⑴ 速求一篇英文影評:分故事情節,對主角的人物分析,對電影的總體評價 三部分
年輕的維多利亞 The Young Victoria 英語影評
Queen Victoria may not have had superpowers, but she did once run an empire.
And she wasn't always that squat, stern-faced frump in widow's weeds. Britain's longest-reigning monarch was a teenager once, with all the attendant insecurity and wilfulness. Julian Fellowes' script for The Young Victoria offers a portrait of the fledgling queen which is dainty, sweet, light as a feather but not very satisfying. A Victoria sponge, you might say. The film has a situation, a tone, and a strong personality at its centre. What it doesn't have is a plot, and you soon feel the lack of it.
It begins in the manner of a Gothic melodrama. The 17-year-old princess (Emily Blunt) is kept a virtual prisoner by her mother, the Duchess of Kent (Miranda Richardson), and her ambitious adviser Conroy (Mark Strong), who try to usurp Victoria's power under cover of a regency. Neurotically chaperoned, the girl is not allowed even to descend a staircase without holding someone's hand. Fortunately, Victoria has turned 18 by the time her uncle, William IV (Jim Broadbent), passes on, and thus succeeds him as monarch in her own name. Her first decree is to banish her mother and Conroy to remote apartments in Buckingham Palace.
Running alongside this intrigue is Victoria's long-distance courtship with her German cousin, Prince Albert (Rupert Friend), and her quasi-romantic friendship with the Prime Minister, Melbourne (Paul Bettany), both of which augur promising developments. Her association with Melbourne is subject to a row over patronage, while her burgeoning love for Albert finally swoons into marriage. Yet neither is really put to work as drama. Once Victoria establishes mastery over her court, Melbourne is seen to fade away just as Conroy and her mother did. And her blissful union with Albert is only briefly threatened by an argument over status before he apparently saves her life in public.
Despite its vague salute to the young queen's strength of will, there is little sense of momentum carrying the film through. Emily Blunt gives a pert lift to Victoria's traditional sobriety, though her perfect teeth are a gleaming anachronism. Rupert Friend looks remarkably similar to the Albert of history – but references to his famous "ring" go sadly unmentioned. What's really disappointing, however, is the film's determined politeness: its reluctance to investigate has left it looking rather sanitised, and even a bit obsequious. (Fergie, Duchess of York, is one of the procers). All the period trappings –decor, ds, dances – are immaculate, though presented in the manner of a set-text reconstruction rather than a living, breathing drama.
⑵ 我需要殺手不太冷的英文敘述，是描述這個電影，可以是某一情節具體分析，也可以人物分析~不是觀後感哦~
Leon is a 1994 French-proced, English-language thriller film written and directed by Luc Besson. It stars Jean Reno as the titular mob hitman, Gary Oldman as corrupt DEA agent Stansfield, a young Natalie Portman, in her feature film debut, as Mathilda, a 12-year-old girl who is taken in by the hitman after her family is murdered, and Danny Aiello as Tony, the mobster who gives the hitman his assignments.
On a particular day, he meets Mathilda Lando (Natalie Portman), a twelve-year-old girl with a black eye and smoking a cigarette, living with her dysfunctional family in an apartment down the hallway. Her abusive father and self-absorbed stepmother have not even noticed that Mathilda has stopped attending class at her school for troubled girls. Mathilda's father (Michael Badalucco) attracts the ire of corrupt DEA agents, who have been paying him to store cocaine in his residence. After they discover that he has been stealing some of the drugs for himself, a cadre of DEA agents storm the building, led by sharp-suited drug addict Norman "Stan" Stansfield (Gary Oldman), who murders Mathilda's entire family, missing her only because she was out shopping when they arrived. She returns as the group is cleaning up the carnage, realizing what has happened just in time to continue down the hallway and receive sanctuary from a reluctant Léon.
Mathilda discovers that Léon is a hitman. She begs him to become her caretaker and to teach her his skills as a "cleaner"; she wants to avenge the murder of her four-year-old brother, claiming that he was the only member of her family she loved. Léon shows her how to use firearms, including a scoped rifle. In return, she offers her services as a maid and teacher, remedying Léon's illiteracy. Mathilda tells Léon several times that she is falling in love with him, but he says nothing back. After increasing her experience with firearms, Mathilda fills a shopping bag with guns from Léon's collection and sets out to kill Stansfield. She bluffs her way into the DEA office by posing as a delivery person, only to be ambushed by Stansfield in a bathroom. Mathilda learns from Stansfield and one of his men that Léon has killed one of the corrupt DEA agents in Chinatown. Léon, after discovering her intentions in a note left for him, rushes to rescue Mathilda, shooting two more of Stansfield's men in the process.
Stansfield is enraged the "Italian hitman" has gone rogue. He beats Tony, forcing him to surrender Léon's whereabouts. As soon as Mathilda returns home from grocery shopping, an NYPD ESU team, sent by Stansfield, takes her hostage and attempts to infiltrate Léon's apartment. Léon ambushes the ESU team and frees Mathilda. In the apartment, Léon creates a quick escape for Mathilda by chopping a hole in a slender air shaft. He reassures her and tells her that he loves her and that she has given him "a taste for life", moments before the police come for him. In the chaos that follows, Léon sneaks out of the apartment building disguised as a wounded ESU officer. He is unnoticed save for Stansfield, who recognizes the hitman and shoots him. Léon then places an object in Stansfield's hands, which he explains is "from Mathilda", and dies. Opening his hands, Stansfield finds the pin from a grenade. He rips open Léon's vest to discover several active grenades on his chest right before a massive explosion kills him as well.
Mathilda heads to Tony's place as she was instructed to do by Léon. Tony will not give Mathilda more than a small amount of the fortune Léon had amassed, which Tony was holding for him. He offers a monthly allowance and says school should be her priority for now. Mathilda asks Tony to give her a job, insisting that she can "clean" as Léon had. Tony sternly informs her that he "ain't got no work for a 12-year-old kid!" Having nowhere else to go, Mathilda makes her way to the Spenser School on Roosevelt Island in an attempt to return to school. After telling her story to the headmistress, and seemingly being readmitted, Mathilda walks into a field near the school with Léon's houseplant in hand. She digs a hole and plants it, as she had told Léon he should, to give it roots.
⑶ 講評的英文，講評的翻譯，怎麼用英語翻譯講評，講評用
講評的英文，講評的翻譯
The comments are in English and the translation of the comments
⑷ 電影《亂世佳人》主人公人物分析 英文的簡單260——300字即可
Analysis of Scarlett in Gone with the Wind
"Gone With the Wind」 is my favorite novel written by Margaret Mitchell, a southerner in the U.S., and the situation is described from the southern point of view. The author, used many stories she heard from her family who had lived through it, to weave this thrilling novel. It is full of dashing, daring men and women, thrilling episodes, and much romance. The heroine Scarlett in this book is so different from a traditional Chinese woman that I have decided to write something about her.
'Gone with the Wind' has represented the turbulent social reality in the South in American Civil War. Scarlett O』hara is beautiful then, in order to realize her dream of living better, she regards love and marriage as a chip of trade. There』s no true love in her three marriages, until the end, she understands that Ashley, the person she bears in mind for twelve years is not her true love, but one beautiful unreal image belongs to the South in the past and does not adapt to this coming new society. The person who she really loves is similar to her --- Rhett Butler.
To understand Scarlett better, I divided the essay into 4 parts as followed.
1. Scarlett』s Growth
Scarlett's growth can be divided mainly in two periods，before the Civil War and after it．To understand Scralett，we should know the two different ways of life have a great influence on Scralett』s character．
Before the Civil War breaks out, Scralett as well as other old aristocratic young ladies in the south lives an easy，luxurious life full of barbecues，balls and flirting with beaus．For a young lady who has only got 16，the life for her just means learning the arts and graces of being more attractive to men，which is also the south society』s regulation of woman．On one hand，by the diligently stubborn teaching of her mother and black mammy, the seed off the purity and tradition are buried deeply in her mind. But on the other hand，her Irish father also influences her by the Irish stubbornness，arrogance，etc．These two spirits conflicts frequently in the young girl』s mind．Just like her spreading skirts，the demureness of hair netted smoothly into a chignon and the quietness of small white hands folded in her lap, her true self was poorly concealed．
After the Civil War, Scralett』s true self, which is apparently opposite to the lady-mannered discipline of the old south，crazily yield sand matures in the desolate earth after the war．Scarlett』s anti-traditional behavior is more and more undisguised．
2. Scarlett』s Character of Breaking the Rules
Part of Scarlett's enring charm for me is her aspiration to break the rules. She challenges nineteenth-century society's gender roles repeatedly, running a store and two lumber mills at one point. Scarlett is in some ways the least stereotypically feminine of women (in other ways the most), and the more traditional Melanie Wilkes is in many ways her foil. But Scarlett survives the war, several marriages, the birth of children, and even a miscarriage. Melanie, on the other hand, struggles with fragile health and a shy nature. Without Melanie Wilkes, Scarlett might simply be seen as harsh and "over the top", but beside Melanie, Scarlett presents a fresher, deeper female characterization; she lives a complicated life ring a difficult period of history.
3. Scarlett』s Hopes and defects
The other charm of Scarlett to me is that she is always full of hopes of tomorrow, life and the future. Some of her lines from Gone with the Wind, like "Fiddle-dee-dee!" "Tomorrow is another day," "Great balls of fire!" and "I'll never be hungry again!" have become well-known all around the world. She is charming and candid．The dream of tomorrow would call back the strength to live today, and the hope of future would help her to swallow all the bitterness of the present．The land is the only thing，which helps her to maintain her consciousness of tomorrow．From the beginning to the end，land Traa is always the core of Scralett』s life．Her constant care for Traa is never stopped because only from it her consciousness of tomorrow can be realized．Land is the only thing in the world that amounts to anything．For it』s the only thing in this world that lasts；it』s the only thing worth fighting for.
Scarlett is remained as one of the most controversial literature figures from the day the book published till now．Her bad deed，bad words and bad thoughts after the war-time appropriately reflect her natural character——mixture，she is a blending of the good and evil，of practical and ideal，of despair and hope，and of yesterday and tomorrow．She is by far the most developed character in 「Gone with the Wind.」 She stands out because she is strong and saves her family but is incredibly selfish and petty at the same time.
4. Conclusion
From the analysis of her character, she cannot be regarded as a perfect woman. By a rough glimpse, she seems to be a rude，ignorant，and hypocritical remaining of the old Southern aristocrats．Just like other southern people，she hates the war, disgusts the new established south government, deeply recalls the previous life，together with the careless revealing of her attitude towards slavery．They become the root where the criticism derives from．However, Scarlett is real and believable.
Forgetting the past doesn』t really mean that nothing has happened. Forgetting the past is to accumulate energy of the future．The purpose of Scarlett』s looking forward is to survive to fight, because that is the miracle literature has created to attract，to move，and to encourage the people wherever they are． The old are gone with the wind, while the new are gathering new strength to march on.
⑸ 英語作文：電影《好好先生》，人物卡爾·阿倫(金·凱瑞飾)，簡單介紹一下電影情節，分析一下卡爾·阿倫
Jim Carrey movie "Mr. Nice Guy," adapted from the British comedian and writer Danny Wallace, published in July 2005 autobiography of the same name, in this book, Wallace carefully describes how to change his attitude to life, In the whole six months time (to double the film, became a year), the former used to say "no" people and things and replace them with positive, confident of "good", which makes his life become more interesting
Carl Allen (Jim Carrey ornaments) for a long time been lousy because he was always negative, "No, no" type of attitude to deal with people. Until he joined a self-help courses have changed, his mentor Terrence swear under pressure: in one year can only say "good", regardless of who the other side, asking him to do what is . To his surprise, when he began to practice his vows, when life has undergone incredible changes, he not only become a board member, honor, money, opportunities coming up, but they are not the most beautiful in the end, he also with a beautiful girl named Alison (Zoe - Dance Chelsea ornaments) were falling in love. However, when he confidently prepared to embrace more opportunities, but did not expect, he did not stand so many good consumer.
Jim Carrey in the film performing his unique spring jump stunt. Jim Carrey insisted on no fixed fee, but the film's box office revenue from the share. Jim Carrey play guitar when shooting, stop a person attempting suicide scene, the downstairs is not gathered a bunch of onlookers were the truth, and caused a traffic jam. Local police had sent to maintain order. The next day, Jim Carrey's "courageous" behavior was to board a newspaper.
⑹ 有沒有英文電影解析的網站就是分析電影對白像俚語，文化背景等
http://www.chinadaily.com.cn/language_tips/auvideo/audio_film.html
我很喜歡這個。
⑺ 電影講評用英語寫成作文形式
r bought them for me as the new year gift.When I first read them,I liked them inmediately.The stories about Harry Potter are so exciting and adventurous.Harry Potter is a kind,brave and strong kid that he is never afraid of any difficulties.Besides,I admire him having two good friends.They always help him and never leave him,no matter how bad the conditions are.I am happy to see Harry Potter overcome all difficulties and live a happy life in the end.
⑻ 講解關於狗的電影 開頭怎麼用英語鋪墊 帶中文翻譯
《雪狗兄弟》讀後感
雪狗兄弟主要講述了幾只小金毛犬跑進集裝箱後被運到了阿拉斯加，於是有了參加雪橇比賽的機會。故事發生在在北極圈內的阿拉斯加，一個小孩養了一條名為Shasta哈士奇狗，他十分想參加雪橇狗比賽，就算他爸爸十分擔心也不無法阻止他
..光有勇氣是不夠的，他還需要除了Shasta以外其他的狗朋友們的支持，只有齊心協力，他們才能贏得比賽，團結的力量使他們贏得了比賽，雖然比賽十分危險，但是他們卻擁有自信、十分團結。
在我們的孩童時期，都有一個完美但不能實現的夢，但在《雪狗兄弟》中，他的小哈士奇卻用自己的力量幫它的小主人完成了夢想，不管故事真實與否，它都代表了一種追求夢想，永不放棄的積極的力量，那是一種鼓舞人心的讓人積極向上的正能量。或許，有的時候，我們在追求人生夢想的路上會遇到許多困難和挫折，會遇到許多不知的挑戰，但我們應該鼓起勇氣，堅定信心，用我們自己的力量完成屬於自己的夢想，夢想的力量是偉大的，它可以讓人從失望中覺醒，從落寞中感到重生的力量，而這種力量是無可取代的，這種力量不會被任何困難打到，更不因任何挫折而消失。
在競爭更加激烈的今天，心存夢想，才能使自己走的更遠，才能在人生的道路上使自己擁有更加廣闊的未來，所以，從今天開始，加油吧，為了使自己成為一顆閃亮的星星，擁有夢想會讓你看起來更加耀眼。
" Snow buddies ".
Snow buddies mainly tells the story of a few small dog ran into the container after being shipped to Alaska, and participated in the bobsled opportunity. The story occurs in the Arctic Circle in Alaska, a child has raised a
dog named Shasta, he is very want to join the sled dog race, even if his father is very worried
that couldn't stop him. Courage is not enough light, he also need besides Shasta other dog friends for their support, only make concerted efforts, they can win the game, the unity that they won the game, although the game is very dangerous, but they have a confident, very unity.
In our childhood, has a perfect but cannot achieve the dream, but in the "snow dog brothers", his little husky has used
his power to help the little master has completed the dream, regardless of whether the story
is true or not, it represents a dream, to give up the positive power never, that is the positive
energy an inspiring people positive. Perhaps, sometimes, we will encounter many difficulties
and setbacks in the way of the pursuit of the dream of life, will encounter many unknown
challenges, but we should have the courage, confidence, do his
own dream in our own strength, the power of the dream is great,
it can make people awaken from disappointment, feel reborn the
power from the lonely, and this power is irreplaceable, the force
will not be any difficult to reach, but do not disappear e to any
setbacks. Dream in a more competitive today,, to make their own to
go further, to be on the road of life so that they have more in the future, therefore, oil from
today, it, in order to make oneself become a shining star, have dreams will make you look
more bright.
⑼ 英文電影《喜福會》總結，分析！
書中語言的智趣、機敏、傳神、幽默，讓我數度體驗到了閱讀的赤裸裸的愉悅，生動、逼真的細節，想像力的綺麗，時常令人叫絕。她的敘述從容不迫，有稜有角、細膩而不顯瑣屑，而書中變換著的完全由第一人稱進行「講故事」的不同敘述角度，讓我體驗到的同樣是一種心靈的放鬆與自由（讓我想起小時候，冬夜裡圍著火爐，我們全家人聽父親講故事的情景）。這種「放鬆與自由」為我進一步理解作者寫作的意圖——對一個（不，是很多個）故事的思考——作好了充足的鋪墊。
《喜福會》可以看做由四條交織著的發展線索擰成的一根繩子，這根繩子也就是「母親與女兒」之間在歲月流逝及空間轉移中的發展關系。而「喜福會」這個由四個中國母親操辦起來的純粹中國式的聚會，無疑就成了編織這根繩子的最好的開端（故事的切入點）。四對母女——總是由女兒的口吻講述自己與母親（母親再與女兒）濃得化不開的情感瓜葛，然後在這種「成長與背離」的日常生活的生動描述中延展出東西文化的碰撞、交融及嬗變的主題。是的，在美國的土地上，四個中國母親用各自「心靈的滄桑」，總是想把自己的「美國女兒」塑造成「中國風景」，而美國的土壤畢竟是美國的土壤，無論中國母親怎樣努力，女兒們最終還是要長成美國式的，因為連母親們自己也總是會在不知不覺中講起「蹩腳的英語」（兩種文化的交鋒最直接地體現在兩種語言的交鋒上，譚恩美應該是深諳這一點的。她說：「我為日常生活中的語言所迷。我把大量的時間用於思考語言的力量——它激起一種情感、一個視覺、一個復雜想法或一個簡單真理的方式。」）但女兒們不得不承認中國的「傳統文化」（總是隨著她們母親的身影）仍然存留在她們的血脈里，無論凝固著還是流淌著，這種情感總是抹之不去。「……她是我的孩子，她天生是女孩；我又是我母親的孩子，天生也是女孩。我們就像台階一樣，一級又一級，上上下下，但走的都是一條路。」譚恩美借用小說中人物的言語，說出了這種無法割捨的（可以拋除小說的一切外在形式的）「情懷的真理」。
小說塑造的四對母女形象，她們呈現的迥異個性，都寫得妙趣橫生、血肉豐滿。譚恩美絕對是個講故事的高手，我們可以發現在她那些緊密相扣的故事中，又穿插了很多——母親講給女兒的小故事——這些故事完全是東方式的「古怪和神秘」，是果實的核（一種永遠生植在她們大腦里的「文化夢魘」），被婉婉道來、層層鋪展，生趣盎然。這是除小說的語言魅力，另一層吸引我的獨特之處。
談到小說的語言魅力，我可以舉出很多展現譚恩美才華的神來之筆。比方說她寫女兒對母親的敬畏，女兒想讓母親接納自己男友時的忐忑心理，形容男友容易被忘掉，「就像葬禮上某個人的侄子」；寫女兒對母親的抗爭：「我說這話時有點怕，像是把蠶、蟾蜍或者別的討厭的東西從嘴裡吐出來。」；寫母親了解自己的女兒：「如果我想記住什麼，就像在碗里尋找你沒吃凈的飯粒一樣容易。」……這些精彩的筆墨，我想只有譚恩美這樣對兩種語言有過獨到感受的作家才能寫得出來的，她掌握了將日常細微的生活，轉移到語言的核心上來的力量。還有一點需要補充的是，《喜福會》是譚的處女作，有點橫空出世的味道，這本書曾連續9個月被列入《紐約時報》暢銷小說排行榜首，並獲「全美圖書獎」等獎項。
當然，我也看到了《喜福會》中的一些瑕疵，在這里暫且略去不談，我只想將自己閱讀的愉悅（我偶然獲得的無限驚喜），與喜歡讀小說的朋友分享。
Between mother and daughter 奇瑰 story
In the book the language wisdom interest, was resourceful, is expressive, is humorous, lets my several experience the reading naked joyfulness, was vivid, the lifelike detail, the imagination beauty, often make person 叫絕. Her narration is unflustered, 有稜有角, is exquisite but does not reveal trivially, but in the book transforms completely carries on " tells the story " the different narration angle by the first person, lets me experience similarly is one kind of mind relaxes with is free (lets me remember childhood, winter night gathers round stove, our whole family listens to father to tell story scene). This kind " relaxes with is free " for me further understands the author writes the intention - to one (, was not very many) the story ponder - finishes the sufficient upholstery.
One string by four which " happy luck meets " may consider as to interweave the development clue twists, this string also is " the mother and the daughter " between passes and in the spatial shift development relations in the year. Four pair of mother and daughter - always are not narrate by daughter's 口吻 oneself with the mother (mother again with daughter) is thick the emotion connection, then " the growth with departs from " in the daily life vivid description extends the display thing culture in this kind the collision, blends and the evolution subject. Yes, on USA'S land, four Chinese mother with each one " the mind vicissitudes ", always is wants " the American daughter " to mold own " the Chinese scenery ", but USA'S soil after all is USA'S soil, regardless of Chinese mother how diligently, daughters finally or do have to grow into USA -like, because continually mother own also always is can in unconsciously center say " inferior English " (two kind of cultural confrontation most direct terrains now in two languages confrontation, Amy Tan should be deeply knows by heart this point. She said: " I confuse for the daily life in language. I use in the massive time to ponder language strength - it arouses one kind of emotion, one visual, one complex idea or one simple truth way." But the daughters can not but acknowledge China " the traditional culture " (always was along with their mother's form) still preserves in them blood vessels, regardless of coagulated or the flow, this kind of emotion always was wipes does not go. "... She is my child, she inborn is the girl; I again am my mother's child, inborn also is the girl. We like the stair same, one level of another level, every one, but walks all is one road." Amy Tan borrows in the novel character's spoken language, said this kind is unable to shear the shed (may throw eliminates novel all external forms)" the mood truth ".
The novel molds four pair of mother and daughter images, they present the different indiviality, all writes full of beauty and significance, the flesh and blood is plentiful. Amy Tan absolutely is the master which tells the story, we may discover these close buckles in her in story, also alternated the very many - mother says for daughter's small story - these stories completely is east the way " is strange and is mystical ", was the fruit nucleus (one kind forever lives plants in their cerebrum " cultural nightmare"), came by 婉婉 the road, layer upon layer to spread out all over, 生趣盎然. This is eliminates the novel the language charm, another attracts me uniquely place.
Talks about the novel the language charm, I may point out very unfold the Amy Tan talent the god come the pen. For instance she writes the daughter to mother's respect fear, the daughter wants to let the mother admit when the oneself boyfriend's disturbed psychology, describes boyfriend is easily forgotten, " likes at the funeral some indivial nephew child "; Writes the daughter to mother's resistance: " I said when this saying a little fears, the picture is the silkworm, the toad or other repugnant thing puts out from the mouth." Writes the mother understands oneself the daughter: " If I wants to remember what, the picture seeks you in the bowl has not eaten the grain of cooked rice equally is only easy." These splendid words, I want only to have Amy Tan like this have the original feeling writer to two languages only then can write obtain, she will grasp the daily slight life, shifts strength which came up to the language core. Also has one point needs to supplement, " happy luck meets " is Tan's maiden work, a little 橫空 is born the flavor, this book continuously 9 months was once included " New York Times " the bestselling novel rank first place, and won " the entire American books prize " and so on the prize item.
Certainly, I also see " happy luck met " the center some slight defect, for the time being leaves out in here does not discuss, I only wanted to read joyfully own (I accidentally obtain infinite am pleasantly surprised), with liked reading the novel the friend share.