A. 野性的呼唤每一章内容简介
《野性的呼唤》主要内容:巴闷核纯克是一头十分强壮的狗。他本来在一个大法官家里过着优裕的生活,后来被法官的园丁偷走,辗转卖给邮局,又被送到阿拉斯加严寒地区去拉运送邮件的雪橇。巴克最初被卖给两个法裔加拿大人。他先后换过几个主人,最后被约翰·索顿收留。那是在巴克被残暴的主人哈尔打得遍体鳞伤、奄奄一息时,索顿救了他,在索顿的精心护理下巴克恢复得很快,由此他们之间产生了真挚的感情。巴克对索顿非常忠诚,他两次不顾生命危险救了索顿的命蚂咐,不幸的是氏锋,在淘金的过程中,索顿被印第安人杀死。这时恩主已死,他觉得对这个人类社会已无所留恋。最终,他回应自身野性的呼唤,进入森林,从此与狼为伍。
B. 了不起的盖茨比 英文版角色介绍
1、盖茨比
New York rich, young is a second lieutenant officer, and the beautiful young girl Daisy love each other, but ultimately did not go together.
纽约的富翁,年轻时是一个少尉军官,与美貌的年轻姑娘黛茜互相爱慕,却最终没有走到一起。
Can be crazy for many years abnormal, even for Daisy and strive to become rich, but again with the former lover to meet, but it is different.
可多年来痴情异常,甚至为了黛茜而奋发成为富翁,但是再与昔日情人见面时,却是物是人非。
2、尼克
黛茜的远房表哥,从中西部故乡来到纽约。
Daisy's distant cousin came to New York from her hometown in the Midwest.
居住在黛茜家时结识了住在旁边的盖茨比,从而得知了盖茨比与表妹黛茜的过往。
Daisy's distant cousin came to New York from her hometown in the Midwest.
3、黛茜
Gatsby's former lover, because of the outbreak of the World War, as a second lieutenant officer Gatsby was transferred to Europe, thus the two missed.
盖茨比昔日的情人,因为世界大战的爆发,身为少尉军官的盖茨比被调往欧洲,从而两人就此错过。
After many years, Gatsby in order to recapture her heart and become rich and moved to her next door.
在多年后,盖茨比为了夺回她的心而变成富翁并搬到她隔壁。
But Daisy, who is no longer pure, just wants to socialize with Gatsby to seek stimulation.
可已经不再纯洁的黛茜只想与盖茨比交往寻求刺激。
了不起的盖茨比主要剧情
主人公詹姆斯·卡兹本是北达科他州的一个贫穷的农家子弟,自幼梦想做个出人头地的大人物。经过一番努力,他终于步步高升,并更名为杰伊·盖茨比。
他在一个军训营里任中尉时,爱上了南方的大家闺秀黛茜·费。可是当他戴着军功勋章在战争结束后从海外归来时,黛茜已嫁给一位来自芝加哥的、体格健壮、富有但举止粗鲁的纨绔子弟汤姆·布坎农,沉醉于爱情梦幻中的盖茨比艰苦创业,由一个贫穷的军官奋斗成为百万富翁。
他在长岛西端买下了一幢豪华别墅,与住在东端的布坎农夫妇隔海湾相望。他的府第每晚灯火通明,成群的宾客饮酒纵乐。他唯一的愿望是希望看到分别了五年的情人黛茜,当他们重逢时,盖茨比以为时光可以倒流,重温旧梦。
但久而久之,他发现黛茜远不像他梦想的人,可是这种醒悟还没多久,黛茜开车碾死了丈夫的情妇,汤姆嫁祸于盖茨比,盖茨比终于被害,黛茜居然没来送葬:叙述者尼克由此看透了上层社会有钱人的冷酷残忍和居心险恶,离开纽约,回到了中西部的故乡。
C. 求电影SIN CITY和杀死比尔系列的介绍
中文名称:罪恶之城
英文名称:Sin City
别名:原罪之城/罪恶都市
资源类型:DVDRip
发行时间:2005年04月01日
电影导演:昆廷·特拉蒂诺 Quentin Tarantino
罗伯特·罗德里格兹 Robert Rodriguez
弗兰克·米勒 Frank Mi
电影演员:布鲁斯·威利斯 Bruce Willis
鲁特格尔·哈尔 Rutger Hauer
迈克尔·麦德逊 Michael Madsen
米基·洛克 Mickey Rourke
伊利亚·伍德 Elijah Wood
鲍尔斯·布思 Powers Boothe
本尼西奥·德托罗 Benicio Del Toro
卡拉·古奇诺 Carla Gugino
地区:美国
语言:英语
制作团队:DiAMOND
简介:
导 演: 昆廷·特拉蒂诺 Quentin Tarantino 罗伯特·罗德里格兹 Robert Rodriguez 弗兰克·米勒 Frank Miller
主 演: 布鲁斯·威利斯 Bruce Willis 鲁特格尔·哈尔 Rutger Hauer 迈克尔·麦德逊 Michael Madsen 米基·洛克 Mickey Rourke 伊利亚·伍德 Elijah Wood 鲍尔斯·布思 Powers Boothe 本尼西奥·德托罗 Benicio Del Toro 卡拉·古奇诺 Carla Gugino
上 映: 2005年04月01日 ( 捷克 )
地 区: 美国 ( 拍摄地 )
对 白: 英语
评 分: 8.3/10( 29976票 )
颜 色: 黑白
声 音: DTS Dolby Digital SDDS
时 长: 124 分钟
类 型: 犯罪 剧情 惊秫 动作
分 级: 英国:18 美国:R 加拿大:18A 加拿大:R 加拿大:16+
字 幕: 射手网提供中文字幕 点击打开
剧情:罪恶三段体
想在罪恶之城里生存吗?这里暴戾横行,鱼龙混杂,罪恶盘踞在黑暗的街区,帮派肆虐腐败着整座城市,这里没有法律的公平,有的只有势力和卑鄙的较量,警察从不执行法律,他们是法律的破坏者和罪恶的根源。
想在罪恶之城里生存吗?那就要学会暴力,学会圆滑,学会对敌人决不手软,学会对所有的侵犯睚眦必报,以牙还牙。能够在这里生存下来的人都是狠角色,他们都拥有着冷酷的心肠和坚硬的拳头,拥有着警惕的嗅觉和敏捷的身手。
故事一:罪城。
马弗(米基·洛克 饰)面貌丑陋,肢体粗硬,加上暴躁无常的脾气,许多人都对他敬而远之,一天他偶遇容貌秀美的女孩葛蒂,令人意想不到的是,温暖的爱情在这对美女和野兽之间萌生了。她给了他从未感觉过的温暖和理解,他也下决心因为她而改变自己,并不惜牺牲一切代价来保护她的安全。
然而在一段最恬静的睡眠之后,醒来的马弗发现自己已经无法挽留这一生只一次的真情,躺在身边的她已经被人谋杀,而他则面临着杀人凶手的指控,马弗的心再次被愤怒和复仇的火焰点燃,他要疯狂报复,找出杀害自己爱人的凶手。
故事二:狙杀。
迪怀特(克里夫·欧文)外表冷漠,内心却充满着激情,他算得上是这个城市的异类,也是最容易受到伤害的人。他受雇保护自己所在街区的几名街头女郎,而在她们中间,就有着他一直疯狂爱着的雪莉。
然而有一天,有暴力倾向的变态警探杰奇(本尼西奥·德尔托罗 饰)袭击了雪莉,也让迪怀特的心中埋下了仇恨的种子,当妓女帮派中的另一名妓女再次遭到杰奇的袭击,迪怀特绝对出手,寻找机会干掉这名腐败的警察。
故事三:黄杂种。
哈迪(布鲁斯·威利斯 饰)也许是唯一尽忠职守的警察,然而现在他也之后最后一小时了,年龄让他不得不告别这黑暗城市中的执法,成为被这黑暗吞噬的一分子。
在警察生涯的最后一小时,哈迪接到情报,黑道参议院的儿子绑架了钢管舞舞女南茜(杰西卡·艾尔芭 饰),这个可怜的女孩凶多吉少。
尽管哈迪患有严重的心脏病,而且他也许要在这次任务的执行中就要离职,他还是决心将南茜从这个无法无天的性罪犯手中救出来,于是在孤立无援的情况下,他单枪匹马进入黑帮领地。
幕后:漫画大师和黑色群星
影片改编自著名漫画大师弗兰克·米勒的经典同名漫画。弗兰克·米勒1957年出生于马里兰州的奥米亚,1986年他推出自己的漫画处女作《蝙蝠侠黑骑士再现》,立即引起业界和读者的普遍关注。如果说在70、80年代,弗兰克·米勒在前人基础上创作的“金刚狼”和“蝙蝠侠”的众多漫画为他带来的还仅仅局限于圈内的名气,那么90年代早期,他放弃主流独辟蹊径推出了《罪恶之城》则真正奠定了他在漫画界的大师地位。
《蝙蝠侠》时期的弗兰克还是以彩色的形式来处理他的作品,而到了1993年推出《罪恶之城》时,他注意吸收了雷蒙·钱德勒、等人的黑色侦探小说,以及日本漫画大师小池一夫、小岛刚夕的名作《带子雄狼》的特色,大胆地使用黑白创作,笔触乱中有序,强调光影的反差,营造出风格独特的罪恶之城,也打破了读者之前偏向于彩色漫画的欣赏惯性。
《罪恶之城》系列具有独特的黑白画面、强烈的电影化场景和传统的雕刻画风格,弗兰克·米勒的图画风格细腻,擅长描写暴力血腥对人性的影响,当时美国主流漫画创作领域中,作者与编剧经常各自分开,这样做有时会造成剧情和绘画脱节,而弗兰克则是其中少数编剧、绘画均十分出色的画家。
《罪恶之城》的出版立刻吸引大批的漫画迷,于他们来说,这才是真正代表弗兰克实力的作品,它的诞生使弗兰克·米勒迈入了大师殿堂,他被誉为被誉为黑白世界的幻魔师,而他的创造风格也给后来的漫画带来巨大影响,比如麦克·米格诺拉的《地狱男孩》、《惩罚者》等。
超豪华演职阵容:
本片的阵容非常豪华,曾经指导过《杀人三部曲》、《墨西哥往事》等著名影片的美国导演罗伯特·罗德里格兹成功获得了漫画的电影改编权,为了不让电影改编原有漫画的风格,他和原作者弗兰克·米勒一起担任影片编剧。同时在导演一职上,他坚持也要加上弗兰克·米勒的名字。
除了这两位导演之外,本片还邀请昆汀·塔伦蒂诺担任影片的名誉导演,指导影片的部分拍摄。而罗伯特·罗德里格兹和弗兰克·米勒在共同担任编剧导演之外,还共同担任影片的制片人。
除了三位大名鼎鼎的导演,《罪恶之城》吸引了众多知名演员参加演出。除了在三段影片中分别扮演主角的米基·洛克、克里夫·欧文和布鲁斯·威利斯之外,影片云集了当红的众多明星,他们包括曾出演《黑鹰计划》的乔什·哈耐特、主演《21克》的本尼西奥·德尔托罗、拥有漂亮小蛮腰的《甜心辣舞》中的杰西卡·艾尔芭、《指环王》中的伊利亚·伍德、《新婚告急》中的布莱特妮·墨菲、《绿里》中的麦克尔·克拉克·邓肯、《终结者3》中的尼克·史塔等等。
今年除了《十二罗汉》,还很少有一部电影能够聚集如此多的明星,更何况是制作费用仅仅4000万美元的《罪恶之城》了。根据一些内部的消息,这些明星同意参加演出的演员大部分都是处于对原著漫画的喜爱,他们中的很多人都是义务出镜的。
点评:风格独特的迷幻暴力美学风格
影片改编自著名的漫画作品,但又和其他流行的漫画改编电影有着本质上的区别,在影片中,没有超级英雄,没有绝对正义,三段故事中的各个主角都是变态、暴力的化身。
在片中扮演妓女角色的罗莎里奥·道森讲述了一个非常有趣的事,她曾对自己的妈妈讲自己传得就像一个变态女王,而她的妈妈一点也不惊讶地问道森的角色是什么,她回答说就是一名妓女,她的妈妈还是坚持说:“我不是问你这个,我是想知道你变身后的形象是什么样子的。”
就像原著漫画一样,这是一部充满绝望,黑暗,无政府主义的电影,里面充满着不分对错的打斗,血肉模糊的暴力,毫不遮掩的色情等等,但表现这些内容的载体却有是如此充满梦幻般的吸引力,黑白颜色的巨大反差,漫画风格的极度强化,这一切造就了这部电影的魅力,一种张扬的迷幻暴力美学风格。
演员表:
杰西卡·奥尔芭 Jessica Alba .... Nancy Callahan
罗莎里奥·唐森 Rosario Dawson .... Gail
伊利亚·伍德 Elijah Wood .... Kevin
玛丽娅·贝罗 Maria Bello .... Ava Lord
布鲁斯·威利斯 Bruce Willis .... Hartigan
本尼西奥·德托罗 Benicio Del Toro .... Jackie Boy
迈克尔·克拉克·邓肯 Michael Clarke Duncan .... Manute
卡拉·古奇诺 Carla Gugino .... Lucille
乔许·哈奈特 Josh Hartnett .... The Man
迈克尔·麦德逊 Michael Madsen .... Bob
Jaime King .... Goldie/Wendy
布瑞特妮·墨菲 Brittany Murphy .... Shellie
克莱夫·欧文 Clive Owen .... Dwight
米基·洛克 Mickey Rourke .... Marv
尼克·斯塔尔 Nick Stahl .... Rourk Jr./Yellow Bastard
《杀死比尔I》(Kill Bill Vol. 1)
导演:昆丁-塔伦迪诺(Quentin Tarantino)
主演:乌玛-瑟曼(Uma Thurman)
戴维-卡拉丁(David Carradine)
刘玉玲(Lucy Liu)
达里尔-哈南(Daryl Hannah)
薇薇卡-A-福克斯(Vicica A- Fox)
迈克尔-麦德森(Michael Madsen)
片长:110分钟
类型:动作、犯罪、惊险
分级:R(强烈的血腥暴力、粗口、暴露性镜头)
发行:米拉麦克斯电影公司
影评:
毫无疑问,昆丁.塔伦迪诺导演的影片《杀死比尔I》是一件非常值得鉴赏的艺术品。自从他的两部作品《落水狗》(Reservoir Dogs,1992年)和《低俗小说》(Pulp Fiction,1994)取得巨大成功以来,他的许多手法就曾被多次模仿。但是,通过本片我们不得不承认,再没有其它人
能够像塔伦迪诺导演这样,将紧张和轻松、暴力与幽默、对话和动作,以及音乐和图像等至善至美地结合在一起。
也许,导演塔伦迪诺、监制劳伦斯.本德,以及摄影师罗伯特.理查德森的结合是一种偶然,但是,不可否认的是,他们的结合称得上是电影界的最佳排挡,他们共同打造的精品使观众的眼球为之震撼,这也是近几年以来最眩丽、最精彩的一部动作片。
虽然影片故事情节非常简单,几乎用一句话就可以概括??“新娘”要杀死比尔!但是,在塔伦迪诺的手下,再简单的故事也变得精彩万分。故事开篇就给人一种耳目一新的感觉??在婚礼上遭其所属暗杀组织老板虐杀后昏迷多年的女主人公“新娘”在一家医院苏醒过来,开始悲壮的复仇行动。对于复仇这样一个简单故事,塔伦迪诺导演首先将其按线性结构分成十个章节,然后以非线性的方式重新排列组合,并在每一章节中揉合进不同的风格……这样一来,故事虽然还是那个简单的故事,但观众在欣赏时的所见所感,却是变化多端、其味无穷。
当然,经典的电影总是离不开经典的表演。而塔伦迪诺导演总是擅于发掘演员与自身电影风格相融合的一面。就本片而言,由乌玛来饰演“新娘”这个角色就可谓是天作之合了。因为她既能很好地表现“新娘”复仇这个执着而坚定的信念,同时又能恰如其分地把握复仇过程中作为一个顶级杀应该持有的风度与机智。
就像可以用一句话来概括本片的故事情节一样,对于本片的评论,也可以用一句话来形容,那就是:值得鉴赏的艺术珍品,无人能比!
内容:乌玛-瑟曼在片中饰演一名叫“新娘”的女杀手,曾经是致命毒蛇暗杀组织(D.I.V.A.S)的成员。她本想通过婚姻脱离血腥的暗杀组织,过上普通人的生活。但是,她以前的同党(刘玉玲、达里尔-哈南、薇薇卡-福克斯、迈克尔-马德森等人饰演)以及毒蛇暗杀组织的老板比尔(戴维-卡拉丁饰)却出其不意地出现在婚礼现场,企图破坏一切。“新娘”恳求说:“比尔,我怀上了
你的孩子。”但是,回答她的是“砰”的一声枪响,“新娘”头部中弹,昏迷过去。
四年之后,“新娘”在一家医院苏醒过来。她发誓要不惜一切代价追杀凶残的比尔,将复仇行动进行到底!于是,她顽强地寻遍世界各地,从美洲一路追杀到亚洲,于是,得克萨斯、墨西哥、冲绳、北京、香港和日本等地弥漫着一股浓郁的血腥气味。
“新娘”唯一的目的就是“我要杀死比尔!”
中文名称:杀死比尔 - 卷2
英文名称:Kill Bill - Volume 2
资源类型:DVDRip
发行时间:2004年
电影导演:昆汀·塔伦蒂诺 Quentin Tarantino
电影演员:
乌玛·瑟曼Uma Thurman
大卫·卡拉丁David Carradine
迈克·麦迪逊Michael Madsen
达瑞·汉娜Daryl Hannah
刘家辉Chia Hui Liu
萨缪尔·杰克逊Samuel L. Jackson
维维卡·福克斯Vivica A. Fox
地区:美国
语言:英语
简介:
【原 片 名】Kill Bill Volume 2
【中 文 名】杀死比尔 卷2
【出品公司】米拉麦克斯公司
【首映日期】2004年4月16日
【MPAA级别】R 级
【IMDB链接】http://us.imdb.com/title/tt0378194/
【IMDB评分】8.2/10 (21,728 votes) top 250: #117
【国 家】美国
【类 别】动作 / 惊悚 / 剧情
【文件格式】XviD + AC3
【文件大小】2CD 49 x 15MB + 49 x 15MB
【视频尺寸】640x272
【影片长度】136 Mins
【对白语言】英语原声
【内容简介】
“恩,索菲亚,再问一件事:她知道……女儿活下来了么?”
在《杀死比尔卷1》的结尾,当比尔突然深沉地问出这句话时,无论观众是否喜欢整部电影,都无法不惊喜于这一“包袱”。即使是那些最不喜欢第一卷中暴力场景的观众,都会忍不住猜想:这一突然揭示的事实,会给“新娘”的复仇之路带来怎样的影响呢?
◆历经劫难的复仇之路Road to Perdition◆
“Baby, you ain't kidding.” “No, I am not.”
“该杀的还得杀!”这就是“新娘”的想法;何况,她根本不知道女儿的存在。
与第一卷一样,第二卷也分为五章;当然,照样是被打乱了时间顺序的。综合各方面的信息,小记已经全面摸清这几章在昆汀的电影世界中的排列情况。显然,我既不能按照电影讲述的顺序介绍——那样会削弱昆汀精心策划的妙处,我也不能按照时间发生的真实时间顺序来介绍——那样会降低读者您自己思考的乐趣;所以,我只能打消偷懒的念头,将所有章节“乱中添乱”地讲出来,您自己去体会顺藤摸瓜的乐趣吧。
◆另类的演技体验(The Virtueman Show)◆
-“How come? ”
-“I nno. I guess they thought it sounded cool.”
从《低俗小说》到《杀死比尔》,昆汀要做的,就是不断地打破既有的电影常规,给人以耳目一新之感。《杀死比尔》就是一个完全发生在“电影”那个宇宙空间的故事,它不是拿来给观众叫真的;恰恰相反,它是拿来最大限度地“娱乐”观众的。请注意,昆汀所说的“娱乐”是非常广义的,尽管他最嘴上说得很粗俗,但他的意思远远超出粗俗的表象:在低级趣味之外更有其独特的艺术追求。
以演员的表演而言,昆汀要求他们表现出某种游离感。也就是说,既要看起来有一种戏耍玩闹的感觉,又要做得异常细致而有风格。简而言之,就是看似粗糙随心,实则大巧不工。这种表演模式,放在“一本正经”的艺术电影里面,很可能是一场灾难,但放在《杀死比尔》里,正好表达出那种游戏人间、潇洒自如的劲儿。
现在,就让我们来看看这些同志们在卷二中的表现——
◆顽皮中的莎士比亚 (Shakespeare in Naughty)◆
“Vol. 2 is the heart and soul of Kill Bill with Vol.1 proving to be merely the flesh and blood of it.”
艺术人士请收回您圆瞪的目光,俺并不是说昆汀就是莎士比亚,估计他本人也不会想成为莎士比亚那样的酸人。这里说的莎士比亚,是莎士比亚式的主题与结构,套用一句非常庸俗的话,叫莎翁式的文本。
喜欢看电影寻找主题或深层思想的同学,在看完第一集后很郁闷,看着在一旁笑得哈哈打滚的俺,他们的目光恨不得把俺烧成灰;同时,他们提出了当年一个据说很有“见识”的记者对同样一个很有“见识”的导演提出过的问题:这部电影除了“打架”还有什么?
◆前瞻◆
The incident has since become legend.
六年的等待,昆汀是否叫人失望?
六年的厚积,昆汀是否突破了自己?
从目前的评论来看,每一个人、每一篇都是由衷叫好的声音。美国最著名的影评人搭挡:罗杰·艾伯特(Roger Ebert)与理查德·罗帕(Richard Roeper)对本片赞不绝口,他们认为第一卷是很不错(good)而有趣(funny)的电影,第二卷简直可以说得上“伟大”(Great)。
而试映现场铁杆影迷们的反映更是热烈,在奥斯汀的试映结束后,全场起立鼓掌长达五分钟;要知道,这些人都是异常挑剔的电影狂人,可不是一般的电影观众,要让他们一致性地叫好可不是一件容易的事。
种种迹象表明,昆汀又一次证明了自己、征服了影迷,并将再次创造昆汀旋风。这股旋风不仅将席卷电影市场,更将深入到电影艺术的探讨中去。
更加让人激动的是,在不久的将来,昆汀将会对两卷本《杀死比尔》重新剪辑,并以所有120万英尺的原始素材为基础进行整合,重新在电影院和DVD市场推出一部完整的《杀死比尔》。
让昆汀旋风来得更猛烈些吧!
D. 给几个电影明星名字还有他的电影
Daniel Wroughton Craig丹尼尔克雷格
Casino Royale
007大战皇家赌场
Quantum of Solace
007大破量子危机
Army反抗军
The Golden Compass黄金罗盘
ARNOLD SCHWARZENEGGER 阿诺德·施瓦辛格
Terminator 1-3 终结者
ERASER蒸发密令
基努-里维斯Keanu Reeves
The Matrix黑客帝国1-3
生死时速 Speed
地球停转之日 the day the earth stood still
约翰尼·德普 Johnny Depp
pirates of the Caribbean 加勒比海盗1-3
Edward Scissorhands剪刀手爱德华
汤姆汉克斯Tom Hanks
Saving Private Ryan拯救大兵瑞恩
Apollo 13阿波罗13号
阿甘正传Forrest Gump
不知道上面这些够不够,比较出名的还有让·雷诺,汤姆汉克斯,托比·迈奎尔等可以去网络里搜
E. 我需要这些电影的英文简介!
1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)
Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文评论
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.
2 a clockwork orange
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)
Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more
Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie
Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文评论
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.
3 annie hall
Director:Woody Allen
Writers:Woody Allen (written by) and
Marshall Brickman (written by)
Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more
Woody Allen ... Alvy Singer
Diane Keaton ... Annie Hall
Tony Roberts ... Rob
Carol Kane ... Allison
Paul Simon ... Tony Lacey
Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall
Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall
Mordecai Lawner ... Mr. Singer
评论
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.
4 bonnie and clyde
Arthur Penn
Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more
Warren Beatty ... Clyde Barrow
Faye Dunaway ... Bonnie Parker
Michael J. Pollard ... C.W. Moss
Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis
Gene Wilder ... Eugene Grizzard
评论
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."
That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.
The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.
Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.
Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.
But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.
Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.
The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.
The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.
Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.
In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.
10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre
5 brief encounger
Director:David Lean
Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more
Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room
评论
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.
Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.
Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.
6 chariotes of fire
Hugh Hudson
Writer:Colin Welland (original screenplay)
Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell
Ben Cross ... Harold Abrahams
Daniel Gerroll ... Henry Stallard
Ian Holm ... Sam Mussabini
John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
评论
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.
The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.
The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.
Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.
Do watch it - it's very fine, very moving, very exciting.
字数太多,可去网站上自己查询
F. 200分求一部可以反复学的内容丰富的学英语的片子(或者说是经典)!
seven deadly sins 七宗罪
This is a movie that can help you to understand more about Christan
Or eles, you can watch all the Oscar movies
历届奥斯卡最佳影片及提名名单
2007(79届)
获奖
The Departed(2006)无间道风云
提名
《阳光小美女》(Little Miss Sunshine)
《硫磺岛家书》(Letters from Iwo Jima)
《女王》(The Queen)
《通天塔》(Babel)
2006(78届)
获奖
Crash(2004)撞车
提名
Capote(2005)卡波特
Brokeback Mountain(2005)断背山
Good Night And Good Luck(2005)晚安,好运
Munich(2005)慕尼黑
2005(77届)
获奖
Million Dollar Baby (2004)百万美元宝贝
提名
The Aviator (2004)飞行者
Sideways (2004)杯酒人生
Finding Neverland (2004)寻找梦幻岛
Ray(2004)雷
2004(76届)
获奖
The Lord of the Rings: The Return of The King (2003) 指环王III:王者回归
提名
Lost in Translation (2003) 迷失东京
Master And Commander:The Far Side of the World (2003) 怒海争锋
Mystic River (2003) 神秘河
Seabiscuit (2003) 奔腾年代
2003(75届)
获奖
Chicago (2002) 芝加哥
提名
The Pianist (2002) 钢琴师
Lord of the Rings: The Two Towers (2002) 指环王II:双塔奇兵
The Hours(2002) 时时刻刻
Gangs of New York (2002) 纽约黑帮
2002(74届)
获奖
A Beautiful Mind (2001) 美丽心灵
提名
Moulin Rouge! (2001) 红磨坊
Lord of the Rings: The Fellowship of the Ring (2001) 指环王I:魔戒初现
In the Bedroom (2001) 意外边缘
Gosford Park (2001) 高斯弗庄园
2001(73届)
获奖
Gladiator (2000) 角斗士
提名
Crouching Tiger Hidden Dragon (2000) 卧虎藏龙
Traffic (2000) 毒品网络
Erin Brockovich (2000) 永不妥协
Chocolat (2000) 浓情巧克力
2000(72届)
获奖
American Beauty (1999) 美国丽人
提名
The Sixth Sense (1999) 灵异第六感
The Insider (1999) 惊爆内幕
The Green Mile (1999) 绿色奇迹
The Cider House Rules (1999) 总有骄阳
1999(71届)
获奖
Shakespeare in Love (1998) 莎翁情史
提名
La Vita è bella (1997) 美丽人生
The Thin Red Line (1998) 红色警戒
Saving Private Ryan (1998) 拯救大兵瑞恩
Elizabeth (1998) 伊莉莎白
1998(70届)
获奖
Titanic (1997) 泰坦尼克号
提名
L.A. Confidential (1997) 洛城机密
Good Will Hunting (1997) 骄阳似我
The Full Monty (1997) 一脱到底
As Good As It Gets (1997) 尽善尽美
1997(69届)
获奖
The English Patient (1996) 英国病人
提名
Shine (1996) 闪亮的风采
Secrets & Lies (1996) 秘密与谎言
Jerry Maguire (1996)
甜心先生 Fargo (1996) 雪花膏离奇命案
1996(68届)
获奖
Braveheart (1995) 勇敢的心
提名
Sense and Sensibility (1995) 理智与情感
Il Postino (1994) 邮差
Babe (1995) 小猪宝贝
Apollo 13 (1995) 阿波罗13号
1995(67届)
获奖
Forrest Gump (1994) 阿甘正传
提名
The Shawshank Redemption (1994) 肖申克的救赎
Quiz Show (1994) 机智问答
Pulp Fiction (1994) 低俗小说
Four Weddings and a Funeral (1994) 四个婚礼和一个葬礼
1994(66届)
获奖
Schindler‘s List (1993) 辛德勒的名单
提名
The Remains of the Day (1993) 告别有情天
Piano, The (1993) 钢琴课
In the Name of the Father (1993) 因父之名
The Fugitive (1993) 亡命天涯
1993(65届)
获奖
Unforgiven (1992) 不可饶恕
提名
Scent of a Woman (1992) 闻香识女人
Howards End (1992) 此情可问天
A Few Good Men (1992) 义海雄风
The Crying Game (1992) 哭泣游戏
1992(64届)
获奖
The Silence of the Lambs (1991) 沉默的羔羊
提名
The Prince of Tides (1991) 潮浪王子
JFK (1991) 惊天大刺杀
Bugsy (1991) 一代情枭毕斯
Beauty and the Beast (1991) 美女与野兽
1991(63届)
获奖
Dances with Wolves (1990) 与狼共舞
提名
Goodfellas (1990) 好家伙
The Godfather: Part III (1990) 教父III
Ghost (1990) 人鬼情未了
Awakenings (1990) 无语问苍天
1990(62届)
获奖
Driving Miss Daisy (1989) 为戴茜小姐开车
提名
My Left Foot (1989) 我的左脚
Field of Dreams (1989) 梦幻之地
Dead Poets Society (1989) 死亡诗社
Born on the Fourth of July (1989) 生于七月四日
1989(61届)
获奖
Rain Man (1988) 雨人
提名
Working Girl (1988) 上班女郎
Mississippi Burning (1988) 烈血暴潮
Dangerous Liaisons (1988) 危险关系
The Accidental Tourist (1988) 意外的旅客
1988(60届)
获奖
The Last Emperor (1987) 末代皇帝
提名
Moonstruck (1987) 月色撩人
Hope and Glory (1987) 希望与荣耀
Fatal Attraction (1987) 致命的吸引力
Broadcast News (1987) 收播新闻
1987(59届)
获奖
Platoon (1986) 野战排
提名
A Room with a View (1986) 看得见风景的房间
The Mission (1986) 教会
Hannah and Her Sisters (1986) 汉娜姐妹
Children of a Lesser God (1986) 悲怜上帝的女儿
1986(58届)
获奖
Out of Africa (1985) 走出非洲
提名
Witness (1985) 证人
Prizzi‘s Honor (1985) 普里兹家族的荣誉
Kiss of the Spider Woman (1985) 蜘蛛女之吻
The Color Purple (1985) 紫色
1985(57届)
获奖
Amadeus (1984) 莫扎特传
提名
A Soldier‘s Story (1984) 大兵
Places in the Heart (1984) 我心深处
A Passage to India (1984) 印度之行
The Killing Fields (1984) 战火屠城
1984(56届)
获奖
Terms of Endearment (1983) 母女情深
提名
Tender Mercies (1983) 温柔的怜悯
The Right Stuff (1983) 征空先锋
The Dresser (1983) 近身
The Big Chill (1983) 山水又相逢
1983(55届)
获奖
Gandhi (1982) 甘地传
提名
The Verdict(1982) 大审判
Tootsie (1982) 窈窕淑男
Missing (1982) 失踪
E.T. the Extra-Terrestrial (1982) 外星人E.T.
1982(54届)
获奖
Chariots of Fire (1981) 火的战车
提名
Reds (1981) 烽火赤焰万里情
Raiders of the Lost Ark (1981) 夺宝奇兵
On Golden Pond (1981) 金色池塘
Atlantic City (1980) 大西洋城
1981(53届)
获奖
Ordinary People (1980) 普通人
提名
Tess (1979) 苔丝
Raging Bull (1980) 愤怒的公牛
The Elephant Man (1980) 象人
Coal Miner‘s Daughter (1980) 矿工的女儿
1980(52届)
获奖
Kramer vs. Kramer (1979) 克莱默夫妇
提名
Norma Rae (1979) 诺玛蕊
Breaking Away (1979) 突破
Apocalypse Now (1979) 现代启示录
All That Jazz (1979) 浮生若梦
1979(51届)
获奖
The Deer Hunter (1978) 猎鹿人
提名
An Unmarried Woman (1978) 不结婚的女人
Midnight Express (1978) 午夜快车
Heaven Can Wait (1978) 天堂可以等待
Coming Home (1978) 返乡
1978(50届)
获奖
Annie Hall (1977) 安妮·霍尔
提名
The Turning Point (1977) 转折点
Star Wars (1977) 星球大战
Julia (1977) 茱莉亚
The Goodbye Girl (1977) 再见女郎
1977(49届)
获奖
Rocky (1976) 洛奇
提名
Taxi Driver (1976) 的士司机
Network (1976) 电视台风云
Bound for Glory (1976) 奔向光荣
All the President‘s Men (1976) 惊天大阴谋
1976(48届)
获奖
One Flew Over the Cuckoo‘s Nest (1975) 飞越疯人院
提名
Nashville (1975) 纳斯维尔
Jaws (1975) 大白鲨
Dog Day Afternoon (1975) 炎热的下午
Barry Lyndon (1975) 乱世儿女
1975(47届)
获奖
The Godfather: Part II (1974) 教父II
提名
The Towering Inferno (1974) 火烧摩天楼
Lenny (1974) 连尼传
The Conversation (1974) 对话
Chinatown (1974) 唐人街
1974(46届)
获奖
The Sting (1973) 骗中骗
提名
Viskningar och rop (1972) 哭泣与耳语
A Touch of Class (1973) 金屋春宵
The Exorcist (1973) 驱魔人
American Graffiti (1973) 美国风情画
1973(45届)
获奖
The Godfather (1972) 教父
提名
Utvandrarna (1971) 大移民
Sounder (1972) 儿子离家时
Deliverance (1972) 激流四勇士
Cabaret (1972) 歌厅
1972(44届)
获奖
The French Connection (1971) 法国贩毒网
提名
Nicholas and Alexandra (1971) 俄宫秘史
The Last Picture Show (1971) 最后一场电影
Fiddler on the Roof (1971) 屋顶上的小提琴手
A Clockwork Orange (1971) 发条橙
1971(43届)
获奖
Patton (1970) 巴顿将军
提名
MASH (1970) 风流医生俏护士
Love Story (1970) 爱情故事
Five Easy Pieces (1970) 五只歌
Airport (1970) 国际机场
1970(42届)
获奖
Midnight Cowboy (1969) 午夜牛郎
提名
Z (1969) 大风暴
Hello, Dolly! (1969) 俏红娘
Butch Cassidy and the Sundance Kid (1969) 虎豹小霸王
Anne of the Thousand Days (1969) 安妮的一千日
1969(41届)
获奖
Oliver! (1968) 雾都孤儿
提名
Romeo and Juliet (1968) 殉情记
Rachel, Rachel (1968) 巧妇怨
The Lion in Winter (1968) 冬狮
Funny Girl (1968) 妙女郎
1968(40届)
获奖
In the Heat of the Night (1967) 炎热的夜晚
提名
Guess Who‘s Coming to Dinner (1967) 猜猜谁来吃晚餐
The Graate (1967) 毕业生
Doctor Dolittle (1967) 杜立德医生
Bonnie and Clyde (1967) 雌雄大盗
1967(39届)
获奖
A Man for All Seasons (1966) 日月精忠
提名
Who‘s Afraid of Virginia Woolf? (1966) 灵欲春宵
The Sand Pebbles (1966) 圣保罗号炮艇
The Russians Are Coming, The Russians Are Coming (1966) 俄国人来了
Alfie (1966) 风流奇男子
1966(38届)
获奖
The Sound of Music (1965) 音乐之声
提名
A Thousand Clowns (1965) 一千个小丑
Ship of Fools (1965) 愚人船
Doctor Zhivago (1965) 日瓦戈医生
Darling (1965) 亲爱的
1965(37届)
获奖
My Fair Lady (1964) 窈窕淑女
提名
Mary Poppins (1964) 欢乐满人间
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) 奇爱博士
Becket (1964) 雄霸天下
Alexis Zorbas (1964) 希腊人左巴
1964(36届)
获奖
Tom Jones (1963) 汤姆琼斯
提名
Lilies of the Field (1963) 野百合
How the West Was Won (1962) 西部开拓史
Cleopatra (1963) 埃及艳后
America, America (1963) 美国、美国
1963(35届)
获奖
Lawrence of Arabia (1962) 阿拉伯的劳伦斯
提名
To Kill a Mockingbird (1962) 杀死一只知更鸟
Mutiny on the Bounty (1962) 叛舰喋血记
The Music Man (1962) 欢乐音乐妙无穷
The Longest Day (1962) 最长的一天
1962(34届)
获奖
West Side Story (1961) 西区故事
提名
Judgment at Nuremberg (1961) 纽伦堡的审判
The Hustler (1961) 江湖浪子
The Guns of Navarone (1961) 纳瓦隆大炮
Fanny (1961) 春宵花月夜
1961(33届)
获奖
The Apartment (1960) 公寓春光
提名
The Sundowners (1960) 夕阳西下
Sons and Lovers (1960) 儿子与情人
Elmer Gantry (1960) 灵与欲
The Alamo (1960) 边城英烈传
1960(32届)
获奖
Ben-Hur (1959) 宾虚
提名
Room at the Top (1959) 金屋泪
The Nun‘s Story (1959) 修女传
The Diary of Anne Frank (1959) 安妮日记
Anatomy of a Murder (1959) 桃色血案
1959(31届)
获奖
Gigi (1958) 金粉世界
提名
Separate Tables (1958) 鸳鸯谱
The Defiant Ones (1958) 逃狱惊魂
Cat on a Hot Tin Roof (1958) 朱门巧妇
Auntie Mame (1958) 玛咪姑妈
1958(30届)
获奖
The Bridge on the River Kwai (1957) 桂河大桥
提名
Witness for the Prosecution (1957) 控方证人
Sayonara (1957) 樱花恋
Peyton Place (1957) 冷暖人间
12 Angry Men (1957) 十二怒汉
1957(29届)
获奖
Around the World in Eighty Days (1956) 八十日环游世界
提名
The Ten Commandments (1956) 十诫
The King and I (1956) 国王与我
Giant (1956) 巨人传
Friendly Persuasion (1956) 四海一家
1956(28届)
获奖
Marty (1955) 马蒂
提名
The Rose Tattoo (1955) 玫瑰梦
Picnic (1955) 野宴
Mister Roberts (1955) 罗伯茨先生
Love Is a Many-Splendored Thing (1955) 爱情多么美好
1955(27届)
获奖
On the Waterfront (1954) 码头风云
提名
Three Coins in the Fountain (1954) 泉水中的三枚硬币
Seven Brides for Seven Brothers (1954) 七对佳偶
The Country Girl (1954) 乡下姑娘
The Caine Mutiny (1954) 凯恩舰叛变
1954(26届)
获奖
From Here to Eternity (1953) 乱世忠魂
提名
Shane (1953) 原野奇侠
Roman Holiday (1953) 罗马假日
The Robe (1953) 圣袍千秋
Julius Caesar (1953) 恺撒大帝
1953(25届)
获奖
The Greatest Show on Earth (1952) 戏王之王
提名
The Quiet Man (1952) 平静的人
Moulin Rouge (1952) 青楼情孽
Ivanhoe (1952) 劫后英雄传
High Noon (1952) 正午
1952(24届)
获奖
An American in Paris (1951) 花都艳舞
提名
A Streetcar Named Desire (1951) 欲望号街车
Quo Vadis? (1951) 暴君焚城录
A Place in the Sun (1951) 郎心如铁
Decision Before Dawn (1951) 血战莱茵河
1951(23届)
获奖
All About Eve (1950) 彗星美人
提名
Sunset Blvd. (1950) 日落大道
King Solomon‘s Mines (1950) 所罗王宝藏
Father of the Bride (1950) 岳父大人
Born Yesterday (1950) 绛帐海堂春
1950(22届)
获奖
All the King‘s Men (1949) 当代奸雄
提名
Twelve O‘Clock High (1949) 晴空血战史
A Letter to Three Wives (1949) 三妻艳史
The Heiress (1949) 千金小姐
Battleground (1949) 战场
1949(21届)
获奖
Hamlet (1948) 王子复仇记
提名
The Treasure of the Sierra Madre (1948) 碧血金沙
Snake Pit, The (1948) 毒龙潭
Red Shoes, The (1948) 红菱艳
Johnny Belinda (1948) 心声泪影
1948(20届)
获奖
Gentleman‘s Agreement (1947) 君子协定
提名
Miracle on 34th Street (1947) 梦幻街奇缘
Great Expectations (1946) 孤星血泪
Crossfire (1947) 双雄斗智
The Bishop‘s Wife (1947) 主教之妻
1947(19届)
获奖
Best Years of Our Lives, The (1946) 黄金时代
提名
The Yearling (1946) 鹿苑长春
The Razor‘s Edge (1946) 剃刀边缘
It‘s a Wonderful Life (1946) 风云人物
Henry V (1944) 亨利五世
1946(18届)
获奖
The Lost Weekend (1945) 失去的周末
提名
Spellbound (1945) 爱德华医生
Mildred Pierce (1945) 欲海情魔
The Bells of St. Mary‘s (1945) 圣玛丽的钟声
Anchors Aweigh (1945) 翠风艳曲
1945(17届)
获奖
Going My Way (1944) 与我同行
提名
Wilson (1944) 威尔逊总统传
Since You Went Away (1944) 自君别后
Gaslight (1944) 煤气灯下
Double Indemnity (1944) 双重保险
1944(16届)
获奖
Casablanca (1942) 卡萨布兰卡
提名
Watch on the Rhine (1943) 守卫莱茵河
The Song of Bernadette (1943) 圣女之歌
The Ox-Bow Incident (1943) 龙城风云
The More the Merrier (1943) 小姑居处
Madame Curie (1943) 居里夫人
In Which We Serve (1942) 与祖国同在
The Human Comedy (1943) 小镇的天空
Heaven Can Wait (1943) 天长地久
For Whom the Bell Tolls (1943) 战地钟声
1943(15届)
获奖
Mrs. Miniver (1942) 忠勇之家
提名
Yankee Doodle Dandy (1942) 胜利之歌
Wake Island (1942) 复活鸟
The Talk of the Town (1942) 慈母泪
Random Harvest (1942) 断肠云雨
The Pride of the Yankees (1942) 扬基的骄傲
The Pied Piper (1942) 仙笛神童
The Magnificent Ambersons (1942) 伟大的安巴逊大族
Kings Row (1942)
Forty-Ninth Parallel (1941) 魔影袭人来
1942(14届)
获奖
How Green Was My Valley (1941) 青山翠谷
提名
Suspicion (1941) 深闺疑云
Sergeant York (1941) 约克军曹
One Foot in Heaven (1941)
The Maltese Falcon (1941) 枭巢喋血战
The Little Foxes (1941) 小狐狸
Hold Back the Dawn (1941) 良宵苦短
Here Comes Mr. Jordan (1941) 佐丹先生出马
Citizen Kane (1941) 公民凯恩
Blossoms In the Dust (1941) 落花飘零
1941(13届)
获奖
Rebecca (1940) 蝴蝶梦
提名
The Philadelphia Story (1940) 费城故事
Our Town (1940) 我们的小镇
The Long Voyage Home (1940) 天涯路
The Letter (1940) 香笺泪
Kitty Foyle: The Natural History of a Woman (1940) 女人万岁
The Great Dictator (1940) 大独裁者
The Grapes of Wrath (1940) 愤怒的葡萄
Foreign Correspondent (1940) 海外特派员
All This, and Heaven Too (1940) 卿何遵命
1940(12届)
获奖
Gone with the Wind (1939) 乱世佳人
提名
Wuthering Heights (1939) 呼啸山庄
The Wizard of Oz (1939) 绿野仙踪
Stagecoach (1939) 关山飞渡
Of Mice and Men (1939) 人鼠之间
Ninotchka (1939) 异国鸳鸯
Mr. Smith Goes to Washington (1939) 史密斯游美京
Love Affair (1939) 爱情事件
Goodbye, Mr. Chips (1939) 万世师表
Dark Victory (1939) 黑暗的胜利
1939(11届)
获奖
You Can‘t Take It with You (1938) 浮生若梦
提名
Test Pilot (1938) 试验飞行员
Pygmalion (1938) 窈窕淑女
Jezebel (1938) 红衫泪痕
La Grande illusion (1937) 大幻影
Four Daughters (1938) 四千金
The Citadel (1938) 卫城记
Boys Town (1938) 孤儿乐园
Alexander‘s Ragtime Band (1938) 亚历山大的爵士乐队
The Adventures of Robin Hood (1938) 罗宾汉历险记
1938(10届)
获奖
The Life of Emile Zola (1937) 左拉传
提名
A Star Is Born (1937) 一个明星的诞生
Stage Door (1937) 摘星梦难圆
One Hundred Men and a Girl (1937)
Lost Horizon (1937) 消失在地平线
In Old Chicago (1937) 芝加哥大火记
The Good Earth (1937) 大地
Dead End (1937) 死角
Captains Courageous (1937) 怒海余生
The Awful Truth (1937) 春闺风月
1937(9届)
获奖
The Great Ziegfeld (1936) 歌舞大王齐格飞
提名
Three Smart Girls (1936) 春闺三凤
A Tale of Two Cities (1935) 双城记
The Story of Louis Pasteur (1936) 万世流芳
San Francisco (1936) 火烧旧金山
Romeo and Juliet (1936) 罗密欧与朱丽叶
Mr. Deeds Goes to Town (1936) 迪兹先生进城
Libeled Lady (1936) 假戏真做
Dodsworth (1936) 孔雀夫人
Anthony Adverse (1936) 风流世家
1936(8届)
获奖
Mutiny on the Bounty (1935) 叛舰喋血记
提名
Top Hat (1935) 礼帽
Ruggles of Red Gap (1935) 风雨血痕
The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger (1935) 大卫.科伯菲尔德
Naughty Marietta (1935) 淘气的玛丽达
Les Misérables (1935) 悲惨世界
A Midsummer Night‘s Dream (1935) 仲夏夜之梦
The Lives of a Bengal Lancer (1935) 抗敌英雄
The Informer (1935) 告密者
Captain Blood (1935) 船长血
Broadway Melody of 1936 (1935)
Alice Adams (1935) 寂寞芳心
1935(7届)
获奖
It Happened One Night (1934) 一夜风流
提名
The White Parade (1934)
Viva Villa! (1934) 自由万岁
The Thin Man (1934) 瘦子
One Night of Love (1934) 一夜爱情
Imitation of Life (1934)
The House of Rothschild (1934)
Here Comes the Navy (1934)
The Gay Divorcee (1934) 柳暗花明
Flirtation Walk (1934)
Cleopatra (1934) 埃及艳后
The Barretts of Wimpole Street (1934) 红楼春怨
1934(6届)
获奖
Cavalcade (1933) 乱世春秋
提名
State Fair (1933) 爱州博览会
Smilin‘ Through (1932)
She Done Him Wrong (1933) 侬本多情
The Private Life of Henry VIII (1933) 亨利八世的私生活
Little Women (1933) 小妇人
Lady for a Day (1933) 一日贵妇
I Am a Fugitive from a Chain Gang (1932) 逃亡
A Farewell to Arms (1932) 告别武器
42nd Street (1933) 第四十二街
1932(5届)
获奖
Grand Hotel (1932) 大饭店
提名
The Smiling Lieutenant (1931)
Shanghai Express (1932) 上海快车
One Hour with You (1932)
Five Star Final (1931)
The Champ(1931) 舐犊情深
Bad Girl (1931) 坏女郎
Arrowsmith (1931)
1931(4届)
获奖
Cimarron (1931) 壮志千秋
提名
Trader Horn (1931) 大探险
Skippy (1931) 淘哥儿
The Front Page (1931) 犯罪的都市
East Lynne (1931)
1930(3届)
获奖
All Quiet on the Western Front (1930) 西线无战事
提名
The Love Parade (1929) 璇宫艳史
The Divorcee (1930) 弃妇怨
Disraeli (1929) 英宫外史
The Big House (1930) 牢狱鸳
1929(2届)
获奖
The Broadway Melody (1929) 百老汇歌舞
提名
The Patriot (1928) 爱国者
In Old Arizona (1929) 亚利桑那奇侠
The Hollywood Revue of 1929 (1929)
Alibi (1929)
1928(1届)
获奖
Sunrise (1927) 日出
Wings (1927) 翼
提名
Seventh Heaven (1927) 七重天
The Crowd (1928) 群众
The Racket (1928)
Chang (1927)
G. 英语书里的Wendy Wang 是不是真的
综述:没有,只不过是个教材的虚构人物。
英文名:Wendy
读音:['wendi]
中文音译:温迪
其他音译:万迪
名字性别:女孩英文名
来源语种:英语
名字寓意:精力充沛的
名字印象:在商业领域很可能成功。雄心勃勃,总有好点子。自信,精力充沛,有工作热情,成功对你轻而易举。但遭遇挫折时会失去耐心,情绪低落。精神紧张,缺少同情心,感情不丰前渣早富。
情侣英文名:
情侣男名:Peter彼得
情侣女名:Wendy温迪
配对理由:Peter和Wendy取自影片《彼得·潘》中的情侣角色,适合情侣专用。
影片信息:片名《彼得梁芹·潘》,英文名:《PeterPan》,2003年上映。
主要演员:Peter彼得,由JeremySumpter杰瑞米·桑普特饰演。Wendy温迪,由RachelHurd—Wood蕾切儿·哈伍德饰演。获得奖项土星奖—最佳年轻演员。
影片简介:该片主要讲述了长不慧雀大的小飞侠,与小女孩温迪在梦幻岛上和小伙伴们一起收获友谊并与海盗船长胡克斗智斗勇的奇幻故事。
H. 小丑回魂的字母怎么搜
从未有过一部恐怖片,像这样看得我热泪盈眶。
《小丑回魂》的预告,说实话,并不恐怖,于是就有很多人带着放松的心情提着爆米花拿着冰淇淋走进电影院。我,就是其中一个。
恐怖片的恐怖在于画面和音乐,但是《小丑惊魂》的恐怖首先就在于剧情,因为片中的主角们都是孩子,都是手无缚鸡之力的孩子。一群弱不经风的孩童面对恐怖又残忍的恶魔,光是想想都觉得慎人。
但是,片中的孩童却比我们勇敢,因为他们别无选择。
主角一群孩子是我们生活中常见的“弱势群体”:有口吃的男主角、被女生排挤的女主、因为肥胖被嫌弃的胖子、被过于保护的“妈宝”………他们是孩子,但都没过上天真烂漫的生活,“失败者联盟”是电影里他们小团体的名字。就是这样一群孩子,还碰上了每隔27年就会出现的虐童杀手。怎么办?
只能迎面而上。
所以说,这些孩童比我们勇敢。他们不是天生的勇者,刚开始他们也会被吓到,也会放弃,也抱有侥幸,但是,他们很快领悟到,逃避恐惧,只会加重恐惧。当朋友被抓走时,他们一同主动来到鬼屋,步伐没有那么坚定,心里也还是战战兢兢。可是却从未退缩,之所以这部恐怖片看的我热泪盈眶,就是影片的最后他们每个人用刀枪棍棒把恶魔小丑打的节节后退,他们终于明白,观众也终于明白:恐怖本身也有恐惧啊!
《小丑回魂》的英文名字叫《它》,根据史蒂芬金的小说改编,早在27年前就有翻拍,但因太吓人最终被列为禁片。为什么叫“它”,因为不知道它是谁?是什么东西?从哪来?但不管它是什么,它都能洞察到你所害怕的一切,品尝你的恐惧,恐惧,就是它的美味。
片中的孩子们之所以能战胜小丑,有很大的原因在于片中大人们的“无能”,成年人看不到小丑的存在,也从不相信孩子们的话,当浑身是血的女孩躺在血泊中哆哆嗦嗦向父亲求救时,父亲一脸疑惑:“血?哪有血”?
只能靠自己。
我们成年人的世界何尝不是充满了恐惧,每个人的恐惧都千姿百态,怕贫穷、怕死亡、怕丢脸、怕失败……………,唯独我们不怕的,好像就只有放弃和逃避。
片中的孩子们想着如何活下去,我们想着如何痛快的死去。我们还不如一群孩子。
很高兴在国外能在电影院看这样一部“励志”的恐怖片。片尾没有彩蛋,只有导演轻描淡写的一句“chapter one"
但或许
这就是最好的彩蛋。
I. john wick chapter 2 是啥电影
疾速特攻 John Wick: Chapter Two
类型: 动作 / 惊悚 / 犯罪
制片国家/地区: 美国
语言: 英语
上映日期: 2017-02-10(美国)
片长: 100分钟
又名: 杀神John Wick 2(港) /激局 捍纤搜卫任务2(台) / 疾速追杀2 / 极速毁铅历追杀:第二章 / 约翰·威克2 / John Wick 2