『壹』 求電影《我是傳奇》中英文經典台詞，好詞，300詞影評
網路里就有的
Radio message from the President of the United States: …And make no mistake, My Fellow Americans, we are at war for our very survival. And so it is with great sadness but greater resolve that tonight I have signed an executive order quarantining New York City. God be with us…
來自於美國總統的無線電消息：……請不要混淆視聽，我的美國同胞們，我們在為生存而戰。今天晚上，我懷著非常痛苦和悲傷的心情，不過這可能是唯一的解決方法，我要下令封鎖紐約市。上帝保佑我們……
Robert Neville: My name is Robert Neville. I am a survivor living in New York City. If there is
anybody out there…anybody. Please. You are not alone.
羅伯特•奈維爾：我叫羅伯特•奈維爾，我是一個生活在紐約市的倖存者，如果這里還有其他人……任何人。請回答我，因為你不是孤單一個人。
Robert Neville: I am a survivor living in New York City…I can provide food. I can provide shelter. I can provide security.
羅伯特•奈維爾：我是紐約市的一個倖存者……我能夠提供食物、藏身之處，我能夠提供給你需要的安全。
Robert Neville: I can help. I can fix this. Let me save you. I can save you; I can save everybody.
羅伯特•奈維爾：我能提供幫助，我能治好它。讓我去救你吧，我能夠拯救你的生命，我能夠拯救每一個人。
Robert Neville: Nothing happened the way it was supposed to happen. We are seeing mutations. Cannabalistic hunger. Typical human behavior is now entirely absent.
羅伯特•奈維爾：任何事都沒有按照它應該遵循的軌跡。我們看見了變化，那是一種只有人肉才能制止的飢渴，典型的人類行為現在完全沒有了。
Robert Neville: Six billion people on Earth when the infection hit.
羅伯特•奈維爾：當病毒開始擴散的時候，地球上有60億的人口。
Robert Neville: I will be at the South Street Seaport everyday, at midday, when the sun is highest in the sky.
羅伯特•奈維爾：我每天都會去南街海港，當太陽位於正中間的正午，我都會等在那裡。
Robert Neville: Good morning, Hank!
羅伯特•奈維爾：漢克，早上好！
Robert Neville: God didn't do this. We did!
羅伯特•奈維爾：上帝不會這么做，是我們做的！
Robert Neville: Come on Sam, we gotta go.
羅伯特•奈維爾：來吧，薩姆，我們得走了。
Robert Neville: I haven't seen another person in three years. If there is anybody out there. Anybody. Please.
羅伯特•奈維爾：三年來，我再沒有見過除我之外的人類，如果有人聽到我的話，任何人，求你回答我。
Robert Neville: Day one thousand and one. I am still unable to transfer my immunity to infected hosts.
羅伯特•奈維爾：第1001天，我仍然沒辦法把我身體里的免疫力，轉移給被感染的人體。
Robert Neville: I'm not gonna let this happen.
羅伯特•奈維爾：我不會讓這種事發生。
Robert Neville: Light up the darkness.
羅伯特•奈維爾：照亮黑暗吧。
『貳』 《我是傳奇》觀後感
從魯賓遜的孤島生活，到演員湯姆·漢斯的《劫後餘生》，在世界上的孤島里獨自一人的生活已有無數的例子，可是，在世界最大的城市之一的紐約獨自一個生活，你試過沒有？電影《我是傳奇》便是這樣一部電影。
因醫學的發展，癌症的疫苗已被發明出來，在小白鼠身上實驗過後問題，便全球60億人接種了疫苗，這一下疫苗突然產生變異，以下全球50億人死亡，9億人變為吃人肉的野獸，剩下不到1億人有抗體，主人公便是其中的一位，他一直在默默地獨自一人在紐約市研究疫苗，搜索生存者。在他身邊的只有一隻叫山姆的狗。後來終於找到生存者後，經過生存者的開導，主人公終於決定去尋找那傳說中的生存者避難所，帶著他那研究成功的疫苗。
看完這部電影，我被深深地感動了，被孤獨所籠罩的主人公，雖生活在大都市，卻比困在古道的魯賓遜有著更加絕望的心情，但主人公羅伯特仍然抱著身為這都市的少校，就要保護，駐守在這的想法，一心一意地研究人類最後的希望——疫苗。每天早上錄制視頻日記，然後尋找維持生命的資源，無聊就去音像店買CD、DVD，跟店裡的假人聊天，盡管只是在自言自語。
「上帝不會這樣做，是我們做的。」這是主人公說的一句話。人類，是無數件災難的製造者，但也是災難事件的阻止者。文中的`主人公使擔任著這樣的一個角色。他憑著堅強的意志在一個充滿吃人的怪物的城市生存下來，在看著他頑強地生存的時候，我也得到幾個啟示。
永遠不放棄希望。電影中的主人公每天都用收音機發出信息，希望有人無意中打開收音機而和主人公在一起，盡管3年來毫無聲息，但他還是不厭其煩地放，也因為這樣兒找到了倖存者。
永遠保持一顆樂觀的心，不管正常人死光了，危險的動物從動物園里跑出來了，資源快沒了，主人公羅伯特都笑著面對，讓人感到他那堅強的心。
是啊，許多打破困難生存下來的人都不就是擁有這樣的思法，才在困境中生存下來的嗎？相比之下，我可是兩樣都不具備呢。每當在游戲里，被敵人打到窮途末路時，我便不再反抗了，只是不動地站著等待死亡，看完這部電影後，我覺得，我應該還沒GameOver時，都要一直打下去，抱著最後的希望。而在游戲里最終還是被人擊倒，我便認為我無法戰勝他，不敢再嘗試了，而看完這部電影後，或許我應該沉住氣，相信自己，為打倒他人而不斷想方設法，不氣餒，再試一次。
看完這部電影後，我感觸良多。大家有時間也來看看，相信大家都會感觸良多。
『叄』 適合寫影評的英文電影（推薦5個吧）
1.我是傳奇 這部影片能讓我們感悟人性之美的東西太多了.
2.水嘯霧都 災難片 一定有話題講
3.血色入侵 這是一個陰暗又純凈的故事 (原版並不是英文 不過放心~網上大多為英文版)
4.香水 一個謀殺犯的故事
5.七磅 一個打算自殺了事的人，決定在那之前先幫助七個陌生人，也就是先做點好事再辭世。
希望對你有幫助`~~
『肆』 我是傳奇電影觀後感
一個人活著要堅強！男人要有自己的信仰
『伍』 用英語寫《我是傳奇》觀後感
難 難 沒辦法幫你 我英語20分開始 還是丟塞子 丟出來的..
你可以先用中文寫. 然後用翻譯工具 翻譯成英文就可以了 翻譯工具在hao123最下面那裡有翻譯的
『陸』 求電影<我是傳奇>的英文介紹!!!!!!!!!!!!!!!!!
Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague -- The Infected -- lurk in the shadows... watching Neville's every move... waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered... and quickly running out of time. Written by Warner Bros. Pictures
It is the year 2012. In the ruins of New York city. Robert Neville who is a military scientist who is the lone survivor of a biochemical disease which was supposed to cure cancer 3 years previous. With only blood thirsty zombies as his neighbors and his trusty dog, Samantha, Robert is trying to discover a cure for this disease and to find out any other people who might have also survived. Written by John Wiggins
『柒』 電影（我是傳奇） 觀後感 用英文寫 200字
Men break the rule ,and the god punished men by illness horribleness and death.it's common in such films advocates The end of the word.But there is something new in this film.I caught the feeling that i dreamed about sometimes.A whole city was left and others were disappeared,so everything belongs to me only.I am not so crazy,in my dreams i just want others disappear, not die.But at least ,the dreams come ture.Then you would find that you still could not enjoy the absolute freedom.The city belongs to you in the daytime,but belongs to ghost in the evening.(daytime always make men feel safe,and absolute freedom is not exist.)
At the same time,all the thing you get lost their meaning.The only thing you can do is searching others,others is the world.Your life and dreams based on this world.
人類破壞規則,上帝懲罰人類.這是宣揚末日片的常見手法.但是這部電影有些地方也很有新意.我在看電影的時候就找到了做夢時的感覺:所有的人都不見了,把一個城市都留給了我自己.我並不瘋狂,只想讓他人消失,並不是想他們去死.但無論如何,這部電影中可以找到我的夢.盡管這樣,你還是發現這個城市白天屬於你,晚上卻屬於魔鬼.你依然無法享受到想像中的自由.(光明對人來說總象徵著安全,純粹的自由是不存在的.)
同時,你所擁有的一切東西又失去了意義.唯一你所能做的,就是去尋找其他人.所以他人就意味著世界----你的生活和夢想的載體.
『捌』 電影《我是傳奇》的英文簡介
If you are fan of Matheson's book prepare to be disappointed as the film entirely misses the point, especially when it comes to the title itself. Having said that, taken on it's own merits the film is not all that bad. The opening half hour is well constructed and the lingering shots of a deserted NYC are quite effective. Will Smith reigns in his usual on-screen persona to deliver a good performance as Robert Neville, although at times it does seem as though he's playing to an audience which is at odds with the permeating sense of isolation (problems with the script rather than Smith himself). Aside from it's deviation from the book, the film's most glaring problem are the dark seekers themselves. They are entirely rendered in by today's standards unconvincing cgi and therefore never quite achieve the feeling of menace we're supposed to feel. Real actors in make-up with perhaps a little cgi augmentation would've been far better. Also the attempt to create an antagonist for Neville falls a little flat, as he comes across as nothing more than a slighter smarter creature with a grudge. What does work though is Neville's relationship with his dog, Sam. Considering they spend the majority of their screen time together it was important it felt like they had a genuine bond and they do. Also Neville's flashbacks to a time shortly before the worst of the outbreak are well-implemented, never interrupting the pace of the narrative. Ultimately it's the last predictable half hour of the film that falls flat and undoes most of the good work. It's worth seeing but for all Richard Matheson fans it will be frustrating at best. In fact, for anyone who read Mark Protosevich's script that leaked online a few years back you'll probably wish they made that film instead.
2
In the very near future a doctor creates what appears to be a cancer vaccine. I genetically engineered virus that when injected into 10,000 cancer patients, cured every single one of them. The problem is, when you play God, you may find out you』re not as good at as you might think. The virus mutates into a plauge that pretty much wipes out the entire human race, killing the vast majority of the population almost instantly, while leaving some survivors…. but most of those survivors are turned into Vampire/Zombie/Rage Virus type beings who lose their humanity and kill every survivor left uneffected. Will Smith is the last human being in New York, and maybe the world, who is also a military geneticist (what great luck) who works tirelessly to not only survive in this new nightmare world, but also struggles to find a cure for the rest of those who are infected.
3
Immediately after watching I Am Legend I went to a bookshop and bought myself a of Richard Matheson』s classic novel. Greater praise hath no man. It』s quite different from the film, mind, but not in a bad way.
New York City, 2012. Robert Neville (Smith) gets up every morning. Does his exercises. Eats breakfast. Listens to music. Takes his dog Sam out for walks, and to pick up supplies. Goes to work. Plays a little golf. Sends out a broadcast on the radio. Nothing so unusual about any of this, I hear you think. Well, no. Except that Robert Neville is, as far as he knows, the only living human being on the planet. He and Sam are entirely alone, and have been for three years.
In 2009, a scientist called, ironically, Dr Krippen (Emma Thompson, in an uncredited cameo), announces that she has discovered the cure for cancer – a retrofitted virus that is initially hailed as a breakthrough in modern medicine. But it isn』t long before the virus has mutated into a deadly airborne form, killing millions of people. Neville, a military scientist, is part of the team working to find a vaccine, but as the pandemic spreads, the government orders Manhattan locked down, with only the uninfected allowed to evacuate.
Those who the virus didn』t kill, it changed…
And now Neville lives alone with Sam, surrounded by strange, primal creatures who dwell in darkness, only emerging at night to eat. But Neville is determined to find a cure. He knows he is immune to the virus, he just doesn』t know why. He has set up a lab in his basement, and is determined to find a cure, testing various strains and solutions of his blood on infected rats. And one day he has the breakthrough he has been hoping for, and can start testing on humans…
Will Smith might seem like an odd choice to play Robert Neville (in the novel, apart from anything else, he is blond and blue-eyed) but actually his performance is excellent and completely believable. It』s easy to forget that Smith is actually a fine actor, and that his range is not just limited to action films. That said, there is quite a lot of action in I Am Legend, escaping from the infected, hunting deer (and Smith has clearly been through a gruelling training regime – the man is buff) but its in the quiet moments that Smith really shines. His face is more drawn than usual, and he』s clearly fighting for his sanity everyday.
The design of the film is absolutely superb. Danny Boyle did it first, and I Am Legend surely owes him a debt, but the scenes of New York with grass growing up between the paving stones, the buildings rotting, herds of wild animals rampaging between the abandoned cars are incredibly impressive and the budget here stretches to helicopter shots which obviously Boyle』s did not. Neville harvests sweetcorn in Central Park and fishes for carp in a museum. But all the while he keeps an eye on the time, for darkness is coming.
Cleverly the infected are only revealed bit by bit. First just as howls and screams drifting across the city. When Neville is forced to venture into a building to save Sam, we see more, but only in flashes from his torch. Far, far more scary to only see them in bits, and this scene has some great jumpy moments. As usual, once we can see them properly, they』re less interesting, but by then the story has taken a new turn – Anna (Braga) and Ethan (Tahan), survivors, hear his broadcast and come to find him. Though he has been desperate for company, after three years of complete isolation Neville finds it hard to cope, but now he has something else to live for.
Like all the best science fiction, I Am Legend says a lot about the times we live in, from the dangers of genetic tampering to our fear of pandemic diseases, from scientific rationality to irrational, but very human faith. It』s a powerful and ultimately uplifting film, despite the weak last third, and a disappointingly cheesy ending; a superb central performance by Will Smith, and acting awards for an Alsatian called Abbey, who steals every scene she』s in.
4
Starring Will Smith, Alice Braga, Salli Richardson-Whitfield, Willow Smith, and Charlie Tahan
Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable...and manmade. Somehow immune, Neville is now the last human survivor in what is left of New York City...and maybe the world. But he is not alone. He is surrounded by "the infected"--victims of the plague who have mutated into carnivorous beings that can only exist in the dark and that will devour or infect anyone or anything in their path. For three years, Neville has spent his days scavenging for food and supplies and faithfully sending out radio messages, desperate to find any other survivors who might be out there. All the while, the infected lurk in the shadows, watching Neville's every move, waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But his blood is also what the infected hunt, and Neville knows he is outnumbered and quickly running out of time.
5
Starring Will Smith, Alice Braga, Salli Richardson-Whitfield, Willow Smith, and Charlie Tahan
Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable...and manmade. Somehow immune, Neville is now the last human survivor in what is left of New York City...and maybe the world. But he is not alone. He is surrounded by "the infected"--victims of the plague who have mutated into carnivorous beings that can only exist in the dark and that will devour or infect anyone or anything in their path. For three years, Neville has spent his days scavenging for food and supplies and faithfully sending out radio messages, desperate to find any other survivors who might be out there. All the while, the infected lurk in the shadows, watching Neville's every move, waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But his blood is also what the infected hunt, and Neville knows he is outnumbered and quickly running out of time.
6
In I Am Legend, Will Smith, as a U.S. Army officer who may be the last man on earth, drives at top speeds through the concrete valleys of Manhattan, which have been deserted for so long that the cracks in the roads now sprout scruffy green weeds. For sheer eeriness, that effect — the metropolis as vacant lot — far outdoes the desolate Times Square of Vanilla Sky, and Smith is the perfect actor (maybe almost too perfect) to play a survivor who has no one to talk to but his dog and himself. Smith has always worn his self-sufficiency like a suit of armor, often treating costars as sounding boards; he brings that jaunty insularity to the abandoned canyons of a trashed Twilight Zone New York. Here, though, he also draws on the vulnerability he showed last year in The Pursuit of Happyness, suggesting a man whose sanity is beginning to fray.
Based on Richard Matheson's 1954 novel, I Am Legend is a spooky-hokey postapocalyptic thriller built around our fear of contagion (the premise is that a ''miracle'' cancer cure has wiped out the earth's population). It's a movie that might have fit snugly into the zeitgeist had it been made in the early '90s, or maybe 1971 — when, in fact, it was made as The Omega Man, a somber but colossally silly Charlton Heston thriller. Let's be honest: The peril of infectious disease, while quite real, is hardly the anxiety of the moment. In spirit, I Am Legend is caught in some abstractly doom-laden sci-fi past. For what it is, though, the film is well-done, a case of suspenseful competence trumping questionable relevance.
There's one scary sequence in which Smith follows his dog into a warehouse, but as soon as you see the prancing, gnashing, veiny mutant humanoids who have taken up refuge there, you think, ''Okay, it's a fake-demon CGI movie.'' And so it is, though at least it never becomes a soulless monster-hunt videogame like Resident Evil. Smith, who keeps the movie grounded, isn't just surviving — he's on a mission. In The Omega Man, Heston faced a cult of white-faced hippie mutants in sunglasses and medieval monks' robes. Sometimes, CGI really is an advance
『玖』 誰能幫我寫十篇英文電影觀後感
American PieThis is an American youth comedy, is about four in the high school graate in adolescence from virgin identity, on the eve of the story is very lively. Lead composition military alliance of Jim like other health, blood-boiling virgin, his heart was crushed itch caught his parents at home watching A piece. So keen for his father started abstinence ecation of sex. He is not good at the school where to go. Want to win the hearts of his girlfriend than imagination is much more difficult to do experiments with apple pie, big jump in Internet is strip peek... Several other friends also each have each recruit, learning sex "bible", and Kevin and singing and playing the sandwich, and mature woman ozzy leonardo Da Vinci, and open sex party Stifler Sherman, etc., to the braggart, a series of funny behavior, launched their virgin end action...
In China, the film very few, and the Chinese people may be relevant state of mind, we are not a open country, relative to the United States and some European countries, China youth sex description and talk to outsiders, sometimes even more a shameful behavior. And in those relative to the open country, this type of film, but as the place of hard road hara party ", "go up to the king is this type of film, but this film is very popular, said before several have hopolo, especially American pie, has made 6 of these films, in Europe has a large crowd.
I'm not very keen on this kind of film, but occasionally, American teenagers living with both Chinese teenagers living in the way of life and thought is put in very big difference, most Chinese teenagers almost so time and energy spent on the study, 18 years old before the things we do is the core of a good college admission, so the childhood and adolescence's biggest harvest. Of course, the American teenagers way of life not much better than China, took this movie, I think their way of life is still have great shortcomings, at least, as I cannot accept the whole movie, make the restraint of life have greatly not crazy.
『拾』 求兩篇英語電影影評（一片要動畫片）
《WALL.E》
影片的前40分鍾——幾乎沒有對話，銀幕上也幾乎沒有出現人類形象——是一出風趣優美的電影詩篇，觀眾要過許久才會深入它黑暗的隱喻之中。場景是一個雜亂的城市，密布著摩天大樓，除了一個破舊的勤快機器人和他忠心的蟑螂夥伴外，沒有任何人類出現。朦朧的陽光透過灰塵，照著一片可怕的風景，顯示「後啟示錄」的死寂。這是一個沒有人類的世界，你或許可以說沒有任何生機，盡管有過去生命存在的證據。
我們已經習慣了期待皮克斯的驚奇，但是《星際總動員》確實開辟了新天地。它帶給我們G級(成年與兒童都適宜觀看的)的、電腦產生的、我們潛在滅絕的圖景。這不是近來投入此陰森主題的唯一電影。隨著全球變暖，人類的消失成為一個熱門話題，許多導演都對之關注，如史蒂芬-斯皮爾伯格(《人工智慧》)、弗郎西斯-勞倫斯(《我是傳奇》)、奈特-沙馬蘭 (《滅頂之災》)以及維納-赫爾佐格。在他最近的記錄片《在世界盡頭相遇》中，赫爾佐格先生沉思道「人類在此星球上的存在不會真正永續」，這個觀點在《星際總動員》的下半部中幾乎是逐字逐句地表達出來。當異想天開的皮克斯工程師和情緒化的德國導演發出同樣的信息時，也許我們該報以注意了。
《星際總動員》並不全是陰郁和毀滅。毫無疑問地，它是一部鄭重其事絕非簡單化的生態寓言，但它還是一個令人沉醉的、甜蜜簡單的愛情故事，感情的純潔帶著卓別林式的風格。在另一個層面，它帶著科幻的色彩，提到了《2001太空漫遊》、《異形》、《 酷狗寶貝：月球野餐記》中的一切。但是電影最公開、最堅持的引用對象是《俏紅娘》，這部老舊的錄影帶為主角提供舞蹈和愛情方面的指導。那首古老的、快被人遺忘的音樂，隨同Jerry Herman的歌詞、Louis Armstrong的低聲吟唱，成為瓦力(片中機器人)對我們的紀念。他是一個凹痕累累的苦力小機器人，已經過了計劃的報廢期，整天做著徒勞、機械的作業：收集、壓縮垃圾。他的名字Wall-E是「廢物安置裝載運送者-地球類」的縮寫。但是對於瓦力來說，並不是他發現的一切都沒有價值。在他和蟑螂躲避塵暴的銹鐵船中，他小心收藏了一些寶貝，包括芝寶打火機、炊事用具和一個魔方。
瓦力對一個失落文明工藝品的親切珍視是可以理解的，畢竟他也是人類心智的產物。而《星際總動員》(由皮克斯的骨幹Andrew Stanton導演、由Andrew Stanton和Jim Reardon編劇)的天才之處是，他提醒人們，創造和毀滅是硬幣的兩面。人類被致力於製造和消費更多物質的經濟行為驅離家園——瓦力最終知道我們沒有消失。但是人類產生的一些東西證明是有用、有趣、珍貴的。一些東西甚至能夠創造出靈魂。
觀察瓦力的周圍環境，觀眾們了解到，在過去的某個時候，一家叫Bnl(英語「買N大」的縮寫)的集團公司，用它的超大型商場和數以噸計的垃圾充斥了地球。最終公司把它的重要客戶載到一個太空站上(艦長是Jeff Garlin)，在那兒他們漸漸變成由新一代特殊機器人服務的、肥胖懶惰的群體。一個叫做伊夫的研究探查機器人(所有機器人的姓名均為縮寫，性別均由儀表顯示)，降臨地球，令瓦力動心。
他們的求愛過程帶著一些熟悉的模式。如果把本片看作浪漫喜劇，情節類似於一個卑微的清潔工愛上了一位超模兼槍法精湛的頂尖科學家。(我承認對此有所顧慮，但電影片名讓我釋然。——譯註：電影英文名Wall-E，是「廢物安置裝載運送者-地球類」的縮寫。)瓦力是傳統的老式盒子機器人，咯吱作響，布滿鉚釘，外表凹痕累累、銹跡斑斑。他意志堅定，但不夠聰明，也不酷。而伊夫，身形猶如加長的蛋，就象下一代的iPhone一樣酷，輕聲細語，除了興奮的時候能夠毀滅一切。她和瓦力通過喳喳嘰嘰的聲音交流，有時候能夠拼成詞語。不知怎麼地，他們對於渴望、惱怒、不在乎、忠誠、焦慮的微妙表達，實現了一種超自然的修辭。
他們被賦予如此豐富的人性，是因為皮克斯標志性的細心造型設計和經典攝影剪輯。豐富的技術資源讓瓦力輕而易舉地跳離廢棄的地球，來到空間站的純凈大氣層中，這是與製作人員帶給角色和主題的嚴格完整相一致的。
Stanton先生並沒有把這個環境劇變的寓言變成一個責罵他人、自我滿意的訓斥，他熟知在使用大眾電影媒體進行企業消費文化批判時固有的矛盾。空間站的居民，習慣了被機器人照顧，退化成了類似巨嬰的物種，面部柔軟、軀干圓滾、四肢弱小。消費資本主義分析任何潛在需要、讓顧客使用盡可能方便，具有一種將消費者幼兒化的力量。但是當這些空間居民靠在躺椅上，眼睛盯著顯示屏，從巨大的杯子里獲取卡路里，這些過度發育的太空巨嬰看上去就象電影院里的觀眾。
換句話說，他們就是我們。而和我們一樣的是，他們也不盡壞。來自瓦力的悖論是：驅動社會發明新事物，改進舊事物，從而產生銷售、購買、製造、收集行為，創造潛在災難的同時也發現了規避災難的可能。或者說，創造瓦力這個垃圾世界(我們的世界)的沖動，同時也通過藝術讓世界變得美好。
《達芬奇密碼》
從原著小說被翻譯成44種語言、在全球銷量超過5000萬本的熱潮，到作者丹-布朗被指剽竊掀起的軒然大波，再到被西方教會目為反基督的異端電影遭到梵*蒂*岡的抵制,《達芬奇密碼》（The Davinci Code）從面世的那一天起便註定要對傳統的基督教帶來顛覆性的沖擊，值得慶幸的是教會掌握政權的日子早已成為歷史，無須再擔心打著耶穌幌子的黑色恐怖瘟疫會再次蔓延，多元化的社會里，基督教不可一世的地位終於露出了平凡的一面。
自己一向對宗教文化不感冒，之所以能堅持看完原著多半是因為丹-布朗精妙的文筆與高潮迭起的懸念情節，不過對把原著搬上熒光幕的商業行為持懷疑態度，畢竟文字帶來的想像空間與視覺、聽覺等多重感知形成的復雜認知截然不同，許多東西一旦具體形象化往往就容易失去原有的吸引力，尤其是《達芬奇密碼》這類靠製造懸念、解讀復雜西方宗教歷史神學符號、營造心理驚悚的作品。結果雖然有Ron Howard、Tom Hanks和Audrey Tautou攜手合作，雖然作為電影藝術最高殿堂嘎納電影節的開幕電影，《達芬奇密碼》依然差強人意，只是費力不討好的製造了120分鍾的沉悶懸疑。
即使寬容的看待電影，把是否忠於原著放在一旁，《達芬奇密碼》也缺乏連貫的緊迫感和抽絲剝繭的驚悚元素，Tom Hanks和Audrey Tautou在影片中的角色本來註定他們不是《職業特工隊》式的「Superman」，過多的火爆場面只會起到喧賓奪主的反效果，可影片開始Ron Howard偏要安排Audrey Tautou來一段超「辣」的車技Show，這馬上就將一個弱智女流定位成超凡脫俗的強者，Hollywood式的娛樂標准即霸道又惹人生厭。按照小說的風格與結構，《達芬奇密碼》應該是一部充滿文藝懸念的電影，如何把復雜的謎題化繁為簡，讓觀眾參與到解迷中，可以說是影片成功與否的關鍵。可惜零散的劇情、蒼白的人物塑造，單純依靠Tom Hanks比手劃腳就解開神學符號，未免太過兒戲，尤其是最後「Apple」的解密過程簡直就是大話西遊，令人啼笑皆非。Tom Hanks的力不從心、Audrey Tautou的不入戲，兩人無法擦出預期的火花，加上巴黎倫敦濃郁的藝術氣息、以及宗教的神聖、膜拜氣氛又只是停留在表面的走馬觀花，都成為《達芬奇密碼》空有包羅萬有的野心，卻有漏洞百出的臭皮囊一樣，成為食之無味的「雞肋」。
全片最光芒四射的應該是苦行僧Silas這個角色，他背負的罪惡感，他心靈上承受的痛苦遠甚於傷痕累累的切膚之痛，在狂熱的宗教信仰和冷酷的眼神中，我們讀到了很濃厚的悲劇味道，Ron Howard在他身上著墨不多，但卻顯示了深厚的功力，無論鏡位還是背景音樂的烘托，他赤裸的身體充滿神秘感與強烈的威懾力，遠比兩位主角更具有感染力。
對於宗教信仰的問題不想討論太多，如果像我般對晦澀的西方宗教觀點束手無策的話，《達芬奇密碼》的電影會比小說更生動也更通俗，這個故事有點像野史，可以觸動人們骨子裡先天的好奇心（其實也就是八卦），康斯坦丁大帝的「豐功偉績」在我看來最能代表宗教的本質，說穿了只不過是統治者的工具和謊言而已，基督教清除「女巫」的運動倒讓我想起電影大師德萊葉的《憤怒之日》，人性的殘忍與黑暗，即使冠以堂皇的借口，依然令人觸目驚心。