⑴ 求2篇初中水平的英文影評!!急!!
1、Film Review 影評(功夫熊貓)
My favorite moive is 《KongKu Panda》. It was a story about a panda named Po, who wanted to be a Kongfu warrior. One day he was chosen by chance to be Dragon warrior to fight against a bad guy. But the master thought he was not qualified, because he did know about KongFu, and tried to make him quit. Through his hardworking, he finally defeated the bad guy and became the Dragon warrior.
The film is so interesting and also has profound meaning. It tells the old and classic story about not giving up and believing in yourself. It is also very interesting to find out that the film is full of the Chinese elements and take them into account. The fat panda itself is the behalf of our country. And the music and lines in the moive is also very wonderful to represent the Chinese culture. It seems that Hollywood knows us better. The best line for me is Master Wugui's saying "Yesterday is a history, tomorrow is a mystery, but today is a gift, that is why it is called present."
2、Harry Potter (哈利波特)
I always enjoyed all the movie about Harry Potter. I must disclaim that I am a huge fan of J.K. Rowling's Harry Potter. I think the movie is really fascinatng. Harry Potter is a boy who has sorcery.He is very brave and firm. All the movies have many features. For example, the fourth movie 's circs is intense.But the fifth movie is very boring.Don ' t go to see it if you have time.
3、THE LEGEND OF 1900.(1990海上鋼琴師)
today i saw a movie named THE LEGEND OF 1900.
it touched me so much that i narrowly began crying.
the movie is about a man who was born on the ship and played piano on it till the time the ship was destroyed and he himself died.the lonely man played piano throughout his life and he only had one friend,but that is a real friend.he once fell in love with a girl,but he did't own the courage to express his feeling.the movie is so great for it build a character who deeply touched everybody who watched the film.and the actor performance is also very natural.
it is a good film which is worth watching,so i hope every one can go to see the film and feel the heart of the man in the film.
哈,樓主看是否ok?至於中文翻譯,可以用在線翻譯器翻譯一下,希望能幫上忙哦~~~~
⑵ 電影影評英文範文
電影評論的目的在於分析、鑒定和評價蘊含在銀幕中的審美價值、認識價值、社會意義、鏡頭語言等方面,達到拍攝影片的目的。下面是我給大家整理的電影影評英文範文,供大家參閱!
Guardians of the Galaxy
The film adapted from the Marvel comic, as the way it once was, there is no doubt that the movie talks about some hero saving people. But in this movie, the hero saved the Galaxy. In the beginning, a little boy was listening music outside the ward, his mother was dying, but the boy can’t acceptit. He run out, at this time,a space ship came out and took him away. Then the scene changed, an interstellar robberfound a mysterious energy ball,but he didn’t expectit would bring complete change in his life.Yes, he was the lost boy from earth many years ago. In order to protect the energy ball, he got some other hero. And this team is not only powerful but also very funny and full of love. Anyway, it’s a film worth seeing
The pianist
This is a movie though the Jewish pianist’seyes of the Germans ring World WarⅡ and exposed to the cruel massacre of the Jews. Before the Nazi came to power, the family of the pianist was living well. With the Nazi persecution of the Jews deepened, the family lived more and more hard. They were forced to move to a cluster with other Jews, and then one day they had to leave for another unknown place. What impressed me so much is the old father bought a small milk sugar and then cut it to pieces for other families. But soon they were separated, the families were taken to concentration camp, only the pianist saved by a Jew assistant police. After that, the pianist started the long road to escape.
StandbyMe
This is a story recalled by protagonist in his childhoodabout 4 boys went to search a dead body. And all of these boys are not happy because of the disharmony home environment, the protagonist’s parents are not fond of him, they believe he was not good as his dead brother.The leader is a boy who looks like a thug, but he is the best friend of protagonist, and in fact, he is a smart and kind person.Their journey was arous with many challenges along the way. In the end, they found the dead body, and the protagonist found himself.
Ted
On Christmas Eve, the boy received a teddy bear. The boy had no friend, so he wished teddy bear can be alive and talk with him. The next morning, his dream came true, teddy bear talked! And all of countries are shocked. Ted grew up with the boy to alt, and his mind grew too, but they are still best friend. But the man’s girlfriend thought Ted is spare part in their life, so she wanted Ted to leave. The man thought highly of Ted, so he would rather break with his girlfriend. For his best friend, Ted decided to leave. At this time, a Ted’s crazy fan kidnapped Ted. The man and his girlfriend found it and saved Ted out. This movie was rated 12A because of some alt dialogue and scenes, but I think is a good film that tell us the choice between the friendship and love is very important.
Fury
This is a very good film, which is about the World WarⅡ. At the end of the war, the United States joined the fight to Germany. The movie talked about a tank named“FURY” fight to Nazi.The soldiers in it thought the tank as their home, and the leader was a hero who saved others many times. In the beginning, they have some other comrades-in-arms, five tanks were destroyed one by one. At last, the “FURY” was the last one who still can fight. And at this time, they got a mission to slow the enemy at a crossroads. But in fact, they knew it’s impossible to finish it alive. They tried their best but at last they failed because of outnumbered.
⑶ <想飛的鋼琴少年>電影的英文影評
綜述:
"Little piano prodigy" skillfully turns the world of alts and children from a poetic and light perspective, and depicts a touching story of a gifted prodigy longing for an ordinary life in the beautiful sound of the piano.
Compared with ordinary piano films, the film gets rid of the established image of the player's gloomy and fragile, and easily reminds many viewers of learning the piano when they were young.
《鋼琴小神童》以詩意輕盈的角度,巧妙將成人與小孩的世界翻轉,在美麗琴聲中描繪一個天才神童渴望平凡人生的感人故事。該片與一般鋼琴題材電影相比,擺脫了演奏者陰郁與脆弱的既定形象,輕易勾起許多觀眾小時候學鋼琴的回憶。
⑷ 冰雪奇緣英文影評
懂得英文,我們可以聽得懂《冰雪奇緣》這部英文原聲的電影。下面是我給大家帶來冰雪奇緣英文影評,供大家參閱!
冰雪奇緣英文影評
In winter I watch a film,who is called Frozen,it is about two girls called Elsa and Anna.They were very closed in kid,one day Elsa hurt Anna with her power carelessly.Then Elsa start to scare her power,and not to propinquity anybody including Anna.Stop in here ,in this film I learn two things .First love is importance to everyone,because love can make us be strong.Second confidence can make everything be true,I think that not have any confidance you will be lose,just like Anna she have her confidant to find Elsa at last she did.
冰雪奇緣英文影評
Frozen is outstanding. From the humor to the music, Frozen takes you on a thrilling journey for all ages. Much like many Disney movies it starts off making the characters heartrendingly vulnerable, which is the beginning for the audience to become attached to the sister o, and for them to wonder where the tragedy will take them. Which brings you to hear splendid ets with Kristin Bell and Idina Menzel. The soundtrack belonging to this Picture has the power to make you laugh until your side hurts, and start singing the lyrics before you even leave the theater. This has to be one of the best Disney Princess films I have ever had the opportunity to watch. The Humor is delightful, the quotes from the film are so memorable you'll catch yourself quoting it in daily conversation. Frozen is defiantly on the path to becoming a Disney classic, and I had been counting down the days until I can own this captivating film. Frozen is a must see.
冰雪奇緣英文影評
Elsa, princess of Arendelle, possesses Cryokinesis, the magical ability to create ice and snow. One night while playing, she accidentally knocks out her younger sister, Anna. The king and queen seek help from trolls, who heal Anna and remove her memories of her sister's magic. The royal couple isolates the children in their castle until Elsa learns to control her powers. Afraid of hurting her sister again, Elsa spends most of her time alone in her room, causing a rift between the girls as they grow up. When the girls are teenagers, their parents die at sea ring a storm.
When Elsa comes of age, the kingdom prepares for her coronation. Among the guests is the Duke of Weselton, a tradesman seeking to exploit Arendelle for profit. Excited to be allowed out of the castle again, Anna explores the town and meets Prince Hans of the Southern Isles, and the two immediately develop a mutual attraction. Despite Elsa's fear, her coronation goes off without incident. During the reception, Hans proposes and Anna hastily accepts. However, Elsa refuses to grant her blessing and forbids their sudden marriage. The sisters argue, culminating in an emotional Elsa's abilities being exposed.
Panicking, Elsa flees the palace, inadvertently unleashing an eternal winter on the kingdom in the process. High in the nearby mountains, she casts off restraint, building herself a solitary ice palace, and unknowingly brings to life her and Anna's childhood snowman, Olaf. Meanwhile, Anna sets out in search of her sister, determined to return her to Arendelle, end the winter, and mend their relationship. While getting supplies, she meets mountain man Kristoff and his reindeer Sven. She convinces him to guide her up the North Mountain. The group then encounters Olaf, who leads them to Elsa's hideaway.
Anna and Elsa reunite, but Elsa still fears hurting her sister. When Anna persists in persuading her sister to return, Elsa becomes agitated and accidentally strikes Anna in the heart with her powers. Horrified, she creates a giant snow creature to run the friends away before she accidentally hurts anyone again. As they flee, Kristoff notices Anna's hair is turning white, and deces something is very wrong. He seeks help from his adoptive family of trolls, who explain that Anna's heart has been frozen. Unless it's thawed by an "act of true love", she will become frozen solid forever. Believing that only Hans can save her, Kristoff races back with her to Arendelle.
Meanwhile, Hans, leading a search for Anna, reaches Elsa's palace. In the ensuing battle against the Duke's men, she is knocked unconscious and imprisoned back at the kingdom. There, Hans pleads with her to undo the winter, but Elsa confesses she doesn't know how. When Anna reunites with Hans and begs him to kiss her to break the curse, Hans refuses and reveals that his true intention in marrying her is to seize control of Arendelle's throne. Leaving Anna to die, he charges Elsa with treason for her younger sister's apparent death.
Elsa escapes and heads out into the blizzard on the fjord. Olaf finds Anna and reveals Kristoff is in love with her. The two then rush onto the fjord to find him. Hans confronts Elsa and tells her Anna is dead because of her. In Elsa's despair, the storm suddenly ceases, giving Kristoff and Anna the chance to reach each other. However, when Anna sees that Hans is about to kill Elsa, she throws herself between the two and subsequently freezes solid, blocking the blow, knocking Hans off his feet and rendering him unconscious when he hits his head on the icy surface.
As Elsa grieves for her sister, Anna's decision to sacrifice herself to save Elsa constitutes an "act of true love" and thaws her. Realizing love is the key to controlling her powers, Elsa is able to thaw the kingdom and even helps Olaf survive in summer. Hans is sent back to the Southern Isles to face punishment for his crimes against the royal family of Arendelle, and Elsa cuts off trade with Weselton. Anna and Kristoff share a kiss, and the two sisters reconcile, with Elsa promising never to shut the castle gates again.
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⑸ 求一篇外國電影《外星人et》 的英文影評
Nearly twenty years since it was first released on the world, Steven Spielberg's 1982 sci-fi/fantasy masterpiece E.T.: THE EXTRA-TERRESTRIAL remains one of the greatest movies ever made. This is one of those films that makes us feel and think at the same time.
Its story of a very benign alien being accidentally left stranded on Earth and protected by a ten year-old boy (Henry Thomas) from government agents is so well known it doen't really have to be discussed. E.T. is, alternately, magical, fantastic, suspenseful, and sometimes even a bit terrifying. And sprinkled throughout the film are singular moments that really stand out as some of the most unforgettable scenes in cinematic history; by this time, I think we know what those are. For me, perhaps the most priceless scene is the introction between E.T. and Gertie (Drew Barrymore), where she screams her head off, It is one of the very few times where I've wanted to laugh and scream at the same time!
Spielberg's film, though scripted by Melissa Mathison, is almost painfully autobiographical, given what the director has said about his childhood. Like Spielberg, Thomas' character goes through life minus a father, even though his mother (Dee Wallace) does her best. He feels isolated and picked upon in school, as Spielberg frequently did. There is also plenty of religious symbolism that probably doesn't need any analysing and was probably unintentional. In any case, looking past the fact that it won four Oscars--for sound, sound effects editing, special effects, and John Williams' legendary music score--and has grossed over $1 billion, E.T. is a masterpiece of the cinema, pure and simple, and it will always be that way.
⑹ 急求兩片英文電影的影評,影評要中文的!外加求推薦三部英文電影!!(我是初中生)
1,天使之城(CITY OF ANGELS)
看了這部電影,心盪漾了許久,覺得好心痛好心痛,我深深迷醉、難以自已。黑暗與安靜之中,賽斯憂郁的雙眼,一直浮現腦海中。傳說,幸福的人會變成天使,可原來,天使不一定幸福。原來,天使可以為愛墮落。
當賽斯變成人時,他激動得語無輪次,彷彿如一個瘋子。雖然,他赤著雙腳,滿身泥污,可當他與瑪姬真實的相抱,一切又那麼值得。
多數人追求永生,永生的人卻只想感覺一下心愛的人。
I would rather have had one breath of her hair, one kiss of her mouth, one touch of her hand, than eternity without it. (這是最令我感動的地方)
看了之後,一直在想,賽斯怎麼辦。他應該會在人間好好的活著吧,畢竟,生活不只有愛情。
天使,真的存在。真的有,只羨鴛鴦不羨仙。
黑色的天使很悲傷,繽紛的世界很殘酷。
或許愛是生命中痛苦的根源,可對於愛情、對於天使、對於生命中那未知的美好,我還是要說——I can''t see you, but i know you there.
因為,這就是生活。在生活里身不由己的旋渦里,在未知無常的生命中,淡淡的憂傷是我們生存的代價,悠長的痛苦是我們換取無限歡樂的籌碼。
2,這個殺手不太冷(Leon)
在一個慵倦而無所事事的下午,一部影片洞穿了我。無論它是叫《這個殺手不太冷》,或是《終極追輯令》,還是《殺手列昂》,影片中那種極度張揚的力度已經完全令我忽略了這些細節。我感到心臟怦怦跳起來,已經淹沒在太多平庸和繁瑣的生活背後的情感像火把被剎那點燃,已經為太多細碎空洞的影片變得麻木的審美能力忽然尖銳起來,敏感起來,像是其上布滿了神經末梢的一根釘子,深深地楔入到靈魂深處。
當我們習慣於把「殺手」簡單地定義為「壞人」之際,我們失去了殺手的細節。就在我們的眉睫之前,盧貝松還原了一個超級殺手列昂。殺手並非殺人狂,對於列昂,殺手只意味著一份職業,一份他別無選擇、非此不可的職業。影片只用了5分鍾就讓我們明白,冷酷無情、無所畏懼的列昂是一位天生做殺手的不二人選。
3暮光之城系列(The Twilight Saga )四部曲
這可能是個老套的故事,人類和吸血鬼,狼人尚且還是伏筆,但依舊可以讓我動心。
貝拉,一個內向的女孩子。愛德華,神秘的存在。
庫倫家族進入大家視線的時候,我尚有些失望,可能是受吸血鬼騎士的蠱惑,總覺得還可以更俊美高貴些,但之後證實我錯了,他們就是高貴的存在,不是血統,而是彼此那種親密的感情。
貝拉和愛德華的初次相處還真是尷尬,他一副嫌惡的表情很是刺痛貝拉小小的自尊心。後來這被愛德華解釋是因為無法拒絕她的味道,最甜美的血的誘惑。這讓我想起了很久以前看到的一篇漫畫,講一個聞香師,可以聞到所有人身上獨有的味道,然後配以合適的熏香為她們帶來好運,但只有一個女孩子,他完全聞不出她的味道,但就是這一點,在這個女孩子被人綁架時使他救了她,之後他明白了,一個人與他註定的另一半,兩者的味道會完全中和,因此就是鼻子最靈敏的聞香師也聞不出來。所以那時,貝拉和愛德華的命運已經交織在一起,糾纏著直至生死邊緣。
我喜歡愛德華試圖掩蓋自己內心的表情,他努力尋找著合適的言語:「I feel very protective of you.」用一種固執的眼神看著眼前這個柔弱的人類。很簡單,但是讓人心動。那麼困惑,他試探著表達:「I don't have the strength to stay away from you anymore.」他冰冷的手,確是最溫暖的一顆心,只是他不知該把它如何裸露在這個不夠友好的世界。
貝拉發現愛德華的秘密的進程似乎有些過快,連愛上他都是那麼迅速,難道是為了顯示他身上承擔的最漫長的時光。當貝拉念出他的身份,他像個悲傷而焦躁的野獸,嚇唬她,稱自己為monster,顯示自己的力量,只是想要避免未來可能的傷害。貝拉的一句「I trust you」像清晨的柔光照亮那蜷縮在陰影中的畏懼的他。被主動的接近,被關懷,被融化。
陽光不會直射的草地,碎花叢生,她和他躺在彼此的世界中,沒有戒備,沒有阻隔。
之後的故事似乎有點可愛,從來沒有用過廚房為了貝拉現學義大利菜的庫倫家族,管自己叫做vegetarian的吸血鬼們,簡直如人猿泰山般在叢林之間穿梭的愛德華,只有在雷雨天才可以痛痛快快打一場棒球,節奏舒緩輕巧。
之後兩派吸血鬼為貝拉的爭斗不想多說,只是不夠強大但速度夠快的愛德華到達受傷的貝拉身邊,竭盡全力救她時讓我揪心了一下。有那麼一個機會,貝拉可以成為一個配得上那漫長生命的生物,但愛德華沒有允許。最終的舞會上,璀璨的群星環繞著他們,愛德華只在貝拉的脖子上留下了一個深深地吻。這樣不夠么?和我幸福的過一輩子?
可是人啊,那麼的貪婪,希望可以占據那沒有盡頭的時間,永遠永遠陪著你,是的,在你面前那麼脆弱的卑微的轉瞬即逝的我,如何才能成為你的生命?如果是我,我要選擇成為你黑暗世界裡的陪伴,不需要城堡,也不要白馬,只要能夠凝視著你金棕色的眼眸,我只是不想從裡面讀出孤獨的字樣
⑺ 急求三篇英文的電影觀後感大神們幫幫忙
英文影評:千與千尋(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂總動員 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.
⑻ 美國電影《弱點》的英文影評和梗概
梗概:
The film tells of a homeless African American boy, Michael och, who was an orphan since childhood and met the kind Mrs. Taoxi. With the help of the latter, he finally became the first selected player of the American National Football League.
影片講述了一個無家可歸的非洲裔男孩邁克爾·奧赫從小就是一個孤兒,遇上了好心的陶西太太,而在後者的幫助下,他終於成為了美國國家橄欖球聯盟的首批被選球員。
評價:
This is a typical American theme film. Although it has its hypocritical side, it really moves people's hearts. It uses an ordinary person's personalized road of success to interpret the level of social development and national feelings.
這是一部典型的美國主旋律電影,盡管有其偽善的一面,但真正做到了打動人心,是用一個平凡人的個性化成功之路來詮釋社會發展水平和國民情懷。
人物
1、莉·安妮·陶西
一位和藹、友善、極有責任心的白人養母。陶西的兒女與邁克爾在同一個學校就讀,她看到邁克爾一人徘徊在街上便把他帶回了家。陶西一家都非常喜歡邁克爾,最後他們決定領養他,讓他成為家庭的一員。
2、邁克爾·奧赫
一個無家可歸的非洲裔男孩邁克爾·奧赫從小就是一個孤兒,一再的從領養家庭中逃走後終於遇上了好心的陶西太太。