英文介绍电影类型

⑴ 英文影片的英文简介

1、《英国病人》

Directed by Anthony mingra, the English patient is adapted from the novel of the same name by Michael ondaj.

The film is co starred by Ralph Fiennes, Christine Scott Thomas and Juliet Binoche. The film was released in the United States on November 6, 1996.

The movie takes the war and desert as the background, decing a love tragedy across time and space.

During World War II, a British plane was shot down by the German army while flying over the Sahara desert.

The pilot on the plane was completely burned on the face. The local people rescued him and sent him to the Allied field hospital.

Because of the injury, the pilot lost his memory and could not remember who he was, so he could only be called "English Patient".

《英国病人》由安东尼·明格拉执导，是根据作家迈克尔·翁达杰的同名小说改编而成。

该片由拉尔夫·费因斯、克里斯汀·斯科特·托马斯、朱丽叶·比诺什等联袂主演。影片于1996年11月6日在美国上映 。

电影以战争和沙漠为背景，演绎一场跨越时空的爱情悲剧。

二战期间，一架英国飞机在飞越撒哈拉沙漠时被德军击落，飞机上的机师面部被全部烧伤，当地人将他救活后送往了盟军战地医院。

由于受伤这个机师丧失了记忆，不能想起自己是谁，因此只能被叫做“英国病人”。

影片讲述由莱昂纳多·迪卡普里奥扮演的造梦师，带领约瑟夫·高登-莱维特、艾伦·佩吉扮演的特工团队，进入他人梦境，从他人的潜意识中盗取机密，并重塑他人梦境的故事。

⑵ 用英文说，电影的类型，例如comedy

外国一般如下表达电影类型，来源于外国权威电影网站，自己做了翻译：
Action 动作片
Adventure 冒险片
Animation 动画片
Biography 传记片
Comedy 喜剧片
Crime 犯罪片
Documentary 纪录片
Drama 戏剧（文艺）片
Family 生活片
Fantasy 奇幻片
Film-Noir 黑色电影（不是黑白电影，是指情节黑色）
Game-Show 游戏秀节目
History 历史片
Horror 恐怖片
Musical 音乐片
Mystery 悬疑片
News 新闻片
Reality-TV 电视真人秀
Romance 爱情片
Sci-Fi 科幻片
Sport 体育片
Talk-Show 脱口秀
Thriller 惊悚片
War 战争片
Western 西部片
就是这么多，楼上提到的悲剧，是属于Drama这一类型，并没有单独的悲剧这一项目的。

⑶ 电影的英语简介

1.《天下无贼》
The film tells an ideal story of friendship and return of prodigal people. After five years of hard working in the northwest, young farmer Root bagged with a saving of sixty thousand Yuan decides to go back to hometown to get married. During the long journey on the train that is full of thieves, rustic and naïve Root however chooses to believe that it is “a world without thieves”.
翻译：
影片讲述的友谊和浪子人返回理想的故事。经过五年的努力，在西北工作多年，年轻的农民根与六十千元储蓄套袋决定回到家乡结婚。在火车上是窃贼，质朴，天真的根却选择相信这是“天下无贼”完全长途旅行。

2. <玉观音>
Anxin is an anti drug enforcement agent, when she is preparing her wedding with Tiejun, she falls in love with another man, Maojie the passion between them grows vigorously. Unfortunately, Anxin quickly married Tiejun after discovering her pregnancy. Everything seems going fine then, but it is only the beginning of tragedy: Anxin meets Maojie again when disguising herself as a drug dealer, later she even becomes the witness against him which leads his family broken up. However, Mao’s lawyer exonerates Maojie after revealing the affairs between Mao and Anxin. Maojie determines to take revenge and the lovers become enemies……
翻译：
安心是公安局缉毒大队的侦察员，当他正准备和铁军结婚的时候，她与另外一个男人毛杰产生了爱慕之心，双双坠入爱河。当安心发现自己怀孕之后，她很快与铁军结了婚，婚后的生活和和美美，岂不知这只是悲剧的开始。在一次化装侦察的过程中，安心再次遇见毛杰，作为证人的安心， 在法庭调查毛杰时，提供了毛杰的犯罪证明，毛杰的家庭也因此而支离破碎。后来，毛杰的律师在法庭的调查中揭露了毛杰与安心曾为恋人的关系，毛杰决心要报复安心，曾经自己的恋人，成了敌人……
这已经是最短的了，希望可以帮到你。

⑷ 大学英语口试，介绍一部电影，包括叫什么、属于什么类型、我为什么喜欢。时间大约1分钟左右。。。。。

幸福终点站The Terminal（2004）
导演：斯蒂芬•斯皮尔伯格Steven Spielberg
主演：汤姆•汉克斯Tom Hanks 凯瑟琳•泽塔-琼斯Catherine Zeta-Jones
类型： 剧情 /喜剧/爱情 feature/ omedy /love
剧情简介
主人公维克多(汤姆•汉克斯)为了实现对父亲的承诺来到美国，但由于一次意外事件，他的国家陷入战争，维克多成为了没有国籍的人，不能踏入美国境内，也无法回国，只能在机场“安家”，但维克多没有放弃希望，不仅在机场继续生活，他还结交了朋友，得到了工作，甚至邂逅了爱情。尽管他的身体被困在机场里，但他的情感却是自由的。最终也兑现了对父亲的承诺。
Synopsis：
Viktor (Tom Hanks)came to the United States in order to realize the promise to his father, but because of an accidental event, his country was in war .viktor became stateless, can not enter into the United States or return home,he only can make airport as his “home”. But victor didn't give up his hope, he continued to live in the airport, make many friends, get the job, and even have a love story . Although his body was trapped in the airport, his emotion is free. Finally he also fulfilled promise to his father.

In the film, in fact, viktor was not clown but a person with noble character.He is very kind and honset, always with hope, and rather patience, more important, he keeps his promise.
This movie reflects the Americans’ real life and the social status,discuss the human nature and reflects the inner side of human being, disclose people’s mind and behavior. I hope this introce can help students enhance the understanding of American culture, I hope you will enjoy it.

⑸ 电影的类型有什么我要英文的

Film Genres

I INTRODUCTION
Film Genres, categories of film characterized by frequently recurring patterns of form, style, and, particularly, subject matter. There is no clear consensus among film historians and critics on the number of genres, or on the line of demarcation between one genre and another. This must be borne in mind when considering the following list of major genres: Adventure; Biography; Comedy; Drama and Melodrama; Fantasy/Horror/Science Fiction; Gangster/Crime/Spy/Film Noir; Musical; Problem Picture; War; Western. Some commentators would argue that the category “Gangster/Crime/Spy/Film Noir” clearly incorporates two, if not more, distinct genres, as it could be seen to include films as diverse as The Maltese Falcon (John Huston, 1941) and Sunset Boulevard (Billy Wilder, 1950). Similarly, the old instry category “Women's Pics” straddles at least two classifications: Film Noir and Melodrama. Only the Hollywood cinema has been considered. Obviously, genres exist in the popular cinemas of other countries, although, apart from such clear-cut exceptions as samurai films of Japan or kung fu pictures from Hong Kong, the categories applied are normally derived from Hollywood. Clearly there are interesting differences between, say, a British crime film and an American example, but on the whole these have yet to be studied. Differences between genres tend to be identified more in terms of themes, stars, use of costumes, and settings and locations, than in terms of specific aspects of film-making practice such as editing.

II HISTORICAL PERSPECTIVE
In the days of the studio proction lines, placement of films within genres tended to be part of the thinking of studio executives in their decisions about proction and marketing policy, and were reiterated in the trade papers. Thus, notions about many film genres actually preceded explicit critical analysis. While critical accounts of a film genre tend, appropriately, to be descriptive, the same ideas in the mind of a procer or accountant are often prescriptive, based on a notion of what audiences will find acceptable in, say, a Western.

When critics started to analyse Hollywood films in depth, this link with the collective, entertainment, money-making aspect of the proction system, rather than its initially unrecognized personal, artistic dimension, contributed to an emphasis on the negative aspects of the genres, for example, the limits their conventions imposed on creativity. However, as Colin McArthur argued in his pioneering genre study Underworld USA (1972): “the responses of film-makers and audiences to the genres seem to offer a good prime facie case for believing that they are animating rather than neutral, that they carry particular charges of meaning independently of whatever is brought to them by particular directors.”

Certainly, it seems unlikely to be coincidence that much of the finest work of Howard Hawks, John Ford, Anthony Mann, and, more recently Clint Eastwood, has been in the Western genre. Nevertheless, only minor or mediocre directors can be said to be defined by their relationship to a genre, and each of the four cited has inflected the genre in significantly different ways, both stylistically and thematically, as well as having done important work in other genres.

III DEVELOPMENT OF GENRES
Clearly film genres change over time as society, the audience, and the institutions of proction change. New stars come along, new themes emerge, new conventions of characterization evolve. The exact nature of these shifts is largely outside the conscious awareness of those responsible for bringing them about, however. The procer, director, writer, and star tend to think in terms of decisions that will make a work more interesting, or generate a more compelling star role, rather than how to modify the genre in response to shifts in society.

Some points relating the development of particular genres to changes in film technology are simple and obvious: there is nothing incongruous about a silent Western, and the genre has been on the screen since The Great Train Robbery (1903, directed by Edwin S. Porter), but the idea of a silent musical is obviously ridiculous, despite the fact that live musical accompaniment ensured that most cinemas were never really silent. Similarly, continually improving techniques for special effects have given new life to the Fantasy/Science Fiction/Horror genre, from 2001: A Space Odyssey (Stanley Kubrick, 1968) on through Star Wars (George Lucas, 1977), and Close Encounters of the Third Kind (Steven Spielberg, 1977) to the cycle of Alien films (Ridley Scott, 1979; James Cameron, 1986; David Fincher, 1992).

Popular films are not a simple reflection of the society that proced them: they are complex texts, systems of discourse certain strands of which bear traces of particular features of the society that generated them. Exactly what mechanisms are involved, however, varies from case to case, and may often be impossible to tease out. Thus, comparisons made between characteristics of the indivial genres, or between one era and another, must be provisional and tentative.

For example, in the 1930s, the great period of the gangster film, there were few major Westerns, and those there were came at the start and end of the decade. In the era of classic Hollywood cinema (from the late 1920s to the decline of the studio system around 1960) both these genres regularly involved conflicts between good and evil.

However, perhaps because part of the gangster film's concern was to indicate the social origins of crime, it is typically the gangster's journey the audience follows, and thus there is strong, if only partial, identification with him. His refusal to accept the restrictions of the urban environment, together with the energy of his indivialism, made him a dangerously fascinating, possibly sympathetic, character when contrasted with the less colourful representatives of law and order.

Indeed, this patina of charisma has persisted through to the present. It is part of the complex appeal of The Godfather series (Francis Ford Coppola: Part I, 1972; Part II, 1974; Part III, 1990), inviting the audience to collude with the actions of Michael Corleone. In the more pastoral world of the classic Western, on the other hand, the hero may have been a loner, but he normally represented the best values of the community. Moreover, it was his progress the audience followed, and thus it was he with whom it identified. Consequently, he was the one with charisma, rather than the villain, whose ultimate defeat and death were not mourned in the same way as the classic gangster's.

Though attempts to specify precisely where Western and gangster genres fit in an overall account of the generic categories of popular cinema are likely to generate academic controversy, all commentators agree on their existence as genres. This makes them appropriate choices for the accounts of generic difference and change given above. Though much has been left out, this is an example of the kind of analysis that can be made in relation to other genres.

⑹ 电影有多少种类型用英语怎么表达

电影类型主要有：Comedy喜剧、Thriller惊悚、Romance爱情、Horror恐怖、Action动作、Sci-Fi科幻、Crime犯罪、War战争。

音乐电影、黑帮电影、纪录电影、公路电影、意识流电影、动画电影、惊悚电影、西部电影、人物电影、飞车电影、家庭电影、超级英雄电影。其中，动画电影包括卡通。

(6)英文介绍电影类型扩展阅读：

电影具有独自的特征，在艺术表现力上不但具有其它各种艺术的特征，又因可以运用蒙太奇（法语：Montage）这种艺术性突跃的电影组接技巧，具有超越其它一切艺术的表现手段。

电影可以大量复制放映，随着现代社会的发展，电影已深入到人类社会生活的方方面面，是人们日常生活不可或缺的一部分。

⑺ 恐怖片、动作片、爱情片、剧情片…英文怎么说电影种类名称教学

电影的英文 叫做movie。但是你知道 恐怖片、动作片、爱情片、剧情片…的英文 要怎么说吗？看电影是几乎每个人都喜欢做的事，因此懂得用英文跟别人聊各种电影类别、电影种类名称，也是很重要的喔。

本篇文章整理各种电影种类的名称。

内容档丛目录

1.Horror 恐怖片、惊悚片

无论是恐怖片还是惊悚片，行橡樱都可以叫做Horror movie。

例： I don’t really like watching horror movies. 我真的不喜欢看恐怖片如历。

2.Action and Adventure 动作片、冒险片

Action and Adventure 是指动作冒险类型的电影。动作片你可以叫作Action movie。

例： He loves action movies – all car chases and jumping out of planes. 他很喜欢看动作片——飙车追逐、跳飞机等等。

3.Romance movie 爱情片

爱情片的英文可叫做Romance movie，romance 是指「浪漫」的意思。

例： She loves romance movies. 她喜欢爱情片。

4.Drama 剧情片

至于剧情片的英文则叫做drama。

例： a courtroom drama 法庭剧 a historical drama 历史剧

5.其他电影种类、电影类别相关英文

除了上面几种常见的电影种类，下面再整理各种电影类别英文单字。

例： Alt Movies 成人影片、 *** Animation 动画卡通电影 Classic Hollywood 好莱坞经典电影 Comedy 喜剧电影 Documentary 纪录片 Family 家庭电影 Martial Arts 功夫片 Musicals 音乐剧、歌舞片 Organized Crime 黑帮犯罪电影 Science Fiction and Fantasy 科幻片 Shakespearean 莎剧改编电影 Silent Movies 默片 Sports 运动电影 Teen Movies 青春片 War Movies 战争片 Westerns 西部片

6.去看电影时的常见英文单字

电影院的英文可以叫做 theater或是cinema，这两个英文单字都是指电影院。

至于你去电影院看电影时，你还会看到很多跟电影院有关的英文单字，整理如下。

例： Ticket Counter 售票处 买电影票的地方。

例： Queue 队伍 指电影院里排队等待买票的队伍。

例： Popcorn 爆米花

例：Snack Counter 电影院中贩售食物的地方 在这里贩卖的食物，是可以带进去吃的。

例： Entry gate 入口、验票处 进入放映厅前，会先在入口检查你是否买票了。

例： Usher 协助你找到自己座位的人

例： Trailer 预告片

例： Interval 中场休息时间 较长的电影有时会有一小段暂停的时间，让观众可以在这时去上厕所、休息。

上面就是各种电影种类、类别，以及跟电影有关的英文单字啦，赶快学起来吧！