⑴ 速求一篇英文影评:分故事情节,对主角的人物分析,对电影的总体评价 三部分
年轻的维多利亚 The Young Victoria 英语影评
Queen Victoria may not have had superpowers, but she did once run an empire.
And she wasn't always that squat, stern-faced frump in widow's weeds. Britain's longest-reigning monarch was a teenager once, with all the attendant insecurity and wilfulness. Julian Fellowes' script for The Young Victoria offers a portrait of the fledgling queen which is dainty, sweet, light as a feather but not very satisfying. A Victoria sponge, you might say. The film has a situation, a tone, and a strong personality at its centre. What it doesn't have is a plot, and you soon feel the lack of it.
It begins in the manner of a Gothic melodrama. The 17-year-old princess (Emily Blunt) is kept a virtual prisoner by her mother, the Duchess of Kent (Miranda Richardson), and her ambitious adviser Conroy (Mark Strong), who try to usurp Victoria's power under cover of a regency. Neurotically chaperoned, the girl is not allowed even to descend a staircase without holding someone's hand. Fortunately, Victoria has turned 18 by the time her uncle, William IV (Jim Broadbent), passes on, and thus succeeds him as monarch in her own name. Her first decree is to banish her mother and Conroy to remote apartments in Buckingham Palace.
Running alongside this intrigue is Victoria's long-distance courtship with her German cousin, Prince Albert (Rupert Friend), and her quasi-romantic friendship with the Prime Minister, Melbourne (Paul Bettany), both of which augur promising developments. Her association with Melbourne is subject to a row over patronage, while her burgeoning love for Albert finally swoons into marriage. Yet neither is really put to work as drama. Once Victoria establishes mastery over her court, Melbourne is seen to fade away just as Conroy and her mother did. And her blissful union with Albert is only briefly threatened by an argument over status before he apparently saves her life in public.
Despite its vague salute to the young queen's strength of will, there is little sense of momentum carrying the film through. Emily Blunt gives a pert lift to Victoria's traditional sobriety, though her perfect teeth are a gleaming anachronism. Rupert Friend looks remarkably similar to the Albert of history – but references to his famous "ring" go sadly unmentioned. What's really disappointing, however, is the film's determined politeness: its reluctance to investigate has left it looking rather sanitised, and even a bit obsequious. (Fergie, Duchess of York, is one of the procers). All the period trappings –decor, ds, dances – are immaculate, though presented in the manner of a set-text reconstruction rather than a living, breathing drama.
⑵ 我需要杀手不太冷的英文叙述，是描述这个电影，可以是某一情节具体分析，也可以人物分析~不是观后感哦~
Leon is a 1994 French-proced, English-language thriller film written and directed by Luc Besson. It stars Jean Reno as the titular mob hitman, Gary Oldman as corrupt DEA agent Stansfield, a young Natalie Portman, in her feature film debut, as Mathilda, a 12-year-old girl who is taken in by the hitman after her family is murdered, and Danny Aiello as Tony, the mobster who gives the hitman his assignments.
On a particular day, he meets Mathilda Lando (Natalie Portman), a twelve-year-old girl with a black eye and smoking a cigarette, living with her dysfunctional family in an apartment down the hallway. Her abusive father and self-absorbed stepmother have not even noticed that Mathilda has stopped attending class at her school for troubled girls. Mathilda's father (Michael Badalucco) attracts the ire of corrupt DEA agents, who have been paying him to store cocaine in his residence. After they discover that he has been stealing some of the drugs for himself, a cadre of DEA agents storm the building, led by sharp-suited drug addict Norman "Stan" Stansfield (Gary Oldman), who murders Mathilda's entire family, missing her only because she was out shopping when they arrived. She returns as the group is cleaning up the carnage, realizing what has happened just in time to continue down the hallway and receive sanctuary from a reluctant Léon.
Mathilda discovers that Léon is a hitman. She begs him to become her caretaker and to teach her his skills as a "cleaner"; she wants to avenge the murder of her four-year-old brother, claiming that he was the only member of her family she loved. Léon shows her how to use firearms, including a scoped rifle. In return, she offers her services as a maid and teacher, remedying Léon's illiteracy. Mathilda tells Léon several times that she is falling in love with him, but he says nothing back. After increasing her experience with firearms, Mathilda fills a shopping bag with guns from Léon's collection and sets out to kill Stansfield. She bluffs her way into the DEA office by posing as a delivery person, only to be ambushed by Stansfield in a bathroom. Mathilda learns from Stansfield and one of his men that Léon has killed one of the corrupt DEA agents in Chinatown. Léon, after discovering her intentions in a note left for him, rushes to rescue Mathilda, shooting two more of Stansfield's men in the process.
Stansfield is enraged the "Italian hitman" has gone rogue. He beats Tony, forcing him to surrender Léon's whereabouts. As soon as Mathilda returns home from grocery shopping, an NYPD ESU team, sent by Stansfield, takes her hostage and attempts to infiltrate Léon's apartment. Léon ambushes the ESU team and frees Mathilda. In the apartment, Léon creates a quick escape for Mathilda by chopping a hole in a slender air shaft. He reassures her and tells her that he loves her and that she has given him "a taste for life", moments before the police come for him. In the chaos that follows, Léon sneaks out of the apartment building disguised as a wounded ESU officer. He is unnoticed save for Stansfield, who recognizes the hitman and shoots him. Léon then places an object in Stansfield's hands, which he explains is "from Mathilda", and dies. Opening his hands, Stansfield finds the pin from a grenade. He rips open Léon's vest to discover several active grenades on his chest right before a massive explosion kills him as well.
Mathilda heads to Tony's place as she was instructed to do by Léon. Tony will not give Mathilda more than a small amount of the fortune Léon had amassed, which Tony was holding for him. He offers a monthly allowance and says school should be her priority for now. Mathilda asks Tony to give her a job, insisting that she can "clean" as Léon had. Tony sternly informs her that he "ain't got no work for a 12-year-old kid!" Having nowhere else to go, Mathilda makes her way to the Spenser School on Roosevelt Island in an attempt to return to school. After telling her story to the headmistress, and seemingly being readmitted, Mathilda walks into a field near the school with Léon's houseplant in hand. She digs a hole and plants it, as she had told Léon he should, to give it roots.
⑶ 讲评的英文，讲评的翻译，怎么用英语翻译讲评，讲评用
讲评的英文，讲评的翻译
The comments are in English and the translation of the comments
⑷ 电影《乱世佳人》主人公人物分析 英文的简单260——300字即可
Analysis of Scarlett in Gone with the Wind
"Gone With the Wind” is my favorite novel written by Margaret Mitchell, a southerner in the U.S., and the situation is described from the southern point of view. The author, used many stories she heard from her family who had lived through it, to weave this thrilling novel. It is full of dashing, daring men and women, thrilling episodes, and much romance. The heroine Scarlett in this book is so different from a traditional Chinese woman that I have decided to write something about her.
'Gone with the Wind' has represented the turbulent social reality in the South in American Civil War. Scarlett O’hara is beautiful then, in order to realize her dream of living better, she regards love and marriage as a chip of trade. There’s no true love in her three marriages, until the end, she understands that Ashley, the person she bears in mind for twelve years is not her true love, but one beautiful unreal image belongs to the South in the past and does not adapt to this coming new society. The person who she really loves is similar to her --- Rhett Butler.
To understand Scarlett better, I divided the essay into 4 parts as followed.
1. Scarlett’s Growth
Scarlett's growth can be divided mainly in two periods，before the Civil War and after it．To understand Scralett，we should know the two different ways of life have a great influence on Scralett’s character．
Before the Civil War breaks out, Scralett as well as other old aristocratic young ladies in the south lives an easy，luxurious life full of barbecues，balls and flirting with beaus．For a young lady who has only got 16，the life for her just means learning the arts and graces of being more attractive to men，which is also the south society’s regulation of woman．On one hand，by the diligently stubborn teaching of her mother and black mammy, the seed off the purity and tradition are buried deeply in her mind. But on the other hand，her Irish father also influences her by the Irish stubbornness，arrogance，etc．These two spirits conflicts frequently in the young girl’s mind．Just like her spreading skirts，the demureness of hair netted smoothly into a chignon and the quietness of small white hands folded in her lap, her true self was poorly concealed．
After the Civil War, Scralett’s true self, which is apparently opposite to the lady-mannered discipline of the old south，crazily yield sand matures in the desolate earth after the war．Scarlett’s anti-traditional behavior is more and more undisguised．
2. Scarlett’s Character of Breaking the Rules
Part of Scarlett's enring charm for me is her aspiration to break the rules. She challenges nineteenth-century society's gender roles repeatedly, running a store and two lumber mills at one point. Scarlett is in some ways the least stereotypically feminine of women (in other ways the most), and the more traditional Melanie Wilkes is in many ways her foil. But Scarlett survives the war, several marriages, the birth of children, and even a miscarriage. Melanie, on the other hand, struggles with fragile health and a shy nature. Without Melanie Wilkes, Scarlett might simply be seen as harsh and "over the top", but beside Melanie, Scarlett presents a fresher, deeper female characterization; she lives a complicated life ring a difficult period of history.
3. Scarlett’s Hopes and defects
The other charm of Scarlett to me is that she is always full of hopes of tomorrow, life and the future. Some of her lines from Gone with the Wind, like "Fiddle-dee-dee!" "Tomorrow is another day," "Great balls of fire!" and "I'll never be hungry again!" have become well-known all around the world. She is charming and candid．The dream of tomorrow would call back the strength to live today, and the hope of future would help her to swallow all the bitterness of the present．The land is the only thing，which helps her to maintain her consciousness of tomorrow．From the beginning to the end，land Traa is always the core of Scralett’s life．Her constant care for Traa is never stopped because only from it her consciousness of tomorrow can be realized．Land is the only thing in the world that amounts to anything．For it’s the only thing in this world that lasts；it’s the only thing worth fighting for.
Scarlett is remained as one of the most controversial literature figures from the day the book published till now．Her bad deed，bad words and bad thoughts after the war-time appropriately reflect her natural character——mixture，she is a blending of the good and evil，of practical and ideal，of despair and hope，and of yesterday and tomorrow．She is by far the most developed character in “Gone with the Wind.” She stands out because she is strong and saves her family but is incredibly selfish and petty at the same time.
4. Conclusion
From the analysis of her character, she cannot be regarded as a perfect woman. By a rough glimpse, she seems to be a rude，ignorant，and hypocritical remaining of the old Southern aristocrats．Just like other southern people，she hates the war, disgusts the new established south government, deeply recalls the previous life，together with the careless revealing of her attitude towards slavery．They become the root where the criticism derives from．However, Scarlett is real and believable.
Forgetting the past doesn’t really mean that nothing has happened. Forgetting the past is to accumulate energy of the future．The purpose of Scarlett’s looking forward is to survive to fight, because that is the miracle literature has created to attract，to move，and to encourage the people wherever they are． The old are gone with the wind, while the new are gathering new strength to march on.
⑸ 英语作文：电影《好好先生》，人物卡尔·阿伦(金·凯瑞饰)，简单介绍一下电影情节，分析一下卡尔·阿伦
Jim Carrey movie "Mr. Nice Guy," adapted from the British comedian and writer Danny Wallace, published in July 2005 autobiography of the same name, in this book, Wallace carefully describes how to change his attitude to life, In the whole six months time (to double the film, became a year), the former used to say "no" people and things and replace them with positive, confident of "good", which makes his life become more interesting
Carl Allen (Jim Carrey ornaments) for a long time been lousy because he was always negative, "No, no" type of attitude to deal with people. Until he joined a self-help courses have changed, his mentor Terrence swear under pressure: in one year can only say "good", regardless of who the other side, asking him to do what is . To his surprise, when he began to practice his vows, when life has undergone incredible changes, he not only become a board member, honor, money, opportunities coming up, but they are not the most beautiful in the end, he also with a beautiful girl named Alison (Zoe - Dance Chelsea ornaments) were falling in love. However, when he confidently prepared to embrace more opportunities, but did not expect, he did not stand so many good consumer.
Jim Carrey in the film performing his unique spring jump stunt. Jim Carrey insisted on no fixed fee, but the film's box office revenue from the share. Jim Carrey play guitar when shooting, stop a person attempting suicide scene, the downstairs is not gathered a bunch of onlookers were the truth, and caused a traffic jam. Local police had sent to maintain order. The next day, Jim Carrey's "courageous" behavior was to board a newspaper.
⑹ 有没有英文电影解析的网站就是分析电影对白像俚语，文化背景等
http://www.chinadaily.com.cn/language_tips/auvideo/audio_film.html
我很喜欢这个。
⑺ 电影讲评用英语写成作文形式
r bought them for me as the new year gift.When I first read them,I liked them inmediately.The stories about Harry Potter are so exciting and adventurous.Harry Potter is a kind,brave and strong kid that he is never afraid of any difficulties.Besides,I admire him having two good friends.They always help him and never leave him,no matter how bad the conditions are.I am happy to see Harry Potter overcome all difficulties and live a happy life in the end.
⑻ 讲解关于狗的电影 开头怎么用英语铺垫 带中文翻译
《雪狗兄弟》读后感
雪狗兄弟主要讲述了几只小金毛犬跑进集装箱后被运到了阿拉斯加，于是有了参加雪橇比赛的机会。故事发生在在北极圈内的阿拉斯加，一个小孩养了一条名为Shasta哈士奇狗，他十分想参加雪橇狗比赛，就算他爸爸十分担心也不无法阻止他
..光有勇气是不够的，他还需要除了Shasta以外其他的狗朋友们的支持，只有齐心协力，他们才能赢得比赛，团结的力量使他们赢得了比赛，虽然比赛十分危险，但是他们却拥有自信、十分团结。
在我们的孩童时期，都有一个完美但不能实现的梦，但在《雪狗兄弟》中，他的小哈士奇却用自己的力量帮它的小主人完成了梦想，不管故事真实与否，它都代表了一种追求梦想，永不放弃的积极的力量，那是一种鼓舞人心的让人积极向上的正能量。或许，有的时候，我们在追求人生梦想的路上会遇到许多困难和挫折，会遇到许多不知的挑战，但我们应该鼓起勇气，坚定信心，用我们自己的力量完成属于自己的梦想，梦想的力量是伟大的，它可以让人从失望中觉醒，从落寞中感到重生的力量，而这种力量是无可取代的，这种力量不会被任何困难打到，更不因任何挫折而消失。
在竞争更加激烈的今天，心存梦想，才能使自己走的更远，才能在人生的道路上使自己拥有更加广阔的未来，所以，从今天开始，加油吧，为了使自己成为一颗闪亮的星星，拥有梦想会让你看起来更加耀眼。
" Snow buddies ".
Snow buddies mainly tells the story of a few small dog ran into the container after being shipped to Alaska, and participated in the bobsled opportunity. The story occurs in the Arctic Circle in Alaska, a child has raised a
dog named Shasta, he is very want to join the sled dog race, even if his father is very worried
that couldn't stop him. Courage is not enough light, he also need besides Shasta other dog friends for their support, only make concerted efforts, they can win the game, the unity that they won the game, although the game is very dangerous, but they have a confident, very unity.
In our childhood, has a perfect but cannot achieve the dream, but in the "snow dog brothers", his little husky has used
his power to help the little master has completed the dream, regardless of whether the story
is true or not, it represents a dream, to give up the positive power never, that is the positive
energy an inspiring people positive. Perhaps, sometimes, we will encounter many difficulties
and setbacks in the way of the pursuit of the dream of life, will encounter many unknown
challenges, but we should have the courage, confidence, do his
own dream in our own strength, the power of the dream is great,
it can make people awaken from disappointment, feel reborn the
power from the lonely, and this power is irreplaceable, the force
will not be any difficult to reach, but do not disappear e to any
setbacks. Dream in a more competitive today,, to make their own to
go further, to be on the road of life so that they have more in the future, therefore, oil from
today, it, in order to make oneself become a shining star, have dreams will make you look
more bright.
⑼ 英文电影《喜福会》总结，分析！
书中语言的智趣、机敏、传神、幽默，让我数度体验到了阅读的赤裸裸的愉悦，生动、逼真的细节，想象力的绮丽，时常令人叫绝。她的叙述从容不迫，有棱有角、细腻而不显琐屑，而书中变换着的完全由第一人称进行“讲故事”的不同叙述角度，让我体验到的同样是一种心灵的放松与自由（让我想起小时候，冬夜里围着火炉，我们全家人听父亲讲故事的情景）。这种“放松与自由”为我进一步理解作者写作的意图——对一个（不，是很多个）故事的思考——作好了充足的铺垫。
《喜福会》可以看做由四条交织着的发展线索拧成的一根绳子，这根绳子也就是“母亲与女儿”之间在岁月流逝及空间转移中的发展关系。而“喜福会”这个由四个中国母亲操办起来的纯粹中国式的聚会，无疑就成了编织这根绳子的最好的开端（故事的切入点）。四对母女——总是由女儿的口吻讲述自己与母亲（母亲再与女儿）浓得化不开的情感瓜葛，然后在这种“成长与背离”的日常生活的生动描述中延展出东西文化的碰撞、交融及嬗变的主题。是的，在美国的土地上，四个中国母亲用各自“心灵的沧桑”，总是想把自己的“美国女儿”塑造成“中国风景”，而美国的土壤毕竟是美国的土壤，无论中国母亲怎样努力，女儿们最终还是要长成美国式的，因为连母亲们自己也总是会在不知不觉中讲起“蹩脚的英语”（两种文化的交锋最直接地体现在两种语言的交锋上，谭恩美应该是深谙这一点的。她说：“我为日常生活中的语言所迷。我把大量的时间用于思考语言的力量——它激起一种情感、一个视觉、一个复杂想法或一个简单真理的方式。”）但女儿们不得不承认中国的“传统文化”（总是随着她们母亲的身影）仍然存留在她们的血脉里，无论凝固着还是流淌着，这种情感总是抹之不去。“……她是我的孩子，她天生是女孩；我又是我母亲的孩子，天生也是女孩。我们就像台阶一样，一级又一级，上上下下，但走的都是一条路。”谭恩美借用小说中人物的言语，说出了这种无法割舍的（可以抛除小说的一切外在形式的）“情怀的真理”。
小说塑造的四对母女形象，她们呈现的迥异个性，都写得妙趣横生、血肉丰满。谭恩美绝对是个讲故事的高手，我们可以发现在她那些紧密相扣的故事中，又穿插了很多——母亲讲给女儿的小故事——这些故事完全是东方式的“古怪和神秘”，是果实的核（一种永远生植在她们大脑里的“文化梦魇”），被婉婉道来、层层铺展，生趣盎然。这是除小说的语言魅力，另一层吸引我的独特之处。
谈到小说的语言魅力，我可以举出很多展现谭恩美才华的神来之笔。比方说她写女儿对母亲的敬畏，女儿想让母亲接纳自己男友时的忐忑心理，形容男友容易被忘掉，“就像葬礼上某个人的侄子”；写女儿对母亲的抗争：“我说这话时有点怕，像是把蚕、蟾蜍或者别的讨厌的东西从嘴里吐出来。”；写母亲了解自己的女儿：“如果我想记住什么，就像在碗里寻找你没吃净的饭粒一样容易。”……这些精彩的笔墨，我想只有谭恩美这样对两种语言有过独到感受的作家才能写得出来的，她掌握了将日常细微的生活，转移到语言的核心上来的力量。还有一点需要补充的是，《喜福会》是谭的处女作，有点横空出世的味道，这本书曾连续9个月被列入《纽约时报》畅销小说排行榜首，并获“全美图书奖”等奖项。
当然，我也看到了《喜福会》中的一些瑕疵，在这里暂且略去不谈，我只想将自己阅读的愉悦（我偶然获得的无限惊喜），与喜欢读小说的朋友分享。
Between mother and daughter 奇瑰 story
In the book the language wisdom interest, was resourceful, is expressive, is humorous, lets my several experience the reading naked joyfulness, was vivid, the lifelike detail, the imagination beauty, often make person 叫绝. Her narration is unflustered, 有棱有角, is exquisite but does not reveal trivially, but in the book transforms completely carries on " tells the story " the different narration angle by the first person, lets me experience similarly is one kind of mind relaxes with is free (lets me remember childhood, winter night gathers round stove, our whole family listens to father to tell story scene). This kind " relaxes with is free " for me further understands the author writes the intention - to one (, was not very many) the story ponder - finishes the sufficient upholstery.
One string by four which " happy luck meets " may consider as to interweave the development clue twists, this string also is " the mother and the daughter " between passes and in the spatial shift development relations in the year. Four pair of mother and daughter - always are not narrate by daughter's 口吻 oneself with the mother (mother again with daughter) is thick the emotion connection, then " the growth with departs from " in the daily life vivid description extends the display thing culture in this kind the collision, blends and the evolution subject. Yes, on USA'S land, four Chinese mother with each one " the mind vicissitudes ", always is wants " the American daughter " to mold own " the Chinese scenery ", but USA'S soil after all is USA'S soil, regardless of Chinese mother how diligently, daughters finally or do have to grow into USA -like, because continually mother own also always is can in unconsciously center say " inferior English " (two kind of cultural confrontation most direct terrains now in two languages confrontation, Amy Tan should be deeply knows by heart this point. She said: " I confuse for the daily life in language. I use in the massive time to ponder language strength - it arouses one kind of emotion, one visual, one complex idea or one simple truth way." But the daughters can not but acknowledge China " the traditional culture " (always was along with their mother's form) still preserves in them blood vessels, regardless of coagulated or the flow, this kind of emotion always was wipes does not go. "... She is my child, she inborn is the girl; I again am my mother's child, inborn also is the girl. We like the stair same, one level of another level, every one, but walks all is one road." Amy Tan borrows in the novel character's spoken language, said this kind is unable to shear the shed (may throw eliminates novel all external forms)" the mood truth ".
The novel molds four pair of mother and daughter images, they present the different indiviality, all writes full of beauty and significance, the flesh and blood is plentiful. Amy Tan absolutely is the master which tells the story, we may discover these close buckles in her in story, also alternated the very many - mother says for daughter's small story - these stories completely is east the way " is strange and is mystical ", was the fruit nucleus (one kind forever lives plants in their cerebrum " cultural nightmare"), came by 婉婉 the road, layer upon layer to spread out all over, 生趣盎然. This is eliminates the novel the language charm, another attracts me uniquely place.
Talks about the novel the language charm, I may point out very unfold the Amy Tan talent the god come the pen. For instance she writes the daughter to mother's respect fear, the daughter wants to let the mother admit when the oneself boyfriend's disturbed psychology, describes boyfriend is easily forgotten, " likes at the funeral some indivial nephew child "; Writes the daughter to mother's resistance: " I said when this saying a little fears, the picture is the silkworm, the toad or other repugnant thing puts out from the mouth." Writes the mother understands oneself the daughter: " If I wants to remember what, the picture seeks you in the bowl has not eaten the grain of cooked rice equally is only easy." These splendid words, I want only to have Amy Tan like this have the original feeling writer to two languages only then can write obtain, she will grasp the daily slight life, shifts strength which came up to the language core. Also has one point needs to supplement, " happy luck meets " is Tan's maiden work, a little 横空 is born the flavor, this book continuously 9 months was once included " New York Times " the bestselling novel rank first place, and won " the entire American books prize " and so on the prize item.
Certainly, I also see " happy luck met " the center some slight defect, for the time being leaves out in here does not discuss, I only wanted to read joyfully own (I accidentally obtain infinite am pleasantly surprised), with liked reading the novel the friend share.