簡愛電影的影評鑒賞英語

1. 簡愛電影的英文影評。

A fast hour and a half
of psychological doom and gloom, and glimmers of happiness through true
love trounced by the realities of 1840 England. It's all pretty amazing
stuff, and you have to see it to believe it, those dark clouds and
sprawling stone buildings.

Yes, Orson Welles is the lead male here, Mr. Rochester, and he's a
physical presence, for sure, but a stiff one. As just one slightly
unfair comparison, watch how Lawrence Olivier handles being lead male
in a similar era (1939) Bronte film, Wuthering Heights. It's unfair
because this earlier movie, directed by William Wyler, is even better
than Jane Eyre. But here we have an actress who wowed the world in the
masterful Rebecca in 1940, and with Olivier himself, and if you see
this Hitchcock movie, based on a Daphne Maurier book, you'll see a
weirdly too similar echo of Charlotte Bronte's plot, complete with
mysterious master of the house and a big fire at the end.

This big mix and match is meant only to say that this kind of movie,
this kind of plot, reached a fever pitch in the early 1940s and
proced three masterpieces. You should see them all, and see the
influences back and front and sideways. Great stuff, with Jane Eyre the
third in line, made by the lesser known British director Robert
Stevenson (who had this one early success and then the other one, Mary
Poppins, of all things). But it was based on an Orson Welles radio
version of the story, which you can feel in the narrated lines with
Joan Fontaine's voice. You sense Welles had a hand in the whole feel of
the movie, the camera angles in the early scenes (looking up or down at
the child), and the overall Gothic excess and fog.

Great stuff to just feel and absorb.

2. 簡愛的英文影評

A
thoroughly
engaging
adaption
of
the
brooding
classic,
this
film
rises
above
the
turgid
tone
often
imposed
on
other
classics
brought
to
the
screen.
Joan
Fontaine
turns
in
a
brilliantly
deceptively
understated
performance,
and
Orson
Welles
restrains
from
the
scenery
chewing
that
marred
some
of
his
own
projects;
there
is
surprising
chemistry
between
them.
At
times,
Welles
is
a
downright
"sexy"
leading
man!
The
script
(credited
to
John
Houseman
and
Aldous
Huxley)
captures
the
right
"tone"
of
Victorian
cruelty
and
repression.
Under
Robert
Stevenson's
direction
Fontaine/Welles
seem
to
capture
the
essence
of
two
abused
outsiders
resisting
their
attraction
for
one
another,
trying
to
adhere
to
convention.
A
strong
supporting
cast.
There
are
brief
though
memorable
appearances
by
Agnes
Moorehead,
Elizabeth
Taylor
and
Peggy
Ann
Garner
as
"young"
Jane.
George
Barnes'
camera
captures
appropriately
stark
images
of
Ross
Dowd
and
Thomas
Little's
sets.
Charlotte
Bronte's
grim
novel
is
well
suited
to
the
excellent
B/W,
cinematography:
a
memorable
scene
early
in
the
film
has
young
Jane
being
punished
by
being
forced
to
stand
on
a
stool
that
is
nearly
in
the
center
of
a
fan
of
shadows
cast
by
the
stair
railing,
It
is
almost
reminiscent
of
expressionist
German
films
of
the
Weimar
years.
The
film
manages
to
entertain
as
well
as
inform.
Purists
may
object
to
the
last
3
lines
of
the
film
which
hint
at
a
slightly
happier
denouement
than
the
book
offered.
In
spite
of
that,
Jane
Eyre
is
still
a
nearly
flawless
film.

3. 用英語推薦《簡•愛》這本書，帶翻譯

《簡·愛》（英語：Jane Eyre），19世紀英國文學名著，1847年出版，作者是英國女作家夏綠蒂·勃朗特，《簡·愛》是於1847年10月16日 以「柯勒·貝爾」這個男性化的筆名初次在倫敦Smith, Elder & Co.出版。第二年宴頌困，該書於紐約的Harper & Brothers（今哈珀柯林斯的前身）出版，這亦是美國的第一個版本。
《簡·愛》追隨著與書同名的女主角——簡·愛眾多情感與經驗，包括她成年期的成長，以及她與一個拜倫式英雄——荊棘園男主人羅徹斯特先生相愛的過程。作者對角色心理細膩的描寫，可以逐漸揭開簡內心的道德觀與精神上的感知。《簡·愛》革新了虛構小說的框架，透過早期詩歌的形式賦予了故事裡所有事件緊張的節奏和張力。夏綠蒂·勃櫻野朗特被譽為在故事裡最早使用私我意識的作家，也是詹姆斯·喬伊斯和馬塞爾·普魯斯特等文學作家的先輩。這本小說包含了有力的判斷和崇高的道德核心，並進行了許多社會批判。《簡·愛》在那麼早晌念的時候，就賦予了簡這個角色獨特性和個體化的意志，並大方地討論階級歧視、性別、宗教、早期的女性主義。
Jane Eyre /ɛər/ (originally published as Jane Eyre: An Autobiography) is a novel by English writer Charlotte Brontë, published under the pen name "Currer Bell", on 16 October 1847, by Smith, Elder & Co. of London. The first American edition was published the following year by Harper & Brothers of New York. Jane Eyre follows the experiences of its eponymous heroine, including her growth to althood and her love for Mr. Rochester, the brooding master of Thornfield Hall.
The novel revolutionised prose fiction by being the first to focus on its protagonist's moral and spiritual development through an intimate first-person narrative, where actions and events are coloured by a psychological intensity. Charlotte Brontë has been called the "first historian of the private consciousness", and the literary ancestor of writers like Proust and Joyce.
The book contains elements of social criticism, with a strong sense of Christian morality at its core, and is considered by many to be ahead of its time because of Jane's indivialistic character and how the novel approaches the topics of class, sexuality, religion and feminism.

4. 英文原版電影《簡愛》劇情介紹：

Bennet, the little squire, had five treasures in her waiting room, and Mrs. Bennet was always worrying about finding her daughter a satisfactory husband.

Bingley, the new neighbor, was a rich bachelor, and he was immediately the target of Mrs. Bennet's hunt. At a ball, Bingley fell in love with Jane, the eldest daughter of the Bennet family, and Mrs. Bennet was ecstatic.

Bingley's good friend Darcy was also at the ball. He was handsome and very rich, and many girls gave him envious glances; but he was very proud that they were not worthy of being his dance partners, including Jane's sister Elizabeth. Elizabeth was so proud that she decided to ignore the arrogant fellow. But before long, Darcy became fond of her lively and lovely manner, and offered to dance with her at another dance. Elizabeth casually agreed to Darcy, but they still had a deep prejudice against Darcy, so they parted unhappily

Bingley's sister was so devoted to the pursuit of Darcy that she found that Darcy intended to be jealous of Elizabeth and decided to block it. And Darcy, who was despised by Elizabeth, despised the vulgarity of Mrs. Bennet and her little daughter, Lydia. At the persuasion of his sister and good friend Darcy, Bingley left without saying goodbye and went to London, but Jane was still deeply in love with him.

小鄉紳班納特有五個待字閨中的千金，班納特太太整天操心著為女兒物色稱心如意的丈夫。
新來的鄰居彬格萊是個有錢的單身漢，他立即成了班納特太太追獵的目標。在一次舞會上，彬格萊對班納特家的大女兒吉英一見鍾情，班納特太太為此欣喜若狂。
參加舞會的還有彬格萊的好友達西。他儀表堂堂，非常富有，許多姑娘紛紛向他投去羨慕的目光；但他非常驕傲，認為她們都不配做他的舞伴，其中包括吉英的妹妹伊麗莎白。伊麗莎白自尊心很強，決定不去理睬這個傲慢的傢伙。可是不久，達西對她活潑可愛的舉止產生了好感，在另一次舞會上主動請她同舞,伊麗莎白不經意間答應了達西，但對達西還是有很深的偏見，所以兩人還是不歡而散．
彬格萊的妹妹一心追求達西，她發現達西有意於伊麗莎白，妒火中燒，決意從中阻撓。而遭到伊麗莎白冷遇的達西也鄙視班納特太太及其小女兒麗底亞的粗俗。在妹妹和好友達西的勸說下，彬格萊不辭而別，去了倫敦，但吉英對他還是一片深情。

《傲慢與偏見》是英國女小說家簡·奧斯汀的創作的長篇小說。
小說描寫了小鄉紳班納特五個待字閨中的千金，主角是二女兒伊麗莎白。她在舞會上認識了達西，但是耳聞他為人傲慢，一直對他心生排斥，經歷一番周折，伊麗莎白解除了對達西的偏見，達西也放下傲慢，有情人終成眷屬。

這部作品以日常生活為素材，一反當時社會上流行的感傷小說的內容和矯揉造作的寫作方法，生動地反映了18世紀末到19世紀初處於保守和閉塞狀態下的英國鄉鎮生活和世態人情。並多次被改編成電影和電視劇。
Pride and Prejudice is a novel written by Jane Austen.
The novel describes the daughter of Bennet, a little squire, who is the second daughter of Elizabeth. She knew Darcy at the ball, but she heard that he was arrogant and had been ostracized from him. After a lot of setbacks, Elizabeth lifted her prejudice against Darcy, and Darcy also let go of his arrogance and married someone.

5. 《簡愛》的英文影評

A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.

Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.

George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.

The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.

6. 怎麼評價電影《簡·愛》

小說《簡愛》是一部自傳性質的小說，搜寬咐電影跟原著相比雖然有不足之處，但整體上還是還原了原著的精髓，所以電世純影《簡愛》是非常值得一看的。因為原著有幾萬字，而電影只有短短的兩個小時，所以電影在細節方面處理人物心理和情感的變化上略有欠缺，所以沒看過名著直接看電影的人可能會對電影中的某些情節不是很理解，因為電影為節省時長而忽略了小說里的某個環節。

綜合來講，電影《簡愛》對女人公的性格上的塑造還是很貼合實際的，跟原著相比也有電影本身的亮點，非常值得一看。

7. 《簡愛》的影評

電影《簡愛》相較原著改編無論從故事情景設置還是演員的演技都是十分成功的一部影片，非常值得觀眾去觀看。《簡愛》作為一部被列入文學考試范疇的世界名著其本身就具有深度閱讀的價值，而對於名著的翻拍，是世界上每個國家都十分重視的。電影《簡愛》無論是在服裝場地准備上還是男女主情感故事主線改編都處理得十分貼合原著，導演對於每個演員的選擇也在外在形象和內在氣質鉛如上符合小說對人物的細節刻畫。

《簡愛》是一部能帶觀眾深入劇情融入劇中人物內心體會外國文化的男女愛情觀的影片，在英國貴族的愛情里那些追求自由與平等完全不同於中國的文化底蘊下產生的愛情，女主人公簡愛那平凡中蘊藏著偉大的精神，家教生活中看似平淡卻又帶有別樣的跌宕起伏，那些隱隱有的不能言明的苦衷，那些每個出現在故事裡發光發彩的人物都意外讓人著迷，總而言之，電影《簡愛》處陪睜處有驚喜，處處有意外蘆激歲，值得大家去品讀回味一番。

8. 求一篇500字的英語影評或英語小說讀後感

Jane Eyre — A Beautiful Soul（簡愛）
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:

We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.

We remember her pursuit of justice. It』s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.

We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God』s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.

We also remember her striving for life, her toughness and her confidence…

When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.

Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.

Learn to love and care（霧都孤兒）
Here I am sitting on a couch alone, thinking about what I have just finished reading with tears of sadness filling my eyes and fire of indignation filling my heart, which revived my exhausted soul that has already been covered by the cruelty and the selfishness of the secular world for a long time. It is truly what I felt after reading Oliver Twist, written by the prominent British author Charles Dickens.

The resonance between me and the book makes me feel not only the kindness and the wickedness of all the characters in the novel, but what this aloof society lacks, and what I lack deep inside. These supreme resources I』m talking about right now are somewhat different from minerals, oil that we usually mention. They』re abstract like feelings, and some kinds of spiritual stimulation that all of us desire anxiously from one another —— love and care.

Those charitable figures whom Dickens created in the novel are really what we need in life. They showed love and care to others, just as the gentle rain from the sky fell upon the earth, which was carved into my heart deeply.
Mr. Brownlow is one such person.

The other day he had one of his elaborate watches stolen by two skilled teenage thieves, Artful Dodger and Charley Bates, and thought naturally it was Oliver, who was an orphan and forced to live with a gang of thieves, that had done it because he was the only one near by after the theft had taken place. Being wrathful, he caught Oliver, and sent him to the police station where the ill-tempered, unfair magistrates worked. Fortunately for him, Oliver was proved innocent by one onlooker afterwards. With sympathy, Mr. Brownlow took the injured, poor Oliver to his own home. There Oliver lived freely and gleefully for some months as if he were Mr. Brownlow』s own son. One day, however, Mr. Brownlow asked Oliver to return some books to the bookseller and to send some money for the new books that he had already collected. The thief Oliver once stayed with kidnapped him. After that he disappeared in Mr. Brownlow』s life. Searching for a while, Mr. Brownlow had to believe the fact that he had run away with his money. But dramatically, they came across each other again a few years later. Without hesitation, Mr. Brownlow took Oliver home for the second time not caring if he had done something evil.

Perhaps most of us would feel confused about Mr. Brownlow』s reaction. But as a matter of fact, this is just the lesson we should learn from him. Jesus said in the Bible. 「Forgive not seven times, but seventy-times seven.」 Why is that? Because forgiveness is our ability to remove negative thoughts and neutralize them so our energy may be spent on doing what we came here for. We cannot move forward in our future if past issues cloud our thinking. Stop put Mr. Brownlow into the list of your models. Always give people a second chance no matter what they might have done. That』s also a substantial part of loving and caring others.

Charles Dickens said:「Love makes the world go around.」 These immortal words have inspired and will keep on inspiring us to chant the melody of love and to say the prayer of care forevermore. Let us, therefore, enjoy life and treat other people lovingly. These principles are the roots and foundations of beliefs supporting this article and our mission together.

Pride and Prejudice （傲慢與偏見）

Many people simply regard Pride and Prejudice as a love story, but in my opinion, this book is an illustration of the society at that time. She perfectly reflected the relation between money and marriage at her time and gave the people in her works vivid characters.
The characters have their own personalities. Mrs. Bennet is a woman who makes great efforts to marry off her daughters. Mr. Bingley is a friendly young man, but his friend, Mr. Darcy, is a very proud man who seems to always feel superior. Even the five daughters in Bennet family are very different. Jane is simple, innocent and never speaks evil of others. Elizabeth is a clever girl who always has her own opinion. Mary likes reading classic books. (Actually she is a pedant.) Kitty doesn』t have her own opinion but likes to follow her sister, Lydia. Lydia is a girl who follows exotic things, handsome man, and is somehow a little profligate. When I read the book, I can always find the same personalities in the society now. That is why I think this book is indeed the representative of the society in Britain in the 18th century.

The family of gentleman in the countryside is Jane Austen』s favourite topic. But this little topic can reflect big problems. It concludes the stratum situation and economic relationships in Britain in her century. You can find these from the very beginning of this book.

Austen left this problem for us to think. The genius of Jane Austen lies in this perfect simplicity, the simplicity that reflects big problems. Although Austen was only 21 when she wrote 「Pride and Prejudice」, her sharp observation of social lives makes the style of this book surprisingly mature and lively. The plots in her works are always very natural. The development of the plot is as inevitable as a problem in mathematics. I think the depth of Pride and Prejudice is the reason that makes this book prominent and classic. Today, her book still can be the guide telling us the economic relationships both at her time and in modern time.

Leave Dead Man Island（亡靈島）

Carol was once a happy and sunshiny girl. But after her father died in a plane crash, she became bad and took drugs. She had secrets in her heart and didn』t want others to know them. When Carol went to an island, she found the host had a bigger secret than hers: he had killed a girl in a car crash. So he needed an island to hide himself.
This is the story in Dead Man』s Island.

I think everybody has done something wrong and wants to keep the secrets in his or her heart. But do you know, even if we can escape from others』 eyes, we can』t escape from our own hearts.
I had been told a story like this: A woman felt ill and she went to see a doctor. The doctor examined her carefully and told the woman, 『There is a tumor in your uterus. You』d better take an operation immediately.』 The woman agreed.

When the doctor cut open the woman』s abdomen, he got such a big surprise—there was a baby in the uterus, not a tumor. The doctor was sweating all over.

『What to do? Take out the baby, or told the woman』s husband that it was just a tumor?』 『But … I am a doctor!』 He thought.

At last, the doctor sewed up the woman』s abdomen. When he told the woman』s husband the truth, the man didn』t move for a while. But then, the man jumped to the doctor, shouting at him. He was so angry and wanted to hit the doctor.
After the accident, a friend of the doctor』s asked him 『Why did you do so? If you took out the baby, no one knows.』
『But I know!』 said the doctor.

I have a very similar experience. That was a Monday, I was cleaning the classroom after school. John, my friend came up to me. He was looking for my maths teacher. But the teacher had been after work. So I told John to come again the next day. I said to myself, if I met the maths teacher, I would tell him that John had been looking for him.

When I was on my way home, I just looked at the ground, thinking about something. At that moment, my maths teacher came towards me and passed by. When I realized that, it was too late. The teacher had gone far away.

At night, when I was lying on the bed, my brain was full of the thing happened in the afternoon. The next day, John would find the maths teacher and not think about me, just as nothing happened. But I felt sorry for John. I wanted to do something for him, but I didn』t. Nobody knew what my idea was, but I knew.

Many things like the dead man on the island. After the crash, he made himself 『dead』 and hid on the island. Maybe, he made others forget the crash, forget himself, but he couldn』t forget. He always felt remorseful and locked himself in his heart house.

What others think is not important, we should listen to ourselves.

I think every one may face sad things, like relatives』 death, missing the good high school, losing your best friends. Sometimes we feel cross and often ask 『Why does the God do this to me?』

To let oneself feel better, we maybe do more wrong things. But happy and free time is transient. After that, we will have ourselves, hate life, hate everybody.

We want to forget, but can』t. more and more secrets are hidden in hearts. We close our window, and it is dark inside. Old days follow us forever, how we wanted the 『man』 in the past can die. Nothing matters. Sadness is filled in our body. We live just like a dead man.

Escaping can do nothing. Beginning a new life is the most important, take sadness but live strongly.

When Carol left Dead Man island, I think she knew this all. The host influenced her. Don』t be remorseful any more, face new life, no hiding, no giving up the beautiful life, show the world a real self.

Leave Dead Man』s Island, let a bunch of sunshine get into your heart house.

Hamlet（哈姆雷特）
Shakspere (wrong spelling) created Hamlet--a man with wisdom and courage .In order to revenge on his uncle for killing his father, he pretented (spelling mistake) to be mad and suffered a series of misery. On the contrary, we can also say that Hamlet is rude and selfish for he did not think twice before his revenge . if (Capitalize "If" since it is the beginning word of the sentence.) a country has no king, how can a country keep alive (You need a question mark here since it is a question.) So, every thing has two sides, the bright side and ambral side. Every time we make a decision we have to think twice.
Comment:
Be careful with your spelling, grammar, and punctuation. Too many uncessary mistakes.
It is good that you looked at both the dark and bright sides of Hamlet. Thats quite objective and convincing.

9. 不少於200詞的簡愛的英文影評 謝謝啦

This is a story about a special woman who has been exposed to a hostile
environment but struggling for her ideal life conreattionously and fearlessly.
It seems to me that many readers 『s English reading experience starts with Jane Eyer.It is not surprising to find some differences because it was filmed and retold in a new way,but the spirit of the novel remains to be an independent person, both physically and mentally.
Jane Eyer was a born orphan,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as she could.At the beginning of Jane』s ecation in Lowwood Orphanage,she didn』t get what she had been expecting.As a reward of revolting the ruthless oppression,Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden』s owner,Rochester,a man with warm heart while a cold face outside.After Jane and Rochester fell in love with each other and meant to get marry,Jane came to know Rochester had already got a legal life .And,unfortunately,Rochester seemed under the shadow of his wife.Jane wanted to give him a hand,however,she made her mind to leave,because she didn』t want to betray her own priciples.She is Jane Eyer.
The film has finally got a symbolist end.After finding Rochester』s misfortune brought by his original mad wife,Jane chose to stay with him forever.
Life is ceaselessly changing,but our living priciples remain.Firmly persisting for the rights of being independent gives us enough confidence and courage.In the world of the film,we have found te stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
It』s our spirit that makes the life meaningful.

10. 在哪可以看到英國電影簡愛的英文影評

片名：簡愛 英文：jane.eyre 導演：德爾伯特·曼 Delbert Mann 編劇：夏洛特·勃朗特 傑克·普爾曼 主演：喬治·C·斯科特——愛德華·羅切斯特（邱岳峰配音） 蘇珊娜·約克——簡·愛（李梓配音） 伊恩·巴納恩——聖約翰·利弗斯 傑克·霍金斯——布洛克赫斯特先生 娜麗·唐·伯特——布蘭奇·英格拉姆 拉切爾·坎普森——菲爾法克斯太太 坎尼斯·格里菲斯——梅森 彼得·考普蘭——約翰 國家：英國 語言：英語 類型：劇情 片長：110 min 上映：1970 劇情介紹： 全世界擁有讀者最多愛情小說的經典電影版。 影片根據英國女作家夏洛蒂·勃朗特的同名小說改編。簡愛父母早亡寄居在舅舅家，舅舅病逝後，舅母把她送進孤兒院，成年後她應聘去桑費爾德當家庭教師。來到桑費爾德，當男主人公羅切斯特先生家的家庭教師，男主人羅切斯特生活頹廢脾氣古怪，經過幾次接觸，簡愛愛上了他，而簡愛的到來也使他的生活有了希望。在他們舉行婚禮時，羅切斯特的內弟梅森闖進來指出古堡頂樓小屋裡的瘋女人是羅切斯特先生的妻子。由於這個瘋女人的存在，他們無法結合，簡愛 也不願作為情婦，愛毅然離開了桑費爾德，來到一個偏遠的地方。在牧師聖約翰的幫助下，簡愛找到了一個鄉村教師的職業。在聖約翰向簡愛提出結婚時，她想起了羅切斯特先生。當 簡趕回桑費爾德時古堡已成廢墟，羅切斯特雙目失明，簡愛趕往羅切斯特先生住的芬丁，她決定下來和相愛的人廝守一生…… 圖片附件: 0.jpg (2007-12-17 04:31, 24.27 K) 半個靈魂：郎騎鐵馬來，你在未來，我在古代。 妖嬈棉花 級別 管理員 精華99 帖子11015 威望11182 點 金錢29851 點 金橋幣 101 JQB 貢獻度 2 點 閱讀許可權 230 狀態 離線 #2發表於 2007-12-17 04:35 資料 主頁 個人空間 短消息 圖片附件: 1.jpg (2007-12-17 04:35, 16.04 K) 《簡愛》(1970)影評： 英國作家Charlotte Brinte的傳世經典，自問世以來不斷地被搬上舞台和熒屏。電影人對這個故事頗為熱衷，從早年的奧遜·威爾斯 Orson Welles（《公民凱恩》）版本到近期的威廉.赫特（《大寒》）版本，在歷時半個多世紀以來，伴隨著7、8個版本簡愛影片的誕生，不同的電影人在各自的作品中用自己的角度闡述對作品的理解，同時也推動了這部經典名著在全球的普及。 1970年的George C. Scott飾演的版本歷來被認為是所有版本中改編得最恰到好處的－－既忠實於原著精神，且故事結構更為緊湊，愛情主題更加突出。蒼涼靜謐的英國荒原，神秘詭異的古堡，陰郁迷離的氣氛，加上「老戲骨"George C. Scott的表演，將一個維多利亞時代歌特式的愛情故事演繹得凄美動人。George C. Scott的表演無疑是本片的一大看點，他的激情演繹使其他版本的Rochester黯然失色，其鋒芒直逼早年的Orson Welles。而Susannah York外表沉靜，含蓄內斂的風格也被評為最接近原著簡愛的精神氣質。本片的主題音樂更是大手筆，它出自著名音樂人約翰.威廉姆斯之手，這一主題曲把本片的愛情主題推向高潮，更成為該版本的標簽，至今仍在不同的音樂會上被演奏。 對於中國觀眾，這一版本的意義尤為特殊——它被無數次地製成錄音剪輯，在全國各地的電台一播再播：它被製成各種版本的錄音帶，被「聽迷」們爭相購買，聽這部電影著迷的人甚至比有機會看這部電影的觀眾還要多。對於出產了無數配音電影精品的上海電影譯制廠，《簡愛》堪稱精品中的精品。在觀眾每一次選出的配音作品中，《簡愛》無不位列三甲。它從台詞翻譯到演員表演，無不成就了一種典範。這是配音大師邱岳峰與李梓的顛峰之作，他們用聲音拓展了新的表現空間，豐富了電影這一「視聽」的藝術在聽覺上的美好體驗。邱岳峰塑造的羅切斯特，或憤懣，或柔情，或倦怠，或狂暴，無不讓人動容。而李梓演繹的簡愛在不慍不火的聲調里展現出細膩的情感變化，或溫婉，或堅定，也在更深層次上豐富了簡愛人物的形象。他們的聲音有表情，有形象，有情感，一寸一寸都是鮮活的。 本片是20世紀70年代初拍攝的小成本電視電影，雖然由明星喬治·斯科特擔綱主演，但國外觀眾對其評價不高，在國外電影市場基本上沒有什麼影響力，是上海電影譯制廠表演藝術家們的精湛技藝使得她面貌煥然一新，成為觀眾心目中外國電影經典之作。經過邱岳峰和李梓主配之後，多少觀眾為之傾倒，甚至有人在寒冷的冬夜剛看完這部片子步出影院，便滿懷激情吟誦起羅切斯特和簡愛的對白來。簡愛的愛情觀、價值觀、人生觀對不少女性產生了巨大的影響，孕育了一批中國式的女權主義者。大夥欣賞之餘，還找來原著細細品讀、比較 。 這是一部特殊的電影，觀眾可以閉上眼睛，傾聽這來自靈魂的聲音。 如果問譯製片里有哪部影片可以稱得上是「聖經」的話，那一定就是她了。 圖片附件: 4.jpg (2007-12-17 04:35, 46.25 K)