這些電影英語

Ⅰ 幫忙寫下這些電影的英文名字，謝謝

人鬼情未了
Ghost
魂斷藍橋
Waterloo
Bridge
亂世佳人
Gone
with
the
wind
蝙蝠俠
Batman
小鬼當家
Home
Alone
阿甘正傳
Forrest
Gump
勇敢的心
Braveheart
愛情片Romance
Pride
And
Prejudice
傲慢與偏見
Titanic
泰坦尼克號
Roman
Holiday
羅馬假日
恐怖片Horror
Texas
Chainsaw
Massacre
德州電鋸殺人狂
The
Shining
閃靈
The
Juon
咒怨
喜劇Comedy
Mr.
Bean
憨豆先生
Bridget
Jones's
Diary
BJ單身日記
50
First
Dates
初戀50次
科幻電影
Sci-Fi
Men
in
Black
黑衣人
The
Matrix
黑客帝國
動畫片/卡通片Animation
Kung
Fu
Panda
功夫熊貓
Madagascar
馬達加斯加

Ⅱ 電影英文怎麼說

電影英文：Movie（美式） 或 Film（英式）。

電影是19世紀美國國家生活水平上升大眾產生新需求的娛樂產物。電影根據視覺暫留原理，運用照相（以及錄音）手段把外界事物的影像（以及聲音）攝錄在膠片上，通過放映（同時還原聲音），用電的方式將活動影像投射到銀幕上（以及同步聲音）以表現一定內容的現代技術。

電影是一種視覺及聽覺藝術，利用膠卷、錄像帶或數位媒體將影像和聲音捕捉，再加上後期的編輯工作而成。

電影是一種綜合的現代藝術，亦正如藝術本身，有著復雜而繁多的科系。電影有很多類型，也有多種分類方法。

電影從有聲電影開始發展，目前已經到了電影的特技時代了。運用大量的電腦特技製作出來的電影，受廣大中年以下的朋友歡迎。

國外電影廣告在美國和英國的電影廣告中，有這樣八種標記：

（1）美國X——禁止未成年者觀看的影片，G——所有觀眾可看片，R——十七歲以下禁止觀看，PG——一般觀眾可看。

（2）英國U——內容正派片，A——一般觀眾可看片，X——18歲以下青少年禁看片，AA——少年兒童禁看的兇殺片。

(2)這些電影英語擴展閱讀

中國最早放映的電影——1896年8月11日法國商人在上海徐園「又一村」茶樓內放映的「西洋影戲」。

中國第一部電影是戲曲片京劇《定軍山》，內有《請纓》、《舞刀》等片斷，1905年（清光緒三十一年），由北京豐泰照相館攝制。無聲片，長約半小時。

中國第一部短故事片是《難夫難妻》（又名《洞房花燭》），1913年在上海拍攝，無聲片，鄭正秋編劇，鄭正秋和張石川聯合導演。此片是由亞細亞影戲公司開張後的第一部作品，首開家庭倫理劇之先河。

中國第一部長故事片——1921年中國影戲研究社在上海拍攝第一部長故事片《閻瑞生》。

中國現存最早的一部可放映電影——1922年由張石川導演的《勞工之愛情》又名《擲果緣》，是現存尚可放映的最早的一部中國電影，也是中國現存最早的故事片。

中國第一部有聲電影是《歌女紅牡丹》，明星影片公司1931年攝制，該片採用的是蠟盤配音的技術。

中國第一部開創電影奇跡的影片《破艙》，是完全一個人攝制的、零成本、即興創作（先拍攝後寫劇本）的電影長片，2013年楊誠俊導演電影。

中國第一部獲得國際大獎的影片是20世紀30年代由蔡楚生導演的《漁光曲》，它在1935年莫斯科國際電影節上獲「榮譽獎」。

Ⅲ 電影英語怎麼說

電影,用英語說是,(一).cinema [5sinimE]它是個名詞
1.(=[美] movie theater) 電影院
2.電影, 影片
3.電影業; 電影製片技術
go to cinema
看電影去
(二)film
[film]
n.影片, 電影
(三)movie
[5mu:vi]
n.
[常用復][英俚、美口]電影(院); 影片
[the movies][口][總稱]電影; 製片業; 電影事業

Ⅳ 這些電影是根據羅琳的小說改編的英語翻譯

這些電影是根據羅琳的小說改編的
翻譯：The films were based on novels by J.K.Rowling.

Ⅳ 我需要這些電影的英文簡介!

1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)

Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文評論
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.

2 a clockwork orange

Director:Stanley Kubrick

Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)

Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more

Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie

Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文評論
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.

3 annie hall

Director:Woody Allen

Writers:Woody Allen (written by) and
Marshall Brickman (written by)

Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more

Woody Allen ... Alvy Singer

Diane Keaton ... Annie Hall
Tony Roberts ... Rob

Carol Kane ... Allison
Paul Simon ... Tony Lacey

Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall

Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall

Mordecai Lawner ... Mr. Singer

評論
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.

4 bonnie and clyde
Arthur Penn

Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more

Warren Beatty ... Clyde Barrow

Faye Dunaway ... Bonnie Parker

Michael J. Pollard ... C.W. Moss

Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis

Gene Wilder ... Eugene Grizzard

評論
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.

Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.

The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.

In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre

5 brief encounger

Director:David Lean

Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more

Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room

評論
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.

Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.

Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.

6 chariotes of fire

Hugh Hudson

Writer:Colin Welland (original screenplay)

Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell

Ben Cross ... Harold Abrahams

Daniel Gerroll ... Henry Stallard

Ian Holm ... Sam Mussabini

John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
評論
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.

The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.

The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.

Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.

Do watch it - it's very fine, very moving, very exciting.

字數太多，可去網站上自己查詢

Ⅵ 問幾個電影的英文名字

《憨豆先生》
英文名稱:Mr
Bean-The
Animated
Serise
類型：喜劇
片名：沉默的羔羊
英文片名：《The
Silence
of
the
Lambs》
又名：
國家/地區：美國
區域：歐美
出品：奧利安(Orion)
發行：
類型：犯罪
恐怖
驚悚
導演：喬納森·戴米
Jonathan
Demme
編劇：托馬斯·哈里斯
Thomas
Harris
特德·塔利
Ted
Tally
製片：Grace
Blake
主演：朱迪·福斯特
安東尼·霍普金斯
羅傑·考曼
斯科特·格倫
克里斯·伊薩克
喬治·羅梅羅
分級：
片長：118分鍾
上映時間：1991年1月30日
(美國)
片名：星球大戰
英文片名：Star
Wars
又名：
國家/地區：美國
區域：歐美
出品：20世紀福克斯
發行：20世紀福克斯
類型：科幻
動作
冒險
導演：喬治·盧卡斯
George
Lucas
編劇：喬治·盧卡斯
George
Lucas
製片：
主演：亞歷克·吉尼斯
哈里森·福特
馬克·哈米爾
卡里·費什爾
分級：美國PG-13
片長：124分鍾
上映時間：1977年
《麥克白》(Macbeth)
類型：
悲劇
霹靂火
Thunderbolt
類型：動作
片名：珍珠港
英文片名：Pearl
Harbor
又名：
國家/地區：美國
區域：歐美
出品：
發行：
類型：愛情
戰爭
歷史
導演：邁克爾·貝Michael
Bay
編劇：
製片：
主演：本·阿弗萊克Ben
Affleck
喬什·哈奈特Josh
Hartnett
凱特·貝金賽爾Kate
Beckinsale
亞歷克·鮑德溫Alec
Baldwin
小庫珀·古丁Cuba
Gooding
Jr.
喬恩·沃伊特Jon
Voight
詹妮弗·迦納Jennifer
Garner
分級：美國PG-13
片長：183分鍾
上映時間：2001年5月21日
片名：名偵探柯南：水平線上的陰謀
英文片名：
又名：
國家/地區：日本
區域：亞洲
出品：東寶電影公司
發行：
類型：動畫
導演：山本泰一郎
編劇：青山剛昌
製片：
主演：高山南
山崎和佳奈
神谷明
分級：未分級
片長：
上映時間：2005年4月9日
貴妃醉酒沒有找到

Ⅶ 電影的英語翻譯是什麼

恩,其實答案跟其他的幾位大蝦說的是一樣是,是black
and
white
movies
或者是
black
and
white
film
可是其實,
在黑白電影當中也有分很多種,
種類的分別在在於電影的劇情,
拍攝的手法,
以及拍的年份等等.
而且每一個種類的電影都有一個不同的名字.
其中我知道的有一種,
是來自法國的,
特點是在於它的典型情節跟拍攝手法,
其名字是filmnowa(不好意思,
那是一年前學的,所以我可能有拼錯.請見諒.)
所以,
在黑白電影界存有很多很多不同的種類.
如果真的對這方面有興趣,
大學里"media
study"這個科目是推薦的科目.

Ⅷ 誰知道這些電影的英文名字快啊!

午夜凶鈴 the ring
七夜 Seven Nights
狂蟒之災 Anacondas
地震 Earth quake
滿城盡帶黃金甲 Curse of the Golden Flower
星球大戰 Star Wars
進化危機 Evoltoin

Ⅸ 我要這些電影的英語名

樓主您好，
貓和老鼠
Tom
and
Jerry
阿甘正傳
Forrest
Gump
威尼斯水怪
Venice
Monster
龍騎士
Dragon
Knight
賽車總動員
Racing
Story
玩具總動員
Toy
Story
漢江水怪
Han
River
Monster
此外你能相信它嗎？是：Do
you
believe
it?

Ⅹ 請幫我翻譯這些英語電影的名字，謝謝~翻譯成中文，謝謝~我懸賞30分~謝謝各位大蝦了~

電影《教父》(1972)

(1994年)的《肖申克的救贖》

電影《教父》:第二部分(1974年)

Buono,他,他brutto(1966年),他cattivo

紙漿小說(1994)

《辛德勒的名單》(1993年)。

《飛越瘋人院》(1975)

《星球大戰:集5:帝國反擊戰(1980)

卡薩布蘭卡(1942)

Shichinin沒有武士(1954)

星球大戰(1977)

指環王:王者歸來(2003)

12發怒的人(1957年)

後窗(1954)

好傢伙(1990)

上帝德官方(2002)

《法櫃奇兵》(1981年)

C 'era尤娜伏特il西(1968)

指環王:就是我們的護戒使團(2001)

一般認為的常見突變(1995)

驚魂記》(1960年)

博士Strangelove或:我怎麼學會停止憂慮和愛炸彈(1964年)

戰斗俱樂部(1999)

《沉默的羔羊》(1991)

1941年《公民凱恩》

西北偏北》(1959)

紀念品(2000)

指環王:「雙塔」(2002)

日落大街走進 (1950)

這是一個美好的生活(1946)

基質(1999)

阿拉伯的勞倫斯(1962年)

忙於(1995)

《現代啟示錄》(1979年)

計程車司機(1976)

美國麗人》(1999)

利(1994)

眩暈(1958年)