三篇英文電影賞析

① 急求三篇英文的電影觀後感大神們幫幫忙

英文影評:千與千尋(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂總動員 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

② 推薦電影的英語文章

電影是一門年輕的綜合敬啟蘆藝術,同時也是科學進步與工業亮帶革命的產物,深深地打上了商業文明的烙印。它本身兼具了藝術旁此性與商品性的雙重屬性,是一種特殊的商品。下面是我帶來的是推薦電影的英文文章，歡迎閱讀!

Alien is a 1979 science fiction horror film directed by Ridley Scott, starring Tom Skerritt andSigourney Weaver. The film's title refers to its primary character: a highly aggressive extra-terrestrial creature that stalks and kills the crew of a spaceship. The alien gets onto the shipafter the crew board a derelictalien spacecraft. Inside it they find the remains of a large aliencreature whose ribs appear to have beenexploded outward from the inside. They discover ahuge room containing many eggs, one of which releases a creature that attaches itself to theface of one of the crew. They return to their spaceship and the terror starts as terrible thingshappen to the crew as they try to find and kill the alien.

異形是一部製作於1979年的科幻恐怖電影，導演雷德利·斯科特，主演湯姆·斯凱里特，和西格妮·韋弗。電影的標題是這部電影的主要角色:一個兇猛的外星生物，它跟蹤並殺害宇航員。船員進入了一艘廢棄的外星人飛船，不久外星人進入了飛船。在飛船中，他們發現了一個龐大的外星人遺骸，它的肋骨顯然是從裡面爆炸的。他們還發現了一個大房間，裡面有許多的未出生異形卵，其中一個異形卵破殼而出，吸引了船員的注意。之後，他們返回了航船，接下來恐怖的事情發生了，他們隨即展開了對外星人的尋找和追殺。

Alien received both critical acclaim and box office success. It also received an Academy Awardfor Best Visual Effects. It has remained highly praised in subsequent decades. In 2008, it wasranked as the seventh-best film in the science fiction genre by the American Film Institute, andas the thirty-third greatest movie of all time by Empire magazine. Movie critic Roger Ebertwrote: "One of the great strengths of Alien is its pacing. It takes its time. It waits. It allowssilences." The success of Alien generated a media franchise of novels, ic books, videogames, and toys, as well as three sequels and two prequels. It also launched Weaver's actingcareer by providing her with her first lead role.

異形這部電影既得到了很好的票房成績，同時也飽受爭議。這部電影還獲得了奧斯卡金像獎最佳視覺效果獎。在未來的幾十年中，這部影片飽受好評。2008年，美國電影學院把異形列為七部最佳科幻電影中的一部，帝國雜志把它評為33部最佳影片中的一部。影評人羅傑·艾伯特寫道：「節奏是這部電影最好的部分。在這部電影中有時間的等待，有沉寂」。異形的成功使得連環畫、小說、玩具、三部續集以及兩部先行篇相繼出現。這部影片也開啟了韋弗的電影生涯，這是她第一次在電影中擔任主角。

Casablanca is a 1942 American romantic drama film directed by Michael Curtiz. It has a star-studded cast that includes Humphrey Bogart and Ingrid Bergman. The film was based on Murray Burnett and Joan Alison's then-unproced play Everybody es to Rick's. Warner Bros. bought the play for $20,000, which was the mostanyone in Hollywood had ever paid for an unproced play. It is set ring World War II and focuses on a man torn between, in the words of one character, love and virtue. He must choose between his love for a woman, and helping her and her hu *** and escape from the Vichy-controlled Moroccan city of Casablanca so that her hu *** and can continue his fight against the Nazis.

卡薩布蘭卡是一部上映於1942年的美國浪漫主義題材情景電影，導演邁克爾·柯蒂斯。這部電影影星雲集，包括亨弗萊·鮑嘉，英格麗·褒曼。這部電影是根據默里·伯內特和瓊·艾莉森的舞台劇《大家都來里克的酒店》所創作出來的，這部舞台劇尚未發表。華納兄弟影片公司以20萬美金的價格將它買下，在好萊塢，還沒有人購買下一部尚未發表的舞台劇。這部電影發生在二戰時期，電影刻畫了男主人公在愛情和政治上的兩難選擇。他必須幫助他所愛的人，他幫助她和她的丈夫逃過了由維希政權所控制下的摩洛哥城市-卡薩布蘭卡，只有這樣，她的丈夫才能繼續對抗納粹。

Although it was an A-list film, with established stars and first-rate writers, no one involvedwith its proction expected Casablanca to be anything out of the ordinary. It was just one ofhundreds of pictures proced by Hollywood every year. The film was a solid success in itsinitial run and did well at the box office. The movie won three Academy Awards in 1944,including Best Picture. Its characters, dialogue, and music have bee iconic, although one ofthe lines most closely associated with the film — "Play it again, Sam" — is a misquotation;Bergman's character actually says: "Play it, Sam. Play 'As Time Goes By'." The film consistentlyranks near the top of lists of the greatest films of all time.

盡管這是一部一流電影，有著一線的明星和作者，但是，在它的製作工程中，沒有人認為卡薩布蘭卡會脫穎而出。它只是好萊塢每年上映的上百部電影中的一部。起初，這部電影獲得了巨大的成功，也取得了票房的佳績。1944年，這部電影獲得了三座奧斯卡獎杯，包括最佳影片獎。電影中有許多標志性的人物、對話、音樂，盡管許多對話都與電影有著緊密的聯絡。「山姆，再彈一遍」-這是一次錯誤的引用;褒曼在這里其實說的是：山姆，快彈一個，彈《時光飛逝》」。這部電影與其他優秀的電影作品齊名。

③ 求三篇英文電影的觀後感 用英語寫（30詞）

電影《阿甘正傳》觀後感：

Last night,I saw a great film,Forrest Gump.I am greatly impressed by this film,by the stories of Forrest Gump.Forrest Gump was born in a small village.He was born mentally retarded,and he was discriminated by others.But his mother is a strong female who encourages Gump to be strong and live the same as normal people.

《阿甘正傳》是由羅伯特·澤米吉斯執導的電影，由湯姆·漢克斯、羅賓·懷特等人主演，於1994年7月6日在美國上映。

電影改編自美國作家溫斯頓·格盧姆於1986年出版的同名小說，描繪了先天智障的小鎮男孩福瑞斯特·甘自強不息，最終「傻人有傻福」地得到上天眷顧，在多個領域創造奇跡的勵志故事。電影上映後，於1995年獲得奧斯卡最佳影片獎、最佳男主角獎、最佳導演獎等6項大 。

2014年9月5日，在該片上映20周年之際，《阿甘正傳》IMAX版本開始在全美上映。

④ 名著讀後感，或英語電影影評，1000字以上,要英文的，三篇……謝謝

你不給我加分，怎麼對得起我！！！！！！！！！！！！！

英文影評:千與千尋(Spirited Away)
Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs
There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never.

After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hîragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped.

The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop.

Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc).

Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially.

Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is Jô Hisaishi's score, which is overbearing in places.
It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful.

蜜蜂總動員 Bee Movie review by Roger Ebert
From each according to his ability, to each according to his need.

-- Karl Marx

Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around.

One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy.

This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it.
Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches.

All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could.

Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke.

In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees.

Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

貧民富翁(Slumdog Millionaire)
An orphaned Mum slum kid tries to change his life by winning TV's 'Who Wants To Be A Millionaire?' in a feelgood fable from director Danny Boyle and the writer of The Full Monty, Simon Beaufoy
Jamal Malik ('Skins' star Dev Patel) is being beaten by Mum police for allegedly cheating on hit TV show 'Who Wants To Be A Millionaire?' One question away from the ultimate 20 million rupee prize, no one, including slick show host Prem (Anil Kapoor), believes a chai wallah (teaboy) like Jamal could know all the answers. As the tough inspector (Irfan Khan) replays Jamal's appearance on the show, it's revealed that each question corresponds to a specific life lesson from Jamal's tragic past.

Raised in abject poverty in Mum's grimmest slum along with older brother Salim, then orphaned by a Hin mob attack, Jamal and Salim are forced to fend for themselves on the streets through opportunistic petty crime. They pick up a young girl, fellow orphan Latika (Freida Pinto), escape the clutches of a vicious Fagin-like crime boss, lose Latika, and continue their picaresque adventures, one step ahead of the law. As adolescents, however, Salim becomes entranced by a life of crime and Latika's unexpected return sets brother against brother. Will Jamal salvage his girl, his fortune and his life on 'Millionaire'?

Adapted by Full Monty writer Simon Beaufoy from Vikas Swarup's hit novel 'Q&A', Slumdog is an underdog tale. Beaufoy's lively screenplay scampers after Swarup's self-consciously Dickensian storytelling tradition, and is even built around the 'Millionaire' show, as iconic a symbol of Western capitalist entertainment as exists.

Director Danny Boyle and cinematographer Anthony Dod Mantle have evidently immersed themselves in India's sensory overload. The film revels in the sub-continent's chaotic beauty and raging colours, from Mum shantytowns to Agra's regal Taj Mahal. The thrillingly off-the-cuff digital imagery reflects a nation in a state of explosive flux, looming skyscrapers erupting from wasteland, slum kids turning into overnight millionaires through the kiss of television. The film's uniquely vibrant, headlong 21st century rush is that of the infinite possibilities of modern India itself.

Slumdog's such a crowd-pleaser that some critics might brand it Boyle's best since Trainspotting . It even echoes a couple of that film's classic set pieces, notably a slum chase reminiscent of Renton and Co's opening Edinburgh dash and a lavatorial incident so stomach-churning (yet hilarious), it makes Trainspotting's infamous toilet scene seem like Ewan McGregor took an Evian bath.

In fact, the likable Boyle has been on great form for some time - 28 Days Later revamped the zombie movie, Millions is perhaps the best kids film of recent years. No other current British director makes such thrillingly current (all his films are set in either the present or future), kinetic, inherently visual films and proper recognition is long overe - though, true to form, he's insistent here on crediting co-director Loveleen Tandan, whose major contribution seems to have been unearthing the wonderfully naturalistic kids to play Jamal, Salim and Latika.
Verdict
A spirited underdog fable marinated in modern India's melting pot. Danny Boyle's still the master of spices.

⑤ 5篇英文電影觀後感(觀後感中文)！

1.玩具總動員1
最近，我看了一部極具「人情味」的動畫片，它的名字就是《玩具總動員》。
它講述的是：
胡迪是小主人安弟最喜歡的傳統牛仔玩偶，他和其他玩具趁主人不在時，便會「活」起來一起玩鬧。可是好景不常，最新奇的熱門玩具巴斯光年來了，他讓胡迪備受冷落。失寵的胡迪為了鞏固自己的地位，只好處心積慮地想要趕走巴斯。最後，胡迪和巴斯不幸化敵為友的故事。
看完此片，我想到了那些以前被我丟棄的玩具，它們在黑暗的垃圾桶，廢棄堆里，是否會傷心，是否會抱怨？我想是的，因為它們不僅僅是玩具，它們也是有思想的，當你的玩具被你遺忘的時候，他們也會難過的。
或許，你現在覺得那些老玩具已經不潮了，但是你在拋棄他們的時候，沒有懷念過曾經與他們在一起度過的美好時光嗎？

2.功夫熊貓
還是一貫的夢工場的高水準，畫面精緻細膩，人物生動傳神，故事情節曲折動人，最重要的是它以最簡單易解的方式說明白了一個道理，那就是——世界上沒有任何捷徑和秘籍，唯一的制勝法門就是相信自己。

不想再說更多的劇情，因為它真的很出色。看的過程中，頻頻出現人們會意的笑聲，整個氛圍相當的輕松和愜意。這個片子做得非常地道，一點兒也沒有是由西方人演繹的感覺，不論是故事還是其中傳達的意境，不論是畫面還是其中的細節，都是東方式的；唯一特別的可能就是出現的現代的口語，比如ok之類的。

3.美人魚公主
周日中午沒睡午覺，特意看了動畫片《美人魚公主》，相信這部動畫片很多人都看過，因為它美麗，浪漫，充滿了神秘的氣息，而且製作精美，設計巧妙，又尤其美人魚形象堪稱一絕。

美麗的愛麗兒是一條可愛的小美人魚，她一心嚮往人類世界，每天都想盡辦法游出海面，企圖能夠接觸人類。可是接觸人類世界卻是人魚法律所禁止的。她聰明、勇敢、喜歡冒險，常和她最好的朋友小比目魚胖胖還有音樂大臣賽巴斯丁一起出去探險

個人很喜歡美人魚這個動畫角色，也許每個女人潛意識里都會有些浪漫情結吧（老公經常強調我不浪漫，太現實，喜歡斤斤計較，抓住別人的小辮子不放，雖然我一直沒找到機會和辯詞來進行反駁，但我心裡是從來都沒承認過我有這么多的缺點的。），雖然小孩都上幼兒園了，但還是喜歡看這個動畫片。

4.《冰河世紀3》——觀後感
從兩只松鼠的開場到兩只松鼠的結束將此故事做了一個引導的作用。

整個故事給人有種從外界進入一個環境美麗但確又有著難以想像的冒險，最後戰勝敵人最終boss魯迪救回朋友到了自己的家園完美結局。整部影片的故事情節很生動，讓人的心裡有隨著故事發展起伏和誇張的似人情感表現出角色的觀眾的心理舒暢，有讓人在觀看中找到解放天性，狂放野性奔放的想像力等，除此之外還有裡面的角色的擬人行為思想和動作的結合體現給我的感覺是很有趣、很搞笑、很輕松。影片給我的第一感覺是很獨特有種讓人想進入這樣環境的感覺。在影片的畫面和音效的完美結合中給人的第一印象是非常有好感。

5.《飛屋環游記》——觀後感

本影片在沒有冰河時代那種有搞笑和賞心悅目也沒有那種驚奇的搞怪誇張幻想在裡面，只是很似人的故事情感的塑造了一個人物的思想和被改變到最後的為了救羅素和kevin和查爾斯的戰斗讓故事有了一個很好的體現人的性情和理想願望等。他在為了完成心愛人的願望將他們的房子放到天堂瀑布不懈努力堅強執著 一定要將這件事做完而放棄了kevin被查爾斯抓走而為了房子放棄營救，看出他心裡情緒是多麼在乎他妻子的願望不為過之後，看了妻子留給他的……而想通。之後他在回想到與羅素、kevin和狗的生活，這些讓他感受到了朋友的重要。他就馬上行動去救羅素。他就把所有房子里的東西讓自己……在有失去房子他那時的心裡和最後羅素坐在房子旁數車的色彩，說明人物已經從過去的悲傷中走了出來，這里可以體現整部片子的人物生活性情的改變，說明我們現實也許要……

⑥ 英文電影觀後感精選五篇

英文電影觀後感

《功夫熊貓》(《Kung Fu Panda》)的:

Funny!

I see this movie lastweek,

So terrfic,this film make me loving Kung Fu!

My liitle sister love the panda very much ,She ask me which kind annimal of Panda?

I told her its one of the cutiest animal in the world ,it only lives in China.

In this movie, Panda learns how to improve his level of Kung fu，many scence show that this cartoon is so funny,

You can see how things goes on with laugh,

I recommend this film to you.!

The film stars a panda named Po (voice of Jack Black), who is so fat he can barely get out of bed. He works for his father, Mr. Ping (James Hong) in a noodle shop, which features Ping's legendary Secret Ingredient. How Ping, apparently a stork or other billed member of the avian family, fathered a panda is a mystery, not least to Po, but then the movie is filled with a wide variety of creatures who don't much seem to notice their differences.

They live in the beautiful Valley of Peace with an ancient temple towering overhead, up zillions of steps, which the pudgy Po can barely climb. But climb them he does, dragging a noodle wagon, because all the people of the valley have gathered up there to witness the choosing of the Dragon Warrior, who will engage the dreaded Tai Lung (Ian McShane) in kung-fu combat. Five contenders have been selected, the "Furious Five": Monkey (Jackie Chan), Tigress (Angelina Jolie), Mantis (Seth Rogen), Viper (Lucy Liu) and Crane (David Cross). Tigress looks like she might be able to do some serious damage, but the others are less than impressive. Mantis in particular seems to weigh about an ounce, tops. All five have been trained (for nearly forever, I gather) by the wise Shifu, who with Dustin Hoffman's voice is one of the more dimensional characters in a story that doesn't give the others a lot of depth. Anyway, it's up to the temple master Oogway (Randall Duk Kim), an ancient turtle, to make the final selection, and he chooses -- yes, he chooses the hapless and pudgy Po.

The story then becomes essentially a series of action sequences, somewhat undermined by the fact that the combatants seem unable to be hurt, even if they fall from dizzying heights and crack stones open with their heads. There's an extended combat with Tai Lung on a disintegrating suspension bridge (haven't we seen that before?), hand-to-hand-to-tail combat with Po and Tai Lung, and upstaging everything, an energetic competition over a single mpling.

"Kung Fu Panda" is not one of the great recent animated films. The story is way too predictable, and truth to tell, Po himself didn't overwhelm me with his charisma. But it's elegantly drawn, the action sequences are packed with energy, and it's short enough that older viewers will be forgiving. For the kids, of course, all this stuff is much of a muchness, and here they go again.

電影《盧安達飯店》

Hotel Rwanda ---- a story of an African Schinderler

Hotel Rwanda is a film about a man. It was based on a real story of a man who saved 1268 people’s lives in a madness genocidal, which happened in Rwanda, 1994. The film was directed by Terry George, 2004. The main actor Don Cheadle is not handsome but just an ordinary man. You probably will even not recognize him when you happen to meet him on the street. He acted a hero based on a true story, a man who was as simple as he is, Paul Rusesabagina. Paul is a hero, a real man, while a hero and a real man doesn’t always need to be handsome or attractive in the appearance. There are two nations in Rwanda, hutu and tutsi. Paul is a hutu manager working for a 4 stars hotel on town. The hutu army planed a genocidal to clear out all the tutsi people in ruwanda. The tutsi people were suffering a madness blood bath. Over 800,000 people had been killed within 100 days. Paul has a tutsi wife, in order to protect his wife, children and other tutsis; he took them to hide in the hotel Rwanda. There are many white people from all over the world lived in this hotel so the hotel is the safest place in Rwanda to hide. There are 80 UN soldiers in Rwanda but only 4 guarded in the hotel and all of them are not allowed to shot. If we say that Paul just wanted to save his wife at the beginning, after recognized that there is no one would come to help the tutsis, Paul throw himself into the breach. He bribed the hutu general by wine and gold, used out every coin of his to purchase the refugees’ lives, ten, a hundred, 2 hundreds, 3 hundreds… more and more tutsi refugees flee to the hotel wishing to survive. To them, Paul is an angel who keeps a hope for those hopeless people in the calamity. His goodness his mercy is the key to be alive.

The hotel Rwanda is a dramatically and war film, ingeniously, there was almost no lens for slaughtering; however, the threatener of death was full filling with the whole movie. One of the tutsi asked Paul,

“Why they are so truculence?”

“ Hatred? Insanity? … I don’t know.”

The event is a humanitarianism disaster and Paul needs no reason to save the lives. When the world closed its eyes, he opened his arms. Facing a madness calamity and crazy crowds, the indivial’s power is far from enough. However, Paul saved more than 1000 people’s lives. Paul Rusesabagina is a hero, a real man, an African Schinderler.

當幸福來敲門

Parents and children, inspirational, so the words used in qualitative, on the drama is on the excess; effort, struggle, happiness, and this proceis actually on the drama in excess. Art

comes from life than life; a successful television series might not require a highly anticipated new theme and return to life, perhaps the most real life is the highest art. Bottom line of this struggle in poverty in the inspirational family film more approachable, but also much more likely to live many of our emotional resonance.

親子、勵志，這樣用於定性的字眼放在這部電影上其實是多餘的;努力、奮斗、幸福，這樣的過程放在這部電影里其實也是多餘的。藝術來源於生活也高於生活;一部成功的電影也許並不需要一個萬眾矚目的新奇題材，回歸於生活，最真實的生活也許也是最高的藝術了。這部掙扎在貧困底線里的勵志親情電影來得平易近人，也更容易引發我們對生活諸多情緒的共鳴。

獅子王

Simba, the prince of the animals' kingdom, whose life was not always happy. Simba's uncle,

carried out an evil plan.To save his dear son, the old lion king died. And Simba, with his uncle taking his father's place, had no other choice but to flee. On his aimleroad, he met two new friends, a weasel and a boar. They were hearty.

The friendship between Simba and the other two brought him great courage.Through efforts of himself and help from his friends, Simba finally defeated his uncle and became the king of the animals.

This film taught me that a friend in need is a friend indeed and that only through perseverance can one reach his goal.

阿甘正傳

⑦ 求3篇英文電影的影評（100字左右）

又要主要內容，又要角色演員介紹，還要評價，100字怎麼夠啊...中文100字也不夠呀....500字以上可以的話，可以試試....
阿甘正傳:
Forrest Gump is a 1994 American comedy-drama film based on the 1986 novel of the same name by Winston Groom. The film was directed by Robert Zemeckis, starring Tom Hanks, Robin Wright, and Gary Sinise. The story depicts several decades in the life of Forrest Gump, a simple Alabama man who travels across the world, sometimes meeting historical figures, influencing popular culture, and experiencing firsthand historic events of the late 20th century.
People think there was something wrong with Forrest』s brain, but not serious. That was the case. Due to his blunt brain, Forrest couldn』t think too much, just did the same thing constantly, such as run, such as playing Ping-Pong, such as catching shrimp. Due to his clumsy mind, he even didn』t know many usual boring things of life and then he lived a quite happy life.

We are clever, we know a lot, and we care about too much. But many of us even can』t do one thing very well and can』t become successful like Forrest Gump. I used to think I was quite clever and I could do a lot of things. But I have achieved nothing until now. I must learn from Forrest Gump——just run, not consider why I run——just do one thing, not many!

叫我第一名:
Joe Somebody is a 2001 American comedy-drama film written by John Scott Shepherd and directed by John Pasquin. The film stars Tim Allen as a man stirred into action by a workplace bully. The film also stars Julie Bowen, Kelly Lynch, Greg Germann, Hayden Panettiere, Patrick Warburton and Jim Belushi.

「Joe Somebody」 is the story of Joe Scheffer (Allen), an everyday business man who is constantly looked over in life. His wife (Kelly Lynch) has recently divorced him, the job promotion he was promised months ago has never happened and even though he』s worked for the same company for ten years, no one can remember his name. Rather than lashing out at the world, Joe continues to bottle up his anger inside of him. When he gets punched by a co-worker in front of his daughter over a parking spot though, it』s the final straw. Joe decides that this nobody is going to finally become a somebody and begins taking self-defense lessons in an attempt to finally beat the bully that set him off.
While the story behind 「Joe Somebody」 has a moral that』s good for young kids to learn, there have been 100 movies just like this geared towards a family audience. 「Joe Somebody」 was intended to finally break the mold of this family-friendly story by being rated PG-13, but when Fox discovered they didn』t have a film that was kiddie-friendly for the holidays, they axed 「Joe Somebody」 for a PG-rating. Now, 「Joe Somebody」 is a cliched-filled family film with lines and situations so predictable, audiences will be left groaning rather than laughing. Sure the film has a couple funny moments– the scene where Allen and a bunch of 40-something co-workers do Karaoke to the Backstreet Boys』 「Larger Than Life」 should receive a few laughs from the 20 and under crowd– but it』s ending is so corny that nothing could prevent audiences from wishing they saw Harry Potter or Monsters, Inc. for the umpteenth time rather than sitting through 「Joe.」

⑧ 5篇英文電影觀後感(用英語寫的)60詞左右

功夫熊貓(這個是最近的.)
Or the dream factory has always been the high standard, the screen exquisite detail, vivid characters vivid, touching story twists and turns, the most important thing is it in the most simple and easy to understand that the way of a token, that is - there is no shortcut to the world and Cheats, the only winning Famen is believe in themselves.
這個殺手不太冷
This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.

I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways.
哈利波特
Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.
動畫喜劇 海底總動員
Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running
世界末日
There are so many amazing things in the world.這個世界上有太多不可思議的事情。If tomorrow is the end of the world,what can we do?如果明天是世界末日，我們可以做什麼？So now,i think we should keep smile everyday.所以現在，我覺得我們應該每天都微笑。After i finish the movie of "2012The end of the world",I feel very upset about that.我看完「2012世界末日」這電影之後，我感到很悲傷。When I saw the people die in the movie,I thought about if this event will happen to us,will we die very helpless?當我看到人類在這個電影里死了，我想到了如果這件事情發生在我們身上，我們會死得很無助嗎？If we have to die,I'll choose the one happy ending,like we have to cherish what we have now.如果我們一定要死，我會選擇一個開心的結局，就好像我們一定要珍惜我們現在擁有的一切！My family and my friends are love me,there are so many people love me!我的家人和我的朋友都很愛我，有很多人都愛我！I should thanks God for gave me so many things.我應該感激上天給我的一切。When the end really came in the world,I will not feel regret!當世界末日真的來臨了，我也不會感到遺憾！Beginning at this minute,I'll be happy everyday!從這一分鍾開始，我會開心每一天！

英文電影:阿甘正傳觀後感（中英文對照）
阿甘有自己的堅持，他不斷地跑步，JUST RUNS. 他跑步不為任何理由。他說:"人要往前看，千萬不要被過去拖累。我想我跑步就是這個意義」和過去告別，不停留在原處。也許這世界上太多人隨撥逐流，很少人會堅持做一件事，阿甘堅持自己的堅持，於是他成了「神」。影片中還有一位主要人物是上校丹。他在越南戰爭中失去了雙腿。他說他的命運就是戰死。然而阿甘卻救他，讓他活了下來。失去雙腿後他開始憎恨生活，生活得很頹廢，責怪阿甘當初救了他。然而當他調整心態，去和阿甘一起捕魚生活，有了收獲後，開始感覺到生活的美好。感謝阿甘當初就了他。影片試圖通過這個角色告訴觀者生活總是美好的。烏雲後有彩虹，絕境後有重生。關鍵是看我們給不給自己一個好心態，一個機會去改變不好的現狀。影片試圖向觀者傳達這樣一個信息：或許做好我們該做的每一件事，生活就會給我們一個好的回饋。只要有一種堅持就會出現一個奇跡。

Mr. A Gan has his own perseverance, keeping on running without of any reason, JUST RUNS. He said: 「Man has t look forward, and never encumbered by foretime. I thank that's the meaning of my running.」 Say goodbye to foretime and don't stay in-place. Although so many people in the world are used to follow others and few people can stick to one thing, Mr. A Gan does and becomes 「GOD」. There is another character Captain Dan. Dan lost his legs in Vietnarm War. He said that his fate is death in war. However, Mr. A Gan saved him and let him be alive. After losing legs, Dan was decadent and disgusted with life, complaining that A

Gan shouldn't save him. When he adjusted his mind, living on fishing with A Gan, he started to enjoy the wonderful life and thank A Gan's help. The movie is intended to tell people that life is wonderful by this character. Rainbow is always after cloud. The key point is that whether we have a good mind and an opportunity to ourselves to change bad situation. The movie is also sent such a message to us: do well what we should do, and life will return us well. There will be a miracle if only there is perseverance.

⑨ 關於評論電影的英語作文

第1篇 英文：
Although Lei Feng left in a hurry, but leave us precious wealth. -- "
Lei Feng, the shock of universal name! When it comes to Lei Feng, my heart is always filled with respect and gratitude, especially after watching the movie "Lei Feng", this move is particularly strong.
No smoke of the battlefield on the screen, but each picture was so touching story; no extraordinary, plot twists and turns, but every detail was so exciting......
The movie "Lei Feng" tells the story of Uncle Lei Feng put one's heart and soul into serving the people's story. Was this a seemingly ordinary things, make Lei Feng in the hearts of the people to establish a very tall figure.
"No matter what position, I will do everything in my power, tried in every way to serve the people." This, Lei Feng -- a good son of the people! Outstanding member of the Communist party!
Each plot in the film is deeply moved me, however, the most let me unforgettable is Lei Feng for the victims.
Once, Lei Feng and his comrades driving transporting flood control materials to the disaster areas, to unload supplies, Lei Feng do not eat rice will return. Before he left, he took the opportunity to sneak an envelope was ready on the table, the envelope marked "with one hundred yuan donated to the disaster areas the people's Liberation Army soldiers". Beam director of the flood control headquarters after know, hurried to catch up, want to put the money back to Lei Feng, Lei Feng would take? Then, the beam director to see Lei Feng fall down an old pair of socks have mixed feelings, said: "you, you're wearing the socks, has donated one hundred dollars!?" He turned, the presence of people said: "comrades, this is not the one hundred dollars and a pair of thousands of joint million patch socks, this is a tremendous spiritual wealth!"
As you can imagine, this "one hundred yuan" was how huge amount! This can not but let us ponder: with only six yuan monthly allowance, save one hundred yuan of money is how not easy! However, who knows, Lei Feng's life is very simple: thirsty, refused to drink a bottle of that only five cents of soda; heat, even a sweat towel also did not carry...... But put those old socks, fill fill...... However, the people in the disaster areas have a difficult time, but he had no scruples, loosen one's purse strings generously, this is such a huge contrast!
At this time, the screen where everyone was excited; now, I had tears off screen. Who is not for Lei Feng's noble deeds and moved?
What is this spirit? This is work hard and perseveringly, thrift revolutionary spirit. Lei Feng's good qualities of this selfless dedication, sacrifice oneself to protect others is proud of the Chinese nation, is the pride of the Chinese people!
"A man's life is limited, but service to the people is limitless. I will dedicate my limited life to infinite serve for the people."
The film ended, Lei Feng's voice still echoes in my ears, my heart is not quiet for a long time -- although Lei Feng left us too early, however, he has left us with a very great wealth. This wealth, for you, I, he, the benefit of the whole society. I believe, this precious wealth will forever be handed down from age to age!
翻譯中文：
雷鋒雖然匆匆地離開了，然而卻給我們留下了寶貴的財富。——題記

雷鋒，這個震撼環宇的名字！每當提起雷鋒，我的內心總會充盈著崇敬與感激，特別是在觀看了電影《雷鋒》之後，這種感動尤為強烈。

銀幕上沒有硝煙彌漫的戰場，可是每個畫面竟那麼感人至深；故事裡沒有離奇、曲折的情節，可是每個細節竟那麼扣人心弦……

電影《雷鋒》講述的是雷鋒叔叔全心全意為人民服務的故事。竟是這一件件看似平凡的小事，使雷鋒在人們的心中樹立起無比高大的形象。

「不管在什麼崗位上，我都要盡一切力量、想一切辦法去為人民服務。」這，就是雷鋒——人民的好兒子！優秀的共產黨員！

影片中的每個情節都深深地感動了我，然而，最讓我難以忘懷的是雷鋒為災區捐款的事。

一次，雷鋒和他的戰友駕車給災區運送防洪物資，卸下物資後，雷鋒飯也不吃就要返回。臨行前，他趁機偷偷地把早就准備好的一個信封放在桌子上，信封上面寫著「內有一百元捐給災區人民解放軍一戰士」。防汛指揮部的梁主任知道後，急忙追出來，想把錢還給雷鋒，雷鋒怎肯收下呢？這時，梁主任見到雷鋒落下的一雙舊襪子，百感交集地說：「你，你就穿著這樣的襪子，卻捐出來一百塊錢！？」他轉過身，對在場的人說：「同志們，這不是一百塊錢和一雙千縫萬補的襪子，這是一筆巨大的精神財富！」

可以想像，這「一百元」在當時是多麼龐大的數額！這不能不讓我們深思：憑著每月僅僅六元錢的津貼費，積攢下一百元錢是多麼不容易啊！然而，又有誰知道，雷鋒的生活是多麼儉朴：渴了，不肯喝一瓶當時僅僅一毛五分錢的汽水；熱了，就連一條擦汗的毛巾也不曾攜帶……卻把那雙年久的襪子，補了又補……然而，在災區人民有難的時候，他卻毫不顧忌，慷慨解囊，這是多麼巨大的反差啊！

此時，銀幕里在場的人都激動萬分；此刻，銀幕外的我早已熱淚盈眶。誰不為雷鋒的高尚行為而感動呢？

這是什麼精神？這是艱苦奮斗、勤儉節約的革命精神。雷鋒的這種無私奉獻、舍己為人的優秀品質是中華民族的自豪，是中國人民的驕傲！

「人的生命是有限的，可是為人民服務是無限的。我要把有限的生命投入到無限的為人民服務之中去。」

影片放映結束了，雷鋒的聲音卻一直在我的耳畔回響，我的心更是久久不能平靜——雷鋒雖然過早地離開了我們，但是，他卻給我們留下了無比巨大的財富。這財富，惠及著你、我、他，惠及著全社會。我相信，這寶貴的財富將世世代代相傳下去！