『壹』 求电影《我是传奇》中英文经典台词，好词，300词影评
网络里就有的
Radio message from the President of the United States: …And make no mistake, My Fellow Americans, we are at war for our very survival. And so it is with great sadness but greater resolve that tonight I have signed an executive order quarantining New York City. God be with us…
来自于美国总统的无线电消息：……请不要混淆视听，我的美国同胞们，我们在为生存而战。今天晚上，我怀着非常痛苦和悲伤的心情，不过这可能是唯一的解决方法，我要下令封锁纽约市。上帝保佑我们……
Robert Neville: My name is Robert Neville. I am a survivor living in New York City. If there is
anybody out there…anybody. Please. You are not alone.
罗伯特•奈维尔：我叫罗伯特•奈维尔，我是一个生活在纽约市的幸存者，如果这里还有其他人……任何人。请回答我，因为你不是孤单一个人。
Robert Neville: I am a survivor living in New York City…I can provide food. I can provide shelter. I can provide security.
罗伯特•奈维尔：我是纽约市的一个幸存者……我能够提供食物、藏身之处，我能够提供给你需要的安全。
Robert Neville: I can help. I can fix this. Let me save you. I can save you; I can save everybody.
罗伯特•奈维尔：我能提供帮助，我能治好它。让我去救你吧，我能够拯救你的生命，我能够拯救每一个人。
Robert Neville: Nothing happened the way it was supposed to happen. We are seeing mutations. Cannabalistic hunger. Typical human behavior is now entirely absent.
罗伯特•奈维尔：任何事都没有按照它应该遵循的轨迹。我们看见了变化，那是一种只有人肉才能制止的饥渴，典型的人类行为现在完全没有了。
Robert Neville: Six billion people on Earth when the infection hit.
罗伯特•奈维尔：当病毒开始扩散的时候，地球上有60亿的人口。
Robert Neville: I will be at the South Street Seaport everyday, at midday, when the sun is highest in the sky.
罗伯特•奈维尔：我每天都会去南街海港，当太阳位于正中间的正午，我都会等在那里。
Robert Neville: Good morning, Hank!
罗伯特•奈维尔：汉克，早上好！
Robert Neville: God didn't do this. We did!
罗伯特•奈维尔：上帝不会这么做，是我们做的！
Robert Neville: Come on Sam, we gotta go.
罗伯特•奈维尔：来吧，萨姆，我们得走了。
Robert Neville: I haven't seen another person in three years. If there is anybody out there. Anybody. Please.
罗伯特•奈维尔：三年来，我再没有见过除我之外的人类，如果有人听到我的话，任何人，求你回答我。
Robert Neville: Day one thousand and one. I am still unable to transfer my immunity to infected hosts.
罗伯特•奈维尔：第1001天，我仍然没办法把我身体里的免疫力，转移给被感染的人体。
Robert Neville: I'm not gonna let this happen.
罗伯特•奈维尔：我不会让这种事发生。
Robert Neville: Light up the darkness.
罗伯特•奈维尔：照亮黑暗吧。
『贰』 《我是传奇》观后感
从鲁宾逊的孤岛生活，到演员汤姆·汉斯的《劫后余生》，在世界上的孤岛里独自一人的生活已有无数的例子，可是，在世界最大的城市之一的纽约独自一个生活，你试过没有？电影《我是传奇》便是这样一部电影。
因医学的发展，癌症的疫苗已被发明出来，在小白鼠身上实验过后问题，便全球60亿人接种了疫苗，这一下疫苗突然产生变异，以下全球50亿人死亡，9亿人变为吃人肉的野兽，剩下不到1亿人有抗体，主人公便是其中的一位，他一直在默默地独自一人在纽约市研究疫苗，搜索生存者。在他身边的只有一只叫山姆的狗。后来终于找到生存者后，经过生存者的开导，主人公终于决定去寻找那传说中的生存者避难所，带着他那研究成功的疫苗。
看完这部电影，我被深深地感动了，被孤独所笼罩的主人公，虽生活在大都市，却比困在古道的鲁宾逊有着更加绝望的心情，但主人公罗伯特仍然抱着身为这都市的少校，就要保护，驻守在这的想法，一心一意地研究人类最后的希望——疫苗。每天早上录制视频日记，然后寻找维持生命的资源，无聊就去音像店买CD、DVD，跟店里的假人聊天，尽管只是在自言自语。
“上帝不会这样做，是我们做的。”这是主人公说的一句话。人类，是无数件灾难的制造者，但也是灾难事件的阻止者。文中的`主人公使担任着这样的一个角色。他凭着坚强的意志在一个充满吃人的怪物的城市生存下来，在看着他顽强地生存的时候，我也得到几个启示。
永远不放弃希望。电影中的主人公每天都用收音机发出信息，希望有人无意中打开收音机而和主人公在一起，尽管3年来毫无声息，但他还是不厌其烦地放，也因为这样儿找到了幸存者。
永远保持一颗乐观的心，不管正常人死光了，危险的动物从动物园里跑出来了，资源快没了，主人公罗伯特都笑着面对，让人感到他那坚强的心。
是啊，许多打破困难生存下来的人都不就是拥有这样的思法，才在困境中生存下来的吗？相比之下，我可是两样都不具备呢。每当在游戏里，被敌人打到穷途末路时，我便不再反抗了，只是不动地站着等待死亡，看完这部电影后，我觉得，我应该还没GameOver时，都要一直打下去，抱着最后的希望。而在游戏里最终还是被人击倒，我便认为我无法战胜他，不敢再尝试了，而看完这部电影后，或许我应该沉住气，相信自己，为打倒他人而不断想方设法，不气馁，再试一次。
看完这部电影后，我感触良多。大家有时间也来看看，相信大家都会感触良多。
『叁』 适合写影评的英文电影（推荐5个吧）
1.我是传奇 这部影片能让我们感悟人性之美的东西太多了.
2.水啸雾都 灾难片 一定有话题讲
3.血色入侵 这是一个阴暗又纯净的故事 (原版并不是英文 不过放心~网上大多为英文版)
4.香水 一个谋杀犯的故事
5.七磅 一个打算自杀了事的人，决定在那之前先帮助七个陌生人，也就是先做点好事再辞世。
希望对你有帮助`~~
『肆』 我是传奇电影观后感
一个人活着要坚强！男人要有自己的信仰
『伍』 用英语写《我是传奇》观后感
难 难 没办法帮你 我英语20分开始 还是丢塞子 丢出来的..
你可以先用中文写. 然后用翻译工具 翻译成英文就可以了 翻译工具在hao123最下面那里有翻译的
『陆』 求电影<我是传奇>的英文介绍!!!!!!!!!!!!!!!!!
Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague -- The Infected -- lurk in the shadows... watching Neville's every move... waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered... and quickly running out of time. Written by Warner Bros. Pictures
It is the year 2012. In the ruins of New York city. Robert Neville who is a military scientist who is the lone survivor of a biochemical disease which was supposed to cure cancer 3 years previous. With only blood thirsty zombies as his neighbors and his trusty dog, Samantha, Robert is trying to discover a cure for this disease and to find out any other people who might have also survived. Written by John Wiggins
『柒』 电影（我是传奇） 观后感 用英文写 200字
Men break the rule ,and the god punished men by illness horribleness and death.it's common in such films advocates The end of the word.But there is something new in this film.I caught the feeling that i dreamed about sometimes.A whole city was left and others were disappeared,so everything belongs to me only.I am not so crazy,in my dreams i just want others disappear, not die.But at least ,the dreams come ture.Then you would find that you still could not enjoy the absolute freedom.The city belongs to you in the daytime,but belongs to ghost in the evening.(daytime always make men feel safe,and absolute freedom is not exist.)
At the same time,all the thing you get lost their meaning.The only thing you can do is searching others,others is the world.Your life and dreams based on this world.
人类破坏规则,上帝惩罚人类.这是宣扬末日片的常见手法.但是这部电影有些地方也很有新意.我在看电影的时候就找到了做梦时的感觉:所有的人都不见了,把一个城市都留给了我自己.我并不疯狂,只想让他人消失,并不是想他们去死.但无论如何,这部电影中可以找到我的梦.尽管这样,你还是发现这个城市白天属于你,晚上却属于魔鬼.你依然无法享受到想象中的自由.(光明对人来说总象征着安全,纯粹的自由是不存在的.)
同时,你所拥有的一切东西又失去了意义.唯一你所能做的,就是去寻找其他人.所以他人就意味着世界----你的生活和梦想的载体.
『捌』 电影《我是传奇》的英文简介
If you are fan of Matheson's book prepare to be disappointed as the film entirely misses the point, especially when it comes to the title itself. Having said that, taken on it's own merits the film is not all that bad. The opening half hour is well constructed and the lingering shots of a deserted NYC are quite effective. Will Smith reigns in his usual on-screen persona to deliver a good performance as Robert Neville, although at times it does seem as though he's playing to an audience which is at odds with the permeating sense of isolation (problems with the script rather than Smith himself). Aside from it's deviation from the book, the film's most glaring problem are the dark seekers themselves. They are entirely rendered in by today's standards unconvincing cgi and therefore never quite achieve the feeling of menace we're supposed to feel. Real actors in make-up with perhaps a little cgi augmentation would've been far better. Also the attempt to create an antagonist for Neville falls a little flat, as he comes across as nothing more than a slighter smarter creature with a grudge. What does work though is Neville's relationship with his dog, Sam. Considering they spend the majority of their screen time together it was important it felt like they had a genuine bond and they do. Also Neville's flashbacks to a time shortly before the worst of the outbreak are well-implemented, never interrupting the pace of the narrative. Ultimately it's the last predictable half hour of the film that falls flat and undoes most of the good work. It's worth seeing but for all Richard Matheson fans it will be frustrating at best. In fact, for anyone who read Mark Protosevich's script that leaked online a few years back you'll probably wish they made that film instead.
2
In the very near future a doctor creates what appears to be a cancer vaccine. I genetically engineered virus that when injected into 10,000 cancer patients, cured every single one of them. The problem is, when you play God, you may find out you’re not as good at as you might think. The virus mutates into a plauge that pretty much wipes out the entire human race, killing the vast majority of the population almost instantly, while leaving some survivors…. but most of those survivors are turned into Vampire/Zombie/Rage Virus type beings who lose their humanity and kill every survivor left uneffected. Will Smith is the last human being in New York, and maybe the world, who is also a military geneticist (what great luck) who works tirelessly to not only survive in this new nightmare world, but also struggles to find a cure for the rest of those who are infected.
3
Immediately after watching I Am Legend I went to a bookshop and bought myself a of Richard Matheson’s classic novel. Greater praise hath no man. It’s quite different from the film, mind, but not in a bad way.
New York City, 2012. Robert Neville (Smith) gets up every morning. Does his exercises. Eats breakfast. Listens to music. Takes his dog Sam out for walks, and to pick up supplies. Goes to work. Plays a little golf. Sends out a broadcast on the radio. Nothing so unusual about any of this, I hear you think. Well, no. Except that Robert Neville is, as far as he knows, the only living human being on the planet. He and Sam are entirely alone, and have been for three years.
In 2009, a scientist called, ironically, Dr Krippen (Emma Thompson, in an uncredited cameo), announces that she has discovered the cure for cancer – a retrofitted virus that is initially hailed as a breakthrough in modern medicine. But it isn’t long before the virus has mutated into a deadly airborne form, killing millions of people. Neville, a military scientist, is part of the team working to find a vaccine, but as the pandemic spreads, the government orders Manhattan locked down, with only the uninfected allowed to evacuate.
Those who the virus didn’t kill, it changed…
And now Neville lives alone with Sam, surrounded by strange, primal creatures who dwell in darkness, only emerging at night to eat. But Neville is determined to find a cure. He knows he is immune to the virus, he just doesn’t know why. He has set up a lab in his basement, and is determined to find a cure, testing various strains and solutions of his blood on infected rats. And one day he has the breakthrough he has been hoping for, and can start testing on humans…
Will Smith might seem like an odd choice to play Robert Neville (in the novel, apart from anything else, he is blond and blue-eyed) but actually his performance is excellent and completely believable. It’s easy to forget that Smith is actually a fine actor, and that his range is not just limited to action films. That said, there is quite a lot of action in I Am Legend, escaping from the infected, hunting deer (and Smith has clearly been through a gruelling training regime – the man is buff) but its in the quiet moments that Smith really shines. His face is more drawn than usual, and he’s clearly fighting for his sanity everyday.
The design of the film is absolutely superb. Danny Boyle did it first, and I Am Legend surely owes him a debt, but the scenes of New York with grass growing up between the paving stones, the buildings rotting, herds of wild animals rampaging between the abandoned cars are incredibly impressive and the budget here stretches to helicopter shots which obviously Boyle’s did not. Neville harvests sweetcorn in Central Park and fishes for carp in a museum. But all the while he keeps an eye on the time, for darkness is coming.
Cleverly the infected are only revealed bit by bit. First just as howls and screams drifting across the city. When Neville is forced to venture into a building to save Sam, we see more, but only in flashes from his torch. Far, far more scary to only see them in bits, and this scene has some great jumpy moments. As usual, once we can see them properly, they’re less interesting, but by then the story has taken a new turn – Anna (Braga) and Ethan (Tahan), survivors, hear his broadcast and come to find him. Though he has been desperate for company, after three years of complete isolation Neville finds it hard to cope, but now he has something else to live for.
Like all the best science fiction, I Am Legend says a lot about the times we live in, from the dangers of genetic tampering to our fear of pandemic diseases, from scientific rationality to irrational, but very human faith. It’s a powerful and ultimately uplifting film, despite the weak last third, and a disappointingly cheesy ending; a superb central performance by Will Smith, and acting awards for an Alsatian called Abbey, who steals every scene she’s in.
4
Starring Will Smith, Alice Braga, Salli Richardson-Whitfield, Willow Smith, and Charlie Tahan
Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable...and manmade. Somehow immune, Neville is now the last human survivor in what is left of New York City...and maybe the world. But he is not alone. He is surrounded by "the infected"--victims of the plague who have mutated into carnivorous beings that can only exist in the dark and that will devour or infect anyone or anything in their path. For three years, Neville has spent his days scavenging for food and supplies and faithfully sending out radio messages, desperate to find any other survivors who might be out there. All the while, the infected lurk in the shadows, watching Neville's every move, waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But his blood is also what the infected hunt, and Neville knows he is outnumbered and quickly running out of time.
5
Starring Will Smith, Alice Braga, Salli Richardson-Whitfield, Willow Smith, and Charlie Tahan
Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable...and manmade. Somehow immune, Neville is now the last human survivor in what is left of New York City...and maybe the world. But he is not alone. He is surrounded by "the infected"--victims of the plague who have mutated into carnivorous beings that can only exist in the dark and that will devour or infect anyone or anything in their path. For three years, Neville has spent his days scavenging for food and supplies and faithfully sending out radio messages, desperate to find any other survivors who might be out there. All the while, the infected lurk in the shadows, watching Neville's every move, waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But his blood is also what the infected hunt, and Neville knows he is outnumbered and quickly running out of time.
6
In I Am Legend, Will Smith, as a U.S. Army officer who may be the last man on earth, drives at top speeds through the concrete valleys of Manhattan, which have been deserted for so long that the cracks in the roads now sprout scruffy green weeds. For sheer eeriness, that effect — the metropolis as vacant lot — far outdoes the desolate Times Square of Vanilla Sky, and Smith is the perfect actor (maybe almost too perfect) to play a survivor who has no one to talk to but his dog and himself. Smith has always worn his self-sufficiency like a suit of armor, often treating costars as sounding boards; he brings that jaunty insularity to the abandoned canyons of a trashed Twilight Zone New York. Here, though, he also draws on the vulnerability he showed last year in The Pursuit of Happyness, suggesting a man whose sanity is beginning to fray.
Based on Richard Matheson's 1954 novel, I Am Legend is a spooky-hokey postapocalyptic thriller built around our fear of contagion (the premise is that a ''miracle'' cancer cure has wiped out the earth's population). It's a movie that might have fit snugly into the zeitgeist had it been made in the early '90s, or maybe 1971 — when, in fact, it was made as The Omega Man, a somber but colossally silly Charlton Heston thriller. Let's be honest: The peril of infectious disease, while quite real, is hardly the anxiety of the moment. In spirit, I Am Legend is caught in some abstractly doom-laden sci-fi past. For what it is, though, the film is well-done, a case of suspenseful competence trumping questionable relevance.
There's one scary sequence in which Smith follows his dog into a warehouse, but as soon as you see the prancing, gnashing, veiny mutant humanoids who have taken up refuge there, you think, ''Okay, it's a fake-demon CGI movie.'' And so it is, though at least it never becomes a soulless monster-hunt videogame like Resident Evil. Smith, who keeps the movie grounded, isn't just surviving — he's on a mission. In The Omega Man, Heston faced a cult of white-faced hippie mutants in sunglasses and medieval monks' robes. Sometimes, CGI really is an advance
『玖』 谁能帮我写十篇英文电影观后感
American PieThis is an American youth comedy, is about four in the high school graate in adolescence from virgin identity, on the eve of the story is very lively. Lead composition military alliance of Jim like other health, blood-boiling virgin, his heart was crushed itch caught his parents at home watching A piece. So keen for his father started abstinence ecation of sex. He is not good at the school where to go. Want to win the hearts of his girlfriend than imagination is much more difficult to do experiments with apple pie, big jump in Internet is strip peek... Several other friends also each have each recruit, learning sex "bible", and Kevin and singing and playing the sandwich, and mature woman ozzy leonardo Da Vinci, and open sex party Stifler Sherman, etc., to the braggart, a series of funny behavior, launched their virgin end action...
In China, the film very few, and the Chinese people may be relevant state of mind, we are not a open country, relative to the United States and some European countries, China youth sex description and talk to outsiders, sometimes even more a shameful behavior. And in those relative to the open country, this type of film, but as the place of hard road hara party ", "go up to the king is this type of film, but this film is very popular, said before several have hopolo, especially American pie, has made 6 of these films, in Europe has a large crowd.
I'm not very keen on this kind of film, but occasionally, American teenagers living with both Chinese teenagers living in the way of life and thought is put in very big difference, most Chinese teenagers almost so time and energy spent on the study, 18 years old before the things we do is the core of a good college admission, so the childhood and adolescence's biggest harvest. Of course, the American teenagers way of life not much better than China, took this movie, I think their way of life is still have great shortcomings, at least, as I cannot accept the whole movie, make the restraint of life have greatly not crazy.
『拾』 求两篇英语电影影评（一片要动画片）
《WALL.E》
影片的前40分钟——几乎没有对话，银幕上也几乎没有出现人类形象——是一出风趣优美的电影诗篇，观众要过许久才会深入它黑暗的隐喻之中。场景是一个杂乱的城市，密布着摩天大楼，除了一个破旧的勤快机器人和他忠心的蟑螂伙伴外，没有任何人类出现。朦胧的阳光透过灰尘，照着一片可怕的风景，显示“后启示录”的死寂。这是一个没有人类的世界，你或许可以说没有任何生机，尽管有过去生命存在的证据。
我们已经习惯了期待皮克斯的惊奇，但是《星际总动员》确实开辟了新天地。它带给我们G级(成年与儿童都适宜观看的)的、电脑产生的、我们潜在灭绝的图景。这不是近来投入此阴森主题的唯一电影。随着全球变暖，人类的消失成为一个热门话题，许多导演都对之关注，如史蒂芬-斯皮尔伯格(《人工智能》)、弗郎西斯-劳伦斯(《我是传奇》)、奈特-沙马兰 (《灭顶之灾》)以及维纳-赫尔佐格。在他最近的记录片《在世界尽头相遇》中，赫尔佐格先生沉思道“人类在此星球上的存在不会真正永续”，这个观点在《星际总动员》的下半部中几乎是逐字逐句地表达出来。当异想天开的皮克斯工程师和情绪化的德国导演发出同样的信息时，也许我们该报以注意了。
《星际总动员》并不全是阴郁和毁灭。毫无疑问地，它是一部郑重其事绝非简单化的生态寓言，但它还是一个令人沉醉的、甜蜜简单的爱情故事，感情的纯洁带着卓别林式的风格。在另一个层面，它带着科幻的色彩，提到了《2001太空漫游》、《异形》、《 酷狗宝贝：月球野餐记》中的一切。但是电影最公开、最坚持的引用对象是《俏红娘》，这部老旧的录影带为主角提供舞蹈和爱情方面的指导。那首古老的、快被人遗忘的音乐，随同Jerry Herman的歌词、Louis Armstrong的低声吟唱，成为瓦力(片中机器人)对我们的纪念。他是一个凹痕累累的苦力小机器人，已经过了计划的报废期，整天做着徒劳、机械的作业：收集、压缩垃圾。他的名字Wall-E是“废物安置装载运送者-地球类”的缩写。但是对于瓦力来说，并不是他发现的一切都没有价值。在他和蟑螂躲避尘暴的锈铁船中，他小心收藏了一些宝贝，包括芝宝打火机、炊事用具和一个魔方。
瓦力对一个失落文明工艺品的亲切珍视是可以理解的，毕竟他也是人类心智的产物。而《星际总动员》(由皮克斯的骨干Andrew Stanton导演、由Andrew Stanton和Jim Reardon编剧)的天才之处是，他提醒人们，创造和毁灭是硬币的两面。人类被致力于制造和消费更多物质的经济行为驱离家园——瓦力最终知道我们没有消失。但是人类产生的一些东西证明是有用、有趣、珍贵的。一些东西甚至能够创造出灵魂。
观察瓦力的周围环境，观众们了解到，在过去的某个时候，一家叫Bnl(英语“买N大”的缩写)的集团公司，用它的超大型商场和数以吨计的垃圾充斥了地球。最终公司把它的重要客户载到一个太空站上(舰长是Jeff Garlin)，在那儿他们渐渐变成由新一代特殊机器人服务的、肥胖懒惰的群体。一个叫做伊夫的研究探查机器人(所有机器人的姓名均为缩写，性别均由仪表显示)，降临地球，令瓦力动心。
他们的求爱过程带着一些熟悉的模式。如果把本片看作浪漫喜剧，情节类似于一个卑微的清洁工爱上了一位超模兼枪法精湛的顶尖科学家。(我承认对此有所顾虑，但电影片名让我释然。——译注：电影英文名Wall-E，是“废物安置装载运送者-地球类”的缩写。)瓦力是传统的老式盒子机器人，咯吱作响，布满铆钉，外表凹痕累累、锈迹斑斑。他意志坚定，但不够聪明，也不酷。而伊夫，身形犹如加长的蛋，就象下一代的iPhone一样酷，轻声细语，除了兴奋的时候能够毁灭一切。她和瓦力通过喳喳叽叽的声音交流，有时候能够拼成词语。不知怎么地，他们对于渴望、恼怒、不在乎、忠诚、焦虑的微妙表达，实现了一种超自然的修辞。
他们被赋予如此丰富的人性，是因为皮克斯标志性的细心造型设计和经典摄影剪辑。丰富的技术资源让瓦力轻而易举地跳离废弃的地球，来到空间站的纯净大气层中，这是与制作人员带给角色和主题的严格完整相一致的。
Stanton先生并没有把这个环境剧变的寓言变成一个责骂他人、自我满意的训斥，他熟知在使用大众电影媒体进行企业消费文化批判时固有的矛盾。空间站的居民，习惯了被机器人照顾，退化成了类似巨婴的物种，面部柔软、躯干圆滚、四肢弱小。消费资本主义分析任何潜在需要、让顾客使用尽可能方便，具有一种将消费者幼儿化的力量。但是当这些空间居民靠在躺椅上，眼睛盯着显示屏，从巨大的杯子里获取卡路里，这些过度发育的太空巨婴看上去就象电影院里的观众。
换句话说，他们就是我们。而和我们一样的是，他们也不尽坏。来自瓦力的悖论是：驱动社会发明新事物，改进旧事物，从而产生销售、购买、制造、收集行为，创造潜在灾难的同时也发现了规避灾难的可能。或者说，创造瓦力这个垃圾世界(我们的世界)的冲动，同时也通过艺术让世界变得美好。
《达芬奇密码》
从原著小说被翻译成44种语言、在全球销量超过5000万本的热潮，到作者丹-布朗被指剽窃掀起的轩然大波，再到被西方教会目为反基督的异端电影遭到梵*蒂*冈的抵制,《达芬奇密码》（The Davinci Code）从面世的那一天起便注定要对传统的基督教带来颠覆性的冲击，值得庆幸的是教会掌握政权的日子早已成为历史，无须再担心打着耶稣幌子的黑色恐怖瘟疫会再次蔓延，多元化的社会里，基督教不可一世的地位终于露出了平凡的一面。
自己一向对宗教文化不感冒，之所以能坚持看完原著多半是因为丹-布朗精妙的文笔与高潮迭起的悬念情节，不过对把原著搬上荧光幕的商业行为持怀疑态度，毕竟文字带来的想象空间与视觉、听觉等多重感知形成的复杂认知截然不同，许多东西一旦具体形象化往往就容易失去原有的吸引力，尤其是《达芬奇密码》这类靠制造悬念、解读复杂西方宗教历史神学符号、营造心理惊悚的作品。结果虽然有Ron Howard、Tom Hanks和Audrey Tautou携手合作，虽然作为电影艺术最高殿堂嘎纳电影节的开幕电影，《达芬奇密码》依然差强人意，只是费力不讨好的制造了120分钟的沉闷悬疑。
即使宽容的看待电影，把是否忠于原著放在一旁，《达芬奇密码》也缺乏连贯的紧迫感和抽丝剥茧的惊悚元素，Tom Hanks和Audrey Tautou在影片中的角色本来注定他们不是《职业特工队》式的“Superman”，过多的火爆场面只会起到喧宾夺主的反效果，可影片开始Ron Howard偏要安排Audrey Tautou来一段超“辣”的车技Show，这马上就将一个弱智女流定位成超凡脱俗的强者，Hollywood式的娱乐标准即霸道又惹人生厌。按照小说的风格与结构，《达芬奇密码》应该是一部充满文艺悬念的电影，如何把复杂的谜题化繁为简，让观众参与到解迷中，可以说是影片成功与否的关键。可惜零散的剧情、苍白的人物塑造，单纯依靠Tom Hanks比手划脚就解开神学符号，未免太过儿戏，尤其是最后“Apple”的解密过程简直就是大话西游，令人啼笑皆非。Tom Hanks的力不从心、Audrey Tautou的不入戏，两人无法擦出预期的火花，加上巴黎伦敦浓郁的艺术气息、以及宗教的神圣、膜拜气氛又只是停留在表面的走马观花，都成为《达芬奇密码》空有包罗万有的野心，却有漏洞百出的臭皮囊一样，成为食之无味的“鸡肋”。
全片最光芒四射的应该是苦行僧Silas这个角色，他背负的罪恶感，他心灵上承受的痛苦远甚于伤痕累累的切肤之痛，在狂热的宗教信仰和冷酷的眼神中，我们读到了很浓厚的悲剧味道，Ron Howard在他身上着墨不多，但却显示了深厚的功力，无论镜位还是背景音乐的烘托，他赤裸的身体充满神秘感与强烈的威慑力，远比两位主角更具有感染力。
对于宗教信仰的问题不想讨论太多，如果像我般对晦涩的西方宗教观点束手无策的话，《达芬奇密码》的电影会比小说更生动也更通俗，这个故事有点像野史，可以触动人们骨子里先天的好奇心（其实也就是八卦），康斯坦丁大帝的“丰功伟绩”在我看来最能代表宗教的本质，说穿了只不过是统治者的工具和谎言而已，基督教清除“女巫”的运动倒让我想起电影大师德莱叶的《愤怒之日》，人性的残忍与黑暗，即使冠以堂皇的借口，依然令人触目惊心。