三篇英文電影讀後感中文

A. 寫一篇關於英文電影的讀後感（用中文寫的，不要太長）急！！！

泰坦尼克號觀後感

泰坦尼克號是人類的美好夢想達到頂峰時的產物，反映了人類掌握世界的強大自信心。她的沉沒，向人類展示了大自然的神秘力量，以及命運的不可預測。到泰坦尼克號沉沒那天為止，西方世界的人們已經享受了100年的安穩和太平。科技穩定地進步，工業迅速地發展，人們對未來信心十足。泰坦尼克號的沉沒驚醒了這一切。這艘「永不沉沒的輪船」——埃菲爾鐵塔之後最大的人工鋼鐵構造物，工業時代的偉大成就，因為對自然的威力掉以輕心，滿不在乎，所以在第一次處女航中就沉沒了。泰坦尼克號將永遠讓人們牢記人類的傲慢自信所付出的代價。人們永遠也忘不了這幅畫面：泰坦尼克號在海底昂著頭，殘破和污跡也掩蓋不了她的高貴。這就是她的歸宿。歷史就這樣演變成了傳奇。
這場災難震驚了國際社會。因為它向一些人證明了：人和人們的技術成就無法與自然的力量相比。電影中不是諷刺地說到:"泰坦尼克號是"永不沉沒的輪船"."人類的自負在此時變成了可悲的後果.
在我通覽《泰坦尼克號》之後，電影中的男女主角傑克與露絲的生死愛情打動著我的心，在這里，愛成為人們魂牽夢縈的最終主題。
ROSE說:「我覺得這一生不外如此，像活了一輩子似的，又像是站在懸崖邊上，沒人 拉我回來，沒人關心，甚至無人理會.」我從這句話中,我彷彿看到了自己.在這個物慾橫流的時代,我其實就像站在懸崖上一般,不堪一擊.
當看到正准備上船的ROSE又從容地跳上即將沉沒的泰坦尼克號時,我從那一刻明白:無論有多少險阻,我應當要敢於去追求自己想要的.
泰坦尼克號一部告訴人類應時時審視自己劣根性的警世電影,也是一則包融信念、勇氣、犧牲和愛的不朽傳奇.

B. 可不可以幫我寫三篇電影的英文觀後感。80字左右

功夫熊貓
Or the dream factory has always been the high standard, the screen exquisite detail, vivid characters vivid, touching story twists and turns, the most important thing is it in the most simple and easy to understand that the way of a token, that is - there is no shortcut to the world and Cheats, the only winning Famen is believe in themselves.

More do not want to repeat the story, because it really well. Look at the process, appeared frequently Huiyi people laugh, the whole atmosphere is relaxed and go. This film has done very authentic, a little bit by the Westerners did not interpret the feeling, no matter which story or convey the moods, whether the screen or the details are all the way east; only special is probably the Speaking of modern, such as, for example ok

中文意思
還是一貫的夢工場的高水準，畫面精緻細膩，人物生動傳神，故事情節曲折動人，最重要的是它以最簡單易解的方式說明白了一個道理，那就是——世界上沒有任何捷徑和秘籍，唯一的制勝法門就是相信自己。

不想再說更多的劇情，因為它真的很出色。看的過程中，頻頻出現人們會意的笑聲，整個氛圍相當的輕松和愜意。這個片子做得非常地道，一點兒也沒有是由西方人演繹的感覺，不論是故事還是其中傳達的意境，不論是畫面還是其中的細節，都是東方式的；唯一特別的可能就是出現的現代的口語，比如ok之類的。
哈利波特
Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.
這個殺手不太冷

This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.
I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways.
動畫喜劇 海底總動員

Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running

C. 求5篇英文電影的觀後感100字 電影是5個英文的 觀後感要中文的100字

哈利波特觀後感
哈利·波特是一個系列的七個幻想小說由英國作家J.K.羅琳寫的。書中記述的同名青少年巫師哈利·波特的冒險，加上韋斯萊和赫敏，他最好的朋友。中心故事是關於哈利的斗爭，邪惡的巫師伏地魔，他征服了魔法世界殺了哈利的父母，之後他試圖征服麻瓜（非魔法世界對他的統治）。

後天觀後感
今天，我們看了一部電影，這部電影的名字叫做：後天。這部電影講的是：世界發生了成為世界冷事務，播放的是什麼等地區溫度急劇下降在紐約電影中，幾乎每個下降超過十度。天空依然下可怕的冰雹，還有更害怕的龍卷風，紐約城在一瞬間變成了破城被龍卷風穿過後，更使整個城市變成了一個沒有結果。這真的讓人觸目驚心，使人的心不平靜的一旦落在很長一段時間，雖然電影中十分誇張，可是我們現在還不是這樣：全球變暖……所以請同學們從自己動手，環境保護起來，讓我們的環境更美麗！

戰馬
戰馬是如此精彩的電影。這部電影超過了我的期望。它是移動的，情感的，美麗的，和如此感人。這一定會成為經典。你不必是一個馬的愛人愛這部電影。沒有太多的血，但你仍然可以看到戰爭的恐怖和士兵和馬匹是多麼強烈，以及平民。索姆河戰役是特別強烈的場景。表演很精彩，攝影是美麗的，約翰威廉姆斯的得分是完美的，和馬都受過良好的訓練！斯皮爾伯格做了一個傑作！

贖罪
「贖罪」講述了一個年輕女孩的故事（Saoirse羅南）誰證人一個可怕的事情，這改變了許多生活。什麼是真實，什麼是真理？「贖罪」在這些科目。喬Wright執導了一個輝煌的戲劇，美麗的風景和偉大的故事發揮最大的部分。由伊恩McEwan的精彩的小說是安裝在銀幕上飛馳。懸念是緊緊的抱著你對它的控制。音樂支持電影和觸摸到了令人愉快的故事。鑄造特別是傑姆斯麥卡沃伊羅比和年輕有為的Saoirse羅南布萊妮救他們的角色出現。凡妮莎雷德格雷夫的外觀也大。情節場景技術是想像力和非常介意取笑是情節的一個非常重要的因素。這是非常令人驚訝，總監賴特沒有得到奧斯卡提名為他的成就。克里斯托弗漢普頓的劇本在奧斯卡頒獎典禮也失去了。萊特和漢普頓做得很好。但這顯然是一個年科恩兄弟，很好賺的課程。他很高興達里奧獲得最佳音樂藝術成就金像。\「贖罪」是一個聰明的，漂亮的，情感和感人的經驗。絕對值得一看！

羅馬假日 Roman Holiday (1953)的英文觀後感
公主來到羅馬有一個公共訪問。作為一個年輕的女孩，她厭倦了不斷的無味的活動。一天晚上，她悄悄地從她的起居室。當她來到羅馬街上，她深受義大利普通生活的吸引。最後她太累了，睡在街上。一位美國記者喬無意中看到她把不幸的是她自己的公寓。當他得知自己的真實身份，一個有趣的和浪漫的旅程開始了。在真理之口所發生的是影片中最有趣的場景。雖然他們有一天呆在一起，他們的愛情會永恆。真正的愛情是不到多久你留在你的另一半。

D. 求三篇英文電影的觀後感 用英語寫（30詞）

電影《阿甘正傳》觀後感：

Last night,I saw a great film,Forrest Gump.I am greatly impressed by this film,by the stories of Forrest Gump.Forrest Gump was born in a small village.He was born mentally retarded,and he was discriminated by others.But his mother is a strong female who encourages Gump to be strong and live the same as normal people.

《阿甘正傳》是由羅伯特·澤米吉斯執導的電影，由湯姆·漢克斯、羅賓·懷特等人主演，於1994年7月6日在美國上映。

電影改編自美國作家溫斯頓·格盧姆於1986年出版的同名小說，描繪了先天智障的小鎮男孩福瑞斯特·甘自強不息，最終「傻人有傻福」地得到上天眷顧，在多個領域創造奇跡的勵志故事。電影上映後，於1995年獲得奧斯卡最佳影片獎、最佳男主角獎、最佳導演獎等6項大 。

2014年9月5日，在該片上映20周年之際，《阿甘正傳》IMAX版本開始在全美上映。

E. 跪求三篇英語電影讀後感 初一水平的 還要中文翻譯

你上貼吧去找，我看過的海上鋼琴師、傲慢與偏見、簡愛等貼吧都有英文電影讀後感，可是寫得都不錯，不太像初一水平，你這就找找，截取些簡單的，修改修改吧

F. 老師讓看三部英文電影 寫不少於300字的影評 （影評是中文） 各位幫幫忙

1.《黑天鵝》
好女孩上天堂，壞女孩走四方。每個女孩心裏面都鎖著一個天使和一個惡魔，有的人釋放了天使，她優雅高貴，冰清玉潔；有的人則釋放了惡魔，狡黠黑暗，卻充滿魅惑；如果將天使和惡魔同時釋放，後果將會如何？

白天鵝的聖潔優雅與黑天鵝的魅惑激情就像天使與惡魔的對立，當這種對立同時安放在一個自小就在母親強烈的控制欲操控下且極度性壓抑的軀殼里，黑與白的對撞帶給人的除了坐立不安的震驚，還有美輪美奐的驚喜。

個人覺得，像Nina這么敏感細膩的女孩子，需要的不是愛與關懷，而是旁人對她最真切的肯定。她是為藝術而生的，只有在追求藝術的道路上充分地證明了自己，才能確定自己的人格。分裂不是必經之路，卻能讓她綻放出絕世無雙的美麗，同時也毀了自己。

敏感如Nina的女孩子都壓抑著自己，卻對Lily那樣活得灑脫自如、隨時都能迸發出激情的女孩子或多或少地帶著一點羨慕嫉妒恨的復雜情愫。其實這個時候，心裡的那點小腹黑已經躍躍欲試了，可偏要按壓住正在往外生長的黑色翅膀。這不是倫理道德的局限，而是自己給心上的鎖。我想，每個女孩子都會希望能盡情釋放出心中的那隻黑天鵝，不論代價多大，讓它展翅高飛一回總不枉這平凡的一生。
2.《盜夢空間》

看完《盜夢空間》時，我一直不解Cobb的妻子既然分不清夢境和現實，為何非要回到現實不可。夢里多好啊，不僅可以跟自己喜歡的人在一起，還可以任意想像自己的生活空間。就好像到達了一個超理想的世界，和自己喜歡的人，做著喜歡的事，建起夢想的房子，構築心中的都市。不孤獨，不寂寞，不無聊，無壓力。可這次算是切身體會到了Mal的痛苦。雖然夢到了自己醒來，但潛意識里還是清楚地知道，這樣的清醒是假象。那種拚命想醒來回到現實的感覺就像溺水時，呼不到空氣，想吸氣卻嗆得滿口是水，手抓不到救命稻草，腳底踩不到泥，拚命掙扎都浮不上水面。於是我才領悟，為什麼古人總說，人是要接地氣的才好。因為接了地，人才踏實。現實雖然殘酷，但那是人生存的地氣，只有回到現實，才有活生生的感覺。

我一向覺得，夢是不可解釋的超自然的東西，就像人的潛意識，不論你怎麼選擇，只有一個決定是不會讓你後悔的，那就是潛意識告訴你的決定。我在夢里喊「媽媽」時，其實是不得已的選擇。放在以前，我一定喊「爸爸」，因為只有父親才能給我那種安全感，可父親已經去世，我心裡很清楚這一點，才改口喊母親。在母親為應聲的情況下還是轉頭喊出了「爸爸」，但是最後還是母親喚醒了我，那是因為我潛意識里十分清楚，父親雖能給我安全感，但這一生中真正能夠捨命保護我，為我無私奉獻不計回報的只有母親一個人。所以是夢總還是能被人看穿的。不論夢境設計得多麼縝密，人的潛意識總還是會掙扎的，能不能回到現實，也許就要看你的潛意識到底有多強烈了。

電影放到Cobb醒來，走出機場的那段時，我那敏感的神經末梢不爭氣地在抽泣，直到現在仍不知道到底是出於什麼原因。我有時想，夢到底是逃避現實的避風港，還是現實只不過是人生的一場夢？分辨夢境與現實如果非要付出生命的代價，那麼生命在夢境和現實中的份量只能佔多少？是活在夢境中更幸福還是活在現實中更踏實？過了若干個月，我的心境發生了翻天覆地的變化，對《盜夢空間》的感受也由原先的震撼變為了冷靜，可這幾個問題仍是未解，就像片尾那隻似停非停的陀螺。它不會告訴你Cobb到底是回到了現實，還是又做了一場夢，但是它在暗示你，不論夢境多麼美好，不論現實多麼不堪，人總還是嚮往真實的生活的。不信，難道你當初沒有幻聽到陀螺停轉的聲音或是希望它能停下來嗎？
3. 《洛杉磯之戰》
到影院後，發現諸多上映的影片中，只有《赤焰戰場》算得上是可觀性比較強的片子，同期的除了一些不見任何口碑的國產片，就只剩下這部《洛杉磯之戰》了。《赤焰戰場》老早以前就曾看過，國產片確實不是我的那杯茶，所以看《洛杉磯之戰》有點像是無奈之中的選擇。不過，觀影之後發現，這部片子還不算令人失望，很多地方還是可圈可點的。

從攝影手法上來看，影片採用紀錄片式手持攝影，鏡頭不停晃動，給人以強烈的不安和真實感，將人不自覺地帶入情境之中，如身臨其境。看著容易讓人想起去年的《第九區》，當然它跟後者是無法同日而語的。

影片在營造外星人的形象時，相信還是花了不少功夫的。外星人的真正面目遲遲不露，但濃烈的煙霧和四處流竄的槍彈，以及瞬間毀滅一座現代化城池的速度不斷加強著外星人的神秘感。雖不見真身，但處處都籠罩著外星人的陰影，彷彿他們隨時隨地可能在瞬間猛然出現，甚至不給人以招架之機。

其實就個人感覺而言，能夠給人留下深刻印象的，還是對於海軍陸戰隊將士們的塑造。男主是個曾在一次戰役中失去兄弟而隻身生還的上士。一個將士率領一眾兄弟殺敵，全部陣亡，也許還能獲個光榮犧牲的好名聲，可下命令的人卻能夠活著回來，這很難不讓人產生聯想。即使是在退役之後重返戰場，仍遭到部下和長官的質疑和爭議。在滿懷對陣亡士兵的愧疚和歉意回到戰場，卻還要頂著同隊一干將士的排擠和質疑跟擁有強大軍事實力的美軍都無法招架的外星人對抗，男主所能承受的恐不是三言兩語就能說清的。所幸這隊兵士都還是善良的人，對他的排擠也僅止於言語挑釁和態度，沒有破費心機給他穿小鞋，沒有居心不良地陷他於不義，而是高度職業化地秉承軍人的精神——軍令如山，即使是死穴，你叫我去我還是得去。這種拋棄個人私怨的高度職業精神，我想，喜歡在職場中公報私仇的那些人應該好好地學習學習。一個紀律嚴謹的部隊，一定是由一群質素高尚的人組成的，而質素的高低絕對跟人在對核心精神的掌握和貫穿有著密切聯系。正如我們在職場中，就得貫以高度的專業態度和職業精神，才能避免以私人利益為宗旨的勾心鬥角和城府心機。部隊的職業精神是軍令如山，那麼職場的職業精神呢？我想，是「工作第一」吧。如果每個人都多花點心思去想要怎麼才能把自己的工作做好，而不浪費時間去想今天該怎麼整TA，明天要怎麼提防TA，後天要如何報復TA，那我們的職場不是可以純凈很多，安心很多麼？

說回影片，男主一番陳詞激昂的演說就令兵士們盡棄前嫌，死心塌地，咋看起來有點誇張，細斟酌就能知道，正是兵士們秉承的高度的職業精神令他們能夠輕易地抹除別人在自己心目中的道德陰影，再次相信他人。而相信一個你曾經懷疑過的人，需要的不僅是勇氣，更多的是胸懷。
求採納 \(^o^)/~

G. 求英文電影觀後感三篇，50個詞！像冰雪奇緣或辛德勒名單的都可以。觀後感也要英文的，每篇50個詞就夠

In Catching Fire, Katniss is the symbolof revolt, many distract happened riot. The president hates Katniss very much,but he can』t kill Karniss, since everyone knows that the president is afraid ofrebel. President Snow in order to keep his position, he does everything tochange the rules in 75th annual Hunger Games , each district chooses a womanand a man , and those men and women must be attended Hunger Games and won thegame once. He wanted the winners kill Katniss because she gives people hope.Katniss knows the difficulty to be a hero, but her dream is to go home. AtKatniss and her family are saved but Peeta is caught.
這里有一篇飢餓游戲2的，希望可以採納

H. 急求三篇英文的電影觀後感大神們幫幫忙

英文影評:千與千尋(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂總動員 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

I. 英語電影讀後感

1. "Peter Pan Peter Pan" Du Hougan

Reading the "Peter Pan Peter Pan" This famous work, I benefited from, I know that every child will grow up in this truth.

Many children do not want to grow up and do not want to go to school, just want to play every day. Peter Pan is the hero of the book, he is a always the boys do not want to grow up. He never lived in this rural paradise like the same place, where there is such as the bell sounds as beautiful fairy, a mermaid hair, Zhang Buda children, mystery, like the Indians, ferocious pirates and will issue a "ticking "Voice of the crocodile. However, the rich and colorful life, but not a substitute for the mother's desire to Peter. Thus, an equally do not want to grow up, the girls never went to the rural based, on the children when the "mother." They never started in the various rural singular adventure. However, the final text still choose Beattie grew up. She took the children from Nashan mother has for her to fly back to open the windows in the home. And that is always reluctant to grow up the boys, Peter, even though the world can have a happy, but can not enjoy from the warmth of a family. He can only be separated by windows, secretly Zhang Wang window within the stove, a smiling face and kinship. And then quietly walked away, and fairies to disappear in the night sky.

Yes ah! Although the township never happy, it does not have the warmth of family, wonderful life. Everyone will grow up and grow into a tree shoring days, as long as our dreams have never townships, and also when they grow up will be very happy and live a more exciting.

2. "Wizard of Oz" Du Hougan

Reading the "Wizard of Oz" This novel, I understand the friendliness and mutual assistance among people should unite as one, is not afraid of all the difficulties and move forward the truth.

In the main text of more than Lucy gave a young girl aunt and uncle living in the Prairies, one day, the wind suddenly Vol dragon boat suddenly struck, she and her hut, a puppy with Gua Meng Jin Renqing surprising places. Accidental death of the hut where the evil witch in the East, more than Lucy as a noble woman was magic, and access to the evil Witch of the East Bank of shoes. She very much like to go home, north of good witches guide her to go to the distant country Feicui Cheng Aoci find a magician Aoci help. Lucy has rescued more than the way the brain to find the scarecrow, tin and find the heart to find the courage of a lion…… several in the way they help each other, overcome all difficulties, and the final realization of their own wish.

This fairy tale story of breathtaking twists and turns, praised the kindness, courage and the quality of fraternity and mutual help, ideal for the spirit of persistent struggle, is always worthy of our study.

3. "Robinson Crusoe" Du Hougan

Reading the "Robinson Crusoe" I know when we are under any circumstances, should believe and respect for their wisdom and courage and the tenacity to overcome self-to overcome the difficulties.

This book's main character from childhood who was born in a wealthy family, for their interest in sailing at all to leave their parents, uprooted from their homes, began Chuyang adventure experience. This person's life experience is strange unheard of, and changes in Wanan his life is unique. But the final text of the hero by virtue of its clever exceptional courage and wisdom to overcome all the world seems difficult to overcome the difficulties.

He's such wisdom and courage of our life in all of the things Buwan.

If we can help translate 3 to find another two best. Thank you! Will have the satisfaction of additional points

J. 5篇100字左右的英文電影的觀後感，要用英語啊

《阿甘正傳》觀後感：

To be honest, Ive never seen anyone like Forrest Gump in a movie before.Forrest Gump who is unfortunately to be born with a lower IQ and the muscle problem, usually, people always think this kind of person cant be successful in doing anything. But, instead, this unlucky man has achieved lots of incredible success, he is a football star, a war hero, and later a millionaire!

Forrest Gump not only shares his innocence and purity with others, ,he also manages to retain that innocence through some very difficult times. I love Forrest that he doesnt lose his purity through the movie, or maybe he just cant ,but either way, this shows us dont need to be evil or really intelligent to be recognised or successful.

It is just a movie, so maybe it doesnt work like that in reality.A simply means is that the acting and story of this film got a high level like the real . And in my definition thats what a good movie should be able to do.

譯文

老實說，我以前從未在電影中見過像阿甘那樣的人。阿甘不幸地天生智商較低，而且有肌肉問題，通常人們總是認為這種人做任何事情都不會成功。但是，相反，這個不幸的人取得了許多令人難以置信的成功，他是一個足球明星，一個戰爭英雄，後來成了百萬富翁！

阿甘不僅與他人分享他的純真和純潔，他還設法在一些非常困難的時期保持這種純真。我喜歡福勒斯特，因為他沒有在電影中失去他的純潔，或者也許他就是不能，但不管怎樣，這表明我們不需要邪惡或真正的智慧才能被認可或成功。

這只是一部電影，所以在現實中可能不是這樣的。一個簡單的方法是這部電影的表演和故事達到了真實的高度。根據我的定義，這就是一部好電影應該能做到的。