1. 乱世佳人英文简介
写作思路:首先介绍一下该书的作者,然后详细地介绍一下主要内容,再阐述一下创作背景等等。
正文:
Gone with the wind is a novel written by American writer Margaret Mitchell, who won the Pulitzer Prize for literature in 1937. Taking Atlanta and a nearby plantation as the story scene, the novel depicts the life of American southerners before and after the civil war.
《乱世佳人》是美国作家玛格丽特·米切尔创作的长篇小说,该作1937年获得普利策文学奖。小说以亚特兰大以及附近的一个种植园为故事场景,描绘了内战前后美国南方人的生活。
The works depict the images of many southerners at that time, among which Scarlett, Rhett, Ashley and Melanie are the typical representatives. Their customs, manners, spiritual concepts, political attitudes, through the love entanglement between Scarlett O'Hara and Rhett as the main line, successfully reproced the civil war in Lincoln period and the social life in the southern region of the United States.
作品刻画了那个时代的许多南方人的形象,占中心位置的斯嘉丽、瑞德、艾希礼、梅兰妮等人是其中的典型代表。他们的习俗礼仪、言行举止、精神观念、政治态度,通过对斯嘉丽·奥哈拉与白瑞德的爱情纠缠为主线,成功地再现了林肯时期的南北战争以及美国南方地区的社会生活。
Feminist literature began in the 19th century and flourished in the 20th century. The rapid development of feminism is closely related to the social environment and the background of the times.
女性主义文学是开始于19世纪,到了20世纪开始蓬勃发展。女性主义的飞速发展与当时的社会环境、时代背景有着密切的联系。
With the ideas of freedom, equality, fraternity and natural human rights advocated by the French Revolution rapidly rooted in the hearts of the people all over the world, from the 1930s, a feminist movement began to fight for women's equality in politics, economy and ecation. In 1936, Margaret Mitchell's gone with the wind came out under such circumstances.
随着法国大革命所倡导的自由、平等、博爱及天赋人权等思想在整个世界范围内迅速深入人心,从19世纪30年代开始,一场为了争取女性在政治、经济、教育等方面平等的女权运动开始了。1936年出版的玛格丽特·米切尔的《乱世佳人》就是在这种情况下问世的。
2. 急求300英文字“乱世佳人”的简介(含作者、情节简介及评论)
The GONE WITH THE WIND take the heroine Scarlett's love entanglement and the life bitter experience as the master line, vividly reappeared south the plantation economy from as the collapse, the slave-owner has as prosperously lived from as luxuriously as the dead end, the slave-owner social class by crazily provokes the war until the defeat death, the slavery economy substitutes for south this US for the capitalism economy slave society's collapse history. Therefore, it is not only a human happy love pinnacle of poetic creation, also was a reflection politics, the economy, moral many aspects is huge at that time the historical picture scroll which but profoundly changed.
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Scarlett's O'Hara's final words in Gone With the Wind may be the most recognizable, and quoted, in film history. Even those who haven't seen the film know the reference, a phenomenon evidently assumed by art critic Robert Hughes when he closed his recent eight-part video history of American art and architecture, American Visions with this of all lines.NOTE 1 That the film is "popular" and has been literally since its premiere in December 1939 may be all too obvious, but less clear is the meaning and sources of this popularity. My claims are, first, that America's relationship to Gone With the Wind is more complex than "popularity" suggests and might be characterized as one of love/hate--for the subject matter, the characters, even for the film's notoriety. Second, this love/hate relationship is rooted, I believe, in the ways in which American myths, particularly those related to sex and gender, are both referenced and then violated in this film, particularly in the character of Scarlett O'Hara.
What seems to bother many viewers, including critics, is that Gone With the Wind is Scarlett's story. Typical was film critic Otis Ferguson, who wrote, "Scarlett is too many things in too rapid succession; the exact point of her aspirations is confused; there is so much sobbing and color and DeMille display, such a mudbath of theme music, that a clean realization of character or events is out of the question."NOTE 2
The seeming inability to understand Scarlett's character is at the heart of both the dynamics of Gone With the Wind and responses to it. Scarlett makes viewers uncomfortable because she exposes the underside of regional and gender myths while embodying basic American (male) values transformed (but not transplanted) ring an era of drastic economic change. The central, consistent, and apparently disturbing, theme of Scarlett's ambiguous gender identity can be seen in three interrelated aspects of her life: her relation to gender roles and other people; her relation to economic ideals and realities; and her relation to the war.
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3. 乱世佳人 英文介绍
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简介简介第十二届奥斯卡最佳影片(1940)
◎片名:GoneWithTheWind
◎中文:乱世佳人
◎出品:美国米高梅影片公司、美国塞茨尼克影片公司
◎年份:1939
◎导演维克托·弗莱明
◎制片戴维.塞尔兹尼克
◎男主角克拉克·盖博
◎女主角费雯·丽
◎主......
4. 赫本的电影乱世佳人又被译为飘的含义是什么
《乱世佳人》网络网盘高清资源免费在线观看:
链接: https://pan..com/s/1Y8GORpj3K0xjCRp_v4zjEg
《乱世佳人》是由维克多·弗莱明执导,费雯·丽、克拉克·盖博、奥莉薇·黛·哈佛兰、莱斯利·霍华德主演的爱情片,于1939年9月9日在美国上映。该片改编自小说《飘》,讲述了美国南北战争爆发后,塔拉庄园的千金小姐斯嘉丽与风度翩翩的商人白瑞德之间所发生的爱情故事。1998年,美国电影学会评选20世纪最伟大100部电影,该片位列第4位。乱世佳人GonewiththeWind(1939)