三篇英文电影赏析

① 急求三篇英文的电影观后感大神们帮帮忙

英文影评:千与千寻(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂总动员 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

② 推荐电影的英语文章

电影是一门年轻的综合敬启芦艺术,同时也是科学进步与工业亮带革命的产物,深深地打上了商业文明的烙印。它本身兼具了艺术旁此性与商品性的双重属性,是一种特殊的商品。下面是我带来的是推荐电影的英文文章，欢迎阅读!

Alien is a 1979 science fiction horror film directed by Ridley Scott, starring Tom Skerritt andSigourney Weaver. The film's title refers to its primary character: a highly aggressive extra-terrestrial creature that stalks and kills the crew of a spaceship. The alien gets onto the shipafter the crew board a derelictalien spacecraft. Inside it they find the remains of a large aliencreature whose ribs appear to have beenexploded outward from the inside. They discover ahuge room containing many eggs, one of which releases a creature that attaches itself to theface of one of the crew. They return to their spaceship and the terror starts as terrible thingshappen to the crew as they try to find and kill the alien.

异形是一部制作于1979年的科幻恐怖电影，导演雷德利·斯科特，主演汤姆·斯凯里特，和西格妮·韦弗。电影的标题是这部电影的主要角色:一个凶猛的外星生物，它跟踪并杀害宇航员。船员进入了一艘废弃的外星人飞船，不久外星人进入了飞船。在飞船中，他们发现了一个庞大的外星人遗骸，它的肋骨显然是从里面爆炸的。他们还发现了一个大房间，里面有许多的未出生异形卵，其中一个异形卵破壳而出，吸引了船员的注意。之后，他们返回了航船，接下来恐怖的事情发生了，他们随即展开了对外星人的寻找和追杀。

Alien received both critical acclaim and box office success. It also received an Academy Awardfor Best Visual Effects. It has remained highly praised in subsequent decades. In 2008, it wasranked as the seventh-best film in the science fiction genre by the American Film Institute, andas the thirty-third greatest movie of all time by Empire magazine. Movie critic Roger Ebertwrote: "One of the great strengths of Alien is its pacing. It takes its time. It waits. It allowssilences." The success of Alien generated a media franchise of novels, ic books, videogames, and toys, as well as three sequels and two prequels. It also launched Weaver's actingcareer by providing her with her first lead role.

异形这部电影既得到了很好的票房成绩，同时也饱受争议。这部电影还获得了奥斯卡金像奖最佳视觉效果奖。在未来的几十年中，这部影片饱受好评。2008年，美国电影学院把异形列为七部最佳科幻电影中的一部，帝国杂志把它评为33部最佳影片中的一部。影评人罗杰·艾伯特写道：“节奏是这部电影最好的部分。在这部电影中有时间的等待，有沉寂”。异形的成功使得连环画、小说、玩具、三部续集以及两部先行篇相继出现。这部影片也开启了韦弗的电影生涯，这是她第一次在电影中担任主角。

Casablanca is a 1942 American romantic drama film directed by Michael Curtiz. It has a star-studded cast that includes Humphrey Bogart and Ingrid Bergman. The film was based on Murray Burnett and Joan Alison's then-unproced play Everybody es to Rick's. Warner Bros. bought the play for $20,000, which was the mostanyone in Hollywood had ever paid for an unproced play. It is set ring World War II and focuses on a man torn between, in the words of one character, love and virtue. He must choose between his love for a woman, and helping her and her hu *** and escape from the Vichy-controlled Moroccan city of Casablanca so that her hu *** and can continue his fight against the Nazis.

卡萨布兰卡是一部上映于1942年的美国浪漫主义题材情景电影，导演迈克尔·柯蒂斯。这部电影影星云集，包括亨弗莱·鲍嘉，英格丽·褒曼。这部电影是根据默里·伯内特和琼·艾莉森的舞台剧《大家都来里克的酒店》所创作出来的，这部舞台剧尚未发表。华纳兄弟影片公司以20万美金的价格将它买下，在好莱坞，还没有人购买下一部尚未发表的舞台剧。这部电影发生在二战时期，电影刻画了男主人公在爱情和政治上的两难选择。他必须帮助他所爱的人，他帮助她和她的丈夫逃过了由维希政权所控制下的摩洛哥城市-卡萨布兰卡，只有这样，她的丈夫才能继续对抗纳粹。

Although it was an A-list film, with established stars and first-rate writers, no one involvedwith its proction expected Casablanca to be anything out of the ordinary. It was just one ofhundreds of pictures proced by Hollywood every year. The film was a solid success in itsinitial run and did well at the box office. The movie won three Academy Awards in 1944,including Best Picture. Its characters, dialogue, and music have bee iconic, although one ofthe lines most closely associated with the film — "Play it again, Sam" — is a misquotation;Bergman's character actually says: "Play it, Sam. Play 'As Time Goes By'." The film consistentlyranks near the top of lists of the greatest films of all time.

尽管这是一部一流电影，有着一线的明星和作者，但是，在它的制作工程中，没有人认为卡萨布兰卡会脱颖而出。它只是好莱坞每年上映的上百部电影中的一部。起初，这部电影获得了巨大的成功，也取得了票房的佳绩。1944年，这部电影获得了三座奥斯卡奖杯，包括最佳影片奖。电影中有许多标志性的人物、对话、音乐，尽管许多对话都与电影有着紧密的联络。“山姆，再弹一遍”-这是一次错误的引用;褒曼在这里其实说的是：山姆，快弹一个，弹《时光飞逝》”。这部电影与其他优秀的电影作品齐名。

③ 求三篇英文电影的观后感 用英语写（30词）

电影《阿甘正传》观后感：

Last night,I saw a great film,Forrest Gump.I am greatly impressed by this film,by the stories of Forrest Gump.Forrest Gump was born in a small village.He was born mentally retarded,and he was discriminated by others.But his mother is a strong female who encourages Gump to be strong and live the same as normal people.

《阿甘正传》是由罗伯特·泽米吉斯执导的电影，由汤姆·汉克斯、罗宾·怀特等人主演，于1994年7月6日在美国上映。

电影改编自美国作家温斯顿·格卢姆于1986年出版的同名小说，描绘了先天智障的小镇男孩福瑞斯特·甘自强不息，最终“傻人有傻福”地得到上天眷顾，在多个领域创造奇迹的励志故事。电影上映后，于1995年获得奥斯卡最佳影片奖、最佳男主角奖、最佳导演奖等6项大 。

2014年9月5日，在该片上映20周年之际，《阿甘正传》IMAX版本开始在全美上映。

④ 名著读后感，或英语电影影评，1000字以上,要英文的，三篇……谢谢

你不给我加分，怎么对得起我！！！！！！！！！！！！！

英文影评:千与千寻(Spirited Away)
Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs
There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never.

After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hîragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped.

The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop.

Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc).

Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially.

Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is Jô Hisaishi's score, which is overbearing in places.
It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful.

蜜蜂总动员 Bee Movie review by Roger Ebert
From each according to his ability, to each according to his need.

-- Karl Marx

Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around.

One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy.

This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it.
Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches.

All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could.

Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke.

In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees.

Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

贫民富翁(Slumdog Millionaire)
An orphaned Mum slum kid tries to change his life by winning TV's 'Who Wants To Be A Millionaire?' in a feelgood fable from director Danny Boyle and the writer of The Full Monty, Simon Beaufoy
Jamal Malik ('Skins' star Dev Patel) is being beaten by Mum police for allegedly cheating on hit TV show 'Who Wants To Be A Millionaire?' One question away from the ultimate 20 million rupee prize, no one, including slick show host Prem (Anil Kapoor), believes a chai wallah (teaboy) like Jamal could know all the answers. As the tough inspector (Irfan Khan) replays Jamal's appearance on the show, it's revealed that each question corresponds to a specific life lesson from Jamal's tragic past.

Raised in abject poverty in Mum's grimmest slum along with older brother Salim, then orphaned by a Hin mob attack, Jamal and Salim are forced to fend for themselves on the streets through opportunistic petty crime. They pick up a young girl, fellow orphan Latika (Freida Pinto), escape the clutches of a vicious Fagin-like crime boss, lose Latika, and continue their picaresque adventures, one step ahead of the law. As adolescents, however, Salim becomes entranced by a life of crime and Latika's unexpected return sets brother against brother. Will Jamal salvage his girl, his fortune and his life on 'Millionaire'?

Adapted by Full Monty writer Simon Beaufoy from Vikas Swarup's hit novel 'Q&A', Slumdog is an underdog tale. Beaufoy's lively screenplay scampers after Swarup's self-consciously Dickensian storytelling tradition, and is even built around the 'Millionaire' show, as iconic a symbol of Western capitalist entertainment as exists.

Director Danny Boyle and cinematographer Anthony Dod Mantle have evidently immersed themselves in India's sensory overload. The film revels in the sub-continent's chaotic beauty and raging colours, from Mum shantytowns to Agra's regal Taj Mahal. The thrillingly off-the-cuff digital imagery reflects a nation in a state of explosive flux, looming skyscrapers erupting from wasteland, slum kids turning into overnight millionaires through the kiss of television. The film's uniquely vibrant, headlong 21st century rush is that of the infinite possibilities of modern India itself.

Slumdog's such a crowd-pleaser that some critics might brand it Boyle's best since Trainspotting . It even echoes a couple of that film's classic set pieces, notably a slum chase reminiscent of Renton and Co's opening Edinburgh dash and a lavatorial incident so stomach-churning (yet hilarious), it makes Trainspotting's infamous toilet scene seem like Ewan McGregor took an Evian bath.

In fact, the likable Boyle has been on great form for some time - 28 Days Later revamped the zombie movie, Millions is perhaps the best kids film of recent years. No other current British director makes such thrillingly current (all his films are set in either the present or future), kinetic, inherently visual films and proper recognition is long overe - though, true to form, he's insistent here on crediting co-director Loveleen Tandan, whose major contribution seems to have been unearthing the wonderfully naturalistic kids to play Jamal, Salim and Latika.
Verdict
A spirited underdog fable marinated in modern India's melting pot. Danny Boyle's still the master of spices.

⑤ 5篇英文电影观后感(观后感中文)！

1.玩具总动员1
最近，我看了一部极具“人情味”的动画片，它的名字就是《玩具总动员》。
它讲述的是：
胡迪是小主人安弟最喜欢的传统牛仔玩偶，他和其他玩具趁主人不在时，便会“活”起来一起玩闹。可是好景不常，最新奇的热门玩具巴斯光年来了，他让胡迪备受冷落。失宠的胡迪为了巩固自己的地位，只好处心积虑地想要赶走巴斯。最后，胡迪和巴斯不幸化敌为友的故事。
看完此片，我想到了那些以前被我丢弃的玩具，它们在黑暗的垃圾桶，废弃堆里，是否会伤心，是否会抱怨？我想是的，因为它们不仅仅是玩具，它们也是有思想的，当你的玩具被你遗忘的时候，他们也会难过的。
或许，你现在觉得那些老玩具已经不潮了，但是你在抛弃他们的时候，没有怀念过曾经与他们在一起度过的美好时光吗？

2.功夫熊猫
还是一贯的梦工场的高水准，画面精致细腻，人物生动传神，故事情节曲折动人，最重要的是它以最简单易解的方式说明白了一个道理，那就是——世界上没有任何捷径和秘籍，唯一的制胜法门就是相信自己。

不想再说更多的剧情，因为它真的很出色。看的过程中，频频出现人们会意的笑声，整个氛围相当的轻松和惬意。这个片子做得非常地道，一点儿也没有是由西方人演绎的感觉，不论是故事还是其中传达的意境，不论是画面还是其中的细节，都是东方式的；唯一特别的可能就是出现的现代的口语，比如ok之类的。

3.美人鱼公主
周日中午没睡午觉，特意看了动画片《美人鱼公主》，相信这部动画片很多人都看过，因为它美丽，浪漫，充满了神秘的气息，而且制作精美，设计巧妙，又尤其美人鱼形象堪称一绝。

美丽的爱丽儿是一条可爱的小美人鱼，她一心向往人类世界，每天都想尽办法游出海面，企图能够接触人类。可是接触人类世界却是人鱼法律所禁止的。她聪明、勇敢、喜欢冒险，常和她最好的朋友小比目鱼胖胖还有音乐大臣赛巴斯丁一起出去探险

个人很喜欢美人鱼这个动画角色，也许每个女人潜意识里都会有些浪漫情结吧（老公经常强调我不浪漫，太现实，喜欢斤斤计较，抓住别人的小辫子不放，虽然我一直没找到机会和辩词来进行反驳，但我心里是从来都没承认过我有这么多的缺点的。），虽然小孩都上幼儿园了，但还是喜欢看这个动画片。

4.《冰河世纪3》——观后感
从两只松鼠的开场到两只松鼠的结束将此故事做了一个引导的作用。

整个故事给人有种从外界进入一个环境美丽但确又有着难以想象的冒险，最后战胜敌人最终boss鲁迪救回朋友到了自己的家园完美结局。整部影片的故事情节很生动，让人的心里有随着故事发展起伏和夸张的似人情感表现出角色的观众的心理舒畅，有让人在观看中找到解放天性，狂放野性奔放的想象力等，除此之外还有里面的角色的拟人行为思想和动作的结合体现给我的感觉是很有趣、很搞笑、很轻松。影片给我的第一感觉是很独特有种让人想进入这样环境的感觉。在影片的画面和音效的完美结合中给人的第一印象是非常有好感。

5.《飞屋环游记》——观后感

本影片在没有冰河时代那种有搞笑和赏心悦目也没有那种惊奇的搞怪夸张幻想在里面，只是很似人的故事情感的塑造了一个人物的思想和被改变到最后的为了救罗素和kevin和查尔斯的战斗让故事有了一个很好的体现人的性情和理想愿望等。他在为了完成心爱人的愿望将他们的房子放到天堂瀑布不懈努力坚强执着 一定要将这件事做完而放弃了kevin被查尔斯抓走而为了房子放弃营救，看出他心里情绪是多么在乎他妻子的愿望不为过之后，看了妻子留给他的……而想通。之后他在回想到与罗素、kevin和狗的生活，这些让他感受到了朋友的重要。他就马上行动去救罗素。他就把所有房子里的东西让自己……在有失去房子他那时的心里和最后罗素坐在房子旁数车的色彩，说明人物已经从过去的悲伤中走了出来，这里可以体现整部片子的人物生活性情的改变，说明我们现实也许要……

⑥ 英文电影观后感精选五篇

英文电影观后感

《功夫熊猫》(《Kung Fu Panda》)的:

Funny!

I see this movie lastweek,

So terrfic,this film make me loving Kung Fu!

My liitle sister love the panda very much ,She ask me which kind annimal of Panda?

I told her its one of the cutiest animal in the world ,it only lives in China.

In this movie, Panda learns how to improve his level of Kung fu，many scence show that this cartoon is so funny,

You can see how things goes on with laugh,

I recommend this film to you.!

The film stars a panda named Po (voice of Jack Black), who is so fat he can barely get out of bed. He works for his father, Mr. Ping (James Hong) in a noodle shop, which features Ping's legendary Secret Ingredient. How Ping, apparently a stork or other billed member of the avian family, fathered a panda is a mystery, not least to Po, but then the movie is filled with a wide variety of creatures who don't much seem to notice their differences.

They live in the beautiful Valley of Peace with an ancient temple towering overhead, up zillions of steps, which the pudgy Po can barely climb. But climb them he does, dragging a noodle wagon, because all the people of the valley have gathered up there to witness the choosing of the Dragon Warrior, who will engage the dreaded Tai Lung (Ian McShane) in kung-fu combat. Five contenders have been selected, the "Furious Five": Monkey (Jackie Chan), Tigress (Angelina Jolie), Mantis (Seth Rogen), Viper (Lucy Liu) and Crane (David Cross). Tigress looks like she might be able to do some serious damage, but the others are less than impressive. Mantis in particular seems to weigh about an ounce, tops. All five have been trained (for nearly forever, I gather) by the wise Shifu, who with Dustin Hoffman's voice is one of the more dimensional characters in a story that doesn't give the others a lot of depth. Anyway, it's up to the temple master Oogway (Randall Duk Kim), an ancient turtle, to make the final selection, and he chooses -- yes, he chooses the hapless and pudgy Po.

The story then becomes essentially a series of action sequences, somewhat undermined by the fact that the combatants seem unable to be hurt, even if they fall from dizzying heights and crack stones open with their heads. There's an extended combat with Tai Lung on a disintegrating suspension bridge (haven't we seen that before?), hand-to-hand-to-tail combat with Po and Tai Lung, and upstaging everything, an energetic competition over a single mpling.

"Kung Fu Panda" is not one of the great recent animated films. The story is way too predictable, and truth to tell, Po himself didn't overwhelm me with his charisma. But it's elegantly drawn, the action sequences are packed with energy, and it's short enough that older viewers will be forgiving. For the kids, of course, all this stuff is much of a muchness, and here they go again.

电影《卢旺达饭店》

Hotel Rwanda ---- a story of an African Schinderler

Hotel Rwanda is a film about a man. It was based on a real story of a man who saved 1268 people’s lives in a madness genocidal, which happened in Rwanda, 1994. The film was directed by Terry George, 2004. The main actor Don Cheadle is not handsome but just an ordinary man. You probably will even not recognize him when you happen to meet him on the street. He acted a hero based on a true story, a man who was as simple as he is, Paul Rusesabagina. Paul is a hero, a real man, while a hero and a real man doesn’t always need to be handsome or attractive in the appearance. There are two nations in Rwanda, hutu and tutsi. Paul is a hutu manager working for a 4 stars hotel on town. The hutu army planed a genocidal to clear out all the tutsi people in ruwanda. The tutsi people were suffering a madness blood bath. Over 800,000 people had been killed within 100 days. Paul has a tutsi wife, in order to protect his wife, children and other tutsis; he took them to hide in the hotel Rwanda. There are many white people from all over the world lived in this hotel so the hotel is the safest place in Rwanda to hide. There are 80 UN soldiers in Rwanda but only 4 guarded in the hotel and all of them are not allowed to shot. If we say that Paul just wanted to save his wife at the beginning, after recognized that there is no one would come to help the tutsis, Paul throw himself into the breach. He bribed the hutu general by wine and gold, used out every coin of his to purchase the refugees’ lives, ten, a hundred, 2 hundreds, 3 hundreds… more and more tutsi refugees flee to the hotel wishing to survive. To them, Paul is an angel who keeps a hope for those hopeless people in the calamity. His goodness his mercy is the key to be alive.

The hotel Rwanda is a dramatically and war film, ingeniously, there was almost no lens for slaughtering; however, the threatener of death was full filling with the whole movie. One of the tutsi asked Paul,

“Why they are so truculence?”

“ Hatred? Insanity? … I don’t know.”

The event is a humanitarianism disaster and Paul needs no reason to save the lives. When the world closed its eyes, he opened his arms. Facing a madness calamity and crazy crowds, the indivial’s power is far from enough. However, Paul saved more than 1000 people’s lives. Paul Rusesabagina is a hero, a real man, an African Schinderler.

当幸福来敲门

Parents and children, inspirational, so the words used in qualitative, on the drama is on the excess; effort, struggle, happiness, and this proceis actually on the drama in excess. Art

comes from life than life; a successful television series might not require a highly anticipated new theme and return to life, perhaps the most real life is the highest art. Bottom line of this struggle in poverty in the inspirational family film more approachable, but also much more likely to live many of our emotional resonance.

亲子、励志，这样用于定性的字眼放在这部电影上其实是多余的;努力、奋斗、幸福，这样的过程放在这部电影里其实也是多余的。艺术来源于生活也高于生活;一部成功的电影也许并不需要一个万众瞩目的新奇题材，回归于生活，最真实的生活也许也是最高的艺术了。这部挣扎在贫困底线里的励志亲情电影来得平易近人，也更容易引发我们对生活诸多情绪的共鸣。

狮子王

Simba, the prince of the animals' kingdom, whose life was not always happy. Simba's uncle,

carried out an evil plan.To save his dear son, the old lion king died. And Simba, with his uncle taking his father's place, had no other choice but to flee. On his aimleroad, he met two new friends, a weasel and a boar. They were hearty.

The friendship between Simba and the other two brought him great courage.Through efforts of himself and help from his friends, Simba finally defeated his uncle and became the king of the animals.

This film taught me that a friend in need is a friend indeed and that only through perseverance can one reach his goal.

阿甘正传

⑦ 求3篇英文电影的影评（100字左右）

又要主要内容，又要角色演员介绍，还要评价，100字怎么够啊...中文100字也不够呀....500字以上可以的话，可以试试....
阿甘正传:
Forrest Gump is a 1994 American comedy-drama film based on the 1986 novel of the same name by Winston Groom. The film was directed by Robert Zemeckis, starring Tom Hanks, Robin Wright, and Gary Sinise. The story depicts several decades in the life of Forrest Gump, a simple Alabama man who travels across the world, sometimes meeting historical figures, influencing popular culture, and experiencing firsthand historic events of the late 20th century.
People think there was something wrong with Forrest’s brain, but not serious. That was the case. Due to his blunt brain, Forrest couldn’t think too much, just did the same thing constantly, such as run, such as playing Ping-Pong, such as catching shrimp. Due to his clumsy mind, he even didn’t know many usual boring things of life and then he lived a quite happy life.

We are clever, we know a lot, and we care about too much. But many of us even can’t do one thing very well and can’t become successful like Forrest Gump. I used to think I was quite clever and I could do a lot of things. But I have achieved nothing until now. I must learn from Forrest Gump——just run, not consider why I run——just do one thing, not many!

叫我第一名:
Joe Somebody is a 2001 American comedy-drama film written by John Scott Shepherd and directed by John Pasquin. The film stars Tim Allen as a man stirred into action by a workplace bully. The film also stars Julie Bowen, Kelly Lynch, Greg Germann, Hayden Panettiere, Patrick Warburton and Jim Belushi.

“Joe Somebody” is the story of Joe Scheffer (Allen), an everyday business man who is constantly looked over in life. His wife (Kelly Lynch) has recently divorced him, the job promotion he was promised months ago has never happened and even though he’s worked for the same company for ten years, no one can remember his name. Rather than lashing out at the world, Joe continues to bottle up his anger inside of him. When he gets punched by a co-worker in front of his daughter over a parking spot though, it’s the final straw. Joe decides that this nobody is going to finally become a somebody and begins taking self-defense lessons in an attempt to finally beat the bully that set him off.
While the story behind “Joe Somebody” has a moral that’s good for young kids to learn, there have been 100 movies just like this geared towards a family audience. “Joe Somebody” was intended to finally break the mold of this family-friendly story by being rated PG-13, but when Fox discovered they didn’t have a film that was kiddie-friendly for the holidays, they axed “Joe Somebody” for a PG-rating. Now, “Joe Somebody” is a cliched-filled family film with lines and situations so predictable, audiences will be left groaning rather than laughing. Sure the film has a couple funny moments– the scene where Allen and a bunch of 40-something co-workers do Karaoke to the Backstreet Boys’ “Larger Than Life” should receive a few laughs from the 20 and under crowd– but it’s ending is so corny that nothing could prevent audiences from wishing they saw Harry Potter or Monsters, Inc. for the umpteenth time rather than sitting through “Joe.”

⑧ 5篇英文电影观后感(用英语写的)60词左右

功夫熊猫(这个是最近的.)
Or the dream factory has always been the high standard, the screen exquisite detail, vivid characters vivid, touching story twists and turns, the most important thing is it in the most simple and easy to understand that the way of a token, that is - there is no shortcut to the world and Cheats, the only winning Famen is believe in themselves.
这个杀手不太冷
This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.

I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways.
哈利波特
Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.
动画喜剧 海底总动员
Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running
世界末日
There are so many amazing things in the world.这个世界上有太多不可思议的事情。If tomorrow is the end of the world,what can we do?如果明天是世界末日，我们可以做什么？So now,i think we should keep smile everyday.所以现在，我觉得我们应该每天都微笑。After i finish the movie of "2012The end of the world",I feel very upset about that.我看完“2012世界末日”这电影之后，我感到很悲伤。When I saw the people die in the movie,I thought about if this event will happen to us,will we die very helpless?当我看到人类在这个电影里死了，我想到了如果这件事情发生在我们身上，我们会死得很无助吗？If we have to die,I'll choose the one happy ending,like we have to cherish what we have now.如果我们一定要死，我会选择一个开心的结局，就好像我们一定要珍惜我们现在拥有的一切！My family and my friends are love me,there are so many people love me!我的家人和我的朋友都很爱我，有很多人都爱我！I should thanks God for gave me so many things.我应该感激上天给我的一切。When the end really came in the world,I will not feel regret!当世界末日真的来临了，我也不会感到遗憾！Beginning at this minute,I'll be happy everyday!从这一分钟开始，我会开心每一天！

英文电影:阿甘正传观后感（中英文对照）
阿甘有自己的坚持，他不断地跑步，JUST RUNS. 他跑步不为任何理由。他说:"人要往前看，千万不要被过去拖累。我想我跑步就是这个意义”和过去告别，不停留在原处。也许这世界上太多人随拨逐流，很少人会坚持做一件事，阿甘坚持自己的坚持，于是他成了“神”。影片中还有一位主要人物是上校丹。他在越南战争中失去了双腿。他说他的命运就是战死。然而阿甘却救他，让他活了下来。失去双腿后他开始憎恨生活，生活得很颓废，责怪阿甘当初救了他。然而当他调整心态，去和阿甘一起捕鱼生活，有了收获后，开始感觉到生活的美好。感谢阿甘当初就了他。影片试图通过这个角色告诉观者生活总是美好的。乌云后有彩虹，绝境后有重生。关键是看我们给不给自己一个好心态，一个机会去改变不好的现状。影片试图向观者传达这样一个信息：或许做好我们该做的每一件事，生活就会给我们一个好的回馈。只要有一种坚持就会出现一个奇迹。

Mr. A Gan has his own perseverance, keeping on running without of any reason, JUST RUNS. He said: “Man has t look forward, and never encumbered by foretime. I thank that's the meaning of my running.” Say goodbye to foretime and don't stay in-place. Although so many people in the world are used to follow others and few people can stick to one thing, Mr. A Gan does and becomes “GOD”. There is another character Captain Dan. Dan lost his legs in Vietnarm War. He said that his fate is death in war. However, Mr. A Gan saved him and let him be alive. After losing legs, Dan was decadent and disgusted with life, complaining that A

Gan shouldn't save him. When he adjusted his mind, living on fishing with A Gan, he started to enjoy the wonderful life and thank A Gan's help. The movie is intended to tell people that life is wonderful by this character. Rainbow is always after cloud. The key point is that whether we have a good mind and an opportunity to ourselves to change bad situation. The movie is also sent such a message to us: do well what we should do, and life will return us well. There will be a miracle if only there is perseverance.

⑨ 关于评论电影的英语作文

第1篇 英文：
Although Lei Feng left in a hurry, but leave us precious wealth. -- "
Lei Feng, the shock of universal name! When it comes to Lei Feng, my heart is always filled with respect and gratitude, especially after watching the movie "Lei Feng", this move is particularly strong.
No smoke of the battlefield on the screen, but each picture was so touching story; no extraordinary, plot twists and turns, but every detail was so exciting......
The movie "Lei Feng" tells the story of Uncle Lei Feng put one's heart and soul into serving the people's story. Was this a seemingly ordinary things, make Lei Feng in the hearts of the people to establish a very tall figure.
"No matter what position, I will do everything in my power, tried in every way to serve the people." This, Lei Feng -- a good son of the people! Outstanding member of the Communist party!
Each plot in the film is deeply moved me, however, the most let me unforgettable is Lei Feng for the victims.
Once, Lei Feng and his comrades driving transporting flood control materials to the disaster areas, to unload supplies, Lei Feng do not eat rice will return. Before he left, he took the opportunity to sneak an envelope was ready on the table, the envelope marked "with one hundred yuan donated to the disaster areas the people's Liberation Army soldiers". Beam director of the flood control headquarters after know, hurried to catch up, want to put the money back to Lei Feng, Lei Feng would take? Then, the beam director to see Lei Feng fall down an old pair of socks have mixed feelings, said: "you, you're wearing the socks, has donated one hundred dollars!?" He turned, the presence of people said: "comrades, this is not the one hundred dollars and a pair of thousands of joint million patch socks, this is a tremendous spiritual wealth!"
As you can imagine, this "one hundred yuan" was how huge amount! This can not but let us ponder: with only six yuan monthly allowance, save one hundred yuan of money is how not easy! However, who knows, Lei Feng's life is very simple: thirsty, refused to drink a bottle of that only five cents of soda; heat, even a sweat towel also did not carry...... But put those old socks, fill fill...... However, the people in the disaster areas have a difficult time, but he had no scruples, loosen one's purse strings generously, this is such a huge contrast!
At this time, the screen where everyone was excited; now, I had tears off screen. Who is not for Lei Feng's noble deeds and moved?
What is this spirit? This is work hard and perseveringly, thrift revolutionary spirit. Lei Feng's good qualities of this selfless dedication, sacrifice oneself to protect others is proud of the Chinese nation, is the pride of the Chinese people!
"A man's life is limited, but service to the people is limitless. I will dedicate my limited life to infinite serve for the people."
The film ended, Lei Feng's voice still echoes in my ears, my heart is not quiet for a long time -- although Lei Feng left us too early, however, he has left us with a very great wealth. This wealth, for you, I, he, the benefit of the whole society. I believe, this precious wealth will forever be handed down from age to age!
翻译中文：
雷锋虽然匆匆地离开了，然而却给我们留下了宝贵的财富。——题记

雷锋，这个震撼环宇的名字！每当提起雷锋，我的内心总会充盈着崇敬与感激，特别是在观看了电影《雷锋》之后，这种感动尤为强烈。

银幕上没有硝烟弥漫的战场，可是每个画面竟那么感人至深；故事里没有离奇、曲折的情节，可是每个细节竟那么扣人心弦……

电影《雷锋》讲述的是雷锋叔叔全心全意为人民服务的故事。竟是这一件件看似平凡的小事，使雷锋在人们的心中树立起无比高大的形象。

“不管在什么岗位上，我都要尽一切力量、想一切办法去为人民服务。”这，就是雷锋——人民的好儿子！优秀的共产党员！

影片中的每个情节都深深地感动了我，然而，最让我难以忘怀的是雷锋为灾区捐款的事。

一次，雷锋和他的战友驾车给灾区运送防洪物资，卸下物资后，雷锋饭也不吃就要返回。临行前，他趁机偷偷地把早就准备好的一个信封放在桌子上，信封上面写着“内有一百元捐给灾区人民解放军一战士”。防汛指挥部的梁主任知道后，急忙追出来，想把钱还给雷锋，雷锋怎肯收下呢？这时，梁主任见到雷锋落下的一双旧袜子，百感交集地说：“你，你就穿着这样的袜子，却捐出来一百块钱！？”他转过身，对在场的人说：“同志们，这不是一百块钱和一双千缝万补的袜子，这是一笔巨大的精神财富！”

可以想象，这“一百元”在当时是多么庞大的数额！这不能不让我们深思：凭着每月仅仅六元钱的津贴费，积攒下一百元钱是多么不容易啊！然而，又有谁知道，雷锋的生活是多么俭朴：渴了，不肯喝一瓶当时仅仅一毛五分钱的汽水；热了，就连一条擦汗的毛巾也不曾携带……却把那双年久的袜子，补了又补……然而，在灾区人民有难的时候，他却毫不顾忌，慷慨解囊，这是多么巨大的反差啊！

此时，银幕里在场的人都激动万分；此刻，银幕外的我早已热泪盈眶。谁不为雷锋的高尚行为而感动呢？

这是什么精神？这是艰苦奋斗、勤俭节约的革命精神。雷锋的这种无私奉献、舍己为人的优秀品质是中华民族的自豪，是中国人民的骄傲！

“人的生命是有限的，可是为人民服务是无限的。我要把有限的生命投入到无限的为人民服务之中去。”

影片放映结束了，雷锋的声音却一直在我的耳畔回响，我的心更是久久不能平静——雷锋虽然过早地离开了我们，但是，他却给我们留下了无比巨大的财富。这财富，惠及着你、我、他，惠及着全社会。我相信，这宝贵的财富将世世代代相传下去！