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三篇英文电影

发布时间:2024-08-03 21:03:57

1. 30部必看经典英文电影,看完口语、听力大幅提升!你到底看过哪些

一、经典电影(人生篇)

1、《肖申克的救赎》

《肖申克的救赎》(The Shawshank Redemption)取自斯蒂芬·金《不同的季节》中收录的《丽塔·海华丝及萧山克监狱的救赎》而改编成的《肖申克的救赎》剧本,并由弗兰克·达拉邦特执导,蒂姆·罗宾斯、摩根·弗里曼等主演。

2、《百万金婴》又名《百万宝贝》

《百万宝贝》(Million Dollar Baby)是一部励志剧情电影。影片由克林特·伊斯特伍德执导,克林特·伊斯特伍德、希拉里·斯万克、摩根·弗里曼等主演。

影片讲述了一位有名的拳击教练法兰基因为太过于投身与拳击事业而陷入了长期的自我封闭和压抑,一位学徒麦琪坚毅的决心软化了法兰基并成出色的女拳击手。

3、《悲惨世界》1958年版

《悲惨世界》是法国作家维克多·雨果于1862年所发表的一部长篇小说。是十九世纪最著名的小说之一。

小说涵盖了拿破仑战争和之后的十几年的时间。故事的主线围绕主人公获释罪犯冉阿让(Jean Valjean)试图赎罪的历程,融进了法国的历史、建筑、政治、道德哲学、法律、正义、宗教信仰。1958年法国导演让.保罗·李塞诺拍摄过同名电影,2006年日本出品了根据原著改编的动画片《悲惨世界少女珂塞特》。

二、经典电影(爱情篇)

1、《罗马假日》

《罗马假日》是1953年美国推出的一部经典浪漫爱情片,由道尔顿·庄柏编剧,威廉·惠勒导演。格利高里·派克和奥黛丽·赫本联袂主演。

故事讲述了一位欧洲某公国的皇室公主与一个美国平凡记者之间在意大利首都罗马一天之内发生的浪漫故事。

2、《泰坦尼克号》

《泰坦尼克号》是美国20世纪福克斯公司和派拉蒙影业公司共同出资,于1994年拍摄的一部浪漫的爱情灾难电影,由詹姆斯·卡梅隆创作、编辑、制作、导演及监制,莱昂纳多·迪卡普里奥、凯特·温斯莱特主演。

影片以1912年泰坦尼克号邮轮在其处女启航时触礁冰山而沉没的事件为背景,描述了处于不同阶层的两个人——穷画家杰克和贵族女露丝抛弃世俗的偏见坠入爱河,最终杰克把生命的机会让给了露丝的感人故事。

3、《卡萨布兰卡》

《卡萨布兰卡》是由华纳兄弟影片公司出品的爱情电影,由迈克尔·柯蒂斯执导,亨弗莱·鲍嘉、英格丽·褒曼、克劳德·雷恩斯、保罗·亨雷德等主演。

影片讲述了二战时期,商人里克手持宝贵的通行证,反纳粹人士维克多和妻子伊尔莎的到来使得里克与伊尔莎的旧情复燃,两人面对感情和政治的矛盾难以抉择的故事。

三、经典电影(战争篇)

1、《巴顿将军》

《巴顿将军》是由弗兰克林·斯凡那导演,1970年2月4日在美国首映,影片主要介绍了一九四三年在北非,英美盟军遭到绰号叫“沙漠之狐”隆美尔元帅率领的德军反击,展开了一场大规模的战斗,结果美军遭到惨败。陷入了困境。

2、《拯救大兵瑞恩》

影片《拯救大兵瑞恩》是梦工厂1998年出品的一部战争电影,由史蒂文·斯皮尔伯格执导,汤姆·汉克斯、汤姆·塞兹摩尔和马特·达蒙等联袂出演。影片于1998年7月24日在美国上映。

电影描述诺曼底登陆后,瑞恩家4名于前线参战的儿子中,除了隶属101空降师的小儿子二等兵詹姆斯·瑞恩仍下落不明外,其他3个儿子皆已于两周内陆续在各地战死。美国陆军参谋长马歇尔上将得知此事后出于人道考量,特令前线组织一支8人小队,在人海茫茫、枪林弹雨中找出生死未卜的二等兵詹姆斯·瑞恩,并将其平安送回后方。

3、《现代启示录》

《现代启示录》是由弗朗西斯·福特·科波拉执导,马丁·辛、马龙·白兰度、罗伯特·杜瓦主演的战争片。

影片讲述了越战期间,美军情报官员威尔德上尉奉命除掉库尔兹上校。接到命令后,威尔德率领小分队,冒险乘小艇深入柬埔寨。

4、《战争与和平》

《战争与和平》是由金·维多执导的剧情片,亨利·方达、奥黛丽·赫本参加演出。

该片讲述了在拿破仑指挥军队进攻俄国时,发生在大动荡年代中的一段经典爱情故事。

(1)三篇英文电影扩展阅读

《经典英文电影赏析》是2009年5月1日国防工业出版社出版的图书。本书主要收录了10部精选优秀经典英文电影作品。

《经典英文电影赏析》由10个章节组成。每一章节包括电影背景、故事简介、主要演员阵容及导演介绍、精彩部分节选、对影片的评论及注释五大部分。相信许多读者会在观赏优美电影或阅读《经典英文电影赏析》的过程中重温自己过去的电影体验,获得新的感悟和理解。

英汉对照是《经典英文电影赏析》的一大特点。《经典英文电影赏析》既有英文原文,也提供了中文翻译,有助于英语爱好者能更好地理解书中的内容。同时,《经典英文电影赏析》还提供了注释,为读者的自学提供了参考。

2. 急求三篇英文的电影观后感大神们帮帮忙

英文影评:千与千寻(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂总动员 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

3. 求三篇英语作文,关于英语电影观后感,120字左右,不要太多,带翻译。电影自选,不需太深,作文内容尽

Impression on "Forrest Gump"
电影《阿甘正传》观后感
Last night, I saw a great film, Forrest Gump.I am greatly impressed by this film, by the stories of Forrest Gump.Forrest Gump was born in a small village.He was born mentally retarded, and he was discriminated by others.But his mother is a strong female who encourages Gump to be strong and live the same as normal people.Besides, he meets Jenny, a tragic but kind-hearted girl.With the love of his mother and Jenny, Forrest Gump begins his running all his life.I am moved by his strong will, kindness and optimism.There are many miracles in his all life which seem impossible to him.But I know is reasonable, because he wins them with his noble personalities.
昨天晚上,我看了一部大片——《阿甘正传》。这部电影以及阿甘的故事给我留下了深刻印象。阿甘出生在一个小村庄。他天生弱智,受到别人的歧视。但是他的母亲是个坚强的妇女,她鼓励阿甘要像一个正常人一样坚强地活着。后来,她认识了珍妮,一个悲剧但又善良的女孩。在他妈妈和珍妮的爱护下,阿甘开始跑遍整个人生。我被他坚强的意志,他的善良以及他的乐观所打动。他的整个人生充满了许多对它来说是不可能的奇迹。但是我知道这是合理的,因为他用他高尚的品质赢得了这些。

My Favorite Movie
我最喜欢的电影
.Among so many films I have watched, the one I like best is High School Musical.This film tells the stories about two high school juniors from rival cliques – Troy Bolton, captain of the basketball team, and Gabriella Montez, a beautiful and shy transfer student who is a hard working girl.Together, they try out for the lead parts in their high school musical.In this process, a series of stories happen, but in the end, the musical achieves great success and Troy and Gabriella fall in love with each other. It’s totally a happy ending.I like this movie because the high school life in that is so colorful and amazing, which I admire so much.Besides, everyone loves happy ending of love story.
。在我所看过的电影中,我最喜欢的是《歌舞青春》。这部电影讲述了两个高中生的故事——学校篮球队的队长Troy Bolton和性格害羞、长相甜美、成绩优异的新生Gabriella Montez。他们要一起主演学校的音乐剧。在这个过程中,发生了一系列的故事,而最终,音乐剧获得了成功,他们之间也碰撞出了爱的火花,完美落幕。我喜欢这部电影的原因是因为电影中展现的高中生活丰富多彩、奇妙无比,让我十分羡慕。再者,有谁不喜欢爱情故事的大圆满结局呢。

The Impression of Hachiko
《忠犬八公的故事》观后感
In recent years, the film “Hachiko—A Dog’s Story” has been very popular.It mainly shows an impressive story between a loyal dog and a professor.As far I am concerned, there are many things we can learn from the film.
近年来,电影“忠犬八公——一只狗的故事”非常的流行。主要说的是一条忠实的狗和一个教授之间的感人故事。对我来说,我们可以从电影中学到许多东西。
To begin with, I believe that most people who have watched this film were moved by the dog’s loyalty.The dog has waited for his owner for a lifetime and hid loyal behavior has taught us never forget anyone we loved—the meaning of loyalty.We can learn that we should try to get along with each other with true affection and never betray in an intimated relationship so that we can strengthen our relationship and understand each other better.And we should believe that there is still a true affection in the world.
首先,我相信很多人看过这部电影的人都被狗的忠诚感动了。狗等它的主人等了一辈子,这一忠诚的行为告诉我们永远不要忘记任何你所爱的人——忠诚的意义。我们可以学习,我们可以学到我们应该应该用真实的情感与他人交流相处并永远不出卖亲密的关系,这样我们才能够加强我们的关系,更好地相互理解。我们应该相信世界上还存在有真情。

4. 中学生必看的经典英文电影

中学生必看的经典英文电影 篇1

一.《歌舞青春》(High School Musical)

本片在美播出后迅速走红,引爆了具有轰动性的跨娱乐平台、跨越国际市场的全球青年新文化潮流。2006年1月美国首播,随即引爆炫风,电视收视长红,缔造新纪录。获得艾美奖6项提名,并拿下两项大奖(最佳儿童节目、最佳舞蹈编排)。此外还获得2006年全美青少年票选3项大奖。

二.《海上钢琴师》(The Legend of 1900)

本片讲述了一个钢琴天才传奇的一生。1900年,Virginian号豪华邮轮上,一个孤儿被遗弃在头等舱,由船上的水手抚养长大,取名1900。

1900慢慢长大,显示了出了无师自通的非凡钢琴天赋,在船上的乐队表演钢琴,每个听过他演奏的人,都被深深打动。爵士乐鼻祖杰尼听说了1900的高超技艺,专门上船和他比赛,最后自叹弗如,黯然离去。可惜,这一切的事情都发生在海上,1900从来不愿踏上陆地,直到有一天,他爱上了一个女孩,情愫在琴键上流淌。

他会不会为了爱情,踏上陆地开始新的生活,用他的琴声惊艳世界?他将怎样谱写自己非凡的人生?

三.《风雨哈佛路》(Homeless to Harvard)

贫穷和负面的童年经验,并没有让她变坏或者失去希望,隐隐约约之中,她一直都知道,在她生长的环境之外,其它人所过的,是很不一样的生活。而她知道,只有想办法脱离现在的环境,才有可能到那个新世界去。

四.《心灵捕手》(Good Will Hunting)

麻省理工学院的数学教授蓝波公布了一道困难的数学题,却被年轻的清洁工威尔(马特·戴蒙 饰)解了出来。可是威尔却是个问题少年,成天和好朋友查克(本·阿弗莱特 饰)等人四处闲逛,打架滋事。

当蓝波找到这个天才的时候,他正因为打架袭警被法庭宣判送进看守所。蓝波向法官求情保释,才使他免于牢狱之灾。

五.《肖申克的救赎》(The Shawshank Redemption)

本片的主题是“希望”,在牢狱题材电影中突破了类型片的限制,拍出了同类作品罕见的人情味和温馨感觉。时至今日,本片在国内外各大电影网站的电影排行中始终稳坐前十。

六.《美丽人生》( Life is Beautiful)

二次世界大战期间的意大利,由罗伯托·贝里尼(Roberto Benigni)饰演的小人物─基多,来到图斯坎尼小镇追求他的理想与爱情,全然不顾法西斯主义之下的政府管制,在这里他与小学老师桃拉坠入情网。几年后,他们拥有了一个小男孩─约书亚,而基多也开了一间书店。

但好景不常,在法西斯主义政府统治下,一家人失散,被关入集中营,爸爸和儿子关在一起,妈妈则被关在另外一处,在残酷无比的集中营里,爸爸以玩游戏的方式让儿子仍保有童年的快乐与天真。最后,爸爸牺牲了自己,死于纳粹的枪下,而儿子回到妈妈身边。

《美丽人生》最引人入胜之处,在于它以诙谐的方式看待无情的战争。在该片里,我们见识到战争的可怕,看见了人们的无助,却也看到了有人以幽默的态度自处。

七.《幸福终点站》(The Terminal)

故事发生在上个世纪80年代末,维克多(汤姆·汉克斯 饰)是一个斯洛文尼亚人,为了逃避祖国的战乱,他决定移民美国,带着简单的行李买了飞往美国的机票。

当他在终点站纽约的肯尼迪机场下机准备出机场时,却被拦了下来。原来,他的祖国发生了政变,而且还成为了美国的敌对国!维克多的护照和身份证件,以及移民文件都全都失去了效用,他被扣在了机场。瞬时间,维克多成了一个没国没家的孤立的人,他成为国际政治变化的牺牲品。在被扣在机场期间,维克多只有两个选择:要么返回祖国,可是他的国家政变后,已经不再承认办理了移民手续的他是国民;要么拿到有效的证件,进入移民的美国,但他的证件显然已经失效而且再也无法补回了。

站在这个不属于自己的国家,看着来来往往陌生的人群,维克多不禁感到迷茫。无奈之下,他只能留在机场睡在大厅的椅子上,在卫生间里洗澡,靠为路过的乘客服务生活。他现在拥有的只有自己不自由的身体,以及一个小皮箱,里面装着换洗的衣服、一把剃须刀和已经作费的身份证明。 一次偶然的机会下,维克多认识了一名美丽空姐艾米丽娅(凯瑟琳·泽塔·琼斯 饰)。艾米丽娅开始很同情维克多的遭遇,帮他介绍些小工作和与机场交涉关系,慢慢的她爱上了这个细腻而憨厚的男人。

一场“塞翁失马”的际遇就这样上演了。维克多在这个机场邂逅了美国的一切,也邂逅了属于他的幸福。

八.《死亡诗社》Dead Poets Society

1959年,威尔顿预备学院以它凝重的风格受到了当时人们的尊敬。在那里,教育的模式是固定的,不仅单调而且束缚了思想。然而这一切在一个新教师的手中发生了改变。

John Keating 反传统的教育方法给学院带来了一丝生气:在他的课堂里,他鼓励学生站在课桌上,用一个崭新的视角去观察周围的世界;他向学生介绍了许多有思想的诗歌;他所提倡的自由发散式的思维哲学在学生中引起了巨大的反响。

渐渐地,一些人接受了他,开始勇敢地面对每一天,把握他们自己的人生。不幸也在这时发生了......

九.《追风筝的人》 (The Kite Runner)

阿富汗富家少爷阿米尔(Zekeria Ebrahim饰演)与仆人哈桑(Ahmad Khan Mahmidzada饰演)情同手足。在阿米尔受别人欺负的时候总是哈桑站出来保护他,尽管哈桑比他还要瘦弱。

在一次盛大的风筝大会上,阿米尔和哈桑一路过关斩将取得了第一名的好成绩。两个少年都十分开心。 哈桑也兴奋的.朝最后一个“战利品”追去。但在途中哈桑却被一伙不良少年堵截在小巷中蹂躏强暴,尾随哈桑的阿米尔目睹了发生在哈桑身上的一切,却没有勇气站出来保护哈桑而眼睁睁的看着哈桑被他们强暴。

阿米尔却从此背上了沉重的心理包袱。再也无法面对哈桑的他为了永远躲开那熟悉的目光,在一天借口陷害哈桑父子俩偷东西,把他们赶出了自家的大门。

随着战争的爆发,阿米尔跟父亲去了美国。在那里他和父亲一道辛勤的工作学习,从一无所有逐渐建立了他们的家业。然而,拉辛汗从阿富汗打来的一个电话却打破了所有的平静。

阿米尔意识到过去的从来都未曾过去。他始终无法摆脱对哈桑的歉疚。为了赎罪,为了哈桑,他再次踏上睽违二十多年的故 土。希望能为不幸的好友尽最后一点心力。然而此行却让他发现了一个惊天的谎言......

中学生必看的经典英文电影 篇2

《大鱼》是哥伦比亚影业公司于2003年出品的一部美国奇幻片,故事改编自丹尼尔·华勒斯(Daniel Wallace)于1998年出版的《大鱼老爸》(Big Fish)。由蒂姆·伯顿执导,伊万·麦克格雷格、阿尔伯特·芬尼和杰西卡·兰格等联袂出演。

电影以孩子的口吻来叙述其爸爸传奇的一生。爱德华·布鲁姆是个喜欢吹牛的老头,总喜欢炫耀年轻时旅行推销的经历,儿子并不相信,觉得父亲很虚荣浮夸,父子关系渐渐疏离。直到父亲不久于人世,儿子决定回去见父亲最后一面,他终于领悟到父亲充满激情和想象的一生。

威尔(比利·克鲁德普饰)记得,从小时候起,父亲爱德华(亚伯特·尼饰)就喜欢滔滔不绝的讲述自己早年当阿拉巴马旅行推销员时经历的众多离奇的故事,它们是如此的光怪陆离,就连小威尔也时常怀疑它们的真实性。他觉得自己根本就不了解父亲,也无法接受他的奇说,这让父子间的关系逐渐疏远。后来威尔和一名叫约瑟芬的法国女子结了婚,终于离开了自己的家和整天喋喋不休的父亲。

整整三年,威尔一直没和家里联系。这天母亲桑德拉(杰西卡·兰格饰)突然打来电话,她告诉威尔,他的父亲得了癌症,很快将不久人世,请他回家见父亲最后一面。威尔和妻子重返故里,威尔再次听到了父亲的那些他年轻时候的传奇故事。

根据爱德华的叙述,自己年轻时(伊万·麦奎格饰)是一位意气风发,野心勃勃的人,他一直想离开自己居住的小村庄,去体验一下外面大城市的生活。在旅行途中,他曾遇到过一个老巫婆,一个巨人,一个叫做“幽灵城”的地方,一个晚上会变成狼人的马戏团老板,还包括一名有着两个不同性格但只有一个身体的中国歌手和一条谁也抓不住的“大鱼”。在这些传奇之余,爱德华也道出了自己和妻子桑德拉的爱情故事——他如何遇到她,如何被她的美丽打动并向她求婚。

虽然从这些讲述中威尔发现其中包含了很多的修饰,但却比自己从前认为的要真实得多,它们只是父亲要保留过去的激情和诚实的一种方式而已。在爱德华生命的最后一刻,他终于获得了儿子的尊重和理解,威尔也用相同的手法,将父亲的去世讲述成一个有趣的故事,而这也是片尾威尔所说的,父亲留下的最后一个笑话:一个讲了无数个故事的人最终成为了这些故事的一部分。

中学生必看的经典英文电影 篇3

《魔法师的学徒》(The Sorcerer's Apprentice)又名《巫师学徒》,是由迪斯尼电影公司和制作人杰瑞·布鲁克海默联手奉献,根据小说《深蓝05670》改编的奇幻冒险片,影片由乔·德特杜巴执导,马特·洛佩兹编剧,并由华夏电影公司发行,2010年9月9日在中国上映。饰演魔法师巴萨泽·布雷克的是尼古拉斯·凯奇,他在片中调教的菜鸟学徒由阿帕图校园喜剧出身的杰伊·巴鲁切尔出演,而曾在《蜘蛛侠2》中扮演大反派“章鱼博士”的阿尔弗雷德·莫里纳也加盟本片。影片讲述在当代的纽约曼哈顿,一个魔法师训练一个新人以帮助他对抗邪恶黑势力的故事。

公元700年左右, 正义的魔法师默林(James A. Stephens 饰)带领徒弟巴尔萨泽(尼古拉斯·凯奇 Nicolas Cage 饰)、维萝妮卡(莫妮卡·贝鲁奇 Monica Bellucci 饰)、霍瓦斯与邪恶的女巫莫戛娜·洛菲(Alice Krige 饰)展开抗争。维萝妮卡为了封住女巫,而将莫戛娜的灵魂吞入自己的体内,并由巴尔萨泽将她们封印在玩偶中。默林死前,将一枚龙指环交给巴尔萨泽,嘱托他寻找默林英雄,将莫戛娜彻底消灭。此后的岁月里,巴尔萨泽走遍世界各地寻找默林英雄,却始终一无所获,直到他来到美国纽约。

公元2000年,四年级小学生戴夫在纽约一间魔法店宿命地邂逅了巴尔萨泽,并得到龙指环的肯定。期间,他无意中释放了邪恶的霍瓦斯,引发一场巨大的混乱,戴夫也被同学们认为精神错乱。转眼十年,戴夫(Jay Baruchel 饰)已成长为帅气青年。童年的遭遇恍如一场噩梦,却在十年后再次袭来,他不得不遵照命运的指引,与女巫展开最后的抗争。

5. 三篇用英文写的英语电影影评(主要内容、角色、演员的介绍,对它的评价)初一水平100左右 不要太长 有中文

hello,everyone. (大家好)

. very glad to be here.(非常高兴能来到这里给大家发言)

my name is ###, and i am ** years old.(我的名字是###,今年××岁了)

now i am a ___school student.(我现在是一名……学生)

my favourite subject is English . and i like sports very much . (我最喜欢的科目是英语,而且我很喜欢运动)

English brings lots of fun . and sports makse me happy .(英语带给我很多乐趣,而且运动使我快乐)

i like this sentence:“ nothing is impossible。”(我最喜欢的一句话就是:一切皆有可能。)

so i always try my best to do everything well,and never give up easily.(所以我每一次总是尽力做好每一件事情,从来都不轻易说放弃)

so this is me ,i hope to make friends with you all.(这就是我,我希望和大家都能成为朋友。)

thank you for listening!(谢谢大家的聆听!)

6. 求三篇电影的概括,每篇80~100个单词,英文。谢谢!

Finding Nemo(2003)
A clown fish named Marlin lives in the Great Barrier Reef loses his son, Nemo. After he ventures into the open sea, despite his father's constant warnings about many of the ocean's dangers. Nemo is abcted by a boat and netted up and sent to a dentist's office in Sydney. So, while Marlin ventures off to try to retrieve Nemo, Marlin meets a fish named Dory, a blue tang suffering from short-term memory loss. The companions travel a great distance, encountering various dangerous sea creatures such as sharks, anglerfish and jellyfish, in order to rescue Nemo from the dentist's office, which is situated by Sydney Harbor. While the two are doing this, Nemo and the other sea animals in the dentist's fish tank plot a way to return to Sydney Harbor to live their lives free again.

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