽香的水仙,但我卻偏愛獨傲霜雪的梅花.
梅花——自古以來,都是詩人們贊頌的對象.就像毛澤東的"已是懸崖百丈冰,猶有花枝俏."陸游的"零落成泥輾作塵,只有香如故." 以及王冕的"不要人誇好顏色,只留清氣滿乾坤".這類詩句不勝枚舉.
梅花沒有牡丹的雍容華貴,沒有菊花的尊貴典雅,沒有水仙的婀娜多姿,但卻有著超凡脫俗的傲骨.它不開在陽春三月,而是開在寒冬臘月.迎接它的不是和煦的陽光,而是凜冽的北風;滋育他成長的不是和風細雨,而是冰天雪地.然而,當你漫步在它身旁,映入你眼簾的卻是傲然挺立的枝幹,含苞欲放的花蕊.瞧,那一朵已經開放,紅紅的,細細的花蕊伸出,紅紅的花瓣緊緊的依偎著花蕊,像母親擁抱著嬰兒.細細的花蕊間,零星點綴著白色,絲絲縷縷,情意綿綿.那就要開放的,飽脹得快要裂開,勇敢地迎接風雪的考驗.啊,這就是梅花.三九嚴寒,任憑風霜雪打,從不低頭彎腰,依然那樣嫻靜,用它那高潔質朴的性格,洗滌人們的心靈,陶冶人們的情操.
梅花也是報春的使者,但"俏也不爭春".當百花爭艷,它卻像害羞的姑娘躲"在叢中笑",默默的積蓄力量,孕育生機,准備再與冰雪搏鬥.
生活的歷程中免不了風霜雨雪.我們應從梅花精神中吸取力量,以梅花的堅強精神去對待前進道路上的困難.
指導教師陳巧蓉
點評:梅花自古以來都是文人墨客贊美的對象.讀了毛主席與陸游的《卜運算元 詠梅》,小作者對梅花的喜愛之情更甚了,於是通過梅花與牡丹,菊花等在生活環境,生存條件的對比,把梅花的高潔質朴展現出來.
游王壇十里梅花
"快點!去王壇賞梅花了"隨著這一聲,我像一個彈簧人一樣,從床上跳了起來,做好准備工作,叫上了自己的表哥和爸爸,媽媽坐上了21路公交車出發了.
在去王壇的路上我們總共轉了4輛公交汽車,在坐公交車的同時也已經在跟酸甜苦辣做斗爭.
在路上我一不注意看見了2004年雅典奧運會皮劃艇項目的冠軍孟關良的故鄉,只見一隻只白色的皮劃艇在平水水庫上來回遊動,我看到這里我還有點小小的自豪哩!當然,那時我最想看見的就是孟關良本人,看到他讓他簽個名也是一件快樂的事,但我也知道那是不可能的!
一個小時過去了,我們終於踏上了王壇的地盤,可我一朵梅花也沒看見,我就問爸爸.爸爸說:"這還不是目的得呢!目的得在王壇下面的東村!"我嘆道:"啊!"
我不知道後來又坐了多長時間的車.但我知道我一下車就如爸爸說的十里梅花一樣,滿山的白梅花,就像滿山的積雪一樣,梅花在山上開著,我和表哥已經控制不了我們童年的心靈,一下子把爸,媽丟在了身後了.
我們走在山路上,不時還能聽到蜜蜂的"嗡嗡"聲,或是小溪的流水聲和山羊的"咩咩"聲.忽然,淡淡的梅花香從前面的地方撲鼻而來.山路兩旁的梅花像迎接貴客一樣彎著腰,就像在向我們表示敬意,這樣的風景簡直比畫還要美.我們走石橋,我們和溪水,我們爬山坡,我們背唐詩名叫《早梅》:
一樹寒梅白玉條,
迥臨村路傍溪橋.
應緣近水花先發,
疑是經春雪未銷.
這是唐朝的戒昱寫的,而詩的大意和賞梅時的風景剛好相配.
接著我們就開始痛痛快快的玩.我們一會兒去草叢追在吃草的羊,一會兒又學著他們叫.一會兒又去爬山.一會兒去走田野.然而大部分時間都花在賞梅上.我站在梅林里聞花香,數花瓣,辯花形,高興的不得了.一會兒半天就過去了.我們就找了戶人家吃了口飯.不知為什麼,簡單的一餐飯,在農村特別香特別美,也特別的像山珍海味.
今天我非常高興,能到這么一個山清水秀的好地方來,可這次來只有一件事不好,那就是照相機拍到一半膠卷沒了,所以下次一定要再來過!
我特喜歡梅花
"牆角數枝梅,凌寒獨自開.遙知不是雪,為有暗香來."
——題記
冬,乘著北風而來,她沒有春的奼紫嫣紅,沒有夏的豐富美麗,更沒有秋的累累碩果.一提起冬,不少人就會情不自禁地想起它的寒冷來以及那蕭條的枯木殘草.但我卻希望它的到來.因為,也只有在這別具一格的季節里才能見到那令我思緒飛躍的梅花.
梅花,她就像人生的向標.她迎接著狂風暴雪的打擊,卻毅然挺胸直立,不會逃避寒冬帶來的種種困難,而是暗自飄香.
梅花,她就像冬天的畫家.雪中白茫茫的一片,草木枯萎,鮮花凋零,梅,卻給單調的世界添上了一線生機,一點色彩.讓人覺得冬天似乎並不那麼可怕.
梅花,她就像寂寞中的使者.她漸漸地綻放,漸漸地凋謝,漸漸地死亡.她對這個世界充滿了美好的憧憬,也對這個世界並無多少留戀.
梅花,就像一位得道的高僧.看破了紅塵,生死對她毫無畏懼可言.在她強健的身軀里,能看到的是對生死的感悟.
梅花,就像一位堅持不懈的人.不管呈現在眼前的困難有多大,只要存在著一絲的希望,她也絕不會放棄.就算犧牲自己寶貴的生命也總是無怨無悔.
梅花,她不像富麗堂皇的牡丹,不像爭奇斗艷的杜鵑,也不像火紅耀眼的玫瑰,更不像婀娜多姿的荷花,在我的眼中,她最像山林中那一棵棵高大挺拔的竹子.她絕不隨波逐流,而是嚴以律己,潔身自好.
人就應該像這嚴冬中盛開的梅花,像她一樣,我們應該有傲骨,而不可有傲氣.
『伍』 雨果簡介英文版
Hugo, Victor
born Feb. 26, 1802, Besan�0�4on, Fr.
died May 22, 1885, Paris
poet, novelist, and dramatist who was the most important of the French Romantic writers. Though regarded in France as one of that country's greatest poets, he is better known abroad for such novels as Notre-Dame de Paris (1831) and Les Misérables (1862).
Early years (1802–30).
Victor was the third son of Joseph-Léopold-Sigisbert Hugo, a major and, later, general in Napoleon's army. His childhood was coloured by his father's constant traveling with the imperial army and by the disagreements that soon alienated his parents from one another. His mother's royalism and his father's loyalty to successive governments—the Convention, the Empire, the Restoration—reflected their deeper incompatibility. It was a chaotic time for Victor, continually uprooted from Paris to set out for Elba or Naples or Madrid, yet always returning to Paris with his mother, whose royalist opinions he initially adopted. The fall of the empire gave him, from 1815 to 1818, a time of uninterrupted study at the Pension Cordier and the Lycée Louis-le-Grand, after which he matriculated at the law faculty at Paris, where his studies seem to have been purposeless and irregular. Memories of his life as a poor student later inspired the figure of Marius in his novel Les Misérables.
From 1816, at least, Hugo had conceived ambitions other than the law. He was already filling notebooks with verses, translations—particularly from Virgil—two tragedies, a play, and elegies. Encouraged by his mother, Hugo founded a review, the Conservateur Littéraire (1819–21), in which his own articles on the poets Alphonse de Lamartine and André de Chénier stand out. His mother died in 1821, and a year later Victor married a childhood friend, Adèle Foucher, with whom he had five children. In that same year he published his first book of poems, Odes et poésies diverses, whose royalist sentiments earned him a pension from Louis XVIII. Behind Hugo's concern for classical form and his political inspiration, it is possible to recognize in these poems a personal voice and his own particular vein of fantasy.
In 1823 he published his first novel, Han d'Islande, which in 1825 appeared in an English translation as Hans of Iceland. The journalist Charles Nodier was enthusiastic about it and drew Hugo into the group of friends, all devotees of Romanticism, who met regularly at the Bibliothèque de L'Arsenal. While frequenting this literary circle, which was called the Cénacle, Hugo shared in launching a new review of moderate tendencies, the Muse Fran�0�4aise (1823–24). In 1824 he published a new verse collection, Nouvelles Odes, and followed it two years later with an exotic romance, Bug-Jargal (Eng. trans. The Slave King). In 1826 he also published Odes et ballades, an enlarged edition of his previously printed verse, the latest of these poems being brilliant variations on the fashionable Romantic modes of mirth and terror. The youthful vigour of these poems was also characteristic of another collection, Les Orientales (1829), which appealed to the Romantic taste for Oriental local colour. In these poems it can be remarked that the poet, while skillfully employing a great variety of metres in his verse and using ardent and brilliant imagery, was also graally shedding the legitimist royalism of his youth. It may be noted, too, that 「Le Feu ciel,」 a visionary poem, forecast those he was to write 25 years later. The fusion of the contemporary with the apocalyptic was always a particular mark of Hugo's genius.
『陸』 急！！雨果英文簡介
Victor Hugo (l802~1885) is the leader of the French Romantic school sports. France is one of literary history's greatest writers. His life spanned almost the entire 19th century, his literary career 60 years ago, enring creativity. He parade of romantic novels, painting powerful, permanent charm readers. Hugo was born in 1802 in southern France owed Shangsong City. Grandfather was a carpenter, the father of the republic army officer, Wang Spain, Napoleon's brother Joseph had been granted to the rank ranged Bonaparte, who was a confidant of King senior officials. Hugo bright and intelligent, 9-year-old began to write poetry. 15-year-old wrote the "joy of learning" by the French Academy Award degree; by the age of 20 published books of poetry, "Songs and Carols," King Louis the 18th bestow his annuity. In 1827, Victor Hugo published scripts "Cromwell" and the preamble. Although the script fails to perform, but was considered a friend of French romanticism preamble to the Declaration, a landmark document into literary history. French romanticism it had a strong role in promoting the development of literature. 1830, Hugo scripts "that Kennedy Europe," the French Academy in Grand Theater, a huge, Romantic established a dominant position in French literary circles. "Europe that Kennedy" is about a 16th century Spanish aristocratic descent who resisted European Nepalese King that the story Hugo praise the bandit chivalrous and noble, and demonstrated strong anti-feudal tendencies. In July 1830, France had "July Revolution", the revival of the feudal monarchy was doubled. Hugo warmly praised the revolution and the glorification of revolutionaries and poems mourning those who died in the street fighting heroes. 1831 Victor Hugo's "Notre Dame de Paris" is the most romantic novels. Fantastic fiction plot twists and turns, the tension lively and unpredictable, dramatic and colorful. The story takes place in the Middle Ages. "Fool's day" day of the Roma artists in the square dance. Ingush from the gypsy girl married to attract the pedestrian, she is also very beautiful dancers look beautiful and impressive.
Then, the Notre Dame de Paris Gerardi 克羅德• Frola immediately with the fans of the beautiful Esmeralda, his inner fire burning passion, fell madly in love with her. So he ordered the church bell, looked like Quasimodo neighborhood furious rush to put Ingush. France captain King arrows than rescue the Ingush law to seize the Quasimodo. He revolution whipping people to the square, good non-Gypsy girl Qianqiu, Kasimo to buy bottled water instead. Although ugly appearance revolution, pure and noble felt that he was very grateful Ingush, had fallen in love with her. Ingush naive to the law than Selections of Falling Love at First Sight, the two appointments, Frola follow quietly behind, out of jealousy. France he had stabbed a knife and then fled. Aimeisilada because of the murder and sentenced to death. Quasimodo put Ingush rush out from under the gallows, possession of Notre Dame in Paris, Frola opportunity threat Gypsy girl to satisfy his desires for her, was rejected after she handed over the king's army, an innocent girl was hanged. Quasimodo angrily described Frola shift the church died from a fall, he hugged the body with Ingush have died.
Hugo novel performance of the strong hatred of the feudal government and the church, but also reflected his deep sympathy for the people of the lower classes.
『柒』 2篇英文電影觀後感，急啊。注意是要英文版的。
The Incredibles超人特工隊
The Incredibles is a 2004 American computer-animated action-fantasy-comedy film about a family of superheroes who are forced to hide their powers. It was written and directed by Brad Bird, a former director and executive consultant of The Simpsons, and was proced by Pixar and distributed by Walt Disney Pictures. about Bob's yearning to help people draws the entire Parr family into a battle with the villain and his killer robot.
The film won the 2004 Annie Award for Best Animated Feature, along with two 2004 Academy Awards, including Best Animated Feature and Best Sound Editing. It also received nominations for two other Academy Awards, won a 2005 Hugo Award, and was nominated for Best Motion Picture – Musical or Comedy at the 2004 Golden Globes.
《超人特工隊》是一個2004年的美國動畫影片講述的是超級家族被迫隱藏自己的力量。由 Brad Bird創作指導 之前指導《辛普森一家》的導演，,迪斯尼皮克斯公司製作。講的是鮑勃的渴望幫助人們吸引整個家庭進入戰爭與帕爾的壞蛋和他的殺手機器人。
這部電影獲得了2004年的安妮獲最佳動畫片,隨著兩個2004年奧斯卡大獎,包括最佳動畫片、最佳音效編輯。它還獲得了提名其他兩個獎項,贏得了2005雨果獎項,而被提名為最佳音樂劇或喜劇電影——在2004年的金球獎。