简爱电影的影评鉴赏英语

1. 简爱电影的英文影评。

A fast hour and a half
of psychological doom and gloom, and glimmers of happiness through true
love trounced by the realities of 1840 England. It's all pretty amazing
stuff, and you have to see it to believe it, those dark clouds and
sprawling stone buildings.

Yes, Orson Welles is the lead male here, Mr. Rochester, and he's a
physical presence, for sure, but a stiff one. As just one slightly
unfair comparison, watch how Lawrence Olivier handles being lead male
in a similar era (1939) Bronte film, Wuthering Heights. It's unfair
because this earlier movie, directed by William Wyler, is even better
than Jane Eyre. But here we have an actress who wowed the world in the
masterful Rebecca in 1940, and with Olivier himself, and if you see
this Hitchcock movie, based on a Daphne Maurier book, you'll see a
weirdly too similar echo of Charlotte Bronte's plot, complete with
mysterious master of the house and a big fire at the end.

This big mix and match is meant only to say that this kind of movie,
this kind of plot, reached a fever pitch in the early 1940s and
proced three masterpieces. You should see them all, and see the
influences back and front and sideways. Great stuff, with Jane Eyre the
third in line, made by the lesser known British director Robert
Stevenson (who had this one early success and then the other one, Mary
Poppins, of all things). But it was based on an Orson Welles radio
version of the story, which you can feel in the narrated lines with
Joan Fontaine's voice. You sense Welles had a hand in the whole feel of
the movie, the camera angles in the early scenes (looking up or down at
the child), and the overall Gothic excess and fog.

Great stuff to just feel and absorb.

2. 简爱的英文影评

A
thoroughly
engaging
adaption
of
the
brooding
classic,
this
film
rises
above
the
turgid
tone
often
imposed
on
other
classics
brought
to
the
screen.
Joan
Fontaine
turns
in
a
brilliantly
deceptively
understated
performance,
and
Orson
Welles
restrains
from
the
scenery
chewing
that
marred
some
of
his
own
projects;
there
is
surprising
chemistry
between
them.
At
times,
Welles
is
a
downright
"sexy"
leading
man!
The
script
(credited
to
John
Houseman
and
Aldous
Huxley)
captures
the
right
"tone"
of
Victorian
cruelty
and
repression.
Under
Robert
Stevenson's
direction
Fontaine/Welles
seem
to
capture
the
essence
of
two
abused
outsiders
resisting
their
attraction
for
one
another,
trying
to
adhere
to
convention.
A
strong
supporting
cast.
There
are
brief
though
memorable
appearances
by
Agnes
Moorehead,
Elizabeth
Taylor
and
Peggy
Ann
Garner
as
"young"
Jane.
George
Barnes'
camera
captures
appropriately
stark
images
of
Ross
Dowd
and
Thomas
Little's
sets.
Charlotte
Bronte's
grim
novel
is
well
suited
to
the
excellent
B/W,
cinematography:
a
memorable
scene
early
in
the
film
has
young
Jane
being
punished
by
being
forced
to
stand
on
a
stool
that
is
nearly
in
the
center
of
a
fan
of
shadows
cast
by
the
stair
railing,
It
is
almost
reminiscent
of
expressionist
German
films
of
the
Weimar
years.
The
film
manages
to
entertain
as
well
as
inform.
Purists
may
object
to
the
last
3
lines
of
the
film
which
hint
at
a
slightly
happier
denouement
than
the
book
offered.
In
spite
of
that,
Jane
Eyre
is
still
a
nearly
flawless
film.

3. 用英语推荐《简•爱》这本书，带翻译

《简·爱》（英语：Jane Eyre），19世纪英国文学名著，1847年出版，作者是英国女作家夏绿蒂·勃朗特，《简·爱》是於1847年10月16日 以“柯勒·贝尔”这个男性化的笔名初次在伦敦Smith, Elder & Co.出版。第二年宴颂困，该书於纽约的Harper & Brothers（今哈珀柯林斯的前身）出版，这亦是美国的第一个版本。
《简·爱》追随著与书同名的女主角——简·爱众多情感与经验，包括她成年期的成长，以及她与一个拜伦式英雄——荆棘园男主人罗彻斯特先生相爱的过程。作者对角色心理细腻的描写，可以逐渐揭开简内心的道德观与精神上的感知。《简·爱》革新了虚构小说的框架，透过早期诗歌的形式赋予了故事里所有事件紧张的节奏和张力。夏绿蒂·勃樱野朗特被誉为在故事里最早使用私我意识的作家，也是詹姆斯·乔伊斯和马塞尔·普鲁斯特等文学作家的先辈。这本小说包含了有力的判断和崇高的道德核心，并进行了许多社会批判。《简·爱》在那麼早晌念的时候，就赋予了简这个角色独特性和个体化的意志，并大方地讨论阶级歧视、性别、宗教、早期的女性主义。
Jane Eyre /ɛər/ (originally published as Jane Eyre: An Autobiography) is a novel by English writer Charlotte Brontë, published under the pen name "Currer Bell", on 16 October 1847, by Smith, Elder & Co. of London. The first American edition was published the following year by Harper & Brothers of New York. Jane Eyre follows the experiences of its eponymous heroine, including her growth to althood and her love for Mr. Rochester, the brooding master of Thornfield Hall.
The novel revolutionised prose fiction by being the first to focus on its protagonist's moral and spiritual development through an intimate first-person narrative, where actions and events are coloured by a psychological intensity. Charlotte Brontë has been called the "first historian of the private consciousness", and the literary ancestor of writers like Proust and Joyce.
The book contains elements of social criticism, with a strong sense of Christian morality at its core, and is considered by many to be ahead of its time because of Jane's indivialistic character and how the novel approaches the topics of class, sexuality, religion and feminism.

4. 英文原版电影《简爱》剧情介绍：

Bennet, the little squire, had five treasures in her waiting room, and Mrs. Bennet was always worrying about finding her daughter a satisfactory husband.

Bingley, the new neighbor, was a rich bachelor, and he was immediately the target of Mrs. Bennet's hunt. At a ball, Bingley fell in love with Jane, the eldest daughter of the Bennet family, and Mrs. Bennet was ecstatic.

Bingley's good friend Darcy was also at the ball. He was handsome and very rich, and many girls gave him envious glances; but he was very proud that they were not worthy of being his dance partners, including Jane's sister Elizabeth. Elizabeth was so proud that she decided to ignore the arrogant fellow. But before long, Darcy became fond of her lively and lovely manner, and offered to dance with her at another dance. Elizabeth casually agreed to Darcy, but they still had a deep prejudice against Darcy, so they parted unhappily

Bingley's sister was so devoted to the pursuit of Darcy that she found that Darcy intended to be jealous of Elizabeth and decided to block it. And Darcy, who was despised by Elizabeth, despised the vulgarity of Mrs. Bennet and her little daughter, Lydia. At the persuasion of his sister and good friend Darcy, Bingley left without saying goodbye and went to London, but Jane was still deeply in love with him.

小乡绅班纳特有五个待字闺中的千金，班纳特太太整天操心着为女儿物色称心如意的丈夫。
新来的邻居彬格莱是个有钱的单身汉，他立即成了班纳特太太追猎的目标。在一次舞会上，彬格莱对班纳特家的大女儿吉英一见钟情，班纳特太太为此欣喜若狂。
参加舞会的还有彬格莱的好友达西。他仪表堂堂，非常富有，许多姑娘纷纷向他投去羡慕的目光；但他非常骄傲，认为她们都不配做他的舞伴，其中包括吉英的妹妹伊丽莎白。伊丽莎白自尊心很强，决定不去理睬这个傲慢的家伙。可是不久，达西对她活泼可爱的举止产生了好感，在另一次舞会上主动请她同舞,伊丽莎白不经意间答应了达西，但对达西还是有很深的偏见，所以两人还是不欢而散．
彬格莱的妹妹一心追求达西，她发现达西有意于伊丽莎白，妒火中烧，决意从中阻挠。而遭到伊丽莎白冷遇的达西也鄙视班纳特太太及其小女儿丽底亚的粗俗。在妹妹和好友达西的劝说下，彬格莱不辞而别，去了伦敦，但吉英对他还是一片深情。

《傲慢与偏见》是英国女小说家简·奥斯汀的创作的长篇小说。
小说描写了小乡绅班纳特五个待字闺中的千金，主角是二女儿伊丽莎白。她在舞会上认识了达西，但是耳闻他为人傲慢，一直对他心生排斥，经历一番周折，伊丽莎白解除了对达西的偏见，达西也放下傲慢，有情人终成眷属。

这部作品以日常生活为素材，一反当时社会上流行的感伤小说的内容和矫揉造作的写作方法，生动地反映了18世纪末到19世纪初处于保守和闭塞状态下的英国乡镇生活和世态人情。并多次被改编成电影和电视剧。
Pride and Prejudice is a novel written by Jane Austen.
The novel describes the daughter of Bennet, a little squire, who is the second daughter of Elizabeth. She knew Darcy at the ball, but she heard that he was arrogant and had been ostracized from him. After a lot of setbacks, Elizabeth lifted her prejudice against Darcy, and Darcy also let go of his arrogance and married someone.

5. 《简爱》的英文影评

A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.

Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.

George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.

The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.

6. 怎么评价电影《简·爱》

小说《简爱》是一部自传性质的小说，搜宽咐电影跟原著相比虽然有不足之处，但整体上还是还原了原著的精髓，所以电世纯影《简爱》是非常值得一看的。因为原著有几万字，而电影只有短短的两个小时，所以电影在细节方面处理人物心理和情感的变化上略有欠缺，所以没看过名著直接看电影的人可能会对电影中的某些情节不是很理解，因为电影为节省时长而忽略了小说里的某个环节。

综合来讲，电影《简爱》对女人公的性格上的塑造还是很贴合实际的，跟原著相比也有电影本身的亮点，非常值得一看。

7. 《简爱》的影评

电影《简爱》相较原著改编无论从故事情景设置还是演员的演技都是十分成功的一部影片，非常值得观众去观看。《简爱》作为一部被列入文学考试范畴的世界名著其本身就具有深度阅读的价值，而对于名著的翻拍，是世界上每个国家都十分重视的。电影《简爱》无论是在服装场地准备上还是男女主情感故事主线改编都处理得十分贴合原著，导演对于每个演员的选择也在外在形象和内在气质铅如上符合小说对人物的细节刻画。

《简爱》是一部能带观众深入剧情融入剧中人物内心体会外国文化的男女爱情观的影片，在英国贵族的爱情里那些追求自由与平等完全不同于中国的文化底蕴下产生的爱情，女主人公简爱那平凡中蕴藏着伟大的精神，家教生活中看似平淡却又带有别样的跌宕起伏，那些隐隐有的不能言明的苦衷，那些每个出现在故事里发光发彩的人物都意外让人着迷，总而言之，电影《简爱》处陪睁处有惊喜，处处有意外芦激岁，值得大家去品读回味一番。

8. 求一篇500字的英语影评或英语小说读后感

Jane Eyre — A Beautiful Soul（简爱）
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:

We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.

We remember her pursuit of justice. It’s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.

We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God’s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.

We also remember her striving for life, her toughness and her confidence…

When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.

Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.

Learn to love and care（雾都孤儿）
Here I am sitting on a couch alone, thinking about what I have just finished reading with tears of sadness filling my eyes and fire of indignation filling my heart, which revived my exhausted soul that has already been covered by the cruelty and the selfishness of the secular world for a long time. It is truly what I felt after reading Oliver Twist, written by the prominent British author Charles Dickens.

The resonance between me and the book makes me feel not only the kindness and the wickedness of all the characters in the novel, but what this aloof society lacks, and what I lack deep inside. These supreme resources I’m talking about right now are somewhat different from minerals, oil that we usually mention. They’re abstract like feelings, and some kinds of spiritual stimulation that all of us desire anxiously from one another —— love and care.

Those charitable figures whom Dickens created in the novel are really what we need in life. They showed love and care to others, just as the gentle rain from the sky fell upon the earth, which was carved into my heart deeply.
Mr. Brownlow is one such person.

The other day he had one of his elaborate watches stolen by two skilled teenage thieves, Artful Dodger and Charley Bates, and thought naturally it was Oliver, who was an orphan and forced to live with a gang of thieves, that had done it because he was the only one near by after the theft had taken place. Being wrathful, he caught Oliver, and sent him to the police station where the ill-tempered, unfair magistrates worked. Fortunately for him, Oliver was proved innocent by one onlooker afterwards. With sympathy, Mr. Brownlow took the injured, poor Oliver to his own home. There Oliver lived freely and gleefully for some months as if he were Mr. Brownlow’s own son. One day, however, Mr. Brownlow asked Oliver to return some books to the bookseller and to send some money for the new books that he had already collected. The thief Oliver once stayed with kidnapped him. After that he disappeared in Mr. Brownlow’s life. Searching for a while, Mr. Brownlow had to believe the fact that he had run away with his money. But dramatically, they came across each other again a few years later. Without hesitation, Mr. Brownlow took Oliver home for the second time not caring if he had done something evil.

Perhaps most of us would feel confused about Mr. Brownlow’s reaction. But as a matter of fact, this is just the lesson we should learn from him. Jesus said in the Bible. “Forgive not seven times, but seventy-times seven.” Why is that? Because forgiveness is our ability to remove negative thoughts and neutralize them so our energy may be spent on doing what we came here for. We cannot move forward in our future if past issues cloud our thinking. Stop put Mr. Brownlow into the list of your models. Always give people a second chance no matter what they might have done. That’s also a substantial part of loving and caring others.

Charles Dickens said:“Love makes the world go around.” These immortal words have inspired and will keep on inspiring us to chant the melody of love and to say the prayer of care forevermore. Let us, therefore, enjoy life and treat other people lovingly. These principles are the roots and foundations of beliefs supporting this article and our mission together.

Pride and Prejudice （傲慢与偏见）

Many people simply regard Pride and Prejudice as a love story, but in my opinion, this book is an illustration of the society at that time. She perfectly reflected the relation between money and marriage at her time and gave the people in her works vivid characters.
The characters have their own personalities. Mrs. Bennet is a woman who makes great efforts to marry off her daughters. Mr. Bingley is a friendly young man, but his friend, Mr. Darcy, is a very proud man who seems to always feel superior. Even the five daughters in Bennet family are very different. Jane is simple, innocent and never speaks evil of others. Elizabeth is a clever girl who always has her own opinion. Mary likes reading classic books. (Actually she is a pedant.) Kitty doesn’t have her own opinion but likes to follow her sister, Lydia. Lydia is a girl who follows exotic things, handsome man, and is somehow a little profligate. When I read the book, I can always find the same personalities in the society now. That is why I think this book is indeed the representative of the society in Britain in the 18th century.

The family of gentleman in the countryside is Jane Austen’s favourite topic. But this little topic can reflect big problems. It concludes the stratum situation and economic relationships in Britain in her century. You can find these from the very beginning of this book.

Austen left this problem for us to think. The genius of Jane Austen lies in this perfect simplicity, the simplicity that reflects big problems. Although Austen was only 21 when she wrote “Pride and Prejudice”, her sharp observation of social lives makes the style of this book surprisingly mature and lively. The plots in her works are always very natural. The development of the plot is as inevitable as a problem in mathematics. I think the depth of Pride and Prejudice is the reason that makes this book prominent and classic. Today, her book still can be the guide telling us the economic relationships both at her time and in modern time.

Leave Dead Man Island（亡灵岛）

Carol was once a happy and sunshiny girl. But after her father died in a plane crash, she became bad and took drugs. She had secrets in her heart and didn’t want others to know them. When Carol went to an island, she found the host had a bigger secret than hers: he had killed a girl in a car crash. So he needed an island to hide himself.
This is the story in Dead Man’s Island.

I think everybody has done something wrong and wants to keep the secrets in his or her heart. But do you know, even if we can escape from others’ eyes, we can’t escape from our own hearts.
I had been told a story like this: A woman felt ill and she went to see a doctor. The doctor examined her carefully and told the woman, ‘There is a tumor in your uterus. You’d better take an operation immediately.’ The woman agreed.

When the doctor cut open the woman’s abdomen, he got such a big surprise—there was a baby in the uterus, not a tumor. The doctor was sweating all over.

‘What to do? Take out the baby, or told the woman’s husband that it was just a tumor?’ ‘But … I am a doctor!’ He thought.

At last, the doctor sewed up the woman’s abdomen. When he told the woman’s husband the truth, the man didn’t move for a while. But then, the man jumped to the doctor, shouting at him. He was so angry and wanted to hit the doctor.
After the accident, a friend of the doctor’s asked him ‘Why did you do so? If you took out the baby, no one knows.’
‘But I know!’ said the doctor.

I have a very similar experience. That was a Monday, I was cleaning the classroom after school. John, my friend came up to me. He was looking for my maths teacher. But the teacher had been after work. So I told John to come again the next day. I said to myself, if I met the maths teacher, I would tell him that John had been looking for him.

When I was on my way home, I just looked at the ground, thinking about something. At that moment, my maths teacher came towards me and passed by. When I realized that, it was too late. The teacher had gone far away.

At night, when I was lying on the bed, my brain was full of the thing happened in the afternoon. The next day, John would find the maths teacher and not think about me, just as nothing happened. But I felt sorry for John. I wanted to do something for him, but I didn’t. Nobody knew what my idea was, but I knew.

Many things like the dead man on the island. After the crash, he made himself ‘dead’ and hid on the island. Maybe, he made others forget the crash, forget himself, but he couldn’t forget. He always felt remorseful and locked himself in his heart house.

What others think is not important, we should listen to ourselves.

I think every one may face sad things, like relatives’ death, missing the good high school, losing your best friends. Sometimes we feel cross and often ask ‘Why does the God do this to me?’

To let oneself feel better, we maybe do more wrong things. But happy and free time is transient. After that, we will have ourselves, hate life, hate everybody.

We want to forget, but can’t. more and more secrets are hidden in hearts. We close our window, and it is dark inside. Old days follow us forever, how we wanted the ‘man’ in the past can die. Nothing matters. Sadness is filled in our body. We live just like a dead man.

Escaping can do nothing. Beginning a new life is the most important, take sadness but live strongly.

When Carol left Dead Man island, I think she knew this all. The host influenced her. Don’t be remorseful any more, face new life, no hiding, no giving up the beautiful life, show the world a real self.

Leave Dead Man’s Island, let a bunch of sunshine get into your heart house.

Hamlet（哈姆雷特）
Shakspere (wrong spelling) created Hamlet--a man with wisdom and courage .In order to revenge on his uncle for killing his father, he pretented (spelling mistake) to be mad and suffered a series of misery. On the contrary, we can also say that Hamlet is rude and selfish for he did not think twice before his revenge . if (Capitalize "If" since it is the beginning word of the sentence.) a country has no king, how can a country keep alive (You need a question mark here since it is a question.) So, every thing has two sides, the bright side and ambral side. Every time we make a decision we have to think twice.
Comment:
Be careful with your spelling, grammar, and punctuation. Too many uncessary mistakes.
It is good that you looked at both the dark and bright sides of Hamlet. Thats quite objective and convincing.

9. 不少于200词的简爱的英文影评 谢谢啦

This is a story about a special woman who has been exposed to a hostile
environment but struggling for her ideal life conreattionously and fearlessly.
It seems to me that many readers ‘s English reading experience starts with Jane Eyer.It is not surprising to find some differences because it was filmed and retold in a new way,but the spirit of the novel remains to be an independent person, both physically and mentally.
Jane Eyer was a born orphan,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as she could.At the beginning of Jane’s ecation in Lowwood Orphanage,she didn’t get what she had been expecting.As a reward of revolting the ruthless oppression,Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden’s owner,Rochester,a man with warm heart while a cold face outside.After Jane and Rochester fell in love with each other and meant to get marry,Jane came to know Rochester had already got a legal life .And,unfortunately,Rochester seemed under the shadow of his wife.Jane wanted to give him a hand,however,she made her mind to leave,because she didn’t want to betray her own priciples.She is Jane Eyer.
The film has finally got a symbolist end.After finding Rochester’s misfortune brought by his original mad wife,Jane chose to stay with him forever.
Life is ceaselessly changing,but our living priciples remain.Firmly persisting for the rights of being independent gives us enough confidence and courage.In the world of the film,we have found te stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
It’s our spirit that makes the life meaningful.

10. 在哪可以看到英国电影简爱的英文影评

片名：简爱 英文：jane.eyre 导演：德尔伯特·曼 Delbert Mann 编剧：夏洛特·勃朗特 杰克·普尔曼 主演：乔治·C·斯科特——爱德华·罗切斯特（邱岳峰配音） 苏珊娜·约克——简·爱（李梓配音） 伊恩·巴纳恩——圣约翰·利弗斯 杰克·霍金斯——布洛克赫斯特先生 娜丽·唐·伯特——布兰奇·英格拉姆 拉切尔·坎普森——菲尔法克斯太太 坎尼斯·格里菲斯——梅森 彼得·考普兰——约翰 国家：英国 语言：英语 类型：剧情 片长：110 min 上映：1970 剧情介绍： 全世界拥有读者最多爱情小说的经典电影版。 影片根据英国女作家夏洛蒂·勃朗特的同名小说改编。简爱父母早亡寄居在舅舅家，舅舅病逝后，舅母把她送进孤儿院，成年后她应聘去桑费尔德当家庭教师。来到桑费尔德，当男主人公罗切斯特先生家的家庭教师，男主人罗切斯特生活颓废脾气古怪，经过几次接触，简爱爱上了他，而简爱的到来也使他的生活有了希望。在他们举行婚礼时，罗切斯特的内弟梅森闯进来指出古堡顶楼小屋里的疯女人是罗切斯特先生的妻子。由于这个疯女人的存在，他们无法结合，简爱 也不愿作为情妇，爱毅然离开了桑费尔德，来到一个偏远的地方。在牧师圣约翰的帮助下，简爱找到了一个乡村教师的职业。在圣约翰向简爱提出结婚时，她想起了罗切斯特先生。当 简赶回桑费尔德时古堡已成废墟，罗切斯特双目失明，简爱赶往罗切斯特先生住的芬丁，她决定下来和相爱的人厮守一生…… 图片附件: 0.jpg (2007-12-17 04:31, 24.27 K) 半个灵魂：郎骑铁马来，你在未来，我在古代。 妖娆棉花 级别 管理员 精华99 帖子11015 威望11182 点 金钱29851 点 金桥币 101 JQB 贡献度 2 点 阅读权限 230 状态 离线 #2发表于 2007-12-17 04:35 资料 主页 个人空间 短消息 图片附件: 1.jpg (2007-12-17 04:35, 16.04 K) 《简爱》(1970)影评： 英国作家Charlotte Brinte的传世经典，自问世以来不断地被搬上舞台和荧屏。电影人对这个故事颇为热衷，从早年的奥逊·威尔斯 Orson Welles（《公民凯恩》）版本到近期的威廉.赫特（《大寒》）版本，在历时半个多世纪以来，伴随着7、8个版本简爱影片的诞生，不同的电影人在各自的作品中用自己的角度阐述对作品的理解，同时也推动了这部经典名著在全球的普及。 1970年的George C. Scott饰演的版本历来被认为是所有版本中改编得最恰到好处的－－既忠实于原著精神，且故事结构更为紧凑，爱情主题更加突出。苍凉静谧的英国荒原，神秘诡异的古堡，阴郁迷离的气氛，加上“老戏骨"George C. Scott的表演，将一个维多利亚时代歌特式的爱情故事演绎得凄美动人。George C. Scott的表演无疑是本片的一大看点，他的激情演绎使其他版本的Rochester黯然失色，其锋芒直逼早年的Orson Welles。而Susannah York外表沉静，含蓄内敛的风格也被评为最接近原著简爱的精神气质。本片的主题音乐更是大手笔，它出自著名音乐人约翰.威廉姆斯之手，这一主题曲把本片的爱情主题推向高潮，更成为该版本的标签，至今仍在不同的音乐会上被演奏。 对于中国观众，这一版本的意义尤为特殊——它被无数次地制成录音剪辑，在全国各地的电台一播再播：它被制成各种版本的录音带，被“听迷”们争相购买，听这部电影着迷的人甚至比有机会看这部电影的观众还要多。对于出产了无数配音电影精品的上海电影译制厂，《简爱》堪称精品中的精品。在观众每一次选出的配音作品中，《简爱》无不位列三甲。它从台词翻译到演员表演，无不成就了一种典范。这是配音大师邱岳峰与李梓的颠峰之作，他们用声音拓展了新的表现空间，丰富了电影这一“视听”的艺术在听觉上的美好体验。邱岳峰塑造的罗切斯特，或愤懑，或柔情，或倦怠，或狂暴，无不让人动容。而李梓演绎的简爱在不愠不火的声调里展现出细腻的情感变化，或温婉，或坚定，也在更深层次上丰富了简爱人物的形象。他们的声音有表情，有形象，有情感，一寸一寸都是鲜活的。 本片是20世纪70年代初拍摄的小成本电视电影，虽然由明星乔治·斯科特担纲主演，但国外观众对其评价不高，在国外电影市场基本上没有什么影响力，是上海电影译制厂表演艺术家们的精湛技艺使得她面貌焕然一新，成为观众心目中外国电影经典之作。经过邱岳峰和李梓主配之后，多少观众为之倾倒，甚至有人在寒冷的冬夜刚看完这部片子步出影院，便满怀激情吟诵起罗切斯特和简爱的对白来。简爱的爱情观、价值观、人生观对不少女性产生了巨大的影响，孕育了一批中国式的女权主义者。大伙欣赏之余，还找来原著细细品读、比较 。 这是一部特殊的电影，观众可以闭上眼睛，倾听这来自灵魂的声音。 如果问译制片里有哪部影片可以称得上是“圣经”的话，那一定就是她了。 图片附件: 4.jpg (2007-12-17 04:35, 46.25 K)