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三篇英文電影

發布時間:2024-08-03 21:03:57

1. 30部必看經典英文電影,看完口語、聽力大幅提升!你到底看過哪些

一、經典電影(人生篇)

1、《肖申克的救贖》

《肖申克的救贖》(The Shawshank Redemption)取自斯蒂芬·金《不同的季節》中收錄的《麗塔·海華絲及蕭山克監獄的救贖》而改編成的《肖申克的救贖》劇本,並由弗蘭克·達拉邦特執導,蒂姆·羅賓斯、摩根·弗里曼等主演。

2、《百萬金嬰》又名《百萬寶貝》

《百萬寶貝》(Million Dollar Baby)是一部勵志劇情電影。影片由克林特·伊斯特伍德執導,克林特·伊斯特伍德、希拉里·斯萬克、摩根·弗里曼等主演。

影片講述了一位有名的拳擊教練法蘭基因為太過於投身與拳擊事業而陷入了長期的自我封閉和壓抑,一位學徒麥琪堅毅的決心軟化了法蘭基並成出色的女拳擊手。

3、《悲慘世界》1958年版

《悲慘世界》是法國作家維克多·雨果於1862年所發表的一部長篇小說。是十九世紀最著名的小說之一。

小說涵蓋了拿破崙戰爭和之後的十幾年的時間。故事的主線圍繞主人公獲釋罪犯冉阿讓(Jean Valjean)試圖贖罪的歷程,融進了法國的歷史、建築、政治、道德哲學、法律、正義、宗教信仰。1958年法國導演讓.保羅·李塞諾拍攝過同名電影,2006年日本出品了根據原著改編的動畫片《悲慘世界少女珂塞特》。

二、經典電影(愛情篇)

1、《羅馬假日》

《羅馬假日》是1953年美國推出的一部經典浪漫愛情片,由道爾頓·庄柏編劇,威廉·惠勒導演。格利高里·派克和奧黛麗·赫本聯袂主演。

故事講述了一位歐洲某公國的皇室公主與一個美國平凡記者之間在義大利首都羅馬一天之內發生的浪漫故事。

2、《泰坦尼克號》

《泰坦尼克號》是美國20世紀福克斯公司和派拉蒙影業公司共同出資,於1994年拍攝的一部浪漫的愛情災難電影,由詹姆斯·卡梅隆創作、編輯、製作、導演及監制,萊昂納多·迪卡普里奧、凱特·溫斯萊特主演。

影片以1912年泰坦尼克號郵輪在其處女啟航時觸礁冰山而沉沒的事件為背景,描述了處於不同階層的兩個人——窮畫家傑克和貴族女露絲拋棄世俗的偏見墜入愛河,最終傑克把生命的機會讓給了露絲的感人故事。

3、《卡薩布蘭卡》

《卡薩布蘭卡》是由華納兄弟影片公司出品的愛情電影,由邁克爾·柯蒂斯執導,亨弗萊·鮑嘉、英格麗·褒曼、克勞德·雷恩斯、保羅·亨雷德等主演。

影片講述了二戰時期,商人里克手持寶貴的通行證,反納粹人士維克多和妻子伊爾莎的到來使得里克與伊爾莎的舊情復燃,兩人面對感情和政治的矛盾難以抉擇的故事。

三、經典電影(戰爭篇)

1、《巴頓將軍》

《巴頓將軍》是由弗蘭克林·斯凡那導演,1970年2月4日在美國首映,影片主要介紹了一九四三年在北非,英美盟軍遭到綽號叫「沙漠之狐」隆美爾元帥率領的德軍反擊,展開了一場大規模的戰斗,結果美軍遭到慘敗。陷入了困境。

2、《拯救大兵瑞恩》

影片《拯救大兵瑞恩》是夢工廠1998年出品的一部戰爭電影,由史蒂文·斯皮爾伯格執導,湯姆·漢克斯、湯姆·塞茲摩爾和馬特·達蒙等聯袂出演。影片於1998年7月24日在美國上映。

電影描述諾曼底登陸後,瑞恩家4名於前線參戰的兒子中,除了隸屬101空降師的小兒子二等兵詹姆斯·瑞恩仍下落不明外,其他3個兒子皆已於兩周內陸續在各地戰死。美國陸軍參謀長馬歇爾上將得知此事後出於人道考量,特令前線組織一支8人小隊,在人海茫茫、槍林彈雨中找出生死未卜的二等兵詹姆斯·瑞恩,並將其平安送回後方。

3、《現代啟示錄》

《現代啟示錄》是由弗朗西斯·福特·科波拉執導,馬丁·辛、馬龍·白蘭度、羅伯特·杜瓦主演的戰爭片。

影片講述了越戰期間,美軍情報官員威爾德上尉奉命除掉庫爾茲上校。接到命令後,威爾德率領小分隊,冒險乘小艇深入柬埔寨。

4、《戰爭與和平》

《戰爭與和平》是由金·維多執導的劇情片,亨利·方達、奧黛麗·赫本參加演出。

該片講述了在拿破崙指揮軍隊進攻俄國時,發生在大動盪年代中的一段經典愛情故事。

(1)三篇英文電影擴展閱讀

《經典英文電影賞析》是2009年5月1日國防工業出版社出版的圖書。本書主要收錄了10部精選優秀經典英文電影作品。

《經典英文電影賞析》由10個章節組成。每一章節包括電影背景、故事簡介、主要演員陣容及導演介紹、精彩部分節選、對影片的評論及注釋五大部分。相信許多讀者會在觀賞優美電影或閱讀《經典英文電影賞析》的過程中重溫自己過去的電影體驗,獲得新的感悟和理解。

英漢對照是《經典英文電影賞析》的一大特點。《經典英文電影賞析》既有英文原文,也提供了中文翻譯,有助於英語愛好者能更好地理解書中的內容。同時,《經典英文電影賞析》還提供了注釋,為讀者的自學提供了參考。

2. 急求三篇英文的電影觀後感大神們幫幫忙

英文影評:千與千尋(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂總動員 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

3. 求三篇英語作文,關於英語電影觀後感,120字左右,不要太多,帶翻譯。電影自選,不需太深,作文內容盡

Impression on "Forrest Gump"
電影《阿甘正傳》觀後感
Last night, I saw a great film, Forrest Gump.I am greatly impressed by this film, by the stories of Forrest Gump.Forrest Gump was born in a small village.He was born mentally retarded, and he was discriminated by others.But his mother is a strong female who encourages Gump to be strong and live the same as normal people.Besides, he meets Jenny, a tragic but kind-hearted girl.With the love of his mother and Jenny, Forrest Gump begins his running all his life.I am moved by his strong will, kindness and optimism.There are many miracles in his all life which seem impossible to him.But I know is reasonable, because he wins them with his noble personalities.
昨天晚上,我看了一部大片——《阿甘正傳》。這部電影以及阿甘的故事給我留下了深刻印象。阿甘出生在一個小村莊。他天生弱智,受到別人的歧視。但是他的母親是個堅強的婦女,她鼓勵阿甘要像一個正常人一樣堅強地活著。後來,她認識了珍妮,一個悲劇但又善良的女孩。在他媽媽和珍妮的愛護下,阿甘開始跑遍整個人生。我被他堅強的意志,他的善良以及他的樂觀所打動。他的整個人生充滿了許多對它來說是不可能的奇跡。但是我知道這是合理的,因為他用他高尚的品質贏得了這些。

My Favorite Movie
我最喜歡的電影
.Among so many films I have watched, the one I like best is High School Musical.This film tells the stories about two high school juniors from rival cliques – Troy Bolton, captain of the basketball team, and Gabriella Montez, a beautiful and shy transfer student who is a hard working girl.Together, they try out for the lead parts in their high school musical.In this process, a series of stories happen, but in the end, the musical achieves great success and Troy and Gabriella fall in love with each other. It』s totally a happy ending.I like this movie because the high school life in that is so colorful and amazing, which I admire so much.Besides, everyone loves happy ending of love story.
。在我所看過的電影中,我最喜歡的是《歌舞青春》。這部電影講述了兩個高中生的故事——學校籃球隊的隊長Troy Bolton和性格害羞、長相甜美、成績優異的新生Gabriella Montez。他們要一起主演學校的音樂劇。在這個過程中,發生了一系列的故事,而最終,音樂劇獲得了成功,他們之間也碰撞出了愛的火花,完美落幕。我喜歡這部電影的原因是因為電影中展現的高中生活豐富多彩、奇妙無比,讓我十分羨慕。再者,有誰不喜歡愛情故事的大圓滿結局呢。

The Impression of Hachiko
《忠犬八公的故事》觀後感
In recent years, the film 「Hachiko—A Dog』s Story」 has been very popular.It mainly shows an impressive story between a loyal dog and a professor.As far I am concerned, there are many things we can learn from the film.
近年來,電影「忠犬八公——一隻狗的故事」非常的流行。主要說的是一條忠實的狗和一個教授之間的感人故事。對我來說,我們可以從電影中學到許多東西。
To begin with, I believe that most people who have watched this film were moved by the dog』s loyalty.The dog has waited for his owner for a lifetime and hid loyal behavior has taught us never forget anyone we loved—the meaning of loyalty.We can learn that we should try to get along with each other with true affection and never betray in an intimated relationship so that we can strengthen our relationship and understand each other better.And we should believe that there is still a true affection in the world.
首先,我相信很多人看過這部電影的人都被狗的忠誠感動了。狗等它的主人等了一輩子,這一忠誠的行為告訴我們永遠不要忘記任何你所愛的人——忠誠的意義。我們可以學習,我們可以學到我們應該應該用真實的情感與他人交流相處並永遠不出賣親密的關系,這樣我們才能夠加強我們的關系,更好地相互理解。我們應該相信世界上還存在有真情。

4. 中學生必看的經典英文電影

中學生必看的經典英文電影 篇1

一.《歌舞青春》(High School Musical)

本片在美播出後迅速走紅,引爆了具有轟動性的跨娛樂平台、跨越國際市場的全球青年新文化潮流。2006年1月美國首播,隨即引爆炫風,電視收視長紅,締造新紀錄。獲得艾美獎6項提名,並拿下兩項大獎(最佳兒童節目、最佳舞蹈編排)。此外還獲得2006年全美青少年票選3項大獎。

二.《海上鋼琴師》(The Legend of 1900)

本片講述了一個鋼琴天才傳奇的一生。1900年,Virginian號豪華郵輪上,一個孤兒被遺棄在頭等艙,由船上的水手撫養長大,取名1900。

1900慢慢長大,顯示了出了無師自通的非凡鋼琴天賦,在船上的樂隊表演鋼琴,每個聽過他演奏的人,都被深深打動。爵士樂鼻祖傑尼聽說了1900的高超技藝,專門上船和他比賽,最後自嘆弗如,黯然離去。可惜,這一切的事情都發生在海上,1900從來不願踏上陸地,直到有一天,他愛上了一個女孩,情愫在琴鍵上流淌。

他會不會為了愛情,踏上陸地開始新的生活,用他的琴聲驚艷世界?他將怎樣譜寫自己非凡的人生?

三.《風雨哈佛路》(Homeless to Harvard)

貧窮和負面的童年經驗,並沒有讓她變壞或者失去希望,隱隱約約之中,她一直都知道,在她生長的環境之外,其它人所過的,是很不一樣的生活。而她知道,只有想辦法脫離現在的環境,才有可能到那個新世界去。

四.《心靈捕手》(Good Will Hunting)

麻省理工學院的數學教授藍波公布了一道困難的數學題,卻被年輕的清潔工威爾(馬特·戴蒙 飾)解了出來。可是威爾卻是個問題少年,成天和好朋友查克(本·阿弗萊特 飾)等人四處閑逛,打架滋事。

當藍波找到這個天才的時候,他正因為打架襲警被法庭宣判送進看守所。藍波向法官求情保釋,才使他免於牢獄之災。

五.《肖申克的救贖》(The Shawshank Redemption)

本片的主題是「希望」,在牢獄題材電影中突破了類型片的限制,拍出了同類作品罕見的人情味和溫馨感覺。時至今日,本片在國內外各大電影網站的電影排行中始終穩坐前十。

六.《美麗人生》( Life is Beautiful)

二次世界大戰期間的義大利,由羅伯托·貝里尼(Roberto Benigni)飾演的小人物─基多,來到圖斯坎尼小鎮追求他的理想與愛情,全然不顧法西斯主義之下的政府管制,在這里他與小學老師桃拉墜入情網。幾年後,他們擁有了一個小男孩─約書亞,而基多也開了一間書店。

但好景不常,在法西斯主義政府統治下,一家人失散,被關入集中營,爸爸和兒子關在一起,媽媽則被關在另外一處,在殘酷無比的集中營里,爸爸以玩游戲的方式讓兒子仍保有童年的快樂與天真。最後,爸爸犧牲了自己,死於納粹的槍下,而兒子回到媽媽身邊。

《美麗人生》最引人入勝之處,在於它以詼諧的方式看待無情的戰爭。在該片里,我們見識到戰爭的可怕,看見了人們的無助,卻也看到了有人以幽默的態度自處。

七.《幸福終點站》(The Terminal)

故事發生在上個世紀80年代末,維克多(湯姆·漢克斯 飾)是一個斯洛維尼亞人,為了逃避祖國的戰亂,他決定移民美國,帶著簡單的行李買了飛往美國的機票。

當他在終點站紐約的肯尼迪機場下機准備出機場時,卻被攔了下來。原來,他的祖國發生了政變,而且還成為了美國的敵對國!維克多的護照和身份證件,以及移民文件都全都失去了效用,他被扣在了機場。瞬時間,維克多成了一個沒國沒家的孤立的人,他成為國際政治變化的犧牲品。在被扣在機場期間,維克多隻有兩個選擇:要麼返回祖國,可是他的國家政變後,已經不再承認辦理了移民手續的他是國民;要麼拿到有效的證件,進入移民的美國,但他的證件顯然已經失效而且再也無法補回了。

站在這個不屬於自己的國家,看著來來往往陌生的人群,維克多不禁感到迷茫。無奈之下,他只能留在機場睡在大廳的椅子上,在衛生間里洗澡,靠為路過的乘客服務生活。他現在擁有的只有自己不自由的身體,以及一個小皮箱,裡面裝著換洗的衣服、一把剃須刀和已經作費的身份證明。 一次偶然的機會下,維克多認識了一名美麗空姐艾米麗婭(凱瑟琳·澤塔·瓊斯 飾)。艾米麗婭開始很同情維克多的遭遇,幫他介紹些小工作和與機場交涉關系,慢慢的她愛上了這個細膩而憨厚的男人。

一場「塞翁失馬」的際遇就這樣上演了。維克多在這個機場邂逅了美國的一切,也邂逅了屬於他的幸福。

八.《死亡詩社》Dead Poets Society

1959年,威爾頓預備學院以它凝重的風格受到了當時人們的尊敬。在那裡,教育的模式是固定的,不僅單調而且束縛了思想。然而這一切在一個新教師的手中發生了改變。

John Keating 反傳統的教育方法給學院帶來了一絲生氣:在他的課堂里,他鼓勵學生站在課桌上,用一個嶄新的視角去觀察周圍的世界;他向學生介紹了許多有思想的詩歌;他所提倡的自由發散式的思維哲學在學生中引起了巨大的反響。

漸漸地,一些人接受了他,開始勇敢地面對每一天,把握他們自己的人生。不幸也在這時發生了......

九.《追風箏的人》 (The Kite Runner)

阿富汗富家少爺阿米爾(Zekeria Ebrahim飾演)與僕人哈桑(Ahmad Khan Mahmidzada飾演)情同手足。在阿米爾受別人欺負的時候總是哈桑站出來保護他,盡管哈桑比他還要瘦弱。

在一次盛大的風箏大會上,阿米爾和哈桑一路過關斬將取得了第一名的好成績。兩個少年都十分開心。 哈桑也興奮的.朝最後一個「戰利品」追去。但在途中哈桑卻被一夥不良少年堵截在小巷中蹂躪強暴,尾隨哈桑的阿米爾目睹了發生在哈桑身上的一切,卻沒有勇氣站出來保護哈桑而眼睜睜的看著哈桑被他們強暴。

阿米爾卻從此背上了沉重的心理包袱。再也無法面對哈桑的他為了永遠躲開那熟悉的目光,在一天借口陷害哈桑父子倆偷東西,把他們趕出了自家的大門。

隨著戰爭的爆發,阿米爾跟父親去了美國。在那裡他和父親一道辛勤的工作學習,從一無所有逐漸建立了他們的家業。然而,拉辛汗從阿富汗打來的一個電話卻打破了所有的平靜。

阿米爾意識到過去的從來都未曾過去。他始終無法擺脫對哈桑的歉疚。為了贖罪,為了哈桑,他再次踏上睽違二十多年的故 土。希望能為不幸的好友盡最後一點心力。然而此行卻讓他發現了一個驚天的謊言......

中學生必看的經典英文電影 篇2

《大魚》是哥倫比亞影業公司於2003年出品的一部美國奇幻片,故事改編自丹尼爾·華勒斯(Daniel Wallace)於1998年出版的《大魚老爸》(Big Fish)。由蒂姆·伯頓執導,伊萬·麥克格雷格、阿爾伯特·芬尼和傑西卡·蘭格等聯袂出演。

電影以孩子的口吻來敘述其爸爸傳奇的一生。愛德華·布魯姆是個喜歡吹牛的老頭,總喜歡炫耀年輕時旅行推銷的經歷,兒子並不相信,覺得父親很虛榮浮誇,父子關系漸漸疏離。直到父親不久於人世,兒子決定回去見父親最後一面,他終於領悟到父親充滿激情和想像的一生。

威爾(比利·克魯德普飾)記得,從小時候起,父親愛德華(亞伯特·尼飾)就喜歡滔滔不絕的講述自己早年當阿拉巴馬旅行推銷員時經歷的眾多離奇的故事,它們是如此的光怪陸離,就連小威爾也時常懷疑它們的真實性。他覺得自己根本就不了解父親,也無法接受他的奇說,這讓父子間的關系逐漸疏遠。後來威爾和一名叫約瑟芬的法國女子結了婚,終於離開了自己的家和整天喋喋不休的父親。

整整三年,威爾一直沒和家裡聯系。這天母親桑德拉(傑西卡·蘭格飾)突然打來電話,她告訴威爾,他的父親得了癌症,很快將不久人世,請他回家見父親最後一面。威爾和妻子重返故里,威爾再次聽到了父親的那些他年輕時候的傳奇故事。

根據愛德華的敘述,自己年輕時(伊萬·麥奎格飾)是一位意氣風發,野心勃勃的人,他一直想離開自己居住的小村莊,去體驗一下外面大城市的生活。在旅行途中,他曾遇到過一個老巫婆,一個巨人,一個叫做「幽靈城」的地方,一個晚上會變成狼人的馬戲團老闆,還包括一名有著兩個不同性格但只有一個身體的中國歌手和一條誰也抓不住的「大魚」。在這些傳奇之餘,愛德華也道出了自己和妻子桑德拉的愛情故事——他如何遇到她,如何被她的美麗打動並向她求婚。

雖然從這些講述中威爾發現其中包含了很多的修飾,但卻比自己從前認為的要真實得多,它們只是父親要保留過去的激情和誠實的一種方式而已。在愛德華生命的最後一刻,他終於獲得了兒子的尊重和理解,威爾也用相同的手法,將父親的去世講述成一個有趣的故事,而這也是片尾威爾所說的,父親留下的最後一個笑話:一個講了無數個故事的人最終成為了這些故事的一部分。

中學生必看的經典英文電影 篇3

《魔法師的學徒》(The Sorcerer's Apprentice)又名《巫師學徒》,是由迪斯尼電影公司和製作人傑瑞·布魯克海默聯手奉獻,根據小說《深藍05670》改編的奇幻冒險片,影片由喬·德特杜巴執導,馬特·洛佩茲編劇,並由華夏電影公司發行,2010年9月9日在中國上映。飾演魔法師巴薩澤·布雷克的是尼古拉斯·凱奇,他在片中調教的菜鳥學徒由阿帕圖校園喜劇出身的傑伊·巴魯切爾出演,而曾在《蜘蛛俠2》中扮演大反派「章魚博士」的阿爾弗雷德·莫里納也加盟本片。影片講述在當代的紐約曼哈頓,一個魔法師訓練一個新人以幫助他對抗邪惡黑勢力的故事。

公元700年左右, 正義的魔法師默林(James A. Stephens 飾)帶領徒弟巴爾薩澤(尼古拉斯·凱奇 Nicolas Cage 飾)、維蘿妮卡(莫妮卡·貝魯奇 Monica Bellucci 飾)、霍瓦斯與邪惡的女巫莫戛娜·洛菲(Alice Krige 飾)展開抗爭。維蘿妮卡為了封住女巫,而將莫戛娜的靈魂吞入自己的體內,並由巴爾薩澤將她們封印在玩偶中。默林死前,將一枚龍指環交給巴爾薩澤,囑托他尋找默林英雄,將莫戛娜徹底消滅。此後的歲月里,巴爾薩澤走遍世界各地尋找默林英雄,卻始終一無所獲,直到他來到美國紐約。

公元2000年,四年級小學生戴夫在紐約一間魔法店宿命地邂逅了巴爾薩澤,並得到龍指環的肯定。期間,他無意中釋放了邪惡的霍瓦斯,引發一場巨大的混亂,戴夫也被同學們認為精神錯亂。轉眼十年,戴夫(Jay Baruchel 飾)已成長為帥氣青年。童年的遭遇恍如一場噩夢,卻在十年後再次襲來,他不得不遵照命運的指引,與女巫展開最後的抗爭。

5. 三篇用英文寫的英語電影影評(主要內容、角色、演員的介紹,對它的評價)初一水平100左右 不要太長 有中文

hello,everyone. (大家好)

. very glad to be here.(非常高興能來到這里給大家發言)

my name is ###, and i am ** years old.(我的名字是###,今年××歲了)

now i am a ___school student.(我現在是一名……學生)

my favourite subject is English . and i like sports very much . (我最喜歡的科目是英語,而且我很喜歡運動)

English brings lots of fun . and sports makse me happy .(英語帶給我很多樂趣,而且運動使我快樂)

i like this sentence:「 nothing is impossible。」(我最喜歡的一句話就是:一切皆有可能。)

so i always try my best to do everything well,and never give up easily.(所以我每一次總是盡力做好每一件事情,從來都不輕易說放棄)

so this is me ,i hope to make friends with you all.(這就是我,我希望和大家都能成為朋友。)

thank you for listening!(謝謝大家的聆聽!)

6. 求三篇電影的概括,每篇80~100個單詞,英文。謝謝!

Finding Nemo(2003)
A clown fish named Marlin lives in the Great Barrier Reef loses his son, Nemo. After he ventures into the open sea, despite his father's constant warnings about many of the ocean's dangers. Nemo is abcted by a boat and netted up and sent to a dentist's office in Sydney. So, while Marlin ventures off to try to retrieve Nemo, Marlin meets a fish named Dory, a blue tang suffering from short-term memory loss. The companions travel a great distance, encountering various dangerous sea creatures such as sharks, anglerfish and jellyfish, in order to rescue Nemo from the dentist's office, which is situated by Sydney Harbor. While the two are doing this, Nemo and the other sea animals in the dentist's fish tank plot a way to return to Sydney Harbor to live their lives free again.

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