① 求英语修辞手法例句
metaphor
§无需借助比喻词，直接将甲事物当作乙事物来描写。也称隐喻，是依据比喻和被比喻两种不同事物的相似或相关关系而构成的修辞格。
例如：
§1.His friend has become a thorn in his side.（他的朋友已变成眼中钉肉中刺。）
§2.You are your mother’s glass.(你是你母亲的翻版。)
§ 3 The mist, like love, plays upon the heart of the hills.（薄雾，如心灵深处的爱，在山的深处飘荡。）
§4.Her eyes, pools of love,were rippling in tenderness.(她的双眼似爱的池塘，正泛着柔情蜜意的涟漪。)
§5 何等动人的一页又一页篇章！ 这是人类思维的花朵。（徐迟：《哥德巴赫猜想》）What inspiring chapters! They are the flowers of the humanbrainwork.
§6。 霎时间，东西长安街成了喧腾的大海。（袁鹰：《十月长安街》）At once，the Eastern and Western Chang’an Roads became roaring oceans.
拟人（personification）拟人手法是把物，诸如动物、植物、物体、思想或抽象概念等比作人，赋予它们人的特性、外表、思维、动作。即把本来适用于人的词汇用于物，使之人格化。
请看下面举例：
1.Freedom blushed for shame.（自由因羞愧而脸红。）
2.How rarelyreasons guide the stubborn choice.(固执的选择很少是理智的。)
3.The sun looks overthe mountain’s rim.(太阳挂在山边。)
4. The moans of theautumn wind wound in the deep of the mountains.(秋风的呻吟萦绕在大山深处。)
5. Flu stalked about,touching one here and there with his evil finger. (流感四处游荡，用它罪恶的手指碰碰这个，碰碰那个。)
② 英语中修辞手法 介绍几种
修辞方法： 一、比喻(the figures of speech) 比喻是语言艺术的升华。英语中常见的比喻方法有三种：明喻、隐喻和借喻。 1.明喻(the simile) 格式：本体 + 显著比喻词(like/as/as if---) + 喻体 常用介词like 、连词as，as if，as---so、动词seem等以及句型A---to B as C---to D等等表示“好像”意思的比喻说法就叫明喻。 例如： （1）Teacher, you are like the sun, but more magnificent, and more brillant. 老师，您像太阳，又比太阳更灿烂更辉煌。 （2）Your soul is as pure as snow, your personality is as noble as pine trees! All praise to you, our beloved teacher. 您的心灵像雪一样纯净，您的人格像青松一般高洁！赞美您，敬爱的老师。 英语中除上述的用介词、连词或句型等的明喻表达方式外，还有许多常用的明喻习语。例如： (1)as clear as crystal清如水晶 (2)as weak as water软弱无力 这类利用类似汉语的押韵和叠声增加语言的美感。与此同时，又可以使语言短小精悍，表达生动、形象。 2.隐喻(the metaphor) 格是：本体 + is/are + 喻体 例如： （1）Time is a river, of which memory is the water. Oh my friend, what I scoop up from the river is all yearning of you. 时间是河、记忆如水，朋友，我从河里捧起来的都是对你的思念。 （2）Time is money. 时间就是金钱。 注意：英语中存在着许多数词习语和俚语，用作隐喻（也有个别用作明喻）。例如 ： (1)You are one in a million.你真是人见人爱。 (2)He has one over the eight.他酩酊大醉。 （3）This film star is a nine days' wonder; I doubt whether anyone will remember her in a year's time.这位电影明星现在红极一时（也指昙花一现），但我认为一年以后人们不见得还记得她。 注意：英语中还有许多隐喻成语。例如： （1）to teach fish to swim 班门弄斧 （2）to plough the sand 白费力气 （3）up the tree骑虎难下；lame ck强弩之末；above board光明正大 等
③ 英语中的修辞手法
1.Simile 明喻
明喻是将具有共性的不同事物作对比.这种共性存在于人们的心里,而不是事物的自然属性.
标志词常用 like, as, seem, as if, as though, similar to, such as等.
例如:
1>.He was like a cock who thought the sun had risen to hear him crow.
2>.I wandered lonely as a cloud.
3>.Einstein only had a blanket on, as if he had just walked out of a fairy tale.
2.Metaphor 隐喻,暗喻
隐喻是简缩了的明喻,是将某一事物的名称用于另一事物,通过比较形成.
例如:
1>.Hope is a good breakfast, but it is a bad supper.
2>.Some books are to be tasted, others swallowed, and some few to be chewed and digested.
3.Metonymy 借喻,转喻
借喻不直接说出所要说的事物,而使用另一个与之相关的事物名称.
I.以容器代替内容,例如:
1>.The kettle boils. 水开了.
2>.The room sat silent. 全屋人安静地坐着.
II.以资料.工具代替事物的名称,例如:
Lend me your ears, please. 请听我说.
III.以作者代替作品,例如:
a complete Shakespeare 莎士比亚全集
VI.以具体事物代替抽象概念,例如:
I had the muscle, and they made money out of it. 我有力气,他们就用我的力气赚钱.
4.Synecdoche 提喻
提喻用部分代替全体,或用全体代替部分,或特殊代替一般.
例如:
1>.There are about 100 hands working in his factory.(部分代整体)
他的厂里约有100名工人.
2>.He is the Newton of this century.(特殊代一般)
他是本世纪的牛顿.
3>.The fox goes very well with your cap.（整体代部分）
这狐皮围脖与你的帽子很相配.
5.Synaesthesia 通感,联觉,移觉
这种修辞法是以视.听.触.嗅.味等感觉直接描写事物.通感就是把不同感官的感觉沟通起来，借联想引起感觉转移，“以感觉写感觉”。
通感技巧的运用，能突破语言的局限，丰富表情达意的审美情趣，起到增强文采的艺术效果。比如：欣赏建筑的重复与变化的样式会联想到音乐的重复与变化的节奏；闻到酸的东西会联想到尖锐的物体；听到飘渺轻柔的音乐会联想到薄薄的半透明的纱子；又比如朱自清《荷塘月色》里的“ 微风过处送来缕缕清香,仿佛远处高楼上渺茫的歌声似的”。
例如:
1>.The birds sat upon a tree and poured forth their lily like voice.（用视觉形容听觉，鸟落在树上，由它发出的声音联想到百合花）
鸟儿落在树上,倾泻出百合花似的声音.
2>.Taste the music of Mozart.（用嗅觉形容听觉）
品尝Mozart的音乐.
6.Personification 拟人
拟人是把生命赋予无生命的事物.
例如:
1>.The night gently lays her hand at our fevered heads.（把夜拟人化）
2>.I was very happy and could hear the birds singing in the woods.（把鸟拟人化）
7.Hyperbole 夸张
夸张是以言过其实的说法表达强调的目的.它可以加强语势,增加表达效果..
例如:
1>.I beg a thousand pardons.
2>.Love you. You are the whole world to me, and the moon and the stars.
3>.When she heard the bad news, a river of tears poured out.
8.Parallelism 排比, 平行
这种修辞法是把两个或两个以上的结构大体相同或相似,意思相关,语气一致的短语.句子排列成串,形成一个整体.
例如:
1>.No one can be perfectly free till all are free; no one can be perfectly moral till all are moral; no one can be perfectly happy till all are happy.
2>.In the days when all these things are to be answered for, I summon you and yours, to the last of your bad race, to answer for them. In the days when all these things are to be answered for, I summon your brother, the worst of your bad race, to answer for them separately.
9.Euphemism 委婉,婉辞法
婉辞法指用委婉,文雅的方法表达粗恶,避讳的话.
例如:
1>.He is out visiting the necessary. 他出去方便一下.
2>.His relation with his wife has not been fortunate. 他与妻子关系不融洽.
3>.Deng Xiaoping passed away in 1997. （去世）
10.Allegory 讽喻,比方（原意“寓言”）
建立在假借过去或别处的事例与对象之上，传达暗示，影射或者讥讽现世各种现象的含义。
英文解释：an expressive style that uses fictional characters and events to describe some subject by suggestive resemblances; an extended metaphor 摘自英语专业《大学英语教程》一书
这是一种源于希腊文的修辞法,意为"换个方式的说法".它是一种形象的描述,具有双重性,表层含义与真正意味的是两回事.
例如:
1>.Make the hay while the sun shines.
表层含义：趁着出太阳的时候晒草
真正意味：趁热打铁
2>.It's time to turn plough into sword.
表层含义：是时候把犁变成剑
11.Irony 反语
反语指用相反意义的词来表达意思的作文方式.如在指责过失.错误时,用赞同过失的说法,而在表扬时,则近乎责难的说法.
例如:
1>.It would be a fine thing indeed not knowing what time it was in the morning.
早上没有时间观念还真是一件好事啊（真实含义是应该明确早上的时间观念）
2>"Of course, you only carry large notes, no small change on you. "the waiter said to the beggar.
12.Pun 双关
双关就是用一个词在句子中的双重含义,借题发挥.作出多种解释,旁敲侧击,从而达到意想不到的幽默.滑稽效果.它主要以相似的词形.词意和谐音的方式出现.
例如:
1>.She is too low for a high praise, too brown for a fair praise and too little for a greatpraise.
2>.An ambassador is an honest man who lies abroad for the good of his country.
3>.If we don't hang together, we shall hang separately.
13.Parody 仿拟
这是一种模仿名言.警句.谚语,改动其中部分词语,从而使其产生新意的修辞.
例如:
1>.Rome was not built in a day, nor in a year.
2>.A friend in need is a friend to be avoided.
3>.If you give a girl an inch nowadays she will make address of it.
14.Rhetorical question 修辞疑问（反问）
它与疑问句的不同在于它并不以得到答复为目的,而是以疑问为手段,取得修辞上的效果,其特点是:肯定问句表示强烈否定,而否定问句表示强烈的肯定.它的答案往往是不言而喻的.
例如:
1>.How was it possible to walk for an hour through the woods and see nothing worth of note?
2>.Shall we allow those untruths to go unanswered?
15.Antithesis 对照,对比,对偶
这种修辞指将意义完全相反的语句排在一起对比的一种修辞方法.
例如:
1>.Not that I loved Caeser less but that I loved Romemore.
2>.You are staying; I am going.
3>.Give me liberty, or give me death.
16.Paradox 隽语
这是一种貌似矛盾,但包含一定哲理的意味深长的说法,是一种矛盾修辞法..
例如:
1>.More haste, less speed.欲速则不达
2>.The child is the father to the man.（童年时代可决定人之未来）三岁看大，四岁看老。
17.Oxymoron 反意法,逆喻
这也是一种矛盾修辞法,用两种不相调和的特征形容一个事物,以不协调的搭配使读者领悟句中微妙的含义.
例如:
1>.No light, but rather darkness visible.没有光亮，黑暗却清晰可见
2>.The state of this house is cheerless welcome.
18.Climax 渐进法,层进法
这种修辞是将一系列词语按照意念的大小.轻重.深浅.高低等逐层渐进,最后达到顶点.可以增强语势,逐渐加深读者印象.
例如:
1>.I am sorry, I am so sorry, I am so extremely sorry.
2>.Eye had not seen nor ear heard, and nothing had touched his heart of stone.
19.Anticlimax 渐降法
与climax相反的一种修辞法,将一系列词语由大到小,由强到弱地排列.
例如:
1>.On his breast he wears his decorations, at his side a sword, on his feet a pair of boots.
2>.The ties of a soldier are to protect his country and peel potatoes.
④ 英语中用了暗喻手法的佳句
英语修辞手法
一，明喻（simile）是以两种具有相同特征的事物和现象进行对比，表明本体和喻体之间的相似关系，两者都在对比中出现。常用比喻词like, as, as if, as though等，例如：
1、This elephant is like a snake as anybody can see.
这头象和任何人见到的壹样像壹条蛇。
2、He looked as if he had just stepped out of my book of fairytales and had passed me like a spirit.
他看上去好像刚从我的童话故事书中走出来，像幽灵壹样从我身旁走过去。
3、It has long leaves that sway in the wind like slim fingers reaching to touch something.
它那长长的叶子在风中摆动，好像伸出纤细的手指去触摸什麽东西似的。
二、隐喻（metaphor）这种比喻不通过比喻词进行，而是直接将用事物当作乙事物来描写，甲乙两事物之间的联系和相似之处是暗含的。
1、German guns and German planes rained down bombs, shells and bullets。
德国人的枪炮和飞机将炸弹、炮弹和子弹像暴雨壹样倾泻下来。
2、The diamond department was the heart and center of the store.
钻石部是商店的心脏和核心。
英语修辞手法 一，明喻（simile）是以两种具有相同特征的事物和现象进行对比，表明本体和喻体之间的相似关系，两者都在对比中出现。
常用比喻词like, as, as if, as though等，例如： 1、This elephant is like a snake as anybody can see. 这头象和任何人见到的壹样像壹条蛇。 2、He looked as if he had just stepped out of my book of fairytales and had passed me like a spirit. 他看上去好像刚从我的童话故事书中走出来，像幽灵壹样从我身旁走过去。
3、It has long leaves that sway in the wind like slim fingers reaching to touch something. 它那长长的叶子在风中摆动，好像伸出纤细的手指去触摸什麽东西似的。 二、隐喻（metaphor）这种比喻不通过比喻词进行，而是直接将用事物当作乙事物来描写，甲乙两事物之间的联系和相似之处是暗含的。
1、German guns and German planes rained down bombs, shells and bullets。 德国人的枪炮和飞机将炸弹、炮弹和子弹像暴雨壹样倾泻下来。
2、The diamond department was the heart and center of the store. 钻石部是商店的心脏和核心。
with this hand,i'll lift your sorrows,
your cup will never empty,for i,will be your wine.
with this candle,i'll light your way in darkness.
with this ring,i ask you to be mine。.
僵尸新娘中的台词，我最喜欢的几句话，很浪漫，楼主可以参考一下下……
1 Simile
n 明喻是将具有共性的不同事物作对比.这种共性存在于人们的心里，而不是事物的自然属性.
n 标志词常用 like, as, seem, as if, as though, similar to, such as等.
例：I wandered lonely as a cloud.
2. Metaphor
n 隐喻是简缩了的明喻，是将某一事物的名称用于另一事物，通过比较形成.
例：The world is a stage.
3. Metonymy 借喻，转喻
n 借喻不直接说出所要说的事物，而使用另一个与之相关的事物名称.
n I.以容器代替内容，例如：
n The kettle boils. 水开了.
n The room sat silent. 全屋人安静地坐着.
n II.以资料.工具代替事物的名称，例如：
n Lend me your ears, please. 请听我说.
n III.以作者代替作品，例如：
n a complete Shakespeare 莎士比亚全集
n VI.以具体事物代替抽象概念，例如：
n I had the muscle, and they made money out of it. 我有力气，他们就用我的力气赚钱.
4. Synecdoche 提喻
n 提喻用部分代替全体，或用全体代替部分，或特殊代替一般.
例：There are about 100 hands working in his factory.（部分代整体）他的厂里约有100名工人.
5. Personification 拟人
n 拟人是把生命赋予无生命的事物.
例：The night gently lays her hand at our fevered heads.（把夜拟人化）
6. Hyperbole 夸张
夸张是以言过其实的说法表达强调的目的.它可以加强语势，增加表达效果
例：Love you. You are the whole world to me, and the moon and the stars.
7. Paradox悖论，隽语
n 似是而非的评论；看起来自相矛盾但可能正确的说法；这是一种貌似矛盾，但包含一定哲理的意味深长的说法，是一种矛盾修辞法.
例：More haste, less speed. (proverb)欲速则不达
His main feature is his featurelessness
8. Euphemism
n It is the substitution of an inoffensive expression for one that may be disagreeable, as in the use of “pass away or pass on” for “die”, “misinform” for “lie” in “the gentleman is misinformed”, “remain” for a “corpse”, “visiting the necessary” for “going to the toilet”, etc.
恩，是可以的.英语里面的含喻有很多种：明喻、暗喻、提喻以及转喻.明喻（simile），属比喻，只是在英语中一般含as和like的比喻：It looks like an apple.暗喻（metaphor），在英语中一般不含as和like的比喻：Love is flower.转喻（Metonymy），也叫换喻，属借代：Grey hairs should be respected.老人应受到尊重. （用grey hairs白发，表示 old people老人）提喻（Synecdoche），也属于借代，Outside,(there is) a sea of faces.外面街上，是人的海洋.（以人体的局部代全体，即以faces 表示people）。
反问为了加强语气，用疑问句的形式表示确定的意屋常用肯定形式表示否定，用否定形式表示肯定。
例如： 就说蒋筑英吧.已经经过了这样长久的考验，跑他入党的志愿，也一定要等到死后才能由省委的追认满足么？（用肯定的形式表示否定） 我呢，我难道没有应该责备的地方吗？（用否定式表示肯定的意思。） 反问与设问的区别： 1、设问不表示肯定什么或否定什么；反问则明砌表示肯定和否定的内容。
2、反问的作用主要是加强语气，设问的作用主要是提出问题，引起注意，启发思考。排比 （一）概念： 排比是由三个或三个以上结构相同或相似、内容相关、证据一致的短语或句子排列在一起，用来加强语势强调内容，加重感情的修辞方式。
（二）排比和种类： 1、成分排比即一个句子中的一些成分组成排比。例如： 延安的歌声它是黑夜的火把，雪天的煤炭，大旱的甘霖。
2、分句排比即一个复句的各个分句构成排比。例如： 他们的品质是那样的清洁和高尚，他们的意志是那样的坚韧和刚强，他们的气质是那样的淳朴和谦逊，他们的胸怀是那样的美丽和宽广。
3、单句排比例如： 八路军穿草鞋，把日本鬼子赶下海。解放军穿草鞋，把蒋家王朝踢下台。
如今八连穿草鞋，把香风毒雾肢下踩。 4、复句排比。
例如： 如果我们能够研制出一种类似鹰眼的搜索、观测技术系统，就能够扩大飞行员的视野，提高他们的视敏度。如果能研制出具有鹰眼视觉原理的“电子鹰眼”，就有可能用于控制远程激光制导武器的发射。
如果能给导弹装上小巧的“鹰眼系统”，那么它就可以象雄鹰一样，自动寻找、识别、追踪目标，做到百发百中。 （三）排比的作用： 1、内容集中，增强气势；2、叙事透辟，条分缕析；3、节奏鲜明，长于抒情。
（四）排比与对偶的区别： 1、对称性与平列式。对偶是二个语言单位，而排比是三个以上语言单位。
对偶必须对称。排比要求结构大体相似，字数要求不甚严格。
2、排比经常以同一词语作为彼此的揭示语，使排体互相衔接、给人以紧凑、密集之感。而典型的对偶句上下两联是不重字的。
3、对偶以要求平仄对仗为佳，排比则无此要求。对偶（一）概念： 对偶是用字数相等，结构形式相同，意义对称的一对短语或句子来表达两个相对或相近意思的修辞方式。
（二）对偶的种类： 1、正对。上下句意思上相似、相近、相补、相衬的对偶形式。
例如： a.墙上芦苇，头重脚轻根底浅；山间竹笋，嘴类皮厚腹中空。 2、反对。
上下句意思上相反或相对的对偶形式。例如： b.横眉冷对千夫指，俯首甘为孺子牛。
3、串对（流水对）。上下句意思上具有承接、递进、因果、假设、条件等关系的对偶形式。
例如： c.才饮长江水，又食武昌鱼。 根据上下句的形式又可以把对偶分为严式对偶和宽式对偶，严式对偶要求上下两句字数相等，词性相对、结构相同、平厌相对、不重复用字。
如例句曲。宽式对偶对严式对偶五条要求只要有一部分达到就可以，不很严格，如例句c。
（三）对偶的结构： 1、成分对偶。例如： 然而我的坏处，是在论时事不留面子，泛铜弊常取类型，而后者尤与时宜不合。
2、句子对偶。例如： 秋水共长天一色，落霞与孤骛齐飞。
（四）对偶的作用： 便于吟诵，易于记忆；用于诗词、有音乐美；表意凝炼，抒情酣畅。 （五）对偶与对比的不同点； 1、对比的基本特点是“对立”，对偶的基本特点是“对称”。
2、对偶主要是从结构开工上说的，它要求结构相称，字数相等；对比是从意义上说的，它要求意义相反或相近，而不管结构形式如何。 3、对偶里的“反对”（如“横眉冷对千夫指，俯首甘为孺子牛”）就意义说是对比，就形式说是对偶，这是修辞手法的兼类现象。）
夸张（一）概念： 夸张是为达到某种表达需要，对事物的形象、特征、作用、程度等方面着意扩大或缩小的修辞方式。 （二）种类： 夸张可分为三类，即扩大夸张，缩小夸张，超前夸张。
1、扩大夸张：故意把客观事物说得“大、多、高、强、深……”的夸张形式。例如：蜀道之难，难于上青天。
2、缩小夸张：故意把客观事物说得“小、少、低、弱、浅、……”的夸张形式。例如：一个浑身黑色的人，站在老栓面前，眼光正像两把刀，刺得老栓缩小了一半。
3、超前夸张：在时间上把后出现的事物提前一步的夸张形式。例如：农民们都说：“看见这样鲜绿的茵，就嗅出白面包子的香味来了。
（三）夸张的作用： 1、揭示本质，给人以启示。 2、烘托气氛，增强感染力。
3、增强联想；创造气氛。 （四）运用夸张要注意以下三点。
第一，夸张不是浮夸，而是故意的合理的夸大，所以不能失去生活的基础和生活的根据。下面运用的夸张脚下地球当球玩，大洋海水能喝干。
第二，夸张不能和事实距离过近，否则会分不清是在说事实还是在夸张。 第三，夸张要注意文体特征，如科技说明文、说理文章就很少用甚至不用夸张，以免歪曲事实。
借代（一）概念： 借代是用相关的事物来代替所要表达的事物的修辞方式。这种修辞方式不直接说出要说的人或事物。
（二）借代的种类： 1、用事物特征代本体事物。例如：红眼睛原知道他家里只有一个老娘…… 2、具体代抽象，。
⑤ 请问英语的修辞手法有哪些要中英文，并举例，谢谢
一、比喻(the figures of speech)
比喻是语言艺术的升华。
英语中常见的比喻方法有三种：明喻、隐喻和借喻。
1.明喻(the simile)
格式：本体 + 显著比喻词(like/as/as if) + 喻体
常用介词like 、连词as，as if，asso、动词seem等以及句型Ato B asCtoD等等表示“好像”意思的比喻说法就叫明喻。
例如：
（1）Teacher, you are like the sun, but more magnificent, andmorebrillant. 老师，您像太阳，又比太阳更灿烂更辉煌。
（2）Your soul is as pure as snow, your personality is as nobleaspine trees! All praise to you, our belovedteacher.您的心灵像雪一样纯净，您的人格像青松一般高洁！赞美您，敬爱的老师。
英语中除上述的用介词、连词或句型等的明喻表达方式外，还有许多常用的明喻习语。例如：
(1)as clear as crystal清如水晶
(2)as weak as water软弱无力
这类利用类似汉语的押韵和叠声增加语言的美感。与此同时，又可以使语言短小精悍，表达生动、形象。
2.隐喻(the metaphor)
格式：本体 + is/are + 喻体
例如：
（1）Time is a river, of which memory is the water. Oh myfriend,what I scoop up from the river is all yearning ofyou.时间是河、记忆如水，朋友，我从河里捧起来的都是对你的思念。
（2）Time is money. 时间就是金钱。
注意：英语中存在着许多数词习语和俚语，用作隐喻（也有个别用作明喻）。例如 ：
(1)You are one in a million.你真是人见人爱。
(2)He has one over the eight.他酩酊大醉。
（3）This film star is a nine days wonder; I doubt whetheranyonewill remr her in ayearstime.这位电影明星现在红极一时（也指昙花一现），但我认为一年以后人们不见得还记得她。
注意：英语中还有许多隐喻成语。例如：
（1）to teach fish to swim 班门弄斧
（2）to plough the sand 白费力气
（3）up the tree骑虎难下；lame ck强弩之末；above board光明正大
3.借喻(the metonymy)
格式：直接用比喻事物代替本体事物
例如：
(1)The buses in America are on strikenow.美国的公共汽车司机正在罢工（这里buses喻指司机drivers)。
(2)The pen is mightier thanthesword.文人胜于武士（以pen，sword喻指使用这物的人）。英语中一些鸟兽鱼虫的名字，除本义外，常可转借喻人，形象生动，意味隽永。例如：
(1)She is a social butterfly.她是一个交际花（以虫喻人）。 （接下页）
二、借代(the synecdoche)
借用一个名称来代替另一事物。替代的方式可以是人、物互代，部分和全体互代，单数代复数，描象代替具体或具体代替抽象等等。例如：
(1)Uncle Sam will not help us.美国人不会帮助我们。（用Uncle Sam代替船美国人本身）
(2)You can depend on him for help whenever youre in tourble.Hesa true blue.你遇到麻烦时尽管去找他帮忙，他是一个靠得住的忠实朋友。（用trueblue代替真金烈火，忠诚可靠的）
使用借代修辞方式要选用最突出最明显的事物特征来代替事物名称。借代运用得好，能使语言表达简洁明快、具体、形象，以避免重复、累赘，并给人以新鲜感。
三、夸张(the exaggeration)
把事物的特征，有意地加以夸大或缩小，就叫夸张。
例如：
(1)Thank you a thousand.千恩万谢。
英语中夸张修辞格，应用极为频繁。夸张的功能是突出事物的本质特征，因而给人强烈印象或警悟、启发 。
四、拟人(the personifjcation)
就是把无生命的事物人格化。
例如：
(1)Books are a guide in youth and an entertainment for age.Theysupport us under solitude, and keep us from being a burdentoourselves.书籍是青年人的指南、老年人的娱乐。孤寂时，书籍给我们力量，使我们摆脱精神负担。
（2）Love is the master key that opens the gatesofhappiness.爱是开启幸福之门的万能钥匙。
拟人用法在英语写作中运用得好，不仅使语言表达得生动、有力，而且给人以亲切、实在、耳目一新的感受。
五、排比
把结构相同或相似、语气一致、意思密切相关联的句子或句子成分排列起来，使句式得到增强，感情得到加深，这种修辞叫排比。
例如：
（1）You are overwhelming jade, as white as snow, as smoothandmoist as grease, as brilliant as candles, and as firmasrock.你洁白如雪，润泽如脂，你光辉如烛，坚贞如磐，你是令人倾心的美玉。
（2）You are in my mind and in my heart. You are in the very airIbreathe. You are part ofme.Forever.你占据了我整个思绪和心灵；你在我呼吸的空气里；你永远是我的一部分。
只知道这一小部分，其他的我也在找。
⑥ 英语25个修辞手法以及例句 急急急
英语修辞手法
1) Simile：(明喻）It is a figure of speech which makes a comparison between two unlike elements having at least one quality or characteristic (特性)in common. To make the comparison, words like as, as...as, as if and like are used to transfer the quality we associate with one to the other. For example, As cold waters to a thirsty soul, so is good news from a far country./ This elephant is like a snake as anybody can see.
2) Metaphor：(暗喻）It is like a simile, also makes a comparison between two unlike elements, but unlike a simile, this comparison is implied rather than stated. For example, the world is a stage./ The diamond department was the heart and center of the store.
3) Analogy: (类比）It is also a form of comparison, but unlike simile or metaphor which usually uses comparison on one point of resemblance, analogy draws a parallel between two unlike things that have several common qualities or points of resemblance.
4) Personification: (拟人）It gives human form of feelings to animals, or life and personal attributes(赋予) to inanimate(无生命的) objects, or to ideas and abstractions(抽象). For example, the wind whistled through the trees.
5) Hyperbole: (夸张） It is the deliberate use of overstatement or exaggeration to achieve emphasis. For instance, he almost died laughing.
6) Understatement: (含蓄陈述） It is the opposite of hyperbole, or overstatement. It achieves its effect of emphasizing a fact by deliberately(故意地) understating it, impressing the listener or the reader more by what is merely implied or left unsaid than by bare statement. For instance, It is no laughing matter.
7) Euphemism: (委婉）It is the substitution of an agreeable or inoffensive(无冒犯) expression for one that may offend or suggest something unpleasant. For instance, we refer to "die" as” pass away".
8) Metonymy (转喻） It is a figure of speech that has to do with the substitution of the mane of one thing for that of another. For instance, the pen (words) is mightier than the sword (forces). 借代（metonymy）是指两种不同事物并不相似，但又密不可分，因而常用其中一种事物名称代替另一种。
1、Several years later, word came that Napoleonyh himself was coming to inspect them...
几年以后，他们听说拿破仑要亲自来视察他们。
“word”在这里代替了“news, information”（消息、信息）
2、Al spoke with his eyes,“yes”.
艾尔用眼睛说，“是的”。
“说”应该是嘴的功能，这里实际上是用眼神表达了“说话的意思”。
9) Synecdoche (提喻） It is involves the substitution of the part for the whole, or the whole for the part. For instance, they say there's bread and work for all. She was dressed in silks.
10) Antonomasia (换喻）It has also to do with substitution. It is not often mentioned now, though it is still in frequent use. For example, Solomon for a wise man. Daniel for a wise and fair judge. Judas for a traitor.
11) Pun: (双关语） It is a play on words, or rather a play on the form and meaning of words. For instance, a cannon-ball took off his legs, so he laid down his arms. (Here "arms" has two meanings: a person's body; weapons carried by a soldier.)/ Napoleon was astonished.”Either you are mad, or I am,”he declared. “Both，sir!”cried the Swede proudly. “Both”一词一语双关，既指拿破仑和这位士兵都是疯子，又指这位战士参加过拿破仑指挥的两次战役
12) Syllepsis: (一语双叙） It has two connotations.
In the first case, it is a figure by which a word, or a particular form or inflection of a word, refers to two or more words in the same sentence, while properly applying to or agreeing with only on of them in grammar or syntax(句法). For example, He addressed you and me, and desired us to follow him. (Here us is used to refer to you and me.)
In the second case, it a word may refer to two or more words in the same sentence. For example, while he was fighting , and losing limb and mind, and dying, others stayed behind to pursue ecation and career. (Here to losing one's limbs in literal; to lose one's mind is figurative, and means to go mad.)
13) Zeugma: (轭式搭配） It is a single word which is made to modify or to govern two or more words in the same sentence, wither properly applying in sense to only one of them, or applying to them in different senses. For example, The sun shall not burn you by day, nor the moon by night. (Here noon is not strong enough to burn)
14) Irony: (反语） It is a figure of speech that achieves emphasis by saying the opposite of what is meant, the intended meaning of the words being the opposite of their usual sense. For instance, we are lucky, what you said makes me feel real good.
15) Innuendo: (暗讽） It is a mild form of irony, hinting in a rather roundabout (曲折)way at something disparaging(不一致) or uncomplimentary(不赞美) to the person or subject mentioned. For example, the weatherman said it would be worm. He must take his readings in a bathroom.
16) Sarcasm: (讽刺） It Sarcasm is a strong form of irony. It attacks in a taunting and bitter manner, and its aim is to disparage, ridicule and wound the feelings of the subject attacked. For example, laws are like cobwebs, which may catch small flies, but let wasps break through.
17) Paradox: (似非而是的隽语） It is a figure of speech consisting of a statement or proposition which on the face of it seems self-contradictory, absurd or contrary to established fact or practice, but which on further thinking and study may prove to be true, well-founded, and even to contain a succinct point. For example more haste, less speed.
18) Oxymoron: (矛盾修饰） It is a compressed paradox, formed by the conjoining(结合) of two contrasting, contradictory or incongruous(不协调) terms as in bitter-sweet memories, orderly chaos(混乱) and proud humility(侮辱).
19) Antithesis: (对照） It is the deliberate arrangement of contrasting words or ideas in balanced structural forms to achieve emphasis. For example, speech is silver; silence is golden.
20) Epigram: (警句） It states a simple truth pithily(有利地) and pungently(强烈地). It is usually terse and arouses interest and surprise by its deep insight into certain aspects of human behavior or feeling. For instance, Few, save the poor, feel for the poor.
21) Climax: (渐进） It is derived from the Greek word for "ladder" and implies the progression of thought at a uniform or almost uniform rate of significance or intensity, like the steps of a ladder ascending evenly. For example, I came, I saw, I conquered.
22) Anti-climax or bathos: (突降）It is the opposite of Climax. It involves stating one's thoughts in a descending order of significance or intensity, from strong to weak, from weighty to light or frivolous. For instance, But thousands die, without or this or that, die, and endow(赋予) a college, or a cat.
23) Apostrophe： (顿呼） In this figure of speech, a thing, place, idea or person (dead or absent) is addressed as if present, listening and understanding what is being said. For instance, England! awake! awake! awake!
24) Transferred Epithet: (转类形容词） It is a figure of speech where an epithet (an adjective or descriptive phrase) is transferred from the noun it should rightly modify(修饰) to another to which it does not really apply or belong. For instance, I spent sleepless nights on my project.
25) Alliteration: (头韵） It has to do with the sound rather than the sense of words for effect. It is a device that repeats the same sound at frequent intervals(间隔) and since the sound repeated is usually the initial consonant sound, it is also called "front rhyme". For instance, the fair breeze blew, the white foam flew, the furrow followed free. 头韵法（alliteration）在文句中有两个以上连结在一起的词或词组，其开头的音节有同样的字母或声音，以增强语言的节奏感。 How and why he had come to Princeton, New Jersey is a story of struggle, success, and sadness.
26) Onomatopoeia: (拟声） It is a device that uses words which imitate the sounds made by an object (animate or inanimate), or which are associated with or suggestive(提示的) of some action or movement. Eg: On the root of the school house some pigeons were softly cooing./ She brought me into touch with everything that could be reached or felt——sunlight, the rustling of silk, the noises of insects, the creaking of a door, the voice of a loved one.