❶ 影评电影《飘》,英语的怎么写
注意看了:gone with the wind
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.
Gone With the Wind, an all-time best-seller by Margaret
Mitchell, is a legendary recollection of the last brilliance of the Old South. The writer's debut novel was an instant success. And the story has been bestowed an even further reaching popularity since Vivian Leigh presented a vivid translation to the screen of Katie Scarlett O'Hara, a southern belle raised in her father's white-pillared plantation Tara. A climax of Hollywood, from Director Victor Fleming for MGM, Gone with the Wind is more than a vicissitude, it is also an old, lost culture revisited.
It is Old South, which today is no more than a dream remembered. People were once there, living with the high strong slaves' songs in the quarters, in security, peace and eternity. Here, Scarlett spends her young maiden years. She is well disciplined by her mother, but her blazing green eyes always betray her covert capricious self; the one who enjoys parties and the surrounding ofbeaus. She dreams to marry the noble Ashley Wilkes. The impending war shatters the golden peace of the South, and leaves many lives permanently changed. Plantations, treasures, and honor are ruined. Scarlett is made a most peculiar widow by the war, and then compelled into a second marriage in continuation of her struggle for the salvation of Tara. And her third marriage to Rhett Butler is also jeopardized because of her secret, stubborn ardency for Ashley.
❷ 电影《飘》片名 Gone with the Wind 有什么来历和含义
Gone是"Go"的过去分词形式.Wind是"风"的意思."Gone with the wind"是跟着风一起走,也就是随风飘去.
“Gone with the wind”题目代表着美国内战前曾经在美国南方根深蒂固的一种生活方式的结束。就像电影开头所说的那样:There was a land of Cavaliers and Cotton Fields called the Old South...
Here was the last ever to be seen of knights and their Ladies Fair, of Master and of Slave...
Look for it only in books, for it is no more than a dream remembered.
A Civilization gone with the wind.
“a civilization has gone with the wind”,意思是一种文明已经随风而去。随着战争的临近,南方人原本的生活方式已经远去。
一个文明是随风而飘的,最终是要飘散的;一个人的命运是随风而飘的,最终也会飘散。其实又岂只是一个文明的飘散,随着文明飘散的是,无数个生命个体,一代人,一代人的梦想,一代人的生活方式。就像是面对一个终极的目标——死亡——一样,你是选择清醒而悲观空虚地活下去,还是抛开这终极的目标盲目地积极活下去;在一个文明消逝之后,你是选择在缅怀中活下去,还是抛弃过去,从新开始。
❸ 飘的英文赏析
AbstractThis present paper concentrates on an analysis of the characters of the heroine: Scarlett in the novel <Gone with the wind>.Her characters can be analyzed by two aspects: the positive characters such as strong will and courage, honesty and keeping promise ; and the demerits in her characters, such as selfishness and coldness, abjection etc. To support the thesis, the paper is divided into five parts. The first part gives a brief introction to both the author and the novel. The second part makes an analysis of the positive characters of Scarlett. The third part makes an analysis of the demerits in Scarlett’s characters. The fourth part gives the reasons for the formation of Scarlett’s characters. The fifth part is the conclusion, restating the thesis of the paper.Key Words: Scarlett; Weakness of characteristic; Strength of characteristic; Personality formation I. Introction1.1 A brief Introction to the authorMargaret Munnerlyn Mitchell (November 8, 1900 – August 16, 1949), popularly known as Margaret Mitchell was an American author. She was born in a prominent Atlanta lawyer’s family in Atlanta. The time Mitchell grew up was under the environment of Civil War, she heard a lot of burning of the city, the use of the family house as an army hospital, and the sufferings of the family and their friends ring the post-war reconstruction period. Margaret started writing Gone with the Wind in 1926, which is the next year she married John Marsh. The aim of her writing is to write a defensive, chauvinistic account of the South’s war. The whole process of writing lasted almost 10 years. The novel Gone with the Wind was published in 1936, and won the Pulitzer Prize in 1937. The novel is one of the most popular books of all time, selling more than 28 million copies. An American film based on this novel was released in 1939, which is one of the highest-grossing film in the history of Hollywood, and received a record-breaking number of Academy Awards.[Note1] Mitchell drew upon her encyclopedic knowledge of the Civil War and dramatic moments from her own life, and typed her epic novel on an old Remington typewriter. She originally named the heroine "Pansy O'Hara", and Tara was "Fontenoy Hall". She initially considered naming the novel Tote The Weary Load or Tomorrow Is Another Day .[Note 2] Mitchell wrote for her own enjoyment and with solid support from her husband. In 1949, crossing a street to go to a theater, Margaret Mitchell was killed by a drunken driver.1.2 A brief Introction to the novelThe story of Gone with the Wind revolves around Scarlett O’Hara, who is daughter of Irish landowner Gerald, and who has made the plantation Tara into one of Georgia’s finest. In this novel, Scarlett is in love with Ashley Wilkes, who marries his cousin Melanie. As the civil war begins, Scarlett bears the responsibility to protect her family and the pregnant Melanie. During the time she stays in Atlanta with relatives, she faces Sherman’s army and delivers Melanie’s baby as the city was in danger. During the after-war reconstruction period, Scarlett practically does business with the Yankees and so prospers and restores the fortunes of Tara. In this novel, she marries 3 times with purposes —firstly she married with Charles Hamilton to spite Ashley, a second time to pay off Tara’s postwar taxes, and the third time for fun. Her third husband, Rhett Butler, engages in lucrative deals with the Federal Army from the start of the conflict and right through Reconstruction. He was angry about his wife’s love for Ashley and selfish disengagement from him and their daughter, Bonnie Blue, who dies in a riding accident. The novel ends with Scarlett realizing how much she loves Rhett and resolving to get him back—by returning to her beloved hometown Tara to plan her strategy.II. An analysis of the positive characters of Scarlett2.1. Scarlett’s integrity to promise Scarlett’s integrity to promise is evidenced by what she does ring the war; she tries her best to look after Ashley’s wife and son, only because she loves Ashley and has promised him to take care of Melanie. Before Ashley leaves to fight for the South, he asked Scarlett to take care of his wife-Melanie. Scarlett agreed and carried her promise till the end of this story. Even though she is in love with Ashley, and jealous on Melanie, she always looks after her and her baby. After Ashley left, the Yankees finally begin their siege of Atlanta, the city evacuates. Melanie and Scarlett remain behind to leave the dangerous place as Melanie is pregnant and about to give birth. After attempts to get help, Scarlett delivers Melanie's baby herself. When they return back to Tara, Scarlett still constantly offers help to Melanie and her child. Even after Ashley returned back to Tara, Scarlett still offers help to his and her family. It is not only because she loves Ashley, but also because she wants to keep her promise, which she made long time ago. 2.2. Scarlett’s loyalty to loveScarlett’s loyalty to love is evidencedattractive to Scarlett, because he is a mystery to Scarlett; she is always trying to get to know Ashley’s real feelings. The things about Ashley, which she could not understand, make her love him more. They know each other since their childhood, Scarlett and Ashley always play together. She has seen him come and go and never gives him a thought, and Ashley has never seemed so very attractive to her at the early stage. Scarlett fell in love with Ashley since “that day two years ago when Ashley, newly home from his three years’ Grand Tour in Europe, hand called to pay his respects, she had loved him.” That year she is only 16, she is so attracted and falls in love with him until she is 28. She turns to see Ashley to be that authority figure, which she always respects and loves, but he is not able to be one for her. Her so-called love for Ashley is a kind of child’s love, because he is someone that denied her, so that makes her want it more. “Even now, she could recall each detail of his dress, how brightly his boots shone, the head of a Mesa in cameo on his cravat pin, the wide Panama hat that was instantly in his hand when he saw her.” However, Ashley does never show love to her, even though he knows clearly that she loves him, “And yet- and yet – she knew he loved her. She could not be mistaken about it. Instinct stronger than reason and knowledge born of experience told her that he loved her. Too often she had surprised him when his eyes were neither drowsy nor remote, when he looked at her with a yearning and a sadness, which puzzled her. She knew he loved her.” In fact, Ashley does not love her, but he chooses to keep a vague relationship with her. Although Scarlett knows Ashley does not love her, still wants Ashley to marry her at that time and wishful thinking to be his wife. She even encourages him to run away with her, which is always a nice dream to Scarlett. 2.3. Scarlett’s courageScarlett’s courage can be seen from what she does to protect her family and her second marriage to Frank. When Scarlett return Tara, the Tara's former overseer, Yankee Jonas Wilkerson, newly a Scallywag, raises the taxes on Tara to force the O'Haras out so that he and his wife can live there. In order to save Tara, Scarlett goes to Atlanta and gets Rhett to give her the money to pay the taxes. She soon finds out Rhett is in jail and unable to help her. She then runs into Frank Kennedy, who is a successful storeowner. Frank, is unable to resist Scarlett's charms, marries her and gives her the tax money. In all, her courage makes her to marry her second husband, Frank, in order to protect Tara, where her family is. 2. 4. Scarlett’s strong willScarlett’s strong will is reflected when she return back to Tara. At that time, Scarlett finds the house in Tara in ruins, the crops burned, most of the slaves run off, her mother dead, her father demented, and her two sisters sick with typhoid. Some of her npillaging of the Yankees and they share with her all that is possible. Therefore, Scarlett forces her family and the slaves to tend fields and pick cotton. During that reconstruction period, a lone Yankee soldier arrives looking to loot and assault Scarlett, she shoots him. In all, the Scarlett’s strong will makes her to do anything to protect Tara and herself. Scarlett has a practical nature and willingness to step on anyone who doesn't have her family's best interests at heart, including her own sister. For example, in her mind, and the circumstances appear to support her thinking, there simply was no choice if they were to keep Tara. Encouraged by her strong willingness to protect Tara, she had to steal and marry Frank Kennedy herself. In fact, what people hate most about her literally enabled her to save the family.2. 5. Scarlett’s strong sense of responsibilityScarlett has a strong sense of responsibility. During the war, she volunteers to take care of the wounded in Atlanta. She has a strong sense of social responsibility, similar as many white women; she takes an active and ecated part in the movement to separate the South from the North. To Scarlett, protecting south means to protect her family and the plantation. Atlanta is completely lost from South after Sherman’s campaign. Many people in Atlanta desert their lands and families and escape to other places. Scarlett’s sense of responsibility could be seen from her loves to family and the whole of Tara. Tara is her land and her backbone; she stays and tries her best to preserve Tara no matter what it costs. Moreover, her responsibility can be seen from how she keeps with her promises. Although she agrees to take care of Melanie because she is in love with Ashley and she does not want to upset him, but she eventually does all her best to keep this promise. 2.6. Scarlett’s pursuit of independenceScarlett is an independent woman to some extent. It can be shown when she returns Tara. She starts her business and practice usury, run timber mill, and illegally employ Negroes. Even though she is abused by the southern royalty to be greedy, selfish, shameless, cruel and cold, she is an adventure, an upstart and a great heroine who has survived in the war. In fact, all the people in Tara including the Ashleys are living on Scarlett’s shoulders. Without her help, Melanie and her child would be dead in the war. Without Scarlett to be an evil, Melanie could not be respected as an angel. Therefore, Scarlett is the real respectable person because of her independence and strong characteristic. It might be arguable that Scarlett is not a fully independent woman at first, because she is a spoiled girl at first, and then she relied on men to get through the challenges in her life. However, eventually after she goes back to Tara, she becomes an independent woman, she owns her business and she looks after her family and other people in Tara with h III. An analysis of Scarlett’s demerits in her characters3.1. Scarlett’s selfishness and coldnessScarlett’s selfishness and coldness could be reflected from her attempts to get Ashley in any mean. Against the background of war, Scarlett stays in Atlanta and enjoys the company of Rhett; on the other hand, she continues to carry a torch for Ashley. She does not really care about how Melanie feels about her relationship with Ashley, and she is willing to destroy Melanie’s marriage. The day Ashley leaves, Scarlett once again reveals her feelings to him, hoping Ashley will also break down and allow he to tell Scarlett that he loves her too. Ashley makes Scarlett promise that she will look after Melanie and see his family through the upcoming crisis in his absence. Scarlett blindly agrees to his promise. As Ashley intends to leave, Scarlett clings to him desperately and they share a passionate, forbidden embrace. From an ethical point of view, it is not right to destroy anybody else’s family, particularly Melanie is her relative. However, she still does it because she is selfish, she does not care the consequence, she just want to get love from Ashley 希望小弟转载的能帮上忙
❹ <飘>简介
《飘》所讲述的是一个以美国南北战争为背景的爱情故事。
小说的主人公斯卡雷特·奥哈拉是美国佐治亚州一位富足且颇有地位的种植园主的女儿。父亲杰拉尔德是爱尔兰的移民。刚到佐治亚州时,杰拉尔德身无分文,靠赌博赢得了塔罗庄园的所有权。于是就开始在这块红色的土地上创业,编织着他的美国之梦。直到43岁的时候,他才和芳龄15的埃伦——一个东海岸法国移民的女儿——结了婚。杰拉尔德心地善良,但脾气暴躁,而年轻的妻子则有着良好的家庭教育和严格的道德观念。她亲手操持着整个庄园的日常事务,甚至还为庄园里的黑奴看病,接生。因此,夫妇俩受到周围白人庄园主的尊敬,也深得黑人奴隶的爱戴。女儿斯卡雷特在这种环境中慢慢长大了。
❺ 求英文版飘中的人名,剧情介绍,人物简介
原著:《飘》(玛格丽特·米切尔著)
电影:《乱世佳人》(GONE WITH THE WIND)
导演:维克多·弗莱明
主演:费雯丽、克拉克·盖博、李斯利·霍华德、 奥莉薇·黛·哈佛兰
类型:剧情 爱情 战争
上映:1939年01月15日
地区:美国
时长:238 分钟
颜色:彩色
对白:英语
出品:米高梅公司
影片简介
《乱世佳人》(GONE WITH THE WIND)是好莱坞影史上最值得骄傲的一部旷世巨片,影片放映时间长达4小时,观者如潮。其魅力贯穿整个20世纪,因此有好莱坞“第一巨片”之称。影片当年耗资400多万美元,历时三年半完成,其间数换导演,银幕上出现了60多位主要演员和9000多名配角演员。在1939年的第12届奥斯卡奖中一举夺得八项金像奖,轰动美国影坛。这部耗资巨大,场景豪华,战争场面宏大逼真的历史巨片,以它令人称道的艺术成就成为美国电影史上一部经典作品,令人百看不厌。
1861年南北战争爆发的前夕,塔拉庄园的千金小姐斯佳丽爱上了另一庄园主的儿子阿希礼,但阿希礼却选择了查尔斯的表妹——温柔善良的玫兰妮为终身伴侣。斯佳丽出于妒恨,抢先嫁给了玫兰妮的哥哥查尔斯。不久,美国南北战争爆发了。阿希礼和查尔斯作为征兵上了前线。查尔斯很快就在战争中死去了。斯佳丽成了寡妇, 但她内心却一直热恋着阿希礼。
一天,在一次举行义卖的舞会上,斯佳丽和风度翩翩的商人瑞特相识。瑞特开始追求斯佳丽,但遭到她的拒绝。斯佳丽一心只想着去追求阿希礼,结果也遭到拒绝。
在战争中,美国南方军遭到失败,亚特兰大城里挤满了伤兵。斯佳丽和妹妹玫兰妮自愿加入护士行列照顾伤兵。目睹战乱带来的惨状,任性的斯佳丽成熟了不少。这时,从前线传来消息,北方军快打过来了,不少人家惊惶地开始逃离家园,而斯佳丽的母亲和两个妹妹也患病了,斯佳丽十分想要回去塔拉庄园,回到敬爱的母亲身边。不巧玫兰妮要生孩子了,斯佳丽只好留下来照顾她。
在北方军大军压境之日,斯佳丽哀求瑞特帮忙护送她和刚生下孩子的玫兰妮回塔拉庄园。瑞特告诉斯佳丽他不能目睹南方军溃败而不去助一臂之力,他要参加南方军作战,他留下一把手枪并和斯佳丽拥吻告别。斯佳丽只好独自勇敢地驾驶马车回到塔拉庄园,这时家里已被北方军士兵抢先洗动一空,母亲已在她回到家的前一天病逝,而父亲因为受到太大打击而精神错乱。
不久,战争结束了。生活依然困苦。北方来的统治者要庄园主缴纳重税,斯佳丽在绝望中去亚特兰大城找瑞特借钱,但得知他已被关进监狱。归来的途中,斯佳丽遇上了本来要迎娶她妹妹的暴发户弗兰克,为了要重振破产的家业,她骗取弗兰克和自己结了婚。
斯佳丽在弗兰克经营的木材厂非法雇用囚犯,并和北方来的商人大做生意。此时,瑞特因用钱贿赂而恢复了自由。两人偶然碰面,再次展开爱恨交织的关系。
弗兰克和阿希礼因加入了反政府的秘密组织,在一次集会时遭北方军包围,弗兰克中弹死亡,阿希礼负伤逃亡,在瑞特的帮助下回到玫兰妮身边。斯佳丽再次成为寡妇。此时,瑞特前来向她求婚,她终于与一直爱她的搞私运军火和粮食致富的瑞特结了婚。婚后,夫妻二人住在亚特兰大的豪华大宅。一年后,女儿邦妮出生,瑞特把全部感情投注到邦妮身上。斯佳丽偶然翻阅阿希礼的照片被瑞特发现,终于导致了二人感情的破裂。其后,在阿希礼的生日会前夕,斯佳丽与阿希礼相见时热情的拥抱引起旁人非议,但玫兰妮不相信他们之间有暧昧关系。瑞特可不这样想。
当斯佳丽告诉瑞特她已经再次怀孕时,瑞特怀疑地问那是谁的孩子?斯佳丽在羞怒之下欲打瑞特,却不慎滚下楼梯引起流产。瑞特感到内疚,决心同斯佳丽言归于好,不料就在他俩谈话时,小女儿邦妮意外坠马摔死了。与此同时不幸的事也在另一个家庭里发生,玫兰妮终因操劳过度卧病不起。临终前,她把自己的丈夫阿希礼和儿子托付给斯佳丽,但要求她保守这个秘密,斯佳丽不顾一切扑向艾希利的怀中,紧紧拥抱住他,站在一旁的瑞特无法再忍受下去,而转身离去。面对伤心欲绝毫无反应的阿希礼,斯佳丽终于明白,她爱的阿希礼其实是不存在的,她真正需要的是瑞特。
当斯佳丽赶回家里告诉瑞特,她是真正爱他的时候,瑞特已不再相信她。他决心离开斯佳丽,返回老家去寻找美好的事物,被遗弃的斯佳丽站在浓雾迷漫的院中,想起了父亲曾经对她说过的一句话:“世界上唯有土地与明天同在。”她决定守在她的土地上重新创造新的生活,她期盼着美好的明天的到来。
本片在第十二届奥斯卡金像奖中荣获八项大奖:最佳影片奖、最佳艺术指导奖、最佳编剧奖、最佳导演奖、最佳摄影奖、最佳女主角奖、最佳女配角奖和最佳剪辑奖。
乱世佳人的人物性格
斯佳丽
一个猫一样的女人。有着猫一样的目光,猫一样的微笑,猫一样的步伐和猫一样的敏捷。那么,这个猫一样的女人提供给我们是怎样的一些对待生活、对待爱情、对待困难和挫折的态度和经验呢?
第一她在困难的时候敢于承担责任,虽然也有动摇,但最后仍然承担责任,比如她救了玫兰妮,她重振塔拉庄园,后来长期扶助阿希礼一家等等。
第二她敢于去爱、无怨无悔,她的整个青春都在爱着阿希礼,没有回报但她仍没有放弃努力,直到能力的极限为止。
第三知错能改,当她最后明白她之前所为是错误时,她马上向瑞特道歉,请求原谅。
总的来说,斯佳丽堪称巾帼不让须眉的奇女子,人中龙凤,难怪瑞特这样的牛人也拜倒在她的石榴裙下。每次看《乱世佳人》,每次都有不同的收获。年轻时看,讨厌虚荣爱出风头的斯佳丽,喜欢纯洁善良的玫兰妮,不喜欢油腔滑调的瑞特巴特勒,喜欢温文尔雅的阿希礼,喜欢南方如画的景致和田园牧歌式的生活,不喜欢北方的浮华和放荡。后来看了多次之后,不由得对斯佳丽敬佩起来,原本是一个弱女子,任性而年青,第一次结婚是一时的冲动报复,嫁给了不爱的男孩,让自己成为了年轻的寡妇。第二次结婚是为了一家人的生存,抢走了妹妹的心上人,肯尼迪。肯尼迪虽然是一个半老头子,却不是斯佳丽的对手,面对她的冷酷和无情,他束手无策。最终为了斯佳丽差点遭受的侮辱去报复穷白人而被人击毙,不幸枉死,却从未享受过斯佳丽的一点爱。于是斯佳丽再次成为寡妇,而且还是个有钱的寡妇。在那个战火纷飞的年代,为了答应过阿希礼照顾玫兰妮的一句承诺,在北军就要攻占亚特兰大的时候,斯佳丽又果断地替玫兰妮接生,并找到瑞特冲破重重阻碍和关卡,回到了乡下老家--塔拉庄园。在又饥又饿之时,她又遭受了母亲病亡、父亲痴呆、家里被劫,一穷二白的多重打击,她不屈不挠,带头种田干活,喝令妹妹下床摘棉花,并照顾玫兰妮和小波,支撑一家人的生计,那时她顶多也不过是个二十来岁的小姑娘,本应是个在母亲怀里撒娇的小姑娘。可是面对如此巨大的困难,她没有选择逃避,而是勇敢挑起家里的重担,以常人难以企及的毅力抗争命运,每每看到斯佳丽举着萝卜向天盟誓,决不愿让家人再受苦挨饿时,我总是觉得拍片导演对光线和背景的运用是那么巧妙和艺术, 它那么生动地刻划了思嘉渴望安定、渴望生存、渴望富裕的强烈而真实的内心情感。我觉得那时的她,已完成了最艰难的嬗变,由一只丑陋的毛毛虫破茧而出变成了美丽的蝶,自由而高贵,那时的思嘉就像一个女神---渴望富有、并为此能不择手段的欲望女神。
刚强、坚韧
无论是面对战争的废墟和硝烟、母亲和父亲的去世、生活的贫穷艰难还是女儿的夭折,在和她承受同样的痛苦和艰难的人们当中,她都是最刚强、最坚韧的一个和最先从痛苦和艰难中走出来的一个。当斯佳丽面对着已是满目伤痕泰勒庄园时,她的坚韧和刚强令她这个家中的长女担起家长的重担。在影片的末尾,她还坚定地告诉我们:Tomorrow is another day。
虚荣
这应该是一个贬义词了,可是,斯佳丽的虚荣心似乎格外的可爱,在她的身上,虚荣似乎也变成了褒义词。有位名模曾说:“女孩子总是要有一点虚荣心的,无论这虚荣心表现在什么方面。”当斯佳丽扯下母亲唯一的遗物——窗帘,无论如何也要用它做一件漂亮的衣服,还将它披在身上憧憬着新衣服的样子时,她的虚荣心使她成了一个看起来不孝的女儿,但她的这种做法(也就是她的虚荣心)是当时拯救全家的唯一出路。由虚荣心而使全家人都有了生存下去的希望,这样的虚荣心也不应该算是值得摒弃的。
贪婪
这总应该是个贬义词了。但是,斯佳丽的贪婪不仅是有情可原的,在某种程度上来讲还是难能可贵的。战后的泰勒庄园在北方军的控制之下,母亲的去世和父亲的崩溃使斯佳丽——家中的长女担起了“家长”的重担。斯佳丽一家人过着艰辛的生活。战争使她贫穷,贫穷继之以饥饿。然而最可怕的是无钱交税险些失去生活来源的土地,为了借钱交税,斯佳丽勾引了妹妹的情人,继而当起了一家小店的老板娘。在经历这一切后,她明白了她所处的是一个什么样的社会以及在这个社会中钱的重要性。所以,当她拥有了当前她所需要的钱之后,她自然会想拥有更多的钱。在她追求“更多的钱”的过程中,她表现出了一个早期资本主义的资本家所必须具有的优秀品质——贪婪。
残忍与自私
这两个词无论用在什么人身上似乎都应该是表贬义的词语,特别是以温和、善良为美德的女性。但是,斯佳丽的残忍与自私在某种适度上却是值得褒扬的。首先,在社会转型的时期,人的观念需要从传统的观念转变成为新型的、与社会发展相适应的观念。不能在第一时间内转变观念的人就失去了领导时代的主动权。斯佳丽就是一个在第一时间内转变观念,接受了新的社会和社会制度、新的价值观念、新的生活方式,并且成为了一个小资本家的女人,在这一点,她是非常了不起的。而且,在刚刚建立了资本主义制度时,自私和残忍对于一个资本家来说是生存和发展的关键。在资本主义社会,对世界的博爱已经是阻碍资本的自身生存和发展的一个因素,此时,自私与残忍就成了强者的优点。
美丽
斯佳丽为我们提供了一种对待爱情的态度。她美丽,但她只是适当地运用她的美丽来得到她所喜爱的东西,从来不用自己的美貌来玩弄爱情,无论是自己的还是他人的爱情。斯佳丽是美丽的,但美丽不是拥有爱情的必备条件——你可以没有斯佳丽那样美丽动人,但你也有权利去追求属于自己的爱情。
综上所述,我们得出了这样的一个结论:
斯佳丽,猫一样的女人,刚强的、坚韧的、虚荣的、贪婪的、残忍的、自私的女人,女人的典范。
瑞特
我必须承认,对我来说,《乱世佳人》的吸引力之所以这么大,和克拉克盖博主演的瑞特巴特勒绝对有关系。
当然,斯佳丽眯着那双像猫那样的绿眼,迷人而妖媚,同样也让人倾倒。她是个让女人都能为之神魂颠倒的女人,她自私、冷酷、无情、聪明、不择手段、坚强,却不乏善良、美丽、脆弱;她是一个高不可攀的女神,让许多女人都梦想着能像她那样,集财富、美貌、能干、坚强于一身,让瑞特那样的男人能够为她而倾倒。至少我曾经就那样想过。但我认为,瑞特给我们这些女性观众带来的却更多是对爱情和婚姻的甜美幻想,他是那么潇洒倜傥,那么玩世不恭,那么自信过人,富有并充满了成熟男人的魅力,该是多少女性心目中的偶像啊。
在这里,简单回闪思嘉和瑞特相遇、相识、相爱的几个片段,就能让人对瑞特爱我所爱,坚持自儿,富有个性的男性魅力印象深刻:
片段一:瑞特第一次见到斯佳丽是在十二像树园的烧烤会上。斯佳丽向所有的男士卖弄风情,却发现瑞特正注意她,斯佳丽向身边的女伴抱怨说:“他看我的样子,就像我没穿衣服”可见瑞特给人的感觉不是温文尔雅,富有绅士风度,对世事的有种别人所不具备的强大洞察力和影响力,表明了他与一般的南方男人不同点:现实、大胆而富有进攻性,当他躲在书房里偷听斯佳丽大胆地向阿希礼表露爱慕,但因遭到婉拒,她气急败坏地搧了阿希礼一个耳光,并砸碎了一个小花瓶时,他吹了一个口哨,于是他被斯佳丽指责为不是一个绅士,而他同时也反唇相讥斯佳丽不是一个真正的淑女,让斯佳丽气极。俩人第一次相见就是一次爱情的交锋。
片段二:斯佳丽因查尔斯病亡到亚特兰大散心,正在服丧的她,十分渴望能再度飞旋于舞池中,表现了她在内心里对无拘无束、自由生活的向往和憧憬。是瑞特看出了她的心思,并出重金替她撬开了那个压抑而沉闷的社会道德囚笼,使她走上了和别的南方女人最不相同的命运之路。这正是斯佳丽反叛旧的社会道德标准迈出的关键性一步,而这一步,如果没有瑞特暗中巧妙的支持和安排,斯佳丽是决不会踏出的。如果没了这关键一步,那么日后那个能干、要强、并独当一面的乱世佳人---斯佳丽就决不会存在了!
片段三:瑞特为了帮助斯佳丽重返故里,拼死弄了一匹身负重伤的老马,并帮助她把玫兰妮抱到马车上,同时一路历经辛苦,并在即将要到达的时候,瑞特看到许多南方兵前仆后继,视死如归,深感震撼,并决定上战场,为保卫家园尽一份力。这时可以看出,为了心爱的女人,他能出生入死; 同样,面临家园被毁之境,他也是一个热血之人,导演在这里才向我们描绘了一个深藏在平日玩世不恭外表下,也具有一颗为荣誉甘洒热血之心的典型南方男性的形象。在这里我们看到,虽然瑞特平日里非常精明、现实,但他骨子里其实还是一个南方人。
片段四:瑞特在经历了丧女之痛和斯佳丽在精神上的背叛后,面对玫兰妮的之死,对一切都灰心失望至极,回家收拾行李,返回自己的故乡,查尔斯顿。当愚蠢的斯佳丽最后发现自己已深爱瑞特时,才发现已最终失去了自己最心爱的人。瑞特最后走得十分干脆,让斯佳丽深感懊悔。直到这里,我们才听到那颗曾经为爱而柔软的心破碎的声音,同时也因为破碎而对斯佳丽变得“冷酷无情”,这里的瑞特才让我们感觉到,这个男人敢爱敢恨,处理事情十分干脆利落,极富男性魅力。
再说说阿希礼和美兰妮,他们是相似的,具备南方的一切美德,有知识,有文化,有思想,有修养。
美兰妮基本上是完美的,她善良,仁慈又不乏勇气,斯佳丽摘棉花时,她想帮忙,斯佳丽杀人时她也帮忙,除了瑞特,她是斯佳丽的另一个支持者。我想电影编剧一定喜欢美兰妮,他把她更神化了,连捐出结婚戒指这件事都把带头者从斯佳丽改成了美兰妮。我做过小范围的调查,先看书的基本都喜欢斯佳丽,而先看电影的则喜欢美兰妮。我觉得美兰妮太好了,好得不真实,而斯佳丽是有血有肉的,是真实的,有缺点也有优点。
阿希礼是真实的,他是个活在过去的人,时世变迁,他不想面对,他是缺乏勇气的。他不爱斯佳丽,又不说不爱她。斯佳丽走投无路找他时他只给了她庄园的红土,后来知道斯佳丽卖了自己,他说他该去抢劫,他也只是说说吧,估计不会去的,这一点,他确实不如拖这军刀想帮斯佳丽对付逃兵的美兰妮。
乱世佳人里的人物都是完美的,如果没有美兰妮的淑女风范,怎能体现出斯佳丽的桀骜不逊。没有阿希礼的懦弱,怎能体现出瑞德的风范呢。
斯佳丽的奶妈.玛格丽特
温暖,可靠,安全。象母亲一样时刻保护她的孩子斯佳丽。
理智,聪明,现实而且冷静,带一些黑人的狡猾。她懂斯斯佳丽,支持她,爱她,虽然没有多说什么,但是她一直是斯佳丽的靠山,坚强有力。
忠诚,固执,可爱。对自己的宝贝,那是不顾一切的去保护;虽然只是一个家奴,但她有自己所要维护的处事原则。
黑人奶妈的形象刻画的非常成功。 由此扮演黑妈的演员哈蒂·麦克丹尼尔(Hattie McDaniel)战胜了奥丽维亚(美兰妮)获得了第十二届奥斯卡最佳女配角奖,据说是历史上第一个获得奥斯卡奖的黑人。哈蒂将其特有的幽默感注入奶妈玛格丽特一形象中,台词念得完美无缺,与斯佳丽的扮演者费雯丽配合默契,犹如绿叶扶红花,结果两人双双获奖。由于奶妈一角的成功,哈蒂后来几乎垄断了银幕上所有的黑人保姆角色,在许多影片里可以看到她那肥胖、温顺、饶舌的形象。
❻ 谁能介绍《飘》的剧情
这部传世经典影片讲述的是在美国南北战争期间郝思嘉(Scarlett O’Hara)与白瑞德(Rhett Butler)之间的爱情故事。郝思嘉想得到阿什利(Ashley),但阿什利却要和他纯洁的表妹梅兰尼(Melanie)结婚。在十二像树举行大型舞会这一天恰好南北战争爆发,舞会上出现了一个新面孔——白瑞德。后来两个人历经磨难,郝思嘉一直不承认自己对白瑞德的感情,直到南北战争结束后,白瑞德最终离开她时,她才意识到自己内心深处其实是爱白瑞德的。
经典片段
白瑞得离开郝思嘉后,Scarlett O’Hara最后坐在楼梯的台阶上说——“After all, tomorrow is another day。”
❼ 《飘》的英文名字是什么
《飘》,英文原名为Gone with the wind。是美国女作家玛格丽特·米切尔(Margaret Mitchell 1900-1949)撰写的长篇小说。小说以亚特兰大以及附近的一个种植园为故事场景,是一部全景式的社会小说。
书名直译应为“随风飘逝”,它引自英国诗人思斯特·道生的诗句,又取义于小说第24章的一段概括性描写,出自书中女主人公斯嘉丽之口,大意是说那场战争像咫风一般卷走了她的“整个世界”,她家的农场也“随风飘逝”了。
斯嘉丽以这一短语抒发了南方农场主的思想感情,作者用来作为书名,也表明了她对南北战争的观点,这与本书的内容是完全一致的。书名蕴藏着两层含意:这呼啸的咫风,指的是南北战争;那被飘去的云朵,指的是农奴制的安逸生活。
创作背景
1、历史背景
美国南北战争摧毁了佐治亚乃至整个南方的经济,黑奴重新获得自由,昔日奴隶主养尊处优的好时光随风而逝,飘得远远的。为了生存,他们必须放下臭架子,努力奋斗,不然只有死路一条,连亚兰大上流社会的中坚分子也不得不降贵屈尊,卖糕饼的卖糕饼,赶马车的赶马车。
2、时代背景
女性主义文学是开始于19世纪,到了20世纪开始蓬勃发展。女性主义的飞速发展与当时的社会环境、时代背景有着密切的联系。随着法国大革命所倡导的自由、平等、博爱及天赋人权等思想在整个世界范围内迅速深入人心,从19世纪30年代开始,一场为了争取女性在政治、经济、教育等方而平等的女权运动开始了。1936年出版的玛格丽特·米切尔的《飘》就是在这种情况下问世的。
❽ 《飘》的简介
作者简介
玛格丽特·米切尔(Margaret Mitchell,1900年11月8日—1949年8月16日),美国现代女作家。1900年11月8日出生于佐治亚州的亚特兰大。
1925年,与佐治亚热力公司的广告部主任约翰·马施结婚。曾获文学博士学位,担任过《亚特兰大新闻报》的记者。1937年,她因本书获得普利策奖。1939年获纽约南方协会金质奖章。
1949年8月16日,米切尔去世,享年49岁。死后葬于亚特兰大市的奥克兰公墓。
内容简介
斯嘉丽是美国佐治亚州一位富足且颇有地位的种植园主的女儿。父亲杰拉尔德·奥哈拉是爱尔兰的移民。刚到佐治亚州时,杰拉尔德身无分文,靠赌博赢得了塔拉庄园的所有权。于是就开始在这块红色的土地上创业,编织着他的美国梦。直到43岁的时候,他才和芳龄15的艾伦—一个东海岸法国移民的女儿结了婚。
杰拉尔德心地善良,但脾气暴躁,而年轻的妻子则有着良好的家庭教育和严格的道德观念。她亲手操持着整个庄园的日常事务,甚至还为庄园里的黑奴看病,接生。因此,夫妇俩受到周围白人庄园主的尊敬,也深得黑奴的爱戴。女儿斯嘉丽·奥哈拉(Scarlett·O'Hara)在这种环境中慢慢长大了。
1861年4月,美国南北两方关系已经非常紧张。佐治亚州的男人们都在议论这场无法避免的战争。但是,16岁的斯嘉丽对此毫无兴趣。她心里想的除舞会、郊游之外,还有那群围着她转的崇拜者。当她听说第二天的野外宴会上,艾希礼·威尔克斯将宣布与梅兰妮订婚时,她心里不觉一震。
她一直喜欢艾希礼的绅士风度与他英俊的外表,而且认为自己无论哪方面都比梅兰妮要强得多,以自己的魅力,肯定能说服艾希礼和她一起私奔。但被艾希礼婉言拒绝。斯嘉丽觉得自己被艾希礼“抛弃”了。她气急败坏地打了艾希礼一记耳光,还在艾希礼离开后摔了一只花瓶。谁知,那位瑞德·巴特勒却一直在听壁脚,当斯嘉丽指责他不是个绅士时,他反唇讥讽斯嘉丽不是个淑女。
战争的消息传来,当天晚上的舞会也随之取消。斯嘉丽突然决定和查尔斯结婚,因为这样可以挽回自己的面子,也可以刺激一下艾希礼和自己的追求者。就这样,任性的斯嘉丽在两周之后就作了查尔斯的妻子。两个月后,查尔斯病死在前方,斯嘉丽突然变成了寡妇。因为不爱查尔斯,所以对于查尔斯的死她并不感到忧伤,甚至庆幸。但寡妇的生活使生性活泼的斯嘉丽难以忍受。
这时,艾希礼也上了前线,其妻梅兰妮从亚特兰大来信,邀请她来查尔斯的姑姑家暂住一时,斯嘉丽便离开了塔拉庄园,来到亚特兰大。环境的改变使斯嘉丽的心境稍稍有好转。随着战事越来越吃紧,亚特兰大的妇女们都被动员起来,到当地医院护理从前方运回来的伤病员,还要为南方邦联的军队缝制军需品。但是,由于斯嘉丽新寡,所以不能参加为出征军人举办的舞会和晚会。
1864年夏天,北军直逼亚特兰大—南方邦联的首府。城市被围,查尔斯的姑姑和城里许多人家都逃离了亚特兰大,斯嘉丽接到父亲的信,得知母亲和两个妹妹都生了重病,她一心只想回家。但因梅兰妮即将临盆,斯嘉丽顾及到艾希礼的托付,只好留下来守在她的身边。其间,瑞德曾登门拜访,并要斯嘉丽做他的情妇,遭到了斯嘉丽的拒绝。
1865年4月,南方邦联军投降,战争终于结束了。许多南方人都在为他们的失败而痛哭流涕。而在斯嘉丽的脑海里,更重要的问题是如何保住塔拉庄园。战争结束后,每天都有一些士兵路过塔拉庄园返回他们的故乡。有一天,斯嘉丽她们发现门口躺着一个昏迷不醒的年轻人,便把他救起。在大家的照料下,这个名叫威尔的年轻人逐渐恢复了健康。威尔无家可归,便在塔拉住下来,并慢慢地担负起了庄园的许多管理事务。
艾希礼终于活着回来了。他衣衫褴褛,形容憔悴,原有的那种高贵气质己消失殆尽。第二年春天,新政府命令塔拉庄园限期交纳新附加税,否则就要拍卖庄园来抵税。原来,几年前因过失而被塔拉庄园解雇的监工乔纳斯当上了新成立的解放黑奴委员会的头头。他企图侵吞塔拉庄园,故而想出了迫缴附加税的主意。斯嘉丽和威尔一筹莫展,斯嘉丽希望艾希礼能帮他们想点办法,但艾希礼的懦弱无能使他们失望。
绝望中,斯嘉丽突然想起了瑞德。如果瑞德肯拿出钱来保住塔拉庄园,斯嘉丽情愿嫁给他,或作他的情妇。斯嘉丽与家人用母亲艾伦的苔绿色天鹅绒窗帘做了一条新裙子,第二天,斯嘉丽穿着新裙子在嬷嬷的陪同下就来到了亚特兰大寻找瑞德,这时才知道,瑞德因涉嫌侵吞南方邦联的大笔资金已锒铛入狱。情绪沮丧的斯嘉丽无意中遇见了妹妹苏伦的未婚夫弗兰克·肯尼迪。
他已是一家商店的老板,手头有一笔钱。斯嘉丽明白苏伦渴慕以前的富贵生活而且自私,如果苏伦与弗兰克结婚,她是绝不会用钱拯救塔拉庄园。于是斯嘉丽谎称苏伦将与托尼·方丹结婚,然后轻而易举地使弗兰克投入了自己的怀抱。两周后,他俩便结了婚。塔拉庄园得救了!但不久发现,弗兰克并没有什么商业头脑,而且对别人的劝告充耳不闻,因此生意经营得很不好。
这时,瑞德通过各种私人关系,得以获释。他借给斯嘉丽一笔钱,斯嘉丽便背着弗兰克买下了一个倒闭了的木材加工厂,自己独自经营起来。一个女人经商,而且也像男人一样赚钱,这在亚特兰大是前所未有的。这件事引起了很大的轰动。她不法经营,令弗兰克颜面丧尽。
斯嘉丽怀孕了。她想在生产前多赚一些钱,以备急需,于是买下了第二个木材厂。在这段时间里,斯嘉丽每天自己驾车往返于木材厂之间,除瑞德外没有任何朋友。一天,瑞德劝她路上要小心一些,暗示如果遭到黑人袭击,三K党将会为她进行报复。而当时亚特兰大执行“重建法案”的军管政府则正在盘算着如何把三K党和所有涉嫌的南方人一网打尽。
六月斯嘉丽赶回塔拉庄园参加她父亲的葬礼。葬礼之后,艾希礼、梅兰妮一家搬到了亚特兰大,买了一幢破旧的房子住了下来。善良正直的梅兰妮很快在妇女界赢得了信任,成了一位极受尊重的人物。而艾希礼虽然受斯嘉丽之托,管理一个木材厂,但经营得很糟糕。
几个月之后不顾亲友的劝阻和反对,斯嘉丽和瑞德结了婚。1871年圣诞节,州政府的大权终于又回到了南方人的手里。邦妮非常漂亮,在邦妮身上瑞德几乎倾注了全部心血。瑞德之所以努力改变自己在亚特兰大居民眼中的形象,完全是为了树立邦妮今后在亚特兰大的地位。
斯嘉丽对艾希礼仍然旧情不忘。艾希礼生日那天的下午,在木材厂,斯嘉丽和艾希礼谈得很投机。他们一起回忆了那个野外宴会。这件事很快被瑞德和梅兰妮知道了。几天以后,瑞德带上邦妮出远门去了。他走后,斯嘉丽马上去找梅兰妮,想向她坦露自己的过错。但梅兰妮止住了她,她再三强调只有斯嘉丽才是她最亲的亲人。梅兰妮迫使大家都相信斯嘉丽,并坚定不移地保护斯嘉丽。
不久,斯嘉丽发现自己又怀孕了。这时她开始想念瑞德,盼望他早点回来。瑞德到家的那一天,斯嘉丽特意在楼梯口迎接。本想把怀孕的消息告诉他,但一看到他那副冷嘲热讽的神气,斯嘉丽就气不过来。结果失足,跌下楼梯,致使流产。
身体素来羸弱的梅兰妮不听医生的劝告又一次怀孕。怀孕后她的身体迅速恶化。临终前,她把照看艾希礼的重担交给了斯嘉丽。这时,斯嘉丽突然意识到,一向瘦弱的梅兰妮实际上是保护她的宝剑和盾牌,而她也第一次认识到,她还是爱梅兰妮的。
梅兰妮去世了艾希礼就好像失去了主心骨,像个小孩子一样,他比斯嘉丽更感到害怕。也只有这时,斯嘉丽才明白,她并不爱艾希礼,她对艾希礼特殊的感情只因为他没像其它男人一样迷上自己。从此她生活中的两大精神支柱消失了。
在浓雾中,斯嘉丽拼命往家里跑,雾中的她好像又重温着多年前一直困扰着她的一个噩梦。终于,她看见自己住宅的灯光,霎那间她觉得自己看到了希望,因为世界上还有瑞德,而她真心爱的就是瑞德!
但是,这一切都已经太晚了。瑞德已经对斯嘉丽失望,决定弃家出走,离开斯嘉丽。此时此刻,对于斯嘉丽来说,生活中的一切光亮都消失了。她只有回到塔拉庄园去这一条出路。她感到太疲劳了,脑子再也承受不了这些压力。她自言自语地说:“还是留给明天去想吧……不管怎么说,明天又是新的一天……”
(8)飘电影剧情简介英文扩展阅读:
作品分析
综观全书,洋洋百万余言,故事生动曲折,情节真挚感人而且故事的进展,情节的展开几乎全是按照时间顺序,随着主人公斯嘉丽的活动单线发展的,可读者读起来并不觉得平铺直叙、乏味冗长。这不得不归因于作者高超的艺术手笔,巧妙的人物关系设置,细腻的心理活动分析,情节的戏剧冲突与人物心理的巧妙结合以及高度个性化的人物语言等等,都是小说《飘》十分显著的艺术特色。
创作背景
历史背景
美国南北战争摧毁了佐治亚乃至整个南方的经济,黑奴重新获得自由,昔日奴隶主养尊处优的好时光随风而逝,飘得远远的。为了生存,他们必须放下臭架子,努力奋斗,不然只有死路一条,连亚兰大上流社会的中坚分子也不得不降贵屈尊,卖糕饼的卖糕饼,赶马车的赶马车。
时代背景
女性主义文学是开始于19世纪,到了20世纪开始蓬勃发展。女性主义的飞速发展与当时的社会环境、时代背景有着密切的联系。随着法国大革命所倡导的自由、平等、博爱及天赋人权等思想在整个世界范围内迅速深入人心,从19世纪30年代开始,一场为了争取女性在政治、经济、教育等方而平等的女权运动开始了。1936年出版的玛格丽特·米切尔的《飘》就是在这种情况下问世的。
作者简介
玛格丽特·米切尔(Margaret Mitchell,1900年11月8日—1949年8月16日),美国现代女作家。1900年11月8日出生于佐治亚州的亚特兰大。
1925年,与佐治亚热力公司的广告部主任约翰·马施结婚。曾获文学博士学位,担任过《亚特兰大新闻报》的记者。1937年,她因本书获得普利策奖。1939年获纽约南方协会金质奖章。
1949年8月16日,米切尔去世,享年49岁。死后葬于亚特兰大市的奥克兰公墓。