《Star Wars》
星球大战六部曲
THE PHANTOM MENACE(幽灵的威胁,1999)As imminent conflict brews between the powerful Trade Federation and the peaceful planet of Naboo, Jedi Master Qui-Gon Jinn and his apprentice Obi-Wan Kenobi travel to Naboo to warn the Queen of the galactic fallout which is to follow. Eventually, Naboo is invaded forcing the Jedis to evacuate the planet with the Queen and her court. They travel to the desert planet of Tatooine where they meet a slave boy called Anakin Skywalker who is evidently one with the Force. They enlist his help in fighting the war, while the Jedis confront one of the Dark Jedis behind the invasion, Darth Maul, while his master Darth Sidious continues to lead the invasion as a "phantom" behind the scenes.
ATTACK OF THE CLONES(克隆人的进攻,2002)As now-Senator Padmé Amidala returns to Coruscant to vote on an important Senatorial matter, an assassination attempt on her life prompts the Jedi Council to send Jedi Knight Obi-Wan Kenobi and his Padawan Anakin Skywalker to protect her and find out who the assassin is. As this is happening, a rogue Jedi named Count Dooku leads separatists on Geonosis to rebel against the Senate. Supreme Chancellor Palpatine moves for a vote for a Republic Army to protect the Republic, as there has not been a full-scale war since the formation of the Republic. As Obi-Wan's investigations lead him to Kamino, he finds a massive clone army being proced, with a bounty hunter - the last of the Mandalorians - named Jango Fett as the master clone. As he chases the elusive bounty hunter, Jango (and his cloned son Boba) leads Obi Wan to Geonosis, where he meets Count Dooku and finds a startling revelation about the former Jedi. As Anakin is left behind to protect Padmé, his feelings for her grow into something more than friendship. From Naboo to Tatooine, it grows into love for her. But when a tragedy strikes Anakin's life, he begins slipping away from the Light Side of the Force, and perhaps from the Force itself.
REVENGE OF THE SITH(西斯的复仇,2005)A maturing Anakin Skywalker goes to the dark side of The Force and becomes Sith Lord Darth Vader. We experience the transformation in a dark, scary yet thrilling climax. The story here logically sets up the events of Episode IV, the original 1977 Star Wars movie in which Darth Vader goes to war against his own children, Luke and Leia.
A NEW HOPE(新希望,1977):In a distant galaxy eons before the creation of the mythical planet known as Earth, vast civilizations have evolved, and ruling the galaxy is an interstellar Empire created from the ruins of an Old Republic that held sway for generations. It is a time of civil war, as solar systems have broken away from the Empire and are waging a war of rebellion. During a recent battle techical schematics for a gigantic space station, code named The Death Star, have been unearthed by Rebel spies, and a young woman who is a dissident member of the Imperial Senate, under the cover of a diplomatic mission to the planet Alderaan, is trying to smuggle these plans to the Rebellion. But her spacecraft is attacked by a vast warship of the Empire and seized. The dissident Senator is captured, but the plans for the Death Star are nowhere to be found. While soldiers of the Empire search the nearby planet Tatooine, a series of incidents sweeps up a young desert farmer with dreams of being a fighter pilot in the Rebellion, as he winds up with the Death Star plans and also the assistance of an elderly hermit who once served as a warrior of an ancient order whose chosen weapons were powerful energy swords known as light sabers. The pair recruit a cynical interstellar smuggler and his outsized alien copilot with an ancient freighter heavily modified for combat to help them reach Alderaan - but the planet is obliterated and now the foursome must rescue the young woman held prisoner by the Empire and lead an attack by the Rebellion against the Death Star before it can annihilate all hope of restoring freedom to the galaxy.
EMPIRE STRIKES BACK(帝国反击战,1980)After receiving a vision from Obi-Wan Kenobi and fleeing the ice world of Hoth with his friends after an Imperial attack, Luke Skywalker travels to the marsh planet of Dagobah, where he is instructed in the ways of the Force by the legendary Jedi master Yoda. Meanwhile, Han Solo and Princess Leia make their way to planet Bespin, where they are greeted by Han's old friend, a shifty gambler named Lando Calrissian. Ambushed by the Empire shortly after their arrival, Han and his friends are imprisoned by Darth Vader. Luke leaves Dagobah to rescue his friends, and is met by Vader and a startling revelation.
RETURN OF THE JEDI(绝地大反攻)Lightsabers sparkle, the Millenium Falcon flashes through hyperspace and creatures from all over the galaxy defy the Imperial Empire, in this stunning third chapter of the "Star Wars" saga. As the rebels prepare to attack the Emperor's awesome new Death Star, Han Solo (Harrison Ford) remains imprisoned by the loathsome outlaw Jabba the Hutt, who has also captured Princess Leia (Carrie Fisher). Luke Skywalker (Mark Hamill) rescues his friends, but he will not be a true Jedi Knight until he defeats Darth Vader, who has sworn to win him over to the Dark Side of the Force. With old favorites like Chewbacca, Yoda, R2-D2, C-3PO and Lando Calrissian (Billy Dee Williams), plus the small but stalwart Ewoks.
这是跨越近30年的经典科幻史诗,影响了几代人的电影巨作。
拍摄第一部星战时,因篇幅和资金等问题导演卢卡斯不得不把一部剧本分成三部电影,如此在1977年5月25日首先上映了第一部“新希望”。三年之后上映的“帝国反击战”也是影迷们众口一致认为拍得最好的一部,但此时卢卡斯已不再担任导演一职,而推任制片(据他本人说,他后来发现当制片竟然比当导演还要艰苦)。最后一集“绝地大反攻”曾一度命名为“绝地复仇”(revenge of the Jedi),直至上映前不久才更名为众所周知的“Return of the Jedi”。至此,星战三部曲似乎已经完美结束了,但在1999年卢卡斯出人意料的上映了星战系列的前奏曲——前传1幽灵的威胁,而这其实是在卢卡斯几年前就已准备好了的。前传1上映后尽管得到的评价是褒贬不一,但在25周年之际上映的星战2——克隆人的进攻则逐渐开始平息了那些个别反对者的士气,“西斯的复仇”的上映最终射让每个人都刮目相看,它没有辜负任何人的期望。就此,星战六部电影真正的、圆满的画上了一个句号。
这是一部充满梦与幻想的史诗,但同时深刻黑暗的人性也被卢卡斯表现在了里面。它成就了一个个明星——一部好电影造就明星,而一部二流影片则需要明星撑腰。它从剧情到人物的刻画都并不是简单的,但它却拥有最吸引人的元素。今天的世界上遍布着老老少少百万千万个星战迷,而它的相关商品也发展的品种花样齐全,世界各地都可以看到星战的影子,它的影响力无所不在。
而你所能感受到影响最深的,是它带给你的无限的梦!!!
② 求一段电影星球大战系列的英文简介
综述:The story begins when qui gon Jin and Obi Wan Kenobi are attacked by the enemy. While fleeing, they met Queen Amidala and others. During the escape, their ship broke down and was forced to land on Tatooine near Naboo.
During the maintenance of the spacecraft, they met Anakin, who was a slave on the planet, and his mother Shmi.
Qui gon and Obi Wan were surprised that Anakin had a very powerful force, so they decided to help Anakin regain his freedom and train him to be a Jedi warrior. But when they were about to leave Tatooine, they met the evil Darth Moore.
中文翻译:故事以奎刚金和欧比旺·克诺比受到敌人袭击开始。在逃亡之际,他们遇到了阿米达拉女王等人。在逃亡过程中,他们的飞船发生了故障被迫降落在纳布星球附近的塔图因星球。在飞船维修期间,他们认识了在星球上当奴隶的安纳金及其母亲施密。
而令奎刚和欧比旺感到惊讶的是安纳金居然拥有非常强大的原力,因此他们俩决定帮助安纳金重获自由,并将他训练成为一位绝地武士。但当他们正要离开塔图因星球时,却遇到了邪恶的达斯·摩尔。
③ 一篇关于谈论电影的英语短文
IN THIS ARTICLE: One of the biggest blockbuster movie series, the Star Wars cycle created by George Lucas, has returned to the screen, with the "prequel" titled Star Wars: Episode 1--The Phantom Menace.
[1]Once, when a movie was successful there used to be a "sequel", a follow-up film destined to build on the popularity of its predecessor and extend the life of the story at the box office.
[2] Now there is the "prequel". After the success of the great Star Wars trilogy--Star Wars (1977), The Empire Strikes Back (1980) and Return of the Jedi (1983)--procer George Lucas has come up with the movie which preceded the famous story of good and evil forces battling it out across the galaxy.
[3] This preceding movie, or prequel, Star Wars: Episode 1----The Phantom Menace (1999) sets the scene for the Star Wars trilogy, with the introction of characters such as the all-seeing old man of wisdom, Obi-Wan Kenobi, and the evil Darth Vader.
[4] When Star Wars was introced in 1977, it set new standards. Writes film critic Colin Hogg: "'A long, long time ago in a galaxy far away,' begins 'Star Wars', the 'Gone With the Wind' of science fiction movies, the epic that made the stars in the sky the stars of the movie screen and did more than any other film to bring that 'other world' out there in the darkness into the hearts and minds of a generation.
本文简介:由乔治·卢卡斯创造的、耗巨资拍摄的最宏大的电影系列之一《星球大战》故事又回到了银幕上。这部“前传”名叫《星球大战:第一集----幽灵的威胁》。----编者
一旦一部影片成功了,往往就会有一部“续集”出现,这部紧随其后的电影注定是建立在前一部影片的名气之上并在票房收入方面延续该故事生命的。
现在则有了“前传”。在了不起的《星球大战》三部曲----《星球大战》(1977),《帝国反击战》(1980)和《杰迪的归来》(又译:《武士的归来》(1983)----成功之后,制作人乔治·卢卡斯又推出了一部新片,讲述的是银河系善恶力量决一胜负的这个著名故事之前的故事。
这个之前的故事,或称前传,《星球大战:第一集----幽灵的威胁》(1999)以介绍诸如洞悉一切的智慧老人、奥比温·肯诺比和恶魔达思·威德等人物为《星球大战》三部曲作了铺垫与衔接。
当《星球大战》在1977年初次面世的时候,它树立了一些新标准。电影评论家科林·霍格写道:“‘很久很久以前,在遥远的银河系上开始的‘星球大战’,是科幻电影中的‘飘’,是使太空中的群星成为银幕上明星的史诗,没有任何一部电影像它这样将那个在黑暗中的‘另一个世界’带进一代人的心里和意识中。”
④ 星球大战英文介绍
附 : 电影概要作参考
Star Wars (1977) plot summary
A long time ago, in a galaxy far, far, away . . .
Palpatine, an evil Sith Lord, has overthrown the galactic Republic and become emperor of the new Empire. The Jedi Knights, an ancient peacekeeping order empowered and guided by the Force, have been eradicated.
Princess Leia Organa is a member of the Rebel Alliance, a group fighting to defeat the Empire and restore the Republic. She’s on a mission to bring Obi Wan Kenobi, an exiled Jedi living on Tatooine, to Alderan. The mission fails when her spaceship falls under attack by an Imperial star cruiser. Leia hides stolen schematics of the Empire’s Death Star, a powerful new space station, inside R2D2, a small droid, R2 and another android, C3P0 stow away in an escape pod and jettison to Tatooine.
The two droids are found by Jawas and sold to farmer Owen Lars. Owen’s young nephew and farmhand, Luke Skywalker dreams of leaving Tatooine and becoming a pilot like his late father. While cleaning the small droid, Luke stumbles across a partial holographic message for Obi Wan Kenobi. Intrigued by the beautiful young woman in the holograph, he thinks the message may be for Ben Kenobi, a hermit living on the outskirts.
When Luke discovers R2 missing the next morning, he and C3P0 search for him in Luke’s land speeder. They locate him, but encounter the hostile sand people. Ben Kenobi rescues them, and Luke learns Ben is actually Obi Wan Kenobi, a Jedi Knight. They watch the holograph in which Princess Leia implores Obi Wan to deliver the Death Star technical plans to her father. It’s hoped a weakness in its defenses can be found. Obi Wan tells Luke that his father, Anakin Skywalker, was also a Jedi, and he was betrayed and murdered by Darth Vader, Obi Wan’s former apprentice. Vader was seced by the dark side of the Force and now serves the emperor. Obi Wan tells Luke he must learn the ways of the Force and go with him to Alderan. An increlous Luke refuses, but agrees to take Ben to nearby Mos Eisley to find transportation. Realizing R2 and C3P0 could be traced to his family, Luke rushes home only to find his aunt and uncle murdered by Imperial storm troopers searching for the droids.
Luke now wants to become a Jedi and goes with Obi Wan. In Mos Eisley they meet Han Solo, captain of the Millennium Falcon, and Chewbacca, a wookie and Han’s first mate. Han, a smuggler with a bounty on his head, agrees to fly the passengers to Alderan for a hefty fee. Just as they’re about to depart, storm troopers swarm the hanger, and the Falcon barely escapes.
Meanwhile, Princess Leia is captive aboard the unfinished Death Star. Darth Vader demands the location of the rebel base camp, but Leia resists. Death Star Commander, Grand Moff Tarkin plots a course for Alderan, and threatens to destroy Leia’s home world if she refuses to reveal where the rebels are hidden. Unable to sacrifice Alderan, she provides coordinates, but Tarkin blasts the planet to demonstrate the Death Star’s full power. The information Leia gave Vader is false, and he scheles her execution.
The Millennium Falcon arrives in the Alderan system, only to encounter the planet’s shattered remains. Han spots an Imperial fighter near a small moon, but Obi Wan realizes too late that it’s actually a massive space station. As they attempt to retreat, the ship is caught by a tractor beam and pulled towards the Death Star. There is no escape, but Han has a plan.
⑤ 星球大战影评(英文)
1
Well, Star Wars: Clone Wars was released, and though it was a much anticipated event (or ploy) to get every Star Wars geek to the theater for something a little different, you might spend your money better on the Genndy Tartakovsky versions.
The action picks up shortly after Episode II: Attack of the Clones and owes a lot to the aforementioned Tartakovsky versions in voices, style, and tone. But that is where the similarities end. We’re thrown smack in the middle of the narrative with no explanation of character or setting, because, well, you know it all by now, don’t you? Obi-Wan and Anakin are deep into battle when they are called to action to find and rescue Jabba the Hutt’s little "punky muffin" (yes, that is what Jabba called him). The message is delivered by Ahsoka Tano, Anakin’s new padawan learner, a whiny, vacuous little twit who, if she wasn’t a force-wielding Jedi who kicks some serious Droid behind, would fit right in as a character on Hannah Montanna. I knew we were lost when Anakin called her "Snips" and she called him "Sky-guy" and R2D2 "Artooie." With the introction of Ahsoka, one can almost forget Hayden Christensen ever happened. But there are some neat new characters who make appearances and, of course, plenty of aliens.
As far as the animation rendering goes, there are some stylistic choices that give the whole thing a "dirty," monochromatic feel with the look of papier-maché sculptures. The animation was supposedly done to resemble Japanese anime, but methinks they confused anime with Supermarionation. I felt like I was watching an episode of Thunderbirds.
Let’s be clear. It’s Star Wars, and it satisfies your yearning for clone trooper-on-droid action and light saber els. We get to see lots of armored and unarmored clones do their business and big spaceships battling in the void. My 5-year-old simply loved it and would not have let me hear the end of it if he was forced to wait until the DVD, or worse, the TV show. There are some very silly things about this Clone Wars such as the fact that the battle droids all sound like Erkle from Family Matters, and Zero (Cero?) the Hutt sounds more like Capote the Hutt. But there are some very cool things about this version of Clone Wars too which should add some real variety to the mythos. Ventress is one of these things. This character is one evil Sith witch and is the best carry-over from the Tartakovsky toons. She should make the subsequent TV episodes fun to watch, if the show lasts that long for her to become a major feature that is. I also can’t wait to see more Jedi and General Grievous.
In short, see it if you or the geeklets can’t bear the wait, but you might spend your money better somewhere else waiting for the inevitable repeat ring the TV release.
2
The action of the film was far more intense than I was expecting. There were so many giant set pieces and grand action sequences that the film hardly ever stopped to catch its breath. And it’s not just that there was a LOT of action… it was all really good action. From the giant space battles to the huge ground troop battles, the lightsaber els and the Jedi throwing themselves into swarms of battle droid fights… it was all really quite spectacular. To me, it was easily the most action packed Star Wars movie to date, and maybe the most action packed Sci Fi film I’ve ever seen (animated or otherwise). It was fantastic. My hats off to them.
As much as I worried about how the animation looked in the trailers, I’ve got to admit within about 3 minutes I was totally sold on it and thought it worked and looked quite beautiful. Yeah, the facial animation could have been a lot better, but aside from that I thought the landscapes, the structures, the ships, the movements and the environments in general were all done wonderfully in my opinion, but I can see why others may differ.
3
I saw Star Wars Episode Two: Attack of the Clones hours ago. The ‘how’ of that will be a thing of mystery buried in a passed piece of paper from my book signing with a hotel, a room number and a time listed upon it. You don’t want to know about that room or the person(s) in that room, you want to know about Episode Two.
Jar Jar Binks. Jar Jar has a 15 second StepInFetchIt shuffle speak routine he does as he goes to first let Obi Wan Kenobi and Anakin Skywalker into the Amidala’s quarters that is so offensively awful, that it will not only make you recoil in horror, but it will remind you of all of the worst aspects of his character from THE PHANTOM MENACE. I wanted to burn the film, destroy, maim and murder it at this stage. I was steeling myself from the impending incompetence, the horror of my childhood being molested. I was prepared to have a very bad time.
I found myself not liking Anakin Skywalker at all, he’s a punk spoiled brat… A snotty nosed ego trip, that angry evil high school football quarterback that wants the head cheerleader. He whines like a Mark Hamill squealing about going to Toshi Station to get some power converters. There is much anger in him. He’s impulsive, conflicted, out of control and a mass murderer. Everytime I saw him and Natalie Portman together, I wanted to tell her to run, fly you fool. But am I not supposed to feel that way?
So did George Lucas drop the ball? Did he rape our childhood? Has he turned into nothing more than flannel wearing toy salesman without a soul or an eye for storytelling anymore? Was I disappointed to such a state that I wanted to yell and scream and break my original 12 inch Boba Fett and defecate upon it in a ritualistic purging of all that was once sacred to my childhood?
To answer all of those questions…. THANK GOD NO!!! Lucas succeeds with the film beyond my wildest dreams.
I was scared and thrilled to be watching Episode 2. The entire time I was in that hotel room, I was convinced that agents of Lucasfilm were going to knock down the doors and I knew I was being set up for a fall. I mean, it isn’t possible to see STAR WARS early. I know that, but there I was watching it. Listening to the sounds of drunk SXSW revelers falling into the door outside.
After about 20 minutes of that awareness everything but the film ceased to exist. The lights in the room dimmed in my mind. The person(s) in the room shrank like Scott Carey into the microverse. Everything about me was concentrating upon the film. The movie was not complete. There were moments where the effects were quite rough, but the work that was finished, was beyond reproach.
How do I explain the success of ATTACK OF THE CLONES? First, I must say that this film makes THE PHANTOM MENACE a better film. In fact, I would have to say that not only does it do that, but suddenly you will realize with horror, exactly why Jar Jar Binks is in the series at all. Upon first viewing, in less than ideal circumstances, I must say that I feel that this is by far the most entertaining Star Wars film to date. It may not have that innocent sense of wonder for the first film. It doesn’t have that sense of intimacy that EMPIRE STRIKES BACK had, or that film’s desperation. However, it also doesn’t have the trivial frivolity of JEDI or MENACE. ATTACK OF THE CLONES is a turning point in the saga. The point of no return.
I love this film desperately. I want to continually watch it for about a week with my best friends. I want to see it digitally projected with sternum shaking sound. I want to watch as friends discover the twists that Palpatine/Sidious/Dooku have in store for us. I want to have the conversations about what this all means, the speculative conversations about how these elements will play out in the final chapter of the prequels.
What is great about the film?
Obi Wan Kenobi / Ewan McGregor. He just owns the role now. There is a moment in the Cantina/Sports Bar on the surface level of Coruscant, where he and Anakin have chased an assassin. As they enter this packed sci-yuppie-scum club, they realize they can’t seem to be able to see ‘the assassin’ anymore. Anakin wants to rush in, tear the place apart looking for the suspect. Obi Wan tells him to slow down or something then turns to head in a different direction, Anakin asks him, "Where you going?" to which Kenobi dryly responds, "To get something to drink." Kenobi is just that calm about things. He is the king of cool. He’ll get his suspect, but he’s going to get a drink first. Priorities. I was reminded of him telling Luke to let go and to trust his feelings. He doesn’t repeat that here, he simply lets go and trusts his feelings. We see it as an action, a path he chose. Then when he gets to that bar, leaning on it, sipping that odd drink, a drug dealer comes up to him and asks, "Wanna buy some deathsticks?" Obi Wan responds, "You don’t want to sell me death sticks." Drug dealer says, "I don’t want to sell you death sticks." "You want to go home and rethink your direction in life," Kenobi continues. "I want to go home and rethink my direction in life," the dealer says as he blankly turns and walks out of the club. Before he can get too smug about his little trick he senses the assassin behind him and he pulls the patented Obi Wan pivoting light saber at a bar strike that you’ve seen in the trailer. He gets his suspect and he’s never broke a sweat. He is the master. Kenobi is just plainly cool in the film. Watch how he handles things on Camino or the way he doesn’t betray a single thought in his conversation with Jango Fett there. He knows his game, his methods and his ways. He is confident and completely on the clock. Ewan is relaxed in the role, clearly having fun and is very very very good in the film. Contrary to Moriarty’s assertion that he would be more ‘Han Solo’ he is in fact much more Master Li Mu Bai (Chow Yun Fat from CROUCHING TIGER HIDDEN DRAGON) but without the romance.
Jango Fett – Boba Fett / Temuera Morrison – Daniel Logan -- I love this pair. I love them because they are the renegade Father and Son. They have their own set of rules, they are a self contained functioning unit. Jango wanted a son to raise his own way, that doesn’t mean he beats him and does evil things. He loves his kid. He’s training him to be a good Bounty Hunter like he is. There is very much a father/son – Master/Apprentice style thing going on here. And they have my favorite moment of the entire film, which is a tiny little moment between these two. Jango and Boba are headed to Genosia when they pick up that Kenobi is tailing them. They dive into the asteroid belt surrounding Genosia, Obi Wan trails behind them, not being lost. Jango tells Boba something like, "Prepare the sonic mines, we’ll give him…" something, I couldn’t make out… but Boba presses some buttons while doing what I can only describe as an evil giggle… a delighted giggle. Jango looks at him smiling, as if to say… "That’s my boy!" The moment is so honest and real. I’ve never seen a father – son moment like this in science fiction. Completely classic.
Anakin Skywalker - Padme Amidala / Hayden Christensen – Natalie Portman -- First Anakin is just an ass in this film. Like I said earlier, I can’t stand him. He’s like that boy in the TWILIGHT ZONE movie that has too much power and thinks about using it too much, but sometimes it goes terribly astray. Portman’s Padme in this film has mostly dropped the ‘high speak’ that she had from the first film…. Injecting into her character far more vocal variety than the droll monotone of the first film that killed the performance. Here she infuses the character with more of herself, which is a very good thing. I like that she doesn’t want to have anything to do with Anakin. That she constantly is aware of all the reasons they shouldn’t be together. Of the scandal. Of their careers. Anakin hates being told no. She can see all the reasons, but when they go through what they go through… When the emotional binding takes place between these characters through a brief adventure, a loss of a loved one, a decent into hell… When faced with certain doom, they realize that life is too short to worry about the ifs and buts… And when it happens… John Williams’ love theme kicks in. This really kicks in just as Anakin and Padme kiss before being taken out and strung up in the arena (you know the sequence when they are chained against the pillars.) It actually starts from the shot (which we see in the trailer - of the arena with all the Geonosis creatures seated and cheering - the long shot looking from high to low). It consists of maybe three instruments playing at first, classic violin, very sorrowful and warm. It almost sounds a little bit like the theme for the Incredible Hulk TV series with Lou Ferrigno. The intros are similar before other instruments join in. It also reminded me of Francis Lai’s theme from Arthur Hiller’s LOVE STORY. Although it is strikingly different from other parts in the film, IT FITS IN BEAUTIFULLY. Elegant but not soppy. Gentle but not melodramatic. Williams thinking differently (after all, a very different relationship from Han and Leia!) and succeeding. It starts to crescendo as the lovers are wheeled out into the arena (reminded me of the shot of Luke with the twin suns) - same type of crescendo. It continues through the cuts between Obi-Wan chained and them being taken over to the same place but changes into a military drum style (you know, the thumping dictatorship heavy beat - almost like the 'sacrifice has arrived'). This changes the whole tone as we realize their 'moment' has been intruded and they are in serious poodoo. The romance is handled in terms of familiarity and proximity. This is that sort of romance where one loves the other, but only at the point of an emotional precipice where the other could see that they shared that feeling and embrace it. I liked this.
Palpatine-Sidious – Count Dooku-Darth Tyrannus / Ian McDiarmid – Christopher Lee -- Wow. Ok, read no spoilers about all of this. I remember thinking that Lucas could be soft in the head for trying to fool the audience into thinking Palpatine isn’t Sidious. I mean we can see that in the credits. What the hell? Right? See that is so like a self-centered audience. To sit there and think they are the center of the universe. The Palpatine-Sidious thing from the first film… The trade dispute… All of it not only makes sense with this film, but the way it unfolds. As you see the point of the various guises and names… How Yoda and Win sense no ‘disturbance’ around Palpatine… There are reasons for these things… Just because you don’t know them yet, doesn’t mean Lucas doesn’t know what he’s doing… Upon seeing this film, seeing how he handles these two characters being 4 characters… It is genius. Compelling Machiavellian positioning and deception. There are points in this film where I wanted to scream at the screen and say, "Palpatine is an evil Sith Lord! They’re conspiring to destroy the Republic from within!" That’s when Christopher Lee essentially tells Obi Wan the same thing… My god. The evil. The evil of using the truth, knowing it could only be interpreted as being a deception and a lie. The Devil uses truth to betray mankind, because he is expected to lie… and the truth sounds better, but will never be believed. Just wait till you see how the Death Star plays into this… You’ll friggin die! FANTASTIC.
Yoda-Dooku fight… HOLY GOD! Right now there is a lot of speculation about Yoda with lightning. It is on one of the soundtrack covers. When you look at that. When people described the ball of lightning in Yoda’s hands from ShoWest, I thought they were insane. I thought only the bad guys did that. When I saw the film, well… I can tell you exactly how that moment plays out. So far as I have seen that hasn’t leaked and it isn’t a huge spoiler. When Yoda and Dooku first set up to go at it, Dooku hurls lightning at Yoda… Yes, Chris Lee’s character is that strong. Perhaps the strongest character with the force I have ever seen in Star Wars history. He attacks Yoda with lightning, Yoda captures it, twirls it around, balls it up and redirects it back at Lee. When I saw this, I screamed like a little girl. I mean it was like Uncle Tony grabbed my pantied ass. I jumped about 12 feet up in the air and squealed. WHAT A THRILL! The Yoda – Dooku fight is astonishing. I can not emphasize that enough. I have been thinking for quite some time that there was no way on earth that Yoda with a light saber could look cool. Folks, not only does it look cool, but there will be a collective scream of HOLY SHIT when what happens happens. Yoda’s fighting style is… well let’s just say he could kick all your asses. Oh and by the way, Williams’ DUEL OF THE FATES was nothing in comparison to this. Remember Vader vs Luke in EMPIRE… How overwhelmingly powerful Vader felt in comparison to Luke. Remember how weak Vader felt in comparison to the Emperor? Now imagine someone with The emperor’s powers in a full on battle with a master. Here towers of metal are torn asunder with the power of the force. The ceiling ripped apart. Seemingly unlimited strength with the force. You will quiver, shake and scream. You are warned.
You have to understand something in going into this film. What you have seen in Star Wars movies before were skirmishes… incidents… Remember, The Battle of Hoth was small, a minor hiccup. In ATTACK OF THE CLONES, you have the first REAL Star War. It isn’t a space battle, but you understand the scale of things. The size and scope of a MAJOR OFFENSIVE. And unlike in PHANTOM MENACE, where Lucas decided to cut up the action by trying to intercut three consecutive arenas of battle, here he portrays the action linearly… basically following Obi Wan and Anakin and Padme… who all basically stick together, with Padme taking a roll in some sand to miss out on the Dooku battle.
After the film was finished playing I was just beside myself with glee.
Right now it is a very interesting time for Star Wars fandom. PHANTOM MENACE polarized the audience into the faithful and those that felt it had all gone wrong. That everything was doomed. With the introction of MATRIX and LORD OF THE RINGS into fan circles, there began to be a real angry mix.
You know those guys that have been camping up in Seattle? The experience they are going to have in the theater upon that first showing… They will be so completely happy.
Now the cut I saw was still a bit rough around the edges, but folks… I can’t wait to see this on the big screen complete. To see what gets cut, what gets changed, what I notice when watching this movie the way Lucas meant for people to see it.
This movie is the real deal. It is smart, beautiful (god digital photography is the glory and the future of the world of film, the palette is strikingly dramatically colorful), thrilling and electrical. Essentially it is a pure action adventure science fiction fantasy with a touch of romance. Line up now. This Star Wars is for real.
P.s. To the talkbacker concerned about Jimmy Smits... He doesn't really do anything major in this film. He is next to Palpatine though right before that amazing shot of all the Clone Troopers and those Star Destroyer things... So he's close to Palpatine, but I bet he betrays Palp in the next one (speculation) Oh, I'm off to Los Angeles, so I won't be doing talk back looking on this to answer questions, but if you come to the book signing at BOOK SOUP Tuesday at 7pm, I'll answer all NON-SPOILER QUESTIONS about Episode 2. In fact, I'll even do imitations of scenes and looks on faces. I'm so jazzed about this movie now! Can't wait to share, but not spoil!!! The gods of spies have looked out for me on this one.... That sacrificial Power Puff doll was worth it!
⑥ 一篇关于一部战争电影的英语作文,包括演员,导演
网民评出全球250部最佳影片 (IMDB) 前100部:
1、 《教父》The Godfather 1972年 8.9 分
科波拉黑帮经典《教父》的首部,派拉蒙公司最成功的影片之一,坐稳IMDB头把交椅应属
众望所归。虽然评论界一致对《教父》系列的第2集推崇有佳,但大多数影迷似乎还是对
《教父》情有独钟,这可能与马龙·白兰度极具个人魅力的表演有关,直到今天他那种含
糊沙哑的声音与神秘莫测的表情都依然叫人着迷。
2、 《肖申克的救赎》The Shawshank Redemption 1994年 8.9 分
这部被称为《刺激1995》的影片在中国影迷间也有极好的口碑,可见电影超越国界的神奇
之处。
3、 《辛德勒的名单》Schindler[]s List 1993年 8.8
斯皮尔伯格在《大白鲨》、《夺宝奇兵》、《外星人》、《紫色》四次与奥斯卡失之交臂
后,终于在辛德勒和无数犹太难民的帮助下捧得金像。
4、 《公民凯恩》Citizen Kane 1941年 8.8
无需多言的电影里程碑,神童奥逊·威尔斯可一不可再的惊世之作。
5、 《卡萨布兰卡》Casablanca 1942年 8.7
永远的《北非谍影》,永远的英格丽·褒曼。
6、 《教父续集》The Godfather Part II 1974年 8.7
《教父续集》中科里昂尼家族兴起的历史与麦克血腥的奋斗形成了完美的对仗,这种平行
蒙太奇的运用深得评论界的赏识,此片的成功也巩固了艾尔·帕西诺和罗伯特·德尼罗两
位意裔影帝的地位。
7、 《七武士》Shichinin no samurai 1954年 8.7
这可能不是大师黑泽明最出色的作品,但确实是他最好看的作品,它对世界电影的影响早
已不是一个简单的东方武侠故事。
8、 《星球大战》Star Wars 1977年 8.7
对每个出生于50到70年代的美国人而言,他们几乎都喜欢被人被称作“Star Wars Gener
ation”(《星球大战》的一代),星战系列应该是拥有影迷人数最多的系列电影了,还
记得99年推出《星战前传》时掀起的狂潮么?
9、 《美国美人》American Beauty 1999年 8.6
这部电影能入选到TOP10有点叫人惊讶,美国特有的中产阶级影片。
10、 《飞跃疯人院》One Flew Over the Cuckoo[]s Nest 1975年 8.6
米洛斯·福尔曼和杰克·尼克尔森两人共同的颠峰,一堂影视表演的必修课。
11、 《奇爱博士》Dr. Strangelove 1964年 8.6
库布里克讽刺冷战的黑色幽默经典,“未来三部曲”的首部,对一个没有那段历史经历的
中国观众而言,此片未必会得到这样的高分。
12、 《卧虎藏龙》Crouching Tiger,Hidden Dragon 2000年 8.6
李安真的拍了部了不起的电影。
13、 《后窗》Rear Window 1954年 8.6
希区柯克的经典,詹姆斯·斯图尔特和格蕾丝·凯莉的搭配就如同现今布拉德·彼特和朱
丽娅·罗伯茨合作一样抢眼。
14、 《夺宝奇兵》Raiders of the Lost Ark 1981年 8.6
在英国《完全电影》(Total Film)杂志评选的最伟大的50个银幕英雄(又是个TOP一族
)中,哈里森·福特饰演的印第安纳·琼斯雄居榜首,斯皮尔伯格还是拍这样的东西比较
划算。
15、 《非常嫌疑犯》The Usual Suspects 1995年 8.5
到最后才叫观众恍然大悟的影片总是那么迷人,更有意思的是它还隐藏着两位日后的奥斯
卡影帝凯文·斯派西与贝尼裘·狄托洛。
16、 《精神病患者》Psycho 1960年 8.5
观众至今还为凶手的屠刀而恐惧,这可能就是希区柯克最大的魅力。
17、 《星球大战之帝国反击战》The Empire Strikes Back 1980年 8.5
Star Wars fans的第二《圣经》。
18、 《低级小说》Pulp Fiction 1994年 8.5
可能是我自己看次数最多的影片,两年里看了12遍,昆汀塔伦蒂诺的鬼才短暂却叫人刻骨
铭心。
19、 《记忆碎片》Memento 2000年 8.5
今年热门的悬念片,现在还在排行榜上停留。
20、 《西北偏北》North by Northwest 1959年 8.5
又一部希区柯克影片,加里·格兰特被小飞机追杀逃入玉米地的的镜头堪称电影史上的经
典,在南斯拉夫浪子库斯图里卡、搞笑白头翁拉塞尔·尼尔森等人的不同影片中都得到了
致敬性的再现。
21、 《沉默的羔羊》The Silence of the Lambs 1991年 8.5
当“野牛比尔”从黑暗中走来,你听到的是羔羊的哭泣,还是自己的心跳?
22、 《风云人物》It[]s a Wonderful Life 1946年 8.4
弗兰克·卡普拉导演,詹姆斯·史都华主演,曾获该年度奥斯卡最佳影片、最佳导演、最
佳男主角等5项提名,但在另一部出色影片《黄金时代》面前败下阵来。入选美国电影协
会评出的世纪百部佳片。
23、 《好家伙》Goodfellas 1990年 8.4
马丁·斯科西斯的意大利黑帮纪实文学,片中最抢眼的演员是小个子乔·佩西,本片绝对
可与科波拉《教父》系列相媲美。
24、 《拯救大兵瑞恩》Saving Private Ryan 1998年 8.4
斯皮尔伯格动用巨资拍摄的二战影片,在奥斯卡角逐中竟输给了名不见经传的《莎瓮情史
》。
25、 《阿拉伯的劳伦斯》Lawrence of Arabia 1962年 8.4
那是一个阿拉伯的故事,那是一个大卫·里恩的时代……
26、 《十二怒汉》12 Angry Men 1957年 8.4
由亨利·方达领衔主演,是一部非常精彩的电影。整个故事发生在一间屋子之中,12个性
格各异的人演出了一场智慧、理智与偏见之间的斗争。其中不乏精彩的台词和精妙的构思
。
27、 《光荣之路》Paths of Glory 1957年 8.4
库布里克早期经典,柯克·道格拉斯主演。
28、 《杀一只知更鸟》To Kill a Mockingbird 1962年 8.3
格里高利·派克主演的经典影片,他扮演一名南方小镇律师,为黑人强奸犯辩护,精彩的
演技为他赢得当年奥斯卡影帝头衔。
29、 《可诅咒的人》M 1931年 8.3
德国电影大师弗立茨·朗格三十年代的经典,有声电影的第一个美学参照,西方电影俱乐
部的保留片目,电影史学研究的必修课。
30、 《眩晕》Vertigo 1958年 8.3
如果失去希区柯克,电影将会怎样……
31、 《出租汽车司机》Taxi Driver 1976年 8.3
斯科西斯最重要的作品之一,德尼罗刻画的司机特拉维斯成为电影史上的一个典型人物,
童星朱迪·福斯特在片中崭露头角。
32、 《第三个人》The Third Man 1949年 8.3
著名的英国黑色电影,对斯科西斯等新好莱坞导演有较大影响。
33、 《洛城机密》L.A. Confidential 1997年 8.3
出色的好莱坞影片,黑色的风格把观众来到五十年代的洛杉矶,一把出色的男影星加上金
发花瓶贝辛格。
34、 《美丽人生》La Vita è bella 1997年 8.3
意大利人罗伯特·贝尼尼扬名天下的灰色喜剧,使汤姆·汉克斯三夺金像影帝的梦想再次
受挫。
35、 《日落大道》Sunset Blvd. 1950年 8.3
导演比利·怀尔德是五十年代好莱坞最重要的人物,他的作品二十次入围奥斯卡最佳影片
并六次获奖。这位来自欧洲的犹太人曾任美国陆军心理战争的电影部部长,他始终认为电
影就是娱乐,并持此信念从事电影工作长达历数十年。
36、 《玩具总动员2》Toy Story 2 1999年 8.3
榜单中出现的第一部卡通片,可能是先入为主的缘由,我倒觉得《玩具总动员1》更精彩
些。
37、 《马耳他之鹰》The Maltese Falcon 1941年 8.3
早期黑色影片的基石。
38、 《灵异第六感》The Sixth Sense 1999年 8.3
本片至少改变了三个人的命运:第一个是年轻的印度裔导演奈特·莎马兰,第二个是正愁
转型不利的动作明星布鲁斯·威利斯,第三个就是现在大红大紫的童星奥斯蒙特。
39、 《搏击会(角斗俱乐部)》Fight Club 1999年 8.3
将无政府主义、暴力倾向融和进一部布满悬念、条理分明的情节剧,大卫·芬奇再次以事
实证明了自己是九十年代最出色的好莱坞导演之一,爱德华·诺顿的上乘表现绝对压倒了
帅哥布拉德·彼特。
40、 《骇客帝国》The Matrix 1999年 8.3
沃卓斯基兄弟的奇思妙想加上袁和平的武术执导让全球影迷在99年得到了最强的视觉冲击
,基努·里维斯躲避子弹的镜头已成经典。
41、 《潜艇风暴》Das Boot 1981年 8.3
著名的德国战争影片,导演沃尔夫冈·彼德森虽与德国新电影同代,却始终专注于商业影
片,后去好莱坞发展,执导的作品有《空军一号》、《完美风暴》等。
42、 《彗星美人》All About Eve 1950年 8.3
美国舞台剧风格的影片,以叫“哓舌”式的对话著称,由好莱坞著名演技女星蓓蒂·戴维
斯领衔主演,导演曼基维茨最著名的作品应该是《埃及艳后》。
43、 《愤怒的公牛》Ragging Bull 1980年 8.3
第三部位列榜单50大的斯科西斯影片,足以看出这位电影社会学家在影迷中的叫好程度。
扮演拳王拉莫塔的德尼罗不但为学拳击而伤痕累累,还为贴近形象迅速增肥五十多磅,他
的敬业精神至今成为众多演员的楷模。
44、 《善、恶、丑》Il Buono, il brutto, il cattivo 1966年 8.3
一生只有不到10部作品的意大利导演塞尔乔·莱翁内却是意大利西部片的开山鼻祖,他以
黑泽明武士影片、美国西部片为基础开创出独特的意大利西部片风格。这位低产导演对意
大利电影以及美国独立电影都产生过不小影响,中国影迷所熟悉的《美国往事》便是他的
收山之作。
45、 《雨中曲》Singin[] in the Rain 1952年 8.3
可能是很多影迷对“歌舞片”的第一印象,金·凯利在雨中漫舞的镜头不知会唤起多少人
浪漫的回忆,但这段经典的歌舞移植到库布里克的《发条橘子》中却变成了恐怖与戏谑。
46、 《唐人街》Chinatown 1974年 8.3
传奇导演波兰斯基最著名的影片之一,杰克·尼科尔森主演。
47、 《超级无敌掌门狗之剃刀边缘》Wallace & Gromit The Wrong Trousers 1993年
8.2
《小鸡快跑》导演早期作品,也是黏土动画。
48、 《绿野仙踪》The Wizard of Oz 1939年 8.2
好象只看过动画片,此片去年出过DVD,可对这类的好莱坞老电影实在没有耐心去看。
49、 《现代启示录》Apocalypse Now 1979年 8.2
这部为科波拉赢得赞誉和金棕榈的影片也因恶劣的票房让他背上了十年才清偿的高额债务
,里面戏份极少的马龙白兰度依然人们关注的焦点。
50、 《热情似火》Some Like It Hot 1959年 8.2
比利·怀尔德导演、玛丽莲·梦露、托尼·柯蒂斯和杰克·莱蒙三人联袂主演的喜剧,当
选美国电影协会评出的世纪最佳喜剧第一名。
51、 《桂河大桥》The Bridge on the River Kwai 1957年 8.2
大卫·里恩拍摄的战俘题材影片,影片的背景与大岛渚的《战场上的圣诞快乐》有相似之
处。
52、 《毒品网络》Traffic 2000年 8.2
刚刚问鼎奥斯卡最佳导演斯蒂文·索德伯格的第十部作品,看来这个十年前以《性,谎言
,录象带》扬名戛纳的独立制片旗手已经完全过度为好莱坞的主流。
53、 《格林奇偷走圣诞节》How the Grinch Stole Christmas!(电视版) 1966年 8.2
动画片,这就是金·凯瑞新片《格林奇》的原作。
54、 《罗生门》Rashomon 1950年 8.2
遥想半个世纪前身材高大的“黑泽天皇”在洛杉矶音乐中心举起奥斯卡最佳外语片的情景
,大有“亚洲电影站起来了!”的意味。遗憾的是,黑泽明未能亲眼目睹亚洲电影“零的
突破”--当年的威尼斯电影节,《罗生门》获金狮奖的消息他是从报纸上知道的,奖杯也
是从意大利邮寄到日本的。
55、 《双重保险》Double Indemnity 1944年 8.2
又一部比利·怀尔德的影片,看来美国有一大批怀旧的观众。
56、 《2001太空漫游》2001 A Space Odyssey 1968年 8.2
库布里克“未来三部曲”的第二部,这部科幻影片经典,今天依然魅力无穷。
57、 《邪恶的接触》Touch Of Evil 1958年 8.2
奥逊·威尔斯晚年作品。
58、 《将军号》The General 1927年 8.2
好象只看过动画片,此片去年出过DVD,可对这类的好莱坞老电影实在没有耐心去看。
59、 《成名在望》Almost Famous 2000年 8.2
导演卡梅伦·克劳根据自己经历改编的影片,唤起人们有关七十年代摇滚与青春的回忆,
当然对中国庞大的打口一族来说,看这部影片也很有滋味。
60、 《美国X历史》American History X 1998年 8.2
影片最大的亮点当然是爱德华·诺顿,那些打算终身移民的同胞应该看看美国种族歧视的
侧面。
61、 《满州候选人》The Manchurian Candidate 1962年 8.2
比较有名的政治惊悚片,讲的是朝鲜战争中被洗脑的美军士兵回国后按苏联指使准备暗杀
要员的故事。
62、 《碧血金沙》The Treasure of the Sierra Madre 1948年 8.2
导演兼编剧约翰·赫斯顿制作了多部此类型的影片,不过这部描写发生在墨西哥内贪婪、
恐惧和谋杀的电影,无疑是当中最成功的,男主角亨佛莱·鲍嘉的精湛演出也是重要因素
。
63、 《乱》Ran 1985年 8.1
黑泽明晚年力作,改编自莎士比亚的《李尔王》,影片过于追求宏大场面和画面精美,为
了拍得真实可信,黑泽明下令烧毁了高额搭建的三座实景城堡。
64、 《发条橙》A Clockwork Orange 1971年 8.1
库布里克“未来三部曲”的压轴戏,对人暴力天性的揭露淋漓尽致。因暴力、色情场面过
多以及发生类似案件,《发条橙》在公映后不久即被禁放,直到库布里克去世后不久影片
才重见天日,在剧场中与欧洲观众见面。
65、 《巨蟒与圣杯》Monty Python and the Holy Grail 1975年 8.1
《12只猴子》导演泰瑞·吉连姆早期推出的喜剧片,讲述亚瑟王和手下的圆桌武士们在寻
找圣杯途中遇到的种种趣事。
66、 《傀儡人生(成为约翰马尔科维奇)》Being John Malkovich 1999年 8.1
近年比较有意思的一部美国影片。
67、 《城市之光》City Light 1931年 8.1
卓别林代表作之一。
68、 《疾走罗拉(罗拉快跑)》Lola rennt 1998年 8.1
红发,尖叫,奔跑,可能这就是大家都在谈论的后现代主义。
69、 《史密斯先生到华盛顿》Mr. Smith Goes to Washington 1939年 8.1
好莱坞早期政治影片。
70、 《异形》Alien 1979年 8.1
一段噩梦的开始,导演雷德利·斯科特(《末路狂花》、《角斗士》)成名作品。
71、 《落水狗》Reservoir Dogs 1992年 8.1
塔伦蒂诺的处女作,黑色、暴力、血腥,一个男性关系寓言,一部出类拔萃的独立影片,
仿佛塔伦蒂诺的才华都已在最初的两部作品中用尽。
72、 《勇敢的心》Braveheart 1995年 8.1
随着梅尔·吉布森大呼一声“Freedom”,他不但征服了奥斯卡的评委,也征服了十之八
九的影迷。
73、 《冰血暴》Fargo 1996年 8.1
科恩兄弟代表作,导演乔尔的老婆麦克多蒙德在片中有上佳表现,土得掉渣的方言给人留
下深刻印象。
74、 《梦之安魂曲》Requiem for a Dream 2000年 8.1
好莱坞新锐达伦·阿罗诺夫斯基2000年力作,他的第一部作品是《π》。
75、 《摩登时代》Modern Times 1936年 8.1
这可是部上过初中政治课本的影片!
76、 《西部往事》C[]era una volta il West 1969年 8.1
塞尔乔·莱翁内六十年代作品。
77、 《绿色奇迹》The Green Mile 1999年 8.1
《肖申克的救赎》导演弗兰克·德拉邦特99年推出的新作,由汤姆·汉克斯主演,但显然
未能超越前作。
78、 《莫扎特传》Amadeus 1984年 8.1
米洛斯·福尔曼可能是美国最成功的移民导演,他的作品有一种明显的向社会挑战的意识
,但也只能在好莱坞容许的范围之内。
79、 《银翼杀手》Blade Runner 1982年 8.1
雷德利·斯科特作品,特有的人文主义精神和出色的美工特技使《银翼杀手》成为一部不
易被人忘记的科幻影片。
80、 《偷自行车的人》Ladri di biciclette 1948年 8.1
意大利新现实主义的代名词。
81、 《骗中骗》The Sting 1973年 8.1
保罗·纽曼与罗伯特·雷德福主演的一部骗术影片,几年前在国内的电视台放映。
82、 《大白鲨》Jaws 1975年 8.1
大卫·芬奇这样形容这部电影:自从我看完《大白鲨》,就再也不敢到海里游泳了,尽管
我知道那只是一部电影。
83、 《鸭汤》Duck Soup 1933年 8.1
由著名的喜剧之家马克斯兄弟联袂主演。
84、 《岸上风云》On The Waterfront 1954年 8.1
马龙·白兰度塑造的又一段经典。
85、 《杀手莱昂》Léon 1994年 8.1
吕克·贝松奠定国际声誉之作。这好象是名单中第一位法国导演的作品,片子还是在美国
拍的,看来美国观众确实只关心国产影片。
86、 《七宗罪》Se7en 1995年 8.1
大卫·芬奇初露峥嵘,几乎是部人见人爱的电影。
87、 《那一个晚上》Festen 1998年 8.0
原名《庆典》,Dogme95一号作品,极至的影象方式给人震撼,叙事的紧凑拉住了那些对
手持镜头不适应的观众,Dogme95正式作品中影响最广的一部。
88、 《木兰花》Magnolia 1999年 8.0
保罗·托马斯·安德森继《不羁夜》之后再次尝试的多瓣式结构的佳作,2000年柏林电影
节金熊奖。
89、 《安妮·霍尔》Annie Hall 1977年 8.0
伍迪·艾伦半自传色彩的代表作,获奥斯卡最佳影片。给我留下深刻印象的是影片中那些
喋喋不休的对话,如果GRE考听力的话,肯定是这个样子。
90、 《傲慢与偏见》Pride and Prejudice 1995年 8.0
英国BBC电视台拍摄的热门电视短剧,英国演员科林·费尔斯因扮演男主人公达西而拥有
大批的影迷。
91、 《斯特莱特的故事》The Straight Story 1999年 8.0
美国前卫导演大卫·林奇回归朴素的作品。
92、 《内幕新闻(局内人)》The Insider 1999年 8.0
拉塞尔·克罗在此片的表现明显优于他获奖的《角斗士》。
93、 《用心棒》Yojimbo 又名保镖 1961年 8.0
黑泽明作品。
94、 《大逃亡》The Great Escape 1963年 8.0
战俘逃亡影片中的代表,斯蒂夫·麦克奎因代表作之一。
95、 《角斗士》Gladiator 2000年 8.0
尽管叫座又得奖,雷德利·斯科特原有的才情还是被好莱坞所吞噬。
96、 《异形II》Aliens 1986年 8.0
詹姆斯·卡梅伦续拍的恐怖科幻片,使女演员西尔古内·薇弗成为动作片中的孤胆女英雄
。
97、 《非洲皇后》The Africa Queen 1951年 8.0
亨弗莱·鲍嘉与凯瑟琳·赫本大斗演技的精彩之作。
98、 《幽灵公主》Mononoke Hime 1997年 8.0
日本动画大师宫崎骏作品,这部关注人与自然的影片充满一种温厚的人文关怀。
99、 《火车怪客》Strangers on a Train 1951年 8.0
希区柯克。
100、 《第七封印》Det Sjunde inseglet 1957年 8.0
或者看一下:http://www.tianyabook.com/qita/jddy/