英文電影簡畫

⑴ 求10部英文電影的簡介 簡介字要少。

Film 1 THE BOUNDARY Fiction (12:00) USA Director: Julius Onah Once we cross, there is no return… A family on its way home is forced to deal with circumstances they would never hope for. 一旦越界，則無法回頭。一個尋常家庭在回家的路上，遭遇了意料不及的經歷…… ===================== Film 2 LOVE CHILD Fiction (6:00) Sweden Director: Daniel Wirtberg A young girl enjoys the perfect life of being the only child, when one day a new family member arrives. 一個年輕的女孩享受著完美的獨生女生活，直到一個家庭新成員的來臨打破了寧靜…… ========================== Film 3 MOZAMBIQUE Documentary (13:30) Mozambique Director: Alcides Soares Sixteen-year-old Alcides Soares is one of a half a million AIDS orphans living in Mozambique today. American television writer Neal Baer and movie director Chris Zalla gave Alcides a movie camera and taught him how to shoot. The result is 「Mozambique」 a moving chronicle directed by Alcides himself, which details his journey to find his family and make a new life in his country. 非洲的莫三比克有接近50萬患艾滋病孤兒，16歲的Alcides Soares就是其中一員。美國電視做著Neal Baer和電影導演Chris Zalla給Alcides一台攝影機，並教會他如何使用。這部影片則由他自己導演，記錄了他尋找自己的家庭，並在他的國家建立新生活的旅程。 =========================== Film 4 SKHIZEIN Animation (14:00) France Director: Jérémy Clapin After being struck by a 150-ton meteorite, Henry has to adapt to living precisely 91 centimeters from himself. Henry被一個150噸的隕石撞了一下，導致他不得不適應91厘米的生活。 =============================== Film 5 PARKING Fiction (11:00) Spain Director: Jorge Molina An executive goes to get his car…when he discovers that someone else has beaten him to it. 一個經理正要去停車場開他的車，卻發現遭到了別人的襲擊。 ================================ Film 6 A』MARE Fiction (15:00) Italy Director: Martina Amati Andrea and Felice are two kids whose lives centre around the sea. One ring a fishing excursion their usual routine is disturbed when something unexpected appears from the water. Will their friendship survive the turbulent events that follow? Andrea和Felice是生活在海邊的兩個小孩子。這天，從水裡出現的奇怪事物打破了他們有序的玩樂生活。他們的友誼是否能夠支持他們度過難關？ ================================ Film 7 PLASTIC Fiction (7:30) Australia Director: Sandy Widyanata Whilst Anna is preparing for a first date with Henry, a man she has secretly loved for years, everything goes wrong until she discovers the impossible – to sculpt her appearance like clay to any shape she desires. Anna深愛著Henry，終於迎來了和他約會的一天。可是一切都亂套了，Anna卻驚訝的發現自己能夠像陶藝一樣隨意改變自己的外貌…… ============================== Film 8 MIENTE Fiction (15:00) Spain Director: Isabel De Ocampo Doina wants to make a birthday present to her young sister, but it isn』t easy to get it. Doina不過是想給自己的妹妹製作一個生日禮物，沒想到事情遠不是那麼簡單。 =============================== Film 9 LASHABIYA Fiction (6:00) Israel Director: Yehezkel Lazarov In an elementary school courtyard, a young Palestinian man plays a dangerous game with an armed squad of Israeli soldiers. 在一個小學的操場上，一個年輕的巴勒斯坦人和一個全副武裝的以色列士兵進行了一場危險游戲。 ==================================== Film 10 HAMMERHEAD Fiction (14:00) UK Director: Sam Donovan Boris tries to reunite his separated parents on a shark-spotting trip. The only problem is, his biggest enemy is along for the ride: his mother』s new girlfriend. Boris想要通過一次觀賞鯊魚的旅程來撮合他離異的父母。可問題是，這次旅程的最大困難，是母親帶來了一個她的女朋友。

⑵ 觀看一部英文電影,製作觀看小報,內容包括:畫好主角形象,主要劇情(中文),裡面

十佳動作片
1) 英雄本色（1）：吳宇森代表作。
2) 真實的謊言：阿諾演的最溫情和幽默的電影。
3) 生死時速（1）：充滿動感，耳目一新！
4) 虎膽龍威系列：呵呵他怎麼總是一身傷卻不死啊！！！
5) 勇闖奪命島（石破天驚）動作片顛峰作品！演員表演出色。
6) 刀鋒戰士（1、2）：新式吸血鬼動作片，非常另類和華麗。
7) 神秘的黃玫瑰系列：呵呵因為看的時候年紀小，覺得比西部片還經典。
8) 復仇：也是羅馬尼亞的老電影，這部影片的槍戰讓人百看不厭。
9) 三步殺人曲系列：干凈利落的墨西哥風格槍戰電影。
10) 第一滴血（1）：有內涵有力度有故事，是史泰龍為數不多的好片。

⑶ 英語電影海報怎麼做啊

你至少應該在心裏面由一個概念，，
主題你總知道吧，畫面配置，電腦作圖，後期製作，
很簡單的

⑷ 簡單的英文電影

不要20部啦,真的想學英語,就去買FRIENDS的碟子,中文是老友記,一共10個SEASONS的,大概一共有200多集吧~~輕松搞笑,你如果真的是為了要學不枯燥的學英語,那就盯著它看,我已經反反復復看了8遍了,每一遍都有不同的新的收獲~!不管要學英語還是美語,看那個都很有用~!
Prison
Break也很好的,這兩個是學口語很好的.
如果一定要看電影的話,看經典的去,阿甘正傳,追求幸福,舞動人生,
或者學基礎,比如說,蟲蟲危機,史瑞克123,還有一個中文我不知道叫什麼,英文是Open
Season,這樣的動畫片都很好的,語速,詞彙都很適合練習聽力口語.
希望對你有幫助咯~反正我極力推薦FRIENDS,呵呵

⑸ 怎麼做四年級的電影英語海報圖片 手繪

、繪制一張精美的POP海報，可以利用以下的工具來混合搭配，不限定一定要利用某一種特定的工具，這些都是完成一張POP手繪海報的基本工具，可以在美術行或是書店中買到：
一、彩色筆：分角頭及圓頭二種筆頭。
二、麥克筆：分角頭及圓頭二種筆頭，又分酒精、水性、油性三種溶液的麥克筆。
三、粉、蠟筆。
四、粉彩筆。
五、色鉛筆、素描鉛筆。
六、水彩、廣告顏料、圓或平的水彩筆。
七、毛筆、墨汁、色丹。
八、筆刀、美工刀、割圓器、造型剪刀、剪刀。
九、雙面膠、口紅膠、透明膠帶、紙膠帶、膠水、照片膠、台灣黏膠。
十、切割板、切割鋼尺（三十公分、七十公分、一百公分各一）、小尺、波浪尺、軟尺。
十一、圓規。
十二、針筆。
十三、立可白、修正帶、白漆筆、金漆筆、銀漆筆。
十四、手提袋、紙捲筒。
B、手繪海報的組合因子可大致劃分如下：
一、插圖
（一）主題式
（二）裝飾式
（三）整題式
二、文案
（一）大標題
（二）重點提示
（三）內容
C、製作形式
P製作形式有彩色列印，印刷，手繪等方式。隨著電腦軟體技術的發展，在美工設計應用上更盡顯其美觀高效的優勢，甚至可將手繪藝術字形的塗鴉效果模仿的淋漓盡致，並可以接撥

⑹ 英語書上的電影院怎麼畫

書上面的電影院直接根據你所聽到的進行一個簡簡單單的房子，下面寫一個電影院就可以了。

⑺ 英語電影簡介 急！！！！！！！！！！！！！謝謝 懸賞分巨多

KuangFu Panda is an interesting movie.First, Po is a big panda,he is very fat,but he has his own dream.Po want's to be a Great master,to save people in bad life by kuangfu.The Shifu teachs him how to fight,and make him to save the world.At last,He beat Tai Lung.Po had many friends, Monkey,Master Viper,Master Tigress,Master Mantis,Master Crane......I thought he is a great panda.He is a hero!I want to be the 2nd Po,to be a hero!

喜劇動物片 101真狗

my personal favorite "101D" medium is Disney's "101 Dalmatians: the Series". It combines many themes of the existing material (Dodie Smith book, 1961 and 1996 movies). But still does its own things, too.

Our main pups include brave Lucky, who gets a strong personality mirroring his character in the book, lovable Rolly, the gourmand of the pups, and sweet little Cadpig, who is the true runt of the litter. Also there is Spot the chicken, who longs to be a dog. I find them all extremely amiable and enjoyable to watch. They are usually foiling Cruella's schemes for their land, or outwitting Lt. Pug (I'll get to him later), or sneaking into Grutely, or...just having fun, making a very likable show.

動畫喜劇 海底總動員

Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running

這個網站有很多教父的評論，都是英文的，你去看看吧
http://www.imdb.com/title/tt0068646/或者
http://www.imdb.com/title/tt0068646/usercomments
給你個例子：
For me it isn't "the greatest ever", but it's still great, 24 April 2005

Author: Brandt Sponseller from New York City

Marlon Brando is Don Vito Corleone, head of perhaps the most powerful New York-area mafia family in the 1940s, in this well-respected film by director/writer Francis Ford Coppola. As the film begins, Vito is receiving "business" guests in his office at his home while his daughter Connie's (Talia Shire) wedding and reception are taking place. The epic plot takes place over many years, telling the story of Vito, his family--including Michael (Al Pacino), Santino (James Caan) and Tom Hagen (Robert Duvall), his associates, and their interactions with other mob syndicates.

The Godfather is commonly considered to be one of the "greatest films of all time". Even though I've given it a 10, I wouldn't put that same kind of exalted emphasis on it. I've given literally thousands of films 10s over the years, and for me, Godfather just barely made a 10. I think it has a number of flaws, but Coppola also has a knack for transcending the problems with some brilliant move or another. At any rate, it is definitely must-see viewing--even if it's only because it's so highly regarded--if you've not experienced the film yet. I think it's a good idea to attain cultural literacy, and films as popularly loved as The Godfather become necessary elements in achieving that literacy.

Shorn of its gangster trappings, The Godfather is sprawling and soap-operatic in tone. The sprawl is appropriate to its origins as a novel by Mario Puzo, who also co-wrote the screenplay with Coppola. There is a large cast of characters--maybe too large, as it can be difficult to keep track of just who everyone is. Even after you've watched the film a couple times you may find scenes where mobsters seem to spontaneously appear and you catch yourself saying, "Wait, who is that guy supposed to be again?" The soap opera angle can be a positive or negative depending on your tastes. I tend to not like soap-operatic stories, but of course Coppola put yummy gangster topping on this one to make it palatable for guys like me. At root, though, The Godfather is concerned with realistic depictions of a very dysfunctional family as they try to make it through life--including marriages, births, altery, spats between family members, tiffs with others in their community, and so on. My theory is that the soap opera angle accounts for much of the film's appeal. For me, it (and the slight lack of focus from the sprawl) accounts for much of the reason that I barely gave the film a 10.

But two things help the film transcend a lower score for me. Even though the gangster stuff has been far surpassed in graphic brutality in the intervening years, the dramatic context of the violence usually gives it tremendous impact. Films like Ichi the Killer (2001), which I just watched for the first time the night before watching The Godfather again, make the Godfather's brutality fit for Sesame Street in comparison. However, although Ichi's violence is effective, setting that knob to "11" doesn't make it better. Besides, Ichi is so over the top that it would make many Godfather fans want to hurl.

To the extent that Coppola and Puzo just focus on the extended Corleone family, they create tremendous depth in their relationships. The whole film can be looked at as a fascinating depiction of "oscillating" dynamics in the family, with the pole pairs being interacting/distancing, control/lack of control, benevolence/malevolence. Most character stances and actions are some combination of those ranges of characteristics, and everyone dances around the poles, so to speak, throughout the film. From this angle, even the attractive surface violence (well, attractive to us fans of that stuff in artworks) is mainly there for the purpose of pushing characters more to one pole or the other. There is an implication that underlying these mechanisms is some natural tendency towards achieving (a dynamic) equilibrium.

But there are more superficial stylistic factors that help push my score up to a 10, also. The most obvious, which everyone and their grandparents have mentioned, are the performances. It's tough to go wrong when you have a cast including Al Pacino, Marlon Brando, Robert Duvall, James Caan, Diane Keaton, and so on. Another commonly mentioned element that I agree is fantastic and superbly integrated to create atmosphere is Nino Rota's score.

Less often mentioned is the consistently intriguing cinematography by Gordon Willis. Most of Willis' unusual shots in the film are so subtle as to be barely noticeable unless you're looking for them. The opening, for example, consists of a long (it lasts a few minutes) "zoom out" from Amerigo Bonasera (Salvatore Corsitto). The shot is beautifully lit--most of the frame is extremely dark, giving Bonasera a chiaroscuro effect (the opening is also unusual in that it's a long monologue from a minor character).

Willis and Coppola have a knack for placing their actors in the frame to create depth and interesting visual patterns. This is done so slyly that at first blush you wouldn't believe it's something they thought about, but if you keep this in mind while watching, you can see delightful visual paths that zigzag, wind to a focal point, and so on, all created by the confluence of actors and scenery in the frame.

If you haven't seen The Godfather before, the most important thing you can do before watching is to forget about all of the "greatest film of all time" hype. That's only likely to set up expectations that could never be met; more than likely you'll be disappointed. Just think of it as one of the better films from one of Hollywood's more admirable but relatively odder directors, featuring earlier performances from a very well known cast, and keep in mind that it's as much a "historical family saga" as a crime or gangster film.

⑻ 我要做《狗狗的瘋狂假期大電影》的英語手抄報，可以提供一些簡筆畫圖片和電影里的經典句子嗎

＾3＾，快看快看你要的電影給你找到了，可以點擊看主頁，，了解下

⑼ 電影英文怎麼說

電影英文：Movie（美式） 或 Film（英式）。

電影是19世紀美國國家生活水平上升大眾產生新需求的娛樂產物。電影根據視覺暫留原理，運用照相（以及錄音）手段把外界事物的影像（以及聲音）攝錄在膠片上，通過放映（同時還原聲音），用電的方式將活動影像投射到銀幕上（以及同步聲音）以表現一定內容的現代技術。

電影是一種視覺及聽覺藝術，利用膠卷、錄像帶或數位媒體將影像和聲音捕捉，再加上後期的編輯工作而成。

電影是一種綜合的現代藝術，亦正如藝術本身，有著復雜而繁多的科系。電影有很多類型，也有多種分類方法。

電影從有聲電影開始發展，目前已經到了電影的特技時代了。運用大量的電腦特技製作出來的電影，受廣大中年以下的朋友歡迎。

國外電影廣告在美國和英國的電影廣告中，有這樣八種標記：

（1）美國X——禁止未成年者觀看的影片，G——所有觀眾可看片，R——十七歲以下禁止觀看，PG——一般觀眾可看。

（2）英國U——內容正派片，A——一般觀眾可看片，X——18歲以下青少年禁看片，AA——少年兒童禁看的兇殺片。

(9)英文電影簡畫擴展閱讀

中國最早放映的電影——1896年8月11日法國商人在上海徐園「又一村」茶樓內放映的「西洋影戲」。

中國第一部電影是戲曲片京劇《定軍山》，內有《請纓》、《舞刀》等片斷，1905年（清光緒三十一年），由北京豐泰照相館攝制。無聲片，長約半小時。

中國第一部短故事片是《難夫難妻》（又名《洞房花燭》），1913年在上海拍攝，無聲片，鄭正秋編劇，鄭正秋和張石川聯合導演。此片是由亞細亞影戲公司開張後的第一部作品，首開家庭倫理劇之先河。

中國第一部長故事片——1921年中國影戲研究社在上海拍攝第一部長故事片《閻瑞生》。

中國現存最早的一部可放映電影——1922年由張石川導演的《勞工之愛情》又名《擲果緣》，是現存尚可放映的最早的一部中國電影，也是中國現存最早的故事片。

中國第一部有聲電影是《歌女紅牡丹》，明星影片公司1931年攝制，該片採用的是蠟盤配音的技術。

中國第一部開創電影奇跡的影片《破艙》，是完全一個人攝制的、零成本、即興創作（先拍攝後寫劇本）的電影長片，2013年楊誠俊導演電影。

中國第一部獲得國際大獎的影片是20世紀30年代由蔡楚生導演的《漁光曲》，它在1935年莫斯科國際電影節上獲「榮譽獎」。

⑽ 英文電影簡介和讀後感兩篇

泰坦尼克號的英文簡介
Titanic directed by James Cameron presents a fictional love story on the historical setting of the Titanic. The plot is simple, noncomplicated, or not for those who love plots that twist and turn and keep you in suspense. The end of the movie can be figured out within minutes of the start of the film, but the love story is an interesting one, however. Kate Winslett is wonderful as Rose, an aristocratic young lady betrothed by Cal (Billy Zane). Early on the voyage Rose meets Jack (Leonardo DiCaprio), a lower class artist on his way to America after winning his ticket aboard Titanic in a poker game. If he wants something, he goes and gets it unlike the upper class who are so concerned with their social worries. The two fall in love and the audience sees the sinking of the Titanic primarily through their eyes.

The movie begins in modern times with the exploration of the wreck by a group searching for treasures, that sunk with the Titanic, which has recently occurred. One of the survivors of the Titanic, Rose DeWitt Bukater, who had heard of the exploration of the wreck on television and is flown to the boat where the search is being led from to tell of what she remembers to help the search. She gets to telling her memory of the one and only voyage of the Titanic. With this, the scene shifts to Southhampton, Ireland where the Titanic set sail from on April 10, 1912 as all the passengers are boarding. After another stop on the Irish coast Titanic went out to see on its maiden voyage across the Atlantic bound for New York. Historically the first few days of the voyage went by uneventful, but the fictional plot of the story is developed ring this time as Rose sees the hopeless entrapement of an engagement that she is in to the wealthy Cal Hockley and falls in love with third class passenger, Jack Dawson. Captain Smith alledgedly as shown in the movie was urged by the White Star Line Director to increase the speed of the ship so they would make the newspaper headlines and receive extra publicity by arriving in New York on Thursday night and not on Friday morning as planned. Smith then ordered the fateful decision going against his thirty-two years of experience to stretch the Titanic's legs out to full speed. The Titanic had reports that the waters in the Atlantic they were sailing in were full of icebergs, but they ignored these warnings and proceeded at full speed as shown in the movie. On April 15, 1912 at 11:39, an iceberg was sighted. They attempted to shut off the engines and turn the ship out of the path of the iceberg but there was not enough time and the ship hit the iceberg on the starboard side as depicted in the film. The portrayal of the many small holes in the side of the ship and not one large gash along the side is accurate. The crew of Titanic sent out distress calls and set off distress rockets as shown until 2:18 when the lights finally failed. The lights of the California were spotted six miles away but they failed to realize what was going on and did not respond to Titanic's many pleas for help. The California had tried earlier in the day to warn Titanic of the severe ice that had caused them to stop their trip but Titanic had brushed them off causing the California to turn off its radio and leave the Titanic on its own. The first class women and children were the first as depicted to be put into the twenty lifeboats that were on the ship. Overwhelmingly the third class passengers suffered the most amount of deaths of any class and the crew was hit hard in this tragedy too. The word of White Star Line employees and first class passengers was believed over that of second and third class passengers when authorities were trying to gain information of the sinking. Also, the metal that was used to build the Titanic has been found in recent years under conditions of severe cold, which were experienced the night Titanic sank to be extremely brittle. Overall, the basic plot is very accurate in its portayal of the events and the times at which these events took place on the Titanic.
泰坦尼克號觀後感
泰坦尼克號是人類的美好夢想達到頂峰時的產物，反映了人類掌握世界的強大自信心。她的沉沒，向人類展示了大自然的神秘力量，以及命運的不可預測。到泰坦尼克號沉沒那天為止，西方世界的人們已經享受了100年的安穩和太平。科技穩定地進步，工業迅速地發展，人們對未來信心十足。泰坦尼克號的沉沒驚醒了這一切。這艘「永不沉沒的輪船」——埃菲爾鐵塔之後最大的人工鋼鐵構造物，工業時代的偉大成就，因為對自然的威力掉以輕心，滿不在乎，所以在第一次處女航中就沉沒了。泰坦尼克號將永遠讓人們牢記人類的傲慢自信所付出的代價。人們永遠也忘不了這幅畫面：泰坦尼克號在海底昂著頭，殘破和污跡也掩蓋不了她的高貴。這就是她的歸宿。歷史就這樣演變成了傳奇。
這場災難震驚了國際社會。因為它向一些人證明了：人和人們的技術成就無法與自然的力量相比。電影中不是諷刺地說到:"泰坦尼克號是"永不沉沒的輪船"."人類的自負在此時變成了可悲的後果.
在我通覽《泰坦尼克號》之後，電影中的男女主角傑克與露絲的生死愛情打動著我的心，在這里，愛成為人們魂牽夢縈的最終主題。
ROSE說:「我覺得這一生不外如此，像活了一輩子似的，又像是站在懸崖邊上，沒人 拉我回來，沒人關心，甚至無人理會.」我從這句話中,我彷彿看到了自己.在這個物慾橫流的時代,我其實就像站在懸崖上一般,不堪一擊.
當看到正准備上船的ROSE又從容地跳上即將沉沒的泰坦尼克號時,我從那一刻明白:無論有多少險阻,我應當要敢於去追求自己想要的.
泰坦尼克號一部告訴人類應時時審視自己劣根性的警世電影,也是一則包融信念、勇氣、犧牲和愛的不朽傳奇.