1. 關於花木蘭的英語作文
Mulan is a 1998 American animated film proced by Walt Disney Feature Animation,
and released by Walt Disney Pictures on June 19, 1998.
The thirty-sixth animated feature in the Walt Disney Animated Classics,
and a part of the Disney Renaissance, the film is based on the Chinese legend of Hua Mulan.
Mulan was the first of three features proced primarily at the Disney animation studio
at Disney-MGM Studios in Orlando, Florida.
It was directed by Tony Bancroft and Barry Cook, with story and screenplay by Robert D. San Souci,
Rita Hsiao, Philip LaZebnik, Chris Sanders, Eugenia Bostwick-Singer, and Raymond Singer.
Development for the film began in 1994, when a number of artistic supervisors were sent to
China to receive artistic and cultural inspiration.
Mulan was well-received by critics and the public, grossing $304 million, earning Golden
Globe and Academy Award nominations, and winning several Annie Awards including Best
Animated Feature.
Fa Mulan is the only daughter of aged warrior Fa Zhou.
She impersonates a man and takes her father's place ring a general conscription to
counter a fictitious Hun invasion led by Shan Yu . Along with her guardian dragon Mushu ,
her captain, Li Shang , a lucky cricket, "Cri-kee," and her companions, Yao, Ling, and
Chien-Po, she battles the invading Hun army.
2. 求一篇描寫電影花木蘭的英文文章！
Disney turned East seeking inspiration and found it in Mulan, a thoughtful coming-of-age adventure story about a brave and clever daughter risking her life to save her ailing father in Imperial China. Having fun with the comic possibilities of cross-dressing and gender confusions, this beautifully animated feature places its title character in armor and eventually into the thick of battle, with the stakes no less than the fate of her country. Based on a popular Chinese legend (similar to that of Joan of Arc, but with a kinder conclusion), Mulan is that rarity in any patriarchal culture, a genuine heroine celebrated for breaking the conventions of her sex.
Mulan tries to honor her family the traditional way, letting her mother and grandmother powder her face white and dress her like a China doll in preparation for her interview with the matchmaker, but she utterly fails to please the pompous power broker e to the unintentional interference of her 'good luck' cricket (a close, though mute, cousin to Jimminy). Presented in song with amusing lyrics and overtones of Gigi, this comedy of errors evolves into fairly serious drama. Mulan is deeply ashamed at her failure to bring honor to her family in the only way her society deems possible.
She discovers, however, that her father still believes in her. Beneath the gentle canopy of a cherry blossom tree, he tells her that 'the flower that blooms in adversity is the most rare and beautiful of all.' In this one scene, directors Barry Cook and Tony Bancroft poignantly establish the powerful bond between the tiful but independent-minded daughter and her conventional but compassionate, aged father.
When Mulan learns that the Emperor is demanding one male volunteer from every family to fight the Hun invaders, she secretly cuts her hair, dons her father's armor, takes his sword and rides off in his place. Dramatically staged without dialogue, this is the film's most stirring sequence.
That's where Eddie Murphy comes in, as the voice of Mushu, Mulan's diminutive, streetwise, would-be guardian dragon. Though less witty than Robin Williams in Aladdin, Murphy breathes some edgy, contemporary humor into his toon with attitude. In a wonderfully funny meeting of Mulan's ancestral spirits, the demoted Mushu is sent to notify a 'real' guardian dragon to protect the inexperienced young warrior. But Mushu seizes the opportunity to prove himself by attempting to make Mulan a war hero. Though romance is secondary in the story, Mulan does fall in love with her hunky commanding officer, Captain Shang, who nearly drops his slender recruit until he/she uses her intelligence to complete a daunting task, in a G.I. Jane moment.
As usual, Disney animators succeed in creating a stylishly scary villain-in this case, the monolithic, square-faced Hun leader Shan-Yu, whose yellow eyes gleam with hate. Mulan, with her grace under fire, prevails against this seemingly invincible enemy, but not without some interesting setbacks, including her rejection by Shang and her three army buddies-Ling, Chien Po and Yao-after they find out that 'she' is a woman.
Soon after Mulan enlists, there's a Yentl-like scene in which she is bathing in a pond, only to be joined by this trio of boisterous cohorts. Although she deftly makes her getaway before blowing her cover, it makes for some wry comic suspense. Late in the film, the roles are reversed, as Ling, Chien Po and Yao discover that cross-dressing can serve their martial purposes as well.
With its striking computer-assisted visuals, such as the nearly 3D Great Wall of China that opens the film, and the massive attack of the Huns that recalls the wildebeest stampede in The Lion King, Mulan sets new standards in animation. But it is in the subtlety of its characters' 'acting' that Mulan excels. As has been noted in the past, Disney's cartoon characters show more vitality than many flesh-and-blood actors in non-animated films, and Mulan's are no exception.
But, of course, actors invest these character with life, and all of Mulan's voices do their drawings proud. Ming-Na Wen lends Mulan vulnerability and grit, and Lea Salonga provides as lovely a singing voice for her as she did for Princess Jasmine in Aladdin. B.D. Wong (Seven Years in Tibet) as Shang and Donny Osmond as his singing voice team up to make one virile but multi-faceted drill sergeant. Harvey Fierstein's inimitable gravely voice adds character to the macho, pint-sized Yao, and Miguel Ferrer (recently of television's 'Lateline') fuels Shan-Yu's villainy.
While Stevie Wonder and 98% let you leave the theatre buoyed by Matthew Wilder and David Zippel's 'True to Your Heart,' the other Wilder/Zippel songs in Mulan are less memorable. Veteran Jerry Goldsmith's score, however, adds urgency and emotion to the narrative.
As the Emperor (Pat Morita) tells Shang after Mulan rides back to her family, 'You don't meet a girl like that every dynasty.' He's right.
3. 求大神用英語幫忙寫篇動畫花木蘭的觀後感，150詞就行，謝了！
Mulan's story-so far, mainly e to "Ode of Mulan" Masterpiece folk side of this, this long narrative poems of praise Nvbannanzhuang Mulan for the father of military legend. Now many more people it will be made into a movie, down through the ages.
War heroes, men living without a hero, heroine will be, with the Northern Wei Rouran not prominent men of war, will have a prominent heroine Mulan. She is a weak girl, he's elderly father, is no longer on the weak; she is a woman weaving, but to her father, to join the army to fight on. She never bow to the men, loudly told the world: "Women are no inferior to men.". Mulan will be a battle, how rapidly the tension is very high morale, march more urgent, more military tension, this is an order reversing, as a girl left the family, into a battlefield, the equivalent of the world into another. She and a man eating live with, eat the same suffering, by the same tired, but do men with different stories, and create a brilliant different men, as well as proof of "who say woman not so good as men. ? "
Mulan back, is not easy. Her attention to the value of life, the more the warmth of the family know. She has refused to grant the emperor, officials do not want to cast aside their high position and great wealth, she is willing to foot thousands of miles Chi, also home at an early date.
She returned, the arm of his elderly parents out to meet her sister was up to greet her, while his younger brother while sharpening pig, take concrete actions to meet the sisters to come back. To see all of this, Mulan is very pleased with the 12-year risk one's life on the battlefield, how hard. The 12-year Nvbannanzhuang and visible, however difficult, but all in the past, Mulan inner spiritual strength, which is what a great place.
Day settle down, the partners in the past and look at her every time she loaded her daughter to always see them, afraid of the partners in the past, Mulan in mind: you know? Bloody battle in the past to work with you on the battlefield, Li Under the great service; not to come back after the emperor of the reward I am a girl.
Give me back my daughter character, how proud Mulan.《
》觀後感
的事跡傳至今，主要應歸功於《
》這一方民歌絕 唱，是這篇長篇
歌頌了
替父從軍的
。現在更有許多人將它拍成了電影，千古流傳。
戰爭產生英雌，在世無男英雄的情況下，便會有
，北魏與
戰爭沒有突出的男人，就有了突出的
花木蘭。 她本是個柔弱的女孩，可他為了年老的父親，就不再柔弱；她本是個織布女子，但她為了父親，就參軍打仗。她從不向男的低頭，大聲告訴了世人：
。花木蘭就要出征了，是多麼的急促緊張，是多麼的昂揚士氣，行軍多急，軍情多緊張，
倒，作為一個少女離開
，投入戰場，何異投入另一個世界。她與男人同吃共住，吃一樣的苦，受一樣的累，卻干出與男人不同的事跡，創出了與男人不同的輝煌，同時也證明了「女子哪裡不如男？」
花木蘭回來了，這很不容易。她重視生命的可貴，更加懂得家庭的溫暖。她拒絕了天子的賞賜，也不願在朝為官，將榮華富貴輕輕地拋下，她願馳千里足，早日還故鄉。
，年邁的父母攙扶著出來迎她，姐姐理妝相迎，弟弟
向豬羊，以實際行動迎接姊姊的回來。看到這一切，花木蘭由衷地高興，十二年的沙場出生入死，多難。十二年的
而不露痕跡，多難，然而這一切都過去，花木蘭內心的精神力量，該是何等地偉大。
日子安定下來，過去的夥伴又來看她，她每次都總是以女兒裝見他們，對驚怕的過去的夥伴，花木蘭在內心說：知道了么？過去與你一道血戰沙場，立下大功；回朝後不願為
的我是個女孩子。
本色，花木蘭多麼自豪。
4. 英文《花木蘭》觀後感
木蘭是一部優秀的電影。這部電影是阿邦的一個鄉村女孩，木蘭。她打扮得像個男孩，代替父親參軍。好好想想女演員拉木蘭的角色吧。其他演員也是全國大學生體育協會的，他們在電影中做得很好。我喜歡木蘭。這部電影是她對家庭、朋友和國家的愛。如果你這個周末想看電影，想看一些有趣的東西，那就選木蘭吧！
5. 花木蘭(美國版)電影簡介
90年代迪斯尼的電影，中國版的是陳佩斯，成龍，許晴配的音
很幽默的電影，花木蘭的奶奶的歌唱這些很地道，節奏明快
就跟歷史上流傳的故事一樣，贊成「畫虎畫犬」樓主的解釋
不過最後花木蘭還收獲了愛情，她跟將軍在一起了，成龍去家裡找花木蘭。。。
6. 幫忙找一下動畫花木蘭的英文介紹和評論
介紹：
This retelling of the old Chinese folktale is about the story of a young Chinese maiden who learns that her weakened and lame father is to be called up into the army in order to fight the invading Huns. Knowing that he would never survive the rigours of war in his state, she decides to disguise herself and join in his place. Unknown to her, her ancestors are aware of this and to prevent it, they order a tiny disgraced dragon, Mushu to join her in order to force her to abandon her plan. He agrees, but when he meets Mulan, he learns that she cannot be dissuaded and so decides to help her in the perilous times ahead.
評論：
Yes, Disney's Mulan is very much a western/ American movie, made for western and American- not Asian- audiences. No, they "didn't get it right"; or, not exactly. But I never expected them to, and I give them a good deal of credit for trying. They came quite a bit closer that I ever thought that they would. Nor do I find this movie overly feminist (no more than Snow White or Cinderella are "chauvinist"). Mulan may be a strong female character, but she is not Aladdin's Princess Jasmine. Mulan is not defined by rebellion, nor by what she rejects. Instead she upholds her sense of honor as she struggles to find out who she is and where she fits in. Moreover, in a genre known for its blatant ad nauseum boy-meets-girl love themes, I truly appreciated the downplayed understatedness of the "interest" between Mulan and Captain Shang.
As to the "commercial" aspect of the film; yes, it had its tie-ins and its merchandising. What Disney movie doesn't? But the real issue is the worth of the film itself, and on this I take exception to the review below. I believe there is more in it than Mr. Mydo gives credit for.
The film does have its awkward moments. The scene with the match-maker and Mulan's first entrance into the army camp are both extremely painful to watch- I do not enjoy watching anyone be utterly humiliated- not even a cartoon character (and I do not believe that someone as bright as Mulan would fumble so badly over simply coming up with a new name). I also find it somewhat irksome that one minor character, Mushu the dragon, continually steals attention away from the movie's proper focus. And there are a number of jokes and visual gags that closely border on PG. I found this in somewhat poor taste in a kid's movie.
But these faults are counterbalanced, and more than compensated for, by the scenes that really work. The opening "brush painting" of the Great Wall; Mulan's song (Reflections) and the ensuing scene of loving encouragement from her father; the scene where she decides to leave home; her heart-to-heart talk with Mushu at the abandoned camp in the mountains; the Imperial Palace where she is honored by the Emperor before all China... the sheer artistry of these scenes is breathtaking.