英文电影穿条纹睡衣的男孩中的优秀句子

❶ 穿条纹睡衣的男孩的影评

如奥斯卡经典影片《辛德勒名单》、《钢琴师》、《美丽人生》等等，但透过孩子的视角来展现此类主题还是头一次。 透过孩子的视角来看世界无疑是独特的，类似的作品有如《西西里的美丽传说》。影片中通过一个情窦初开小男孩对女主角的窥视开始，一步步地展现那个时代中人物的悲欢离合，纵然解读的异常“孩子气”，但反差之下现实的残酷才显得更加惊心动魄。《穿条纹睡衣的男孩》同样透过一个孩子的眼睛来讲述二战中德国集中营中的情景，以一个孩子的视角来审视那个特殊的年代。那些杀戮和令人难以直视的鲜血，在孩子的眼中被折射的是如此光陆怪离和有趣，但越是如此现实的残酷就越是让人心血尤滴！ 近些年来反映二战纳粹题材的电影有这样一种倾向，从单纯的反映德国纳粹的残暴与兽性转而谴责战争对人性的伤害。主题也从单纯地同情被纳粹蹂躏的人们，转而反映这样的病态专权对所有善良人民的残害——对德国人也是如此！在《钢琴师》结尾，那位救助过主角和很多犹太人的德国军官蜷缩在盟军德国战俘营里，那如宝石般碧蓝的眼睛中写满了绝望！纵然他保有良知，冒着生命危险救助犹太人，但等待他的结局依然是尸骨无存！而在家中等待他归来的妻子和三个孩子，最终连他们的父亲和丈夫死在那里都不知道！这，就是战争！ 正如二战结束后德国总理在犹太人纪念碑前感天动地的一跪！殊不知他也是受害者！德国人也是受害者！ 为战争而疯狂的永远是没有人性的禽兽，不论你站在哪一方！在战争中受伤的永远是善良的大众，不论你属于哪一方！ 当影片中布鲁诺在毒气室中的牵起施穆尔的手的时候，我们就已经意识到和平是多美丽的一个字眼，原本世界就应该如两个男孩间的友谊那么简单。不论是文化差异还是种族隔阂，都如两个人之间那张铁丝网一样千疮百孔，它阻止不了人们交流的进步。但当战争的枪口指向无辜的人们时，不论是怎样的血统还是多么被推崇的种族崇拜都比不过那一件条纹睡衣，结果都是鲜血淋漓。它将毫不留情地阻隔人类交流的进步，因为它灭绝的是人性！ 呼唤和平，不是说说那么简单，而是发自灵魂的呐喊！ 尽管有些不切实际的幻想，这部电影依旧是一部感人肺腑的佳作！ ——《泰晤士报》 《穿条纹睡衣的男孩》极其沉重的结尾将影片上升到了新的水平。 ——《独立报》 马克·赫曼透过孩子的眼睛来诠释大屠杀事件，直到最终大结局的时候我们才被眼前美丽的悲剧惊呆了。 ——《卫报》 马克·赫曼非常成功地将约翰·伯恩的原著改编后搬到了大银幕上，片中强烈的情绪感染了所有人。 ——《天空卫视》 《穿条纹睡衣的男孩》以孩子的视角来批判大屠杀，问题在于现代观众理解起这些隐晦的批判会比较困难，因而这种手法是极其容易误导观众的。 ——《斜向》杂志 《穿条纹睡衣的男孩》的主题试图探寻关于人性的难题，然而却将影片本身放在了摇摆不定的道德天平上。 ——《未来电影》 非常震撼的一部电影，令我们不得不重新审视那段战争的悲剧性。

❷ 谁能例举一下《穿条纹睡衣的男孩》这部电影里的经典台词（中文版的） 谢谢~

Childhood is measured out by sounds and smells and sights,before the dark hour of reason grows.
在黑暗的理性到来之前，用以丈量童年的是听觉、嗅觉以及视觉。

❸ 《穿条纹睡衣的男孩》影评是什么

《穿条纹睡衣的男孩》透过一个孩子的眼睛来讲述二战中德国集中营中的情景，以一个孩子的视角来审视那个特殊的年代。那些杀戮和令人难以直视的鲜血，在孩子的眼中被折射的是如此光陆怪离和有趣，但越是现实的残酷就越是让人心血尤滴。

《穿条纹睡衣的男孩》以孩子的视角来批判大屠杀，问题在于现代观众理解起这些隐晦的批判会比较困难，因而这种手法是极其容易误导观众的。

内容介绍：

有一天布鲁诺在花园里玩的时候，不小心摔倒把膝盖碰伤了。在厨房干活的穿着条纹睡衣的帕维尔赶过来帮助他包扎了伤口。两人从此结为了好友。在房子周围晃悠了几周之后，布鲁诺终于决定越过界限来到了一个用电线网制成的围墙边，看到围墙的另一边有一个穿着条纹睡衣的男孩在用手推车倒碎石子。

他很惊讶终于在这里发现了可以一起玩的同龄人，布鲁诺以后每天都要偷偷来这里和新朋友什穆埃尔见面。数周过去，布鲁诺对于自己的所见所闻愈加感到困惑，家人教导他所有犹太人都是魔鬼而他与什穆埃尔的关系却越来越紧密。

另一方面，父亲决定把他们和妈妈送到海德堡的姑姑那里去。一想到从此无法再见到这位最好的新朋友，布鲁诺感到很绝望。什穆埃尔告诉布鲁诺自己的父亲失踪了三天，布鲁诺决定利用最后的时间为他做些事情，于是也穿上了一件条纹睡衣，从一块松动的铁丝网下爬进集中营。

❹ 穿条纹睡衣的男孩观后感

有人说现在是最好的时代，也有人说现在是最坏的时代，但从来没有人说过二战是一个好的时代。如果说二战是先走进一片黑暗，《钢琴家》《美丽人生》则带你走过这片黑暗，迎接黎明充满希望，而《穿条纹睡衣的男孩》则带你迷失在黑暗里，将美好的东西撕裂。

《穿条纹睡衣的男孩》以一个纳粹家庭的天真孩童的视角来讲述这段惨绝人寰的历史，选取两个孩童之间的纯洁友谊，将残酷最大化，让人不敢再去看第二遍。

在电影的第29秒处出现了约翰贝杰曼说过的一句话：“在生命的黑暗滋生蔓延之前，用以丈量孩提时代的是我们的所听所闻所见。”

与其他战争片不一样，整部电影没有令人心惊肉跳的情节、没有炮火连天的战场、没有遍地尸体的画面，展现给观众的是蓝蓝的天空、美丽的母亲、幸福的家庭，以及孩童之间纯洁的友谊，这部电影拥有讲述孩童美好时代的所有要素。

而事实上，它又有着一部残酷历史影片所具备的细节：浓烟滚滚在上空、士兵的呵斥声、狼狗的叫声。

影片从孩童的视角来看待这场悲剧，一切事情仿佛都映在他那深蓝色的瞳孔中。姐姐在被家庭教师洗脑性地灌输法西斯思想后逐渐沦落的悲剧，母亲无法接受这一切日日流泪，使故事的悲剧性气氛逐渐呈现。

大铁门内紧握的双手、大铁门外散落一地的睡衣、滂沱的大雨，似乎在与时间赛跑的士兵牵着狼狗狂奔而来，终是晚来一步，即使身为军官的父亲也难逃悲剧，让自己的孩子迷失在黑森林沦为陪葬品。

而小布鲁诺和施穆尔的悲剧，大概在故事的开头就已注定，稚嫩的眼神中总是藏着焦虑，周围所有的隐瞒帮他们屏蔽了丑陋，让他们只看到彼此之间的真诚与美好，甚至在踏进深渊的最后一刻，仍以为自己在洗澡。

时代终会过去，但有人永远留在了那个时代，永远留在了那片黑暗里，即使什么都没有做错。

❺ 为什么说《穿条纹睡衣的男孩》是高分佳片

这是一部发生在犹太人被屠杀的某个营地里面，两个同样是穿条纹衫的男孩之间的故事,通过这部电影，你会看到生命两种完全不同的形态，它没有拍那些很煽情的片段，却总能让人潸然泪下,这是一部就算你不了解这段历史也可以被感动到的电影。

1）我们先来看看本影片的主要内容介绍：高墙和铁丝网挡住了自由之路，却挡不住孩童干净的双眼。他们被当成了犯人，可是他们并没有错。九岁男孩布鲁诺一家随着纳粹军官父亲的一纸调令,由柏林搬到了波兰。酷爱探险的他很快对新家附近的“农场”产生了兴趣，隔着高耸的围墙和铁丝网，人们身穿条纹睡衣终日忙碌。没有人告诉他“农场”究竟是什么，所有人都禁止他发问。在好奇心的驱使下，布鲁诺悄悄溜出家门，结识了铁丝网另一边的同龄男孩什穆埃尔。某日，什穆埃尔的父亲失踪了，于是布鲁诺决定穿上和什穆埃尔一模一样的条纹睡衣，到铁丝网的另一边帮他寻找父亲，作为两个人分别前后的探险......

❻ 穿条纹睡衣的男孩 英文读后感

The Boy in the Striped Pyjamas

Irish writer John Boyne's fourth novel is the first he has written for children. It's a touching tale of an odd friendship between two boys in horrendous circumstances and a reminder of man's capacity for inhumanity.

Bruno is a nine-year-old boy growing up in Berlin ring World War II. He lives in a five-storey house with servants, his mother and father and 12-year-old sister, Gretel. His father wears a fancy uniform and they have just been visited by a very important personage called the Fury, a pun which alt readers should have no trouble deciphering. As a consequence of this visit, Bruno's father gets a new uniform, his title changes to Commandment and, to Bruno's chagrin, they find themselves moving to a new home at a place called Out-With.

When Bruno gets there he is immediately homesick. He has left his school, his three best friends, his house, his grandparents and the bustling street life of urban Berlin with its cafes, fruit and veg stalls, and Saturday jostle. His new home is smaller, full of soldiers and there is no one to play with. From his bedroom window, however, he notices a town of people dressed in striped pyjamas separated from him by a wire fence. When he asks his father who those people are, he responds that they aren't really people.

Bruno is forbidden to explore but boredom, isolation and sheer curiosity become too much for him. One day, he follows the wire fence cordoning off the area where these people live from his house. He spots a dot in the distance on the other side of the fence and as he gets closer, he sees it's a boy. Excited by the prospect of a friend, Bruno introces himself. The Jewish boy's name is Shmuel. Almost every day, they meet at the same spot and talk. Eventually, for a variety of reasons, Bruno decides to climb under the fence and explore Shmuel's world.

After some initial tonal clunkiness where you can almost detect the author thinking "how do I write a child", the story is an effortless read that puts you directly into Bruno's worldview. It is elegant story-telling with emotional impact and an ending that in true fairytale style is grotesquely clever.

Bruno's friendship with Shmuel is rendered with neat awareness of the paradoxes between children's naive egocentricity, their innate concept of fairness, familial loyalty and obliviousness to the social conventions of discrimination. The Boy in the Striped Pyjamas is subtitled A Fable and, as in other modern fables such as Antoine de St Exupery's The Little Prince, Boyne uses Bruno to reveal the flaws in an alt world.

For me, as an alt reader, however, the fact that this fable is set in living history - the Holocaust - did, at times, jar. I couldn't help comparing it to the immediacy and complexity of Primo Levi's If This is a Man, or, to stick with children, The Diary of Anne Frank. From a perspective of German complicity in the Holocaust, books such as
Christa Wolf's superb A Model Childhood provide images of what it was like to have had a Nazi childhood, making this tale seem rather implausible.

Given his father's rank, it's highly likely Bruno would have been a brainwashed acolyte of the Hitler Youth. Perhaps fables are best when, like the The Little Prince with its asteroid settings, they are insulated by either time or imagination from actual history.

Still, these are alt quibbles about a children's book and probably unfair because of it, even if there is a sense this novel has ambitions to follow in the steps of The Little Prince (or Harry Potter, for that matter) and become one of those children's novels that alts read.

None of the scruples above should affect the reading pleasure of the book's primary audience. I wanted to test-drive The Boy in the Striped Pyjamas book with a nine-year-old but none could be bribed into reading it within the necessary timeframe for this review. Nevertheless, at the risk of using intuition instead of market research, I envisage children will identify with and be moved by this story, just as I was by books such as Ian Serraillier's The Silver Sword at a similar age.

Be prepared, however. In its allusiveness, The Boy in the Striped Pyjamas will provoke questions about the abhorrent conditions in which it is set and you may well find yourself needing to explain the Holocaust.

Irish writer John Boyne's fourth novel is the first he has written for children. It's a touching tale of an odd friendship between two boys in horrendous circumstances and a reminder of man's capacity for inhumanity.

Bruno is a nine-year-old boy growing up in Berlin ring World War II. He lives in a five-storey house with servants, his mother and father and 12-year-old sister, Gretel. His father wears a fancy uniform and they have just been visited by a very important personage called the Fury, a pun which alt readers should have no trouble deciphering. As a consequence of this visit, Bruno's father gets a new uniform, his title changes to Commandment and, to Bruno's chagrin, they find themselves moving to a new home at a place called Out-With.

When Bruno gets there he is immediately homesick. He has left his school, his three best friends, his house, his grandparents and the bustling street life of urban Berlin with its cafes, fruit and veg stalls, and Saturday jostle. His new home is smaller, full of soldiers and there is no one to play with. From his bedroom window, however, he notices a town of people dressed in striped pyjamas separated from him by a wire fence. When he asks his father who those people are, he responds that they aren't really people.

Bruno is forbidden to explore but boredom, isolation and sheer curiosity become too much for him. One day, he follows the wire fence cordoning off the area where these people live from his house. He spots a dot in the distance on the other side of the fence and as he gets closer, he sees it's a boy. Excited by the prospect of a friend, Bruno introces himself. The Jewish boy's name is Shmuel. Almost every day, they meet at the same spot and talk. Eventually, for a variety of reasons, Bruno decides to climb under the fence and explore Shmuel's world.

After some initial tonal clunkiness where you can almost detect the author thinking "how do I write a child", the story is an effortless read that puts you directly into Bruno's worldview. It is elegant story-telling with emotional impact and an ending that in true fairytale style is grotesquely clever.

Bruno's friendship with Shmuel is rendered with neat awareness of the paradoxes between children's naive egocentricity, their innate concept of fairness, familial loyalty and obliviousness to the social conventions of discrimination. The Boy in the Striped Pyjamas is subtitled A Fable and, as in other modern fables such as Antoine de St Exupery's The Little Prince, Boyne uses Bruno to reveal the flaws in an alt world.

For me, as an alt reader, however, the fact that this fable is set in living history - the Holocaust - did, at times, jar. I couldn't help comparing it to the immediacy and complexity of Primo Levi's If This is a Man, or, to stick with children, The Diary of Anne Frank. From a perspective of German complicity in the Holocaust, books such as
Christa Wolf's superb A Model Childhood provide images of what it was like to have had a Nazi childhood, making this tale seem rather implausible.

Given his father's rank, it's highly likely Bruno would have been a brainwashed acolyte of the Hitler Youth. Perhaps fables are best when, like the The Little Prince with its asteroid settings, they are insulated by either time or imagination from actual history.

Still, these are alt quibbles about a children's book and probably unfair because of it, even if there is a sense this novel has ambitions to follow in the steps of The Little Prince (or Harry Potter, for that matter) and become one of those children's novels that alts read.

None of the scruples above should affect the reading pleasure of the book's primary audience. I wanted to test-drive The Boy in the Striped Pyjamas book with a nine-year-old but none could be bribed into reading it within the necessary timeframe for this review. Nevertheless, at the risk of using intuition instead of market research, I envisage children will identify with and be moved by this story, just as I was by books such as Ian Serraillier's The Silver Sword at a similar age.

Be prepared, however. In its allusiveness, The Boy in the Striped Pyjamas will provoke questions about the abhorrent conditions in which it is set and you may well find yourself needing to explain the Holocaust.

❼ 穿条纹睡衣的男孩影评

《穿条纹睡衣的男孩》影评如下：

《穿条纹睡衣的男孩》在以儿童的视角反映历史惨剧的同时更透露出人性的光辉，那是父母对孩子的爱，是姐弟间亲情的爱，是小朋友间纯真的友谊，是彼此间的关怀与温暖。雪崩时没有一片雪花是无辜的，电影的结局恰恰证明了这一点，毒气房外的长镜头以及慢慢变成黑白的场景已然昭示了结局。

电影整体给人的情感由轻松变为沉重，绝望像乌云笼罩着，却等不到一阵吹散它的风，以及一束阳光的普照。

剧情简介

《穿条纹睡衣的男孩》根据爱尔兰新锐作家约翰·伯恩2006年出版的同名小说改编。由马克·赫曼执导，阿沙·巴特菲尔德、维拉·法梅加和鲁伯特·弗兰德等联袂主演。影片于2008年11月7日在美国上映。

影片讲述二战期间，八岁的布鲁诺是集中营德国司令官的儿子，他与集中营围栏的另一边的一个犹太男孩（Jack Scanlon饰）结下了友谊，从而发生了许多令人意料不到的事情。

❽ 《穿条纹睡衣的男孩》深度解析是什么

战争对人性的荼毒，比它害人性命更可恨。苦难中，人的美丑善恶会比稀松平常的日子里更加鲜明。

影片评价：

穿条纹睡衣的男孩透过一个孩子的眼睛来讲述二战中德国集中营中的情景，以一个孩子的视角来审视那个特殊的年代。那些杀戮和令人难以直视的鲜血，在孩子的眼中被折射的是如此光陆怪离和有趣，但越是现实的残酷就越是让人心血尤滴。

这部电影与暮光之城一样，都是根据小说改编而成，当然题材和受众群已经是天壤之别。虽然本片有着儿童电影的色彩，但本质上还是一部严肃的剧情电影。

尤其是直指奥斯维辛集中营这一二战中纳粹屠杀犹太人和各国战俘最为血腥肮脏的地方，而且本片主题试图探寻关于人性的难题，然而却将影片本身放在了摇摆不定的道德天平上，更是使得本片的观众群上调了若干档次。

尽管有些不切实际的幻想，这部电影依旧是一部感人肺腑的佳作。穿条纹睡衣的男孩极其沉重的结尾将影片上升到了新的水平。