Ⅰ 大學英語:::戰爭電影的英文PPT
穿條紋睡衣的男孩 The Boy in the Striped Pyjamas
講二戰納粹的,拍的很不錯,有深度有內容,老實說我覺得這部電影就算講一節大課都說不完的
The Boy in the Striped Pyjamas (The Boy in the Striped Pajamas in the United States) is a 2008 British film based on the novel of the same name by Irish writer John Boyne. Directed by Mark Herman and proced by David Heyman, it stars Asa Butterfield, Jack Scanlon, David Thewlis, and Vera Farmiga.
A Holocaust drama, the film explores the horror of a World War II extermination camp through the eyes of two eight-year-old boys, one the son of the camp's Nazi commandant, the other a Jewish inmate.
SS officer Ralf (David Thewlis) and his wife Elsa (Vera Farmiga) move from Berlin to the countryside with their children, twelve-year-old Gretel (Amber Beattie) and eight-year-old Bruno (Asa Butterfield), after Ralf is promoted to commandant of a Nazi concentration camp, of which Bruno refers to as "Out-With", although later in the movie his sister keeps protesting that his pronounciation is incorrect, which brings us to the conclusion that the camp is probably Auschwitz.
Confined to the grounds of the family's new home, without friends, Bruno craves companionship and adventure. He eventually escapes through the window of an outhouse, treks through the woods, and emerges at an isolated, unguarded corner of the concentration camp, which he initially believes to be a farm. There, he befriends Shmuel (Jack Scanlon), a boy of the same age. Bruno returns frequently thereafter, bringing Shmuel food and playing games with him through the barbed wire fence. Shmuel graally disabuses Bruno of the idea that the people in the camp are farmers; he tells Bruno that he and his family have been imprisoned, and forced to wear the "striped pajamas," because they are Jews.
Bruno and Gretel's tutor, Herr Liszt (Jim Norton) feeds the children a diet of antisemitic bigotry and nationalist propaganda under the guise of teaching them history. In response, Gretel becomes increasingly fanatical in her support for the Third Reich. She covers her bedroom wall with Nazi propaganda posters, and flirts with Lieutenant Kurt Kotler (Rupert Friend), a mean and nasty Nazi unlike Ralf, as her budding sexuality becomes fixated on the ideal of the German soldier. In contrast, Bruno is skeptical of Liszt's teachings. The Jews Bruno knows, Shmuel and the family's kindly servant Pavel (David Hayman), do not resemble the tutor's antisemitic stereotypes. He also witnesses savage, senseless acts of Nazi brutality that conflict with the propaganda ideal of military heroism. One night, when Pavel accidentally overturns Kotler's wine glass at the table, the furious officer drags Pavel out of the room. Through the ajar door to the kitchen, we see Kotler's jackboot delivering vicious kicks, and are led to presume that the elderly man dies from the brutal beating.
After Pavel's death, Shmuel is sent to the commandant's home in the role of a houseboy. When Bruno comes across the hungry boy cleaning glasses in the house, he gives him some cake. When Kotler sees crumbs on Shmuel's lips, and accuses him of stealing, Shmuel tells the officer the truth: Bruno is his friend, and Bruno gave him the cake. Terrified, Bruno betrays Shmuel, saying that he has never seen the boy before and that Shmuel stole the cake. Some days later, a remorseful Bruno finds Shmuel at the fence, with his eye badly beaten. Shmuel forgives Bruno, and the boys shake hands through the fence.
From a comment of Kotler's about the stench from the crematoriums, Elsa learns that Ralf presides over an extermination camp, not a labor camp as she has been led to believe. Thereafter, the couple argue repeatedly about Ralf's role at the camp and the children's proximity to it. Eventually, they decide that Elsa will take the children to their Aunt Lotte's in Heidelberg. But the day before Bruno is e to leave, Shmuel reveals that his father has gone missing in the camp. Seeing an ideal opportunity for a final adventure, Bruno digs a hole beneath the barbed wire the following morning, changes into prison clothing that Shmuel has stolen for him, and enters the camp to help Shmuel find his father. Inside, Bruno is horrified by the dehumanization, starvation, and sickness; the camp is the very antithesis of the Theresienstadt-esque propaganda film that had shaped his prior impressions.
As the boys search fruitlessly for Shmuel's father, they become intertwined with a group of prisoners who are being herded toward the gas chambers. Inside, everyone is instructed to undress for a "shower." A soldier wearing a gas mask pours Zyklon B granules into the chamber. Bruno and Shmuel grasp each other's hands tightly as the lights go out.
Back at the house, Elsa discovers that Bruno is missing, and raises the alarm. Using tracking dogs, Ralf and other soldiers follow the boy's trail through the woods. When they discover his discarded clothing at the camp's perimeter, and see the hole g beneath the fence, Ralf races inside, searching desperately for his son. Seeing the gas chamber doors locked, Ralf realizes what has happened and cries out in anguish; hearing him, Elsa and Gretel fall to their knees sobbing over Bruno's clothes. The family is left to face the tragic irony that Bruno has become a victim of the Nazi death camp run by his own father.
這些應該足夠你用了,找你需要的信息摘出來就行了
你還可以找些電影的片段,隨著片段講電影的劇情簡介(可以幾個人分著講),等劇情介紹完了感想自然就出來了,這部電影是很有感染力的,感慨生命的意義、和平的意義——這些不就是戰爭電影的本質~
Ⅱ 關於經典英語電影台詞的ppt,要用作課前五分鍾。要中英文都有,背景用電影劇照。
《勇敢的心》 WILLIAM WALLACE:「Fight,and you may die.Run,and you''ll live at least a while.
And dying in your beds many years from now.
Would you be willing to trade?
All the days from this day to that,
for one chance,just one chance,
to come back here and tell our enemies
that they may take our lives,
but they''ll never take our Freedom!
Freedom——」
威廉華萊士:「戰斗,你可能會死;逃跑,至少能苟且偷生,年復一年,直到壽終正寢。你們!願不願意用這么多苟活的日子去換一個機會,僅有的一個機會!那就是回到戰場,告訴敵人,他們也許能奪走我們的生命,但是,他們永遠奪不走我們的自由!」
Ⅲ 求一個關於電影《孤兒怨》或者《人骨拼圖》的電影賞析PPT,要全英文的,中英對照也可以。
《孤兒怨》
Kate and John Coleman are rebuilding their troubled marriage. Kate had a drinking problem, but is in therapy and is doing well. She has been sober for one year. The couple decide to adopt a child. When they meet the nine-year-old Russian girl, Esther, at the St. Marina Orphanage, they immediately fall in love with the well-ecated orphan. Their young son, Daniel, is hostile to his new sister; but their deaf daughter, little Max, is enchanted with her - at first. Eventually, Kate begins to feel that Esther is manipulative and possibly even psychologically disturbed. John refuses to listen to his wife's misgivings, and the wounds in their marriage reopen. Kate calls Sister Abigail at the orphanage, and the nun informs her that Esther has a troubled and mysterious history. Kate delves further into Esther's past and discovers she is not all she pretends to be.
《人骨拼圖》
Quadripeligic ex-cop Lincoln Rhyme was looking forward to his assisted suicide when he got the news: some sicko was abcting people in a taxi and leaving them to die in particularly sadistic ways. With time counting down between each abction and possible death, Rhyme recruits rather-unwilling Amelia Donaghy, haunted by her cop father's suicide and thinking she's next, into working the crime scenes to track down the killer.
Ⅳ 我想用英文介紹《天下無賊》這部電影,並製作出精美並有創意的PPT,誰能幫幫我啊!
呃~,看在做學生不容易的份上稍微幫你找些資料吧,不過PPT要你自己去粘哦~!
主要內容及劇情:
A con-team couple (Andy Lau & Rene Liu) head west after taking a city businessman for his BMW. But an encounter with a naive young carpenter travelling home with his life savings challenges their fate as thieves.
Two grifters, Wang Bo and Wang Li, a couple who've been arguing, board a train in rural China. He wants to fleece a peasant, nicknamed Dumbo for his naiveté, who's carrying 60,000 yuan and trusts everyone. She wants to protect the hick kid, an act of expiation brought on by prayer and a visit to a temple. Also on board are one of more sets of thieves, including a calculating boss and his femme fatale. The boss wants to recruit Wang Bo, and a series of contests ensue, with the potential of turning deadly. While Li guards Dumbo from Bo and the others, can she and Bo sort out their relationship? And can Dumbo's simple spirituality touch anyone else?
影片類型(Genres:): Action | Crime | Drama
關於導演的一點點簡評:
Feng has traditionally proced a movie each year close to the new year, but the tone of his movie has grown darker and sadder. A World without Thieves is another example of this progression.
The story is simple, but the characters have layers, and the dialog remains classic Feng-style as ever. All performances are good to great. The villain role is set up perfectly for Ge You. The proction value is the most polished I've seen from a Feng's film. The camera work, the editing, and the music score all feel artistic and are mixed together quite well.
Feng Xiaogang has made himself the fame of making good holiday films in the past several years. Most of them achieved the purposes of making laugh and making people a happy new year.
This one is the best one in that both in the filming and proce, it has more meaning and more depth. Well, it is still not an 'art' movie. It is still just targeted for box income.
演員角度:
The performance of actors and actresses is OK, not too much to exceed what they are usually doing. By maintaining their perform, this movie achieve the adequate balance between a good movie (usually a heavy one) and a laughter making movie.
。。。別的自己編吧
Ⅳ 呂克·貝松電影《超體》:一部PPT能有多好看
摘要:最近一部暢想大腦開發100%的呂克·貝松電影《超體》(LUCY)受到各種槽或者贊,圍繞物理-數學-哲學-神學,話題玄之又玄地展開,電影被解讀的過程比電影本身還要精彩。
《超體》:一部PPT能有多好看?
網易河北娛樂頻道訊這部電影簡單來說是個PPT電影,結構很簡單,就是大腦開發從10%起步,到20%-40%-70%-99%-100%(具體數字不一定記得准確)的各種不同假設。它和任何一種升級式的電腦游戲原理都是一樣的,一個人本來是個everybody,因緣際會,磕了某種神葯,成了somebody,功夫不斷增長,每上一個台階就能達成一種新的能力境界。當然,呂克·貝松畢竟是《第五元素》科幻片大師級導演,他並沒有把自己限制在升級打怪的境界,而是玩了一個花招,我就是給你們放一個科學課的PPT,讓升級的過程在高逼格的科學范疇內發展,最終,升級了的LUCY沒有回去打怪,而是「向知識致敬」。就是憑著對知識的這點致敬,呂克·貝松完成了對超級英雄電影的一次反動。
其實美國人早在2011年就拍了一部基本是同樣題材的電影,叫《永無止境》(Limitless,有人翻譯成「葯不能停」,竊以為非常貼切),主演布萊德利·庫珀,在片中扮演跟斯嘉麗·瓊森一樣角色,陰差陽錯吃了一種新葯,開發了大腦潛能。布萊德利庫珀在電影中最標志性的嗑葯後果,就是眼睛特別藍特別亮,他當年獲得全球最性感男性的稱號,不知道跟這雙藍眼睛有沒有關系。
《永無止境》是有原著的,它改編自阿蘭格·里恩2001年的小說《黑暗領域》。一個頹廢潦倒被妻子拋棄的作家艾迪·莫萊,偶然碰上前小舅子,獲贈一小袋試驗葯品,NZT,艾迪勉強服用一次之後,發現自己的思維變得異常敏銳,而且精力充沛行動敏捷,能在幾天之內完成一部令出版人不能置信的佳作。等他吃完這袋葯後,再一次去找小舅子,卻發現他已被人謀殺,而艾迪陰差陽錯又找到了小舅子留下的一大袋NZT,也成為殺手的目標。死裡逃生的艾迪發現了NZT能使人發揮大腦100%的潛能。藉助NZT,艾迪重獲靈感並進入上流社會,但大獲成功之餘發現這葯有致命的副作用:身體不適和情緒失控,並且一旦停葯整個人都會徹底頹廢甚至死亡。而此時艾迪已不能離開這種葯……
《永無止境》符合所有文藝界loser們的白日夢,有沒有一種葯,能讓我吃了以後就能靈感大增,創作出難以想像的藝術作品?繼而轉念一想,既然有這樣開發大腦功能的神奇的葯,我幹嘛還要搞藝術,直接進入金融證券業撈錢不是更直接?《永無止境》最後皆大歡喜地給了主角一個完美的結局,既成了大亨,還改進了葯物的副作用,讓身體不適和死亡的陰影也消失了。《永無止境》讓一個百分之百開發的大腦百分之百拜金,這樣的邏輯大概是典型的好萊塢邏輯。
《超體》的編劇署名呂克·貝松,不過我猜呂克貝松應該是從《永無止境》中獲得的靈感。想像一個普通人獲得超級的思維能力,結果會怎麼樣,這對一個慣於遨遊於想像力中的導演大約有極大的吸引力。不過《永無止境》想像的結果實在是太寒磣太缺乏想像力了,讓一個極度高級的大腦仍然停留在現世的享樂圖景中,這完全不符合一個被100%開發的大腦的想像力。
我傾向於把《超體》當做呂克·貝松對《永無止境》的一種重新改寫。這種改寫同時也是歐洲思維對好萊塢思維的一次改寫。呂克貝松向好萊塢展示了,真正高級的大腦,應該想些什麼:不是金錢,不是地位,不是暴力,不是愛情……而是科學、自然、宇宙、萬物……
有趣的是,呂克·貝松用了黑寡婦斯嘉麗·瓊森來演LUCY,似乎想說,瞧,我能這樣用斯嘉麗!真正的女神,不是黑寡婦,而是LUCY!
面對全球超過4億美金的票房,呂克貝松私底下大概在偷笑吧?瞧,我拍了一個PPT!瞧,我剪了很多BBC的動物世界錄影帶!瞧,我拍了一群細胞分裂、合並,一條血管里放煙火!瞧,我拍了一個不動聲色的斯嘉麗!瞧,我讓斯嘉麗消失了!瞧,我這就賣了四五億!
別當真,這或許只是呂克·貝松的新游戲。
面對這樣的新游戲,那些千人一面的超級英雄電影,是不是也該醒醒腦啦?
Ⅵ 求《告白》電影的英文讀後感,可以PPT
《告白》這部電影以日本某所學校的一堂冗長的講座開場,由教導主任原口惠子老師講述。在即將離開學校之際,她決定給學生們上最後一課——關於生命的寶貴。然而,她卻以一種令人心碎的方式打破了學生的期待:她年輕的女兒,被警方認為是意外身亡,實際上是被自己的學生故意殺害。她不僅揭露了兇手的身份,還詳細描述了她將如何對這些學生進行報復。這場持續半小時的獨白是電影的精華,松隆子的剋製表演讓這段獨白更加引人入勝。
電影的第二、三部分詳細描繪了原口惠子老師的復仇計劃。她的計劃遠比她在課堂上提到的要復雜和殘酷得多。觀眾在觀看過程中感受到了一種不安的緊張感:我們意識到孩子們的行為是邪惡的,值得嚴厲懲罰。因此,我們並不責怪這位母親。然而,難以想像的是,這位老師竟會策劃如此陰險的報復行為。正是通過這種持續的不適感,編劇展現出了他的才華。
導演從整個演員陣容中提取了出色的表演。他對那兩個孩子的訓練方式讓我感到好奇——他是如何做到的?電影的攝影充滿美感,恰當地傳達了所需的情緒氛圍。不過,我認為結尾的場景(火焰、爆炸)可以稍微減弱一些。
《告白》這部電影成功地引發了觀眾的共鳴和思考。它不僅揭示了人性的復雜性,也展現了復仇的代價。原口惠子老師的獨白是電影的亮點,松隆子的表演更是錦上添花。盡管結尾略顯突兀,但整部電影依然值得一看。
總的來說,《告白》是一部深刻探討生命價值和復仇主題的電影。它不僅讓觀眾感受到了緊張和不安,也讓人們思考復仇的意義。這部電影的每一個細節都值得細細品味。