我最喜欢的卡通电影人物是花木兰英文

1. 怎么用英文介绍花木兰

写作思路：首开介绍花木兰的基本信息，然后介绍花木兰的荣誉故事，接着介绍故事来源，最后介绍文艺作品。

范文：

Mulan（412 years - 502 years），the story of Mulan spread so far，the ancient Chinese heroes，loyalty filial piety，on behalf of the father defeated the invasion of the nation and spread through the ages，the Tang Dynasty emperor chase as "Xiaolie general."

木兰（412年－502年），木兰的故事流传至今，中国古代英雄辈出，忠孝孝顺，代表父亲战胜了民族的侵略而流传千古，被唐朝皇帝追称为“孝烈将军”

Mulan story of the spread，should be attributed to the "Mulan" this folk song，but Mulan＇s surname，place of origin，history books are not sure.

木兰故事的流传，本应归于《木兰》这首民歌，但木兰的姓氏、籍贯、史籍却不确定。

Mulan is a variety of literary and artistic works by the performance of the film，drama，opera and opera.

木兰是由多种文艺作品表现的电影、戏剧、戏曲和歌剧。

2. 英文《花木兰》观后感

木兰是一部优秀的电影。这部电影是阿邦的一个乡村女孩，木兰。她打扮得像个男孩，代替父亲参军。好好想想女演员拉木兰的角色吧。其他演员也是全国大学生体育协会的，他们在电影中做得很好。我喜欢木兰。这部电影是她对家庭、朋友和国家的爱。如果你这个周末想看电影，想看一些有趣的东西，那就选木兰吧！

3. 求五部英文卡通电影，要是英文配音和中文字幕

冰河世纪3:恐龙的黎明 Ice Age: Dawn of the Dinosaurs 曼尼（长毛象）Manny 迪亚哥（老虎）Diego 希德（树赖）Sid
机器人总动员 WALL·E 伊芙 Eve 瓦力 WALL·E
僵尸新娘 Corpse Bride Victor Van Dort Corpse Bride
飞屋环游记Up Carl Fredricksen Russell
花木兰 mulan 花木兰Mulan 木须

4. 你如何评价电影"花木兰"

《花木兰》是一部激动人心的动作片。它取材于一个古老的中国故事。这部影片是关于一个村姑花木兰的。她装扮成男孩，替父从军打仗。我认为那个女演员把花木兰这个角色演得很好。其他演员也很好，在影片中的表演也很精彩。我非常喜欢花木兰。影片表现了她对家庭、朋友和国家的爱。如果你计划本周末看电影，并且你想看令人愉快的东西，那就选择《花木兰》吧！

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exciting action
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about
played
fantastic
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shows
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5. 求一篇描写电影花木兰的英文文章！

Disney turned East seeking inspiration and found it in Mulan, a thoughtful coming-of-age adventure story about a brave and clever daughter risking her life to save her ailing father in Imperial China. Having fun with the comic possibilities of cross-dressing and gender confusions, this beautifully animated feature places its title character in armor and eventually into the thick of battle, with the stakes no less than the fate of her country. Based on a popular Chinese legend (similar to that of Joan of Arc, but with a kinder conclusion), Mulan is that rarity in any patriarchal culture, a genuine heroine celebrated for breaking the conventions of her sex.

Mulan tries to honor her family the traditional way, letting her mother and grandmother powder her face white and dress her like a China doll in preparation for her interview with the matchmaker, but she utterly fails to please the pompous power broker e to the unintentional interference of her 'good luck' cricket (a close, though mute, cousin to Jimminy). Presented in song with amusing lyrics and overtones of Gigi, this comedy of errors evolves into fairly serious drama. Mulan is deeply ashamed at her failure to bring honor to her family in the only way her society deems possible.

She discovers, however, that her father still believes in her. Beneath the gentle canopy of a cherry blossom tree, he tells her that 'the flower that blooms in adversity is the most rare and beautiful of all.' In this one scene, directors Barry Cook and Tony Bancroft poignantly establish the powerful bond between the tiful but independent-minded daughter and her conventional but compassionate, aged father.

When Mulan learns that the Emperor is demanding one male volunteer from every family to fight the Hun invaders, she secretly cuts her hair, dons her father's armor, takes his sword and rides off in his place. Dramatically staged without dialogue, this is the film's most stirring sequence.

That's where Eddie Murphy comes in, as the voice of Mushu, Mulan's diminutive, streetwise, would-be guardian dragon. Though less witty than Robin Williams in Aladdin, Murphy breathes some edgy, contemporary humor into his toon with attitude. In a wonderfully funny meeting of Mulan's ancestral spirits, the demoted Mushu is sent to notify a 'real' guardian dragon to protect the inexperienced young warrior. But Mushu seizes the opportunity to prove himself by attempting to make Mulan a war hero. Though romance is secondary in the story, Mulan does fall in love with her hunky commanding officer, Captain Shang, who nearly drops his slender recruit until he/she uses her intelligence to complete a daunting task, in a G.I. Jane moment.

As usual, Disney animators succeed in creating a stylishly scary villain-in this case, the monolithic, square-faced Hun leader Shan-Yu, whose yellow eyes gleam with hate. Mulan, with her grace under fire, prevails against this seemingly invincible enemy, but not without some interesting setbacks, including her rejection by Shang and her three army buddies-Ling, Chien Po and Yao-after they find out that 'she' is a woman.

Soon after Mulan enlists, there's a Yentl-like scene in which she is bathing in a pond, only to be joined by this trio of boisterous cohorts. Although she deftly makes her getaway before blowing her cover, it makes for some wry comic suspense. Late in the film, the roles are reversed, as Ling, Chien Po and Yao discover that cross-dressing can serve their martial purposes as well.

With its striking computer-assisted visuals, such as the nearly 3D Great Wall of China that opens the film, and the massive attack of the Huns that recalls the wildebeest stampede in The Lion King, Mulan sets new standards in animation. But it is in the subtlety of its characters' 'acting' that Mulan excels. As has been noted in the past, Disney's cartoon characters show more vitality than many flesh-and-blood actors in non-animated films, and Mulan's are no exception.

But, of course, actors invest these character with life, and all of Mulan's voices do their drawings proud. Ming-Na Wen lends Mulan vulnerability and grit, and Lea Salonga provides as lovely a singing voice for her as she did for Princess Jasmine in Aladdin. B.D. Wong (Seven Years in Tibet) as Shang and Donny Osmond as his singing voice team up to make one virile but multi-faceted drill sergeant. Harvey Fierstein's inimitable gravely voice adds character to the macho, pint-sized Yao, and Miguel Ferrer (recently of television's 'Lateline') fuels Shan-Yu's villainy.

While Stevie Wonder and 98% let you leave the theatre buoyed by Matthew Wilder and David Zippel's 'True to Your Heart,' the other Wilder/Zippel songs in Mulan are less memorable. Veteran Jerry Goldsmith's score, however, adds urgency and emotion to the narrative.

As the Emperor (Pat Morita) tells Shang after Mulan rides back to her family, 'You don't meet a girl like that every dynasty.' He's right.

6. 求一篇关于花木兰的英语作文

求一篇关于花木兰的英语作文？

Hua Mulan is a heroine who joined the army for her father, according to what is described in a famous Chinese ancient poetry The Ballad of Mulan. Mulan's father is too old to bear suffering from the bitterness, and she doesn't have an elder brother to go and fight instead of the old father. So Mulan decides to disguised herself as a man to join the army for her father. Hua Mulan has been highly respected as a filial model by the Chinese people for hundreds of years, even though it is unknown whether the story has any factual basis. In 1998，her story was adapted into an animated cartoon by Disney of the United States, and the cartoon was very popular all over the world.

花木兰是中国有名古诗《木兰辞》中描绘的一位替父从军的英雄。因木兰的父亲年事已高，不能经受奔波劳苦，木兰又没有兄长可以代替老父，于是她把自己乔装成男子代父从军。虽然这个故事是否真实不得而知，但是千百年来，花木兰作为孝顺的典范而深受中国人的尊敬。1998年，美国迪士尼公司将花木兰的故事改编成了动画片，受到了全世界的欢迎。

7. 帮忙找一下动画花木兰的英文介绍和评论

介绍：
This retelling of the old Chinese folktale is about the story of a young Chinese maiden who learns that her weakened and lame father is to be called up into the army in order to fight the invading Huns. Knowing that he would never survive the rigours of war in his state, she decides to disguise herself and join in his place. Unknown to her, her ancestors are aware of this and to prevent it, they order a tiny disgraced dragon, Mushu to join her in order to force her to abandon her plan. He agrees, but when he meets Mulan, he learns that she cannot be dissuaded and so decides to help her in the perilous times ahead.

评论：
Yes, Disney's Mulan is very much a western/ American movie, made for western and American- not Asian- audiences. No, they "didn't get it right"; or, not exactly. But I never expected them to, and I give them a good deal of credit for trying. They came quite a bit closer that I ever thought that they would. Nor do I find this movie overly feminist (no more than Snow White or Cinderella are "chauvinist"). Mulan may be a strong female character, but she is not Aladdin's Princess Jasmine. Mulan is not defined by rebellion, nor by what she rejects. Instead she upholds her sense of honor as she struggles to find out who she is and where she fits in. Moreover, in a genre known for its blatant ad nauseum boy-meets-girl love themes, I truly appreciated the downplayed understatedness of the "interest" between Mulan and Captain Shang.

As to the "commercial" aspect of the film; yes, it had its tie-ins and its merchandising. What Disney movie doesn't? But the real issue is the worth of the film itself, and on this I take exception to the review below. I believe there is more in it than Mr. Mydo gives credit for.

The film does have its awkward moments. The scene with the match-maker and Mulan's first entrance into the army camp are both extremely painful to watch- I do not enjoy watching anyone be utterly humiliated- not even a cartoon character (and I do not believe that someone as bright as Mulan would fumble so badly over simply coming up with a new name). I also find it somewhat irksome that one minor character, Mushu the dragon, continually steals attention away from the movie's proper focus. And there are a number of jokes and visual gags that closely border on PG. I found this in somewhat poor taste in a kid's movie.

But these faults are counterbalanced, and more than compensated for, by the scenes that really work. The opening "brush painting" of the Great Wall; Mulan's song (Reflections) and the ensuing scene of loving encouragement from her father; the scene where she decides to leave home; her heart-to-heart talk with Mushu at the abandoned camp in the mountains; the Imperial Palace where she is honored by the Emperor before all China... the sheer artistry of these scenes is breathtaking.