1. 关于花木兰的英语作文
Mulan is a 1998 American animated film proced by Walt Disney Feature Animation,
and released by Walt Disney Pictures on June 19, 1998.
The thirty-sixth animated feature in the Walt Disney Animated Classics,
and a part of the Disney Renaissance, the film is based on the Chinese legend of Hua Mulan.
Mulan was the first of three features proced primarily at the Disney animation studio
at Disney-MGM Studios in Orlando, Florida.
It was directed by Tony Bancroft and Barry Cook, with story and screenplay by Robert D. San Souci,
Rita Hsiao, Philip LaZebnik, Chris Sanders, Eugenia Bostwick-Singer, and Raymond Singer.
Development for the film began in 1994, when a number of artistic supervisors were sent to
China to receive artistic and cultural inspiration.
Mulan was well-received by critics and the public, grossing $304 million, earning Golden
Globe and Academy Award nominations, and winning several Annie Awards including Best
Animated Feature.
Fa Mulan is the only daughter of aged warrior Fa Zhou.
She impersonates a man and takes her father's place ring a general conscription to
counter a fictitious Hun invasion led by Shan Yu . Along with her guardian dragon Mushu ,
her captain, Li Shang , a lucky cricket, "Cri-kee," and her companions, Yao, Ling, and
Chien-Po, she battles the invading Hun army.
2. 求一篇描写电影花木兰的英文文章！
Disney turned East seeking inspiration and found it in Mulan, a thoughtful coming-of-age adventure story about a brave and clever daughter risking her life to save her ailing father in Imperial China. Having fun with the comic possibilities of cross-dressing and gender confusions, this beautifully animated feature places its title character in armor and eventually into the thick of battle, with the stakes no less than the fate of her country. Based on a popular Chinese legend (similar to that of Joan of Arc, but with a kinder conclusion), Mulan is that rarity in any patriarchal culture, a genuine heroine celebrated for breaking the conventions of her sex.
Mulan tries to honor her family the traditional way, letting her mother and grandmother powder her face white and dress her like a China doll in preparation for her interview with the matchmaker, but she utterly fails to please the pompous power broker e to the unintentional interference of her 'good luck' cricket (a close, though mute, cousin to Jimminy). Presented in song with amusing lyrics and overtones of Gigi, this comedy of errors evolves into fairly serious drama. Mulan is deeply ashamed at her failure to bring honor to her family in the only way her society deems possible.
She discovers, however, that her father still believes in her. Beneath the gentle canopy of a cherry blossom tree, he tells her that 'the flower that blooms in adversity is the most rare and beautiful of all.' In this one scene, directors Barry Cook and Tony Bancroft poignantly establish the powerful bond between the tiful but independent-minded daughter and her conventional but compassionate, aged father.
When Mulan learns that the Emperor is demanding one male volunteer from every family to fight the Hun invaders, she secretly cuts her hair, dons her father's armor, takes his sword and rides off in his place. Dramatically staged without dialogue, this is the film's most stirring sequence.
That's where Eddie Murphy comes in, as the voice of Mushu, Mulan's diminutive, streetwise, would-be guardian dragon. Though less witty than Robin Williams in Aladdin, Murphy breathes some edgy, contemporary humor into his toon with attitude. In a wonderfully funny meeting of Mulan's ancestral spirits, the demoted Mushu is sent to notify a 'real' guardian dragon to protect the inexperienced young warrior. But Mushu seizes the opportunity to prove himself by attempting to make Mulan a war hero. Though romance is secondary in the story, Mulan does fall in love with her hunky commanding officer, Captain Shang, who nearly drops his slender recruit until he/she uses her intelligence to complete a daunting task, in a G.I. Jane moment.
As usual, Disney animators succeed in creating a stylishly scary villain-in this case, the monolithic, square-faced Hun leader Shan-Yu, whose yellow eyes gleam with hate. Mulan, with her grace under fire, prevails against this seemingly invincible enemy, but not without some interesting setbacks, including her rejection by Shang and her three army buddies-Ling, Chien Po and Yao-after they find out that 'she' is a woman.
Soon after Mulan enlists, there's a Yentl-like scene in which she is bathing in a pond, only to be joined by this trio of boisterous cohorts. Although she deftly makes her getaway before blowing her cover, it makes for some wry comic suspense. Late in the film, the roles are reversed, as Ling, Chien Po and Yao discover that cross-dressing can serve their martial purposes as well.
With its striking computer-assisted visuals, such as the nearly 3D Great Wall of China that opens the film, and the massive attack of the Huns that recalls the wildebeest stampede in The Lion King, Mulan sets new standards in animation. But it is in the subtlety of its characters' 'acting' that Mulan excels. As has been noted in the past, Disney's cartoon characters show more vitality than many flesh-and-blood actors in non-animated films, and Mulan's are no exception.
But, of course, actors invest these character with life, and all of Mulan's voices do their drawings proud. Ming-Na Wen lends Mulan vulnerability and grit, and Lea Salonga provides as lovely a singing voice for her as she did for Princess Jasmine in Aladdin. B.D. Wong (Seven Years in Tibet) as Shang and Donny Osmond as his singing voice team up to make one virile but multi-faceted drill sergeant. Harvey Fierstein's inimitable gravely voice adds character to the macho, pint-sized Yao, and Miguel Ferrer (recently of television's 'Lateline') fuels Shan-Yu's villainy.
While Stevie Wonder and 98% let you leave the theatre buoyed by Matthew Wilder and David Zippel's 'True to Your Heart,' the other Wilder/Zippel songs in Mulan are less memorable. Veteran Jerry Goldsmith's score, however, adds urgency and emotion to the narrative.
As the Emperor (Pat Morita) tells Shang after Mulan rides back to her family, 'You don't meet a girl like that every dynasty.' He's right.
3. 求大神用英语帮忙写篇动画花木兰的观后感，150词就行，谢了！
Mulan's story-so far, mainly e to "Ode of Mulan" Masterpiece folk side of this, this long narrative poems of praise Nvbannanzhuang Mulan for the father of military legend. Now many more people it will be made into a movie, down through the ages.
War heroes, men living without a hero, heroine will be, with the Northern Wei Rouran not prominent men of war, will have a prominent heroine Mulan. She is a weak girl, he's elderly father, is no longer on the weak; she is a woman weaving, but to her father, to join the army to fight on. She never bow to the men, loudly told the world: "Women are no inferior to men.". Mulan will be a battle, how rapidly the tension is very high morale, march more urgent, more military tension, this is an order reversing, as a girl left the family, into a battlefield, the equivalent of the world into another. She and a man eating live with, eat the same suffering, by the same tired, but do men with different stories, and create a brilliant different men, as well as proof of "who say woman not so good as men. ? "
Mulan back, is not easy. Her attention to the value of life, the more the warmth of the family know. She has refused to grant the emperor, officials do not want to cast aside their high position and great wealth, she is willing to foot thousands of miles Chi, also home at an early date.
She returned, the arm of his elderly parents out to meet her sister was up to greet her, while his younger brother while sharpening pig, take concrete actions to meet the sisters to come back. To see all of this, Mulan is very pleased with the 12-year risk one's life on the battlefield, how hard. The 12-year Nvbannanzhuang and visible, however difficult, but all in the past, Mulan inner spiritual strength, which is what a great place.
Day settle down, the partners in the past and look at her every time she loaded her daughter to always see them, afraid of the partners in the past, Mulan in mind: you know? Bloody battle in the past to work with you on the battlefield, Li Under the great service; not to come back after the emperor of the reward I am a girl.
Give me back my daughter character, how proud Mulan.《
》观后感
的事迹传至今，主要应归功于《
》这一方民歌绝 唱，是这篇长篇
歌颂了
替父从军的
。现在更有许多人将它拍成了电影，千古流传。
战争产生英雌，在世无男英雄的情况下，便会有
，北魏与
战争没有突出的男人，就有了突出的
花木兰。 她本是个柔弱的女孩，可他为了年老的父亲，就不再柔弱；她本是个织布女子，但她为了父亲，就参军打仗。她从不向男的低头，大声告诉了世人：
。花木兰就要出征了，是多么的急促紧张，是多么的昂扬士气，行军多急，军情多紧张，
倒，作为一个少女离开
，投入战场，何异投入另一个世界。她与男人同吃共住，吃一样的苦，受一样的累，却干出与男人不同的事迹，创出了与男人不同的辉煌，同时也证明了“女子哪里不如男？”
花木兰回来了，这很不容易。她重视生命的可贵，更加懂得家庭的温暖。她拒绝了天子的赏赐，也不愿在朝为官，将荣华富贵轻轻地抛下，她愿驰千里足，早日还故乡。
，年迈的父母搀扶着出来迎她，姐姐理妆相迎，弟弟
向猪羊，以实际行动迎接姊姊的回来。看到这一切，花木兰由衷地高兴，十二年的沙场出生入死，多难。十二年的
而不露痕迹，多难，然而这一切都过去，花木兰内心的精神力量，该是何等地伟大。
日子安定下来，过去的伙伴又来看她，她每次都总是以女儿装见他们，对惊怕的过去的伙伴，花木兰在内心说：知道了么？过去与你一道血战沙场，立下大功；回朝后不愿为
的我是个女孩子。
本色，花木兰多么自豪。
4. 英文《花木兰》观后感
木兰是一部优秀的电影。这部电影是阿邦的一个乡村女孩，木兰。她打扮得像个男孩，代替父亲参军。好好想想女演员拉木兰的角色吧。其他演员也是全国大学生体育协会的，他们在电影中做得很好。我喜欢木兰。这部电影是她对家庭、朋友和国家的爱。如果你这个周末想看电影，想看一些有趣的东西，那就选木兰吧！
5. 花木兰(美国版)电影简介
90年代迪斯尼的电影，中国版的是陈佩斯，成龙，许晴配的音
很幽默的电影，花木兰的奶奶的歌唱这些很地道，节奏明快
就跟历史上流传的故事一样，赞成“画虎画犬”楼主的解释
不过最后花木兰还收获了爱情，她跟将军在一起了，成龙去家里找花木兰。。。
6. 帮忙找一下动画花木兰的英文介绍和评论
介绍：
This retelling of the old Chinese folktale is about the story of a young Chinese maiden who learns that her weakened and lame father is to be called up into the army in order to fight the invading Huns. Knowing that he would never survive the rigours of war in his state, she decides to disguise herself and join in his place. Unknown to her, her ancestors are aware of this and to prevent it, they order a tiny disgraced dragon, Mushu to join her in order to force her to abandon her plan. He agrees, but when he meets Mulan, he learns that she cannot be dissuaded and so decides to help her in the perilous times ahead.
评论：
Yes, Disney's Mulan is very much a western/ American movie, made for western and American- not Asian- audiences. No, they "didn't get it right"; or, not exactly. But I never expected them to, and I give them a good deal of credit for trying. They came quite a bit closer that I ever thought that they would. Nor do I find this movie overly feminist (no more than Snow White or Cinderella are "chauvinist"). Mulan may be a strong female character, but she is not Aladdin's Princess Jasmine. Mulan is not defined by rebellion, nor by what she rejects. Instead she upholds her sense of honor as she struggles to find out who she is and where she fits in. Moreover, in a genre known for its blatant ad nauseum boy-meets-girl love themes, I truly appreciated the downplayed understatedness of the "interest" between Mulan and Captain Shang.
As to the "commercial" aspect of the film; yes, it had its tie-ins and its merchandising. What Disney movie doesn't? But the real issue is the worth of the film itself, and on this I take exception to the review below. I believe there is more in it than Mr. Mydo gives credit for.
The film does have its awkward moments. The scene with the match-maker and Mulan's first entrance into the army camp are both extremely painful to watch- I do not enjoy watching anyone be utterly humiliated- not even a cartoon character (and I do not believe that someone as bright as Mulan would fumble so badly over simply coming up with a new name). I also find it somewhat irksome that one minor character, Mushu the dragon, continually steals attention away from the movie's proper focus. And there are a number of jokes and visual gags that closely border on PG. I found this in somewhat poor taste in a kid's movie.
But these faults are counterbalanced, and more than compensated for, by the scenes that really work. The opening "brush painting" of the Great Wall; Mulan's song (Reflections) and the ensuing scene of loving encouragement from her father; the scene where she decides to leave home; her heart-to-heart talk with Mushu at the abandoned camp in the mountains; the Imperial Palace where she is honored by the Emperor before all China... the sheer artistry of these scenes is breathtaking.