1. 亂世佳人英文簡介
寫作思路:首先介紹一下該書的作者,然後詳細地介紹一下主要內容,再闡述一下創作背景等等。
正文:
Gone with the wind is a novel written by American writer Margaret Mitchell, who won the Pulitzer Prize for literature in 1937. Taking Atlanta and a nearby plantation as the story scene, the novel depicts the life of American southerners before and after the civil war.
《亂世佳人》是美國作家瑪格麗特·米切爾創作的長篇小說,該作1937年獲得普利策文學獎。小說以亞特蘭大以及附近的一個種植園為故事場景,描繪了內戰前後美國南方人的生活。
The works depict the images of many southerners at that time, among which Scarlett, Rhett, Ashley and Melanie are the typical representatives. Their customs, manners, spiritual concepts, political attitudes, through the love entanglement between Scarlett O'Hara and Rhett as the main line, successfully reproced the civil war in Lincoln period and the social life in the southern region of the United States.
作品刻畫了那個時代的許多南方人的形象,佔中心位置的斯嘉麗、瑞德、艾希禮、梅蘭妮等人是其中的典型代表。他們的習俗禮儀、言行舉止、精神觀念、政治態度,通過對斯嘉麗·奧哈拉與白瑞德的愛情糾纏為主線,成功地再現了林肯時期的南北戰爭以及美國南方地區的社會生活。
Feminist literature began in the 19th century and flourished in the 20th century. The rapid development of feminism is closely related to the social environment and the background of the times.
女性主義文學是開始於19世紀,到了20世紀開始蓬勃發展。女性主義的飛速發展與當時的社會環境、時代背景有著密切的聯系。
With the ideas of freedom, equality, fraternity and natural human rights advocated by the French Revolution rapidly rooted in the hearts of the people all over the world, from the 1930s, a feminist movement began to fight for women's equality in politics, economy and ecation. In 1936, Margaret Mitchell's gone with the wind came out under such circumstances.
隨著法國大革命所倡導的自由、平等、博愛及天賦人權等思想在整個世界范圍內迅速深入人心,從19世紀30年代開始,一場為了爭取女性在政治、經濟、教育等方面平等的女權運動開始了。1936年出版的瑪格麗特·米切爾的《亂世佳人》就是在這種情況下問世的。
2. 急求300英文字「亂世佳人」的簡介(含作者、情節簡介及評論)
The GONE WITH THE WIND take the heroine Scarlett's love entanglement and the life bitter experience as the master line, vividly reappeared south the plantation economy from as the collapse, the slave-owner has as prosperously lived from as luxuriously as the dead end, the slave-owner social class by crazily provokes the war until the defeat death, the slavery economy substitutes for south this US for the capitalism economy slave society's collapse history. Therefore, it is not only a human happy love pinnacle of poetic creation, also was a reflection politics, the economy, moral many aspects is huge at that time the historical picture scroll which but profoundly changed.
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Scarlett's O'Hara's final words in Gone With the Wind may be the most recognizable, and quoted, in film history. Even those who haven't seen the film know the reference, a phenomenon evidently assumed by art critic Robert Hughes when he closed his recent eight-part video history of American art and architecture, American Visions with this of all lines.NOTE 1 That the film is "popular" and has been literally since its premiere in December 1939 may be all too obvious, but less clear is the meaning and sources of this popularity. My claims are, first, that America's relationship to Gone With the Wind is more complex than "popularity" suggests and might be characterized as one of love/hate--for the subject matter, the characters, even for the film's notoriety. Second, this love/hate relationship is rooted, I believe, in the ways in which American myths, particularly those related to sex and gender, are both referenced and then violated in this film, particularly in the character of Scarlett O'Hara.
What seems to bother many viewers, including critics, is that Gone With the Wind is Scarlett's story. Typical was film critic Otis Ferguson, who wrote, "Scarlett is too many things in too rapid succession; the exact point of her aspirations is confused; there is so much sobbing and color and DeMille display, such a mudbath of theme music, that a clean realization of character or events is out of the question."NOTE 2
The seeming inability to understand Scarlett's character is at the heart of both the dynamics of Gone With the Wind and responses to it. Scarlett makes viewers uncomfortable because she exposes the underside of regional and gender myths while embodying basic American (male) values transformed (but not transplanted) ring an era of drastic economic change. The central, consistent, and apparently disturbing, theme of Scarlett's ambiguous gender identity can be seen in three interrelated aspects of her life: her relation to gender roles and other people; her relation to economic ideals and realities; and her relation to the war.
你看看能不能幫上忙^_^
3. 亂世佳人 英文介紹
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簡介簡介第十二屆奧斯卡最佳影片(1940)
◎片名:GoneWithTheWind
◎中文:亂世佳人
◎出品:美國米高梅影片公司、美國塞茨尼克影片公司
◎年份:1939
◎導演維克托·弗萊明
◎製片戴維.塞爾茲尼克
◎男主角克拉克·蓋博
◎女主角費雯·麗
◎主......
4. 赫本的電影亂世佳人又被譯為飄的含義是什麼
《亂世佳人》網路網盤高清資源免費在線觀看:
鏈接: https://pan..com/s/1Y8GORpj3K0xjCRp_v4zjEg
《亂世佳人》是由維克多·弗萊明執導,費雯·麗、克拉克·蓋博、奧莉薇·黛·哈佛蘭、萊斯利·霍華德主演的愛情片,於1939年9月9日在美國上映。該片改編自小說《飄》,講述了美國南北戰爭爆發後,塔拉庄園的千金小姐斯嘉麗與風度翩翩的商人白瑞德之間所發生的愛情故事。1998年,美國電影學會評選20世紀最偉大100部電影,該片位列第4位。亂世佳人GonewiththeWind(1939)