A. “那不是末日,一切才刚刚开始”这句话是哪个电影里的台词
重返17岁
重回十七岁(17 Again)是部2009年美国喜剧电影,由伯尔·史缇尔(Burr Steers)执导,扎克·埃夫隆首部主演非歌舞片类型电影。监制亚当·夏克曼(Adam Shankman)是继《发胶明星梦》后,与扎克·埃夫隆再度合作。北美地区于2009年4月17日首映,首周开出两千四百一十万美元票房,创下全美当周票房冠军。
中文名
重返17岁
外文名
17 Again
其它译名
十七岁,重返十七岁,回到十七岁。回到17岁
出品时间
2009年
出品公司
Offspring Entertainment
制片地区
美国
导 演
波尔·斯蒂尔斯
编 剧
杰森·菲拉尔蒂
制片人
亚当·沙克曼
类 型
喜剧,青春,奇幻
主 演
扎克·埃夫隆,马修·派瑞,莱斯利·曼恩,
片 长
102 min
上映时间
2009年3月11日(悉尼首映)
分 级
USA:PG-13
对白语言
英语
剧情简介编辑
如果有机会重回17岁,亲爱的报友们还会选择今天的生活吗?喜剧电影《重回17岁》就为我们做了这样一种假设。《六人行》 (Friends) 中的“钱德勒”马修·派瑞 (Mattew Perry) 与《歌舞青春》 (High School Musical) 中的万人迷扎克·埃夫隆 (Zac Efron) 分别饰演了中年与青少年时期的迈克(Mike O' Donnell),米歇尔·崔切伯格(Michelle Trachtenberg) 则扮演迈克的女儿麦琪(Maggie O'Donnell),和大帅哥扎克·埃夫隆(Zac Efron) 有不少对手戏哦。
迈克是学校里的风云人物,身为篮球运动员的他原本得到奖学金,可以直接保送大学的,但是为了和女友斯嘉丽 (莱斯利·曼恩(Leslie Mann)饰 ) 在一起,他放弃了这一机会。
人物宣传海报(4张)
20 年过后,已经成为一名中年男子的迈克一事无成。他和妻子斯嘉丽分了手,与孩子们之间也很少共同语言,至于自己在药物公司的工作更是无聊透顶。沮丧的迈克重新回到高中学校,追忆自己曾经的辉煌。在那里他遇到了一个清洁工,两人聊天时,迈克向其倾诉了自己想重回17岁的渴望,如果一切重来,他不再放弃奖学金和进修的机会,那么人生将会非常不同。
迈克带着自己的儿子和女儿去吃雪糕,与孩子们没有共同语言。结束后送孩子们回斯嘉丽家,斯嘉丽在处理花园,并跟迈克抱怨两人20年来的生活琐碎。
接着,迈克从斯嘉丽家回来的路上,无意中发现那个神秘的清洁工正准备跳河。吃惊的迈克赶紧跳下车去救他,没想到清洁工突然消失不见,倒是的迈克冲进了河里,并就此奇迹般的变成了17岁时的样子……
此后的迈克在朋友(Ned Freedman)的帮助下重回高中上学,他有许多困难需要解决。比如跟自己不知情的儿女做校友。而就是在学校里的一系列遭遇,让迈克懂得了其实自己当初选择的就是最完美的生活,只不过自己一点都不知道珍惜。如今悔过了的他最要紧的就是恢复原本的模样,重新去赢回妻子和孩子。
经典语录
1.在操场上的时候Mike见到他女儿Maggie哭的稀里哗啦的时候安慰她到:
When you're young, everything feels like the end of the world.
It’s not, it’s just the beginning.
I mean you might have to meet a few more jerks.
One day, you're gonna meet a boy who treats you the way you deserve to be treated.
Like the sun rises and sets with you.
当你年轻的时候,每件事都像世界末日,
其实不是的,
只是开端而已,
你也许会遇见更多的坏蛋,
当有一天你会遇见一个男孩,
会如珍宝般待你,
就像日升日落,都陪着你。
2.男主角在法庭上给妻子念的那封信
This is a letter from Mike O'Donnell
这封信来自麦克 奥多尔
He wanted me to read it,
他希望我来念
“Scarlet 斯科丽
......before you go through with this......
在你经历这一切之前
I want to remind you of September 7th ,1988
我想要使你想起1988年的9月7号
It was the first time that I saw you
那是我第一次见到你
You were reading 《Less Than Zero》
你正在读less than zero 这本书
You were wearing a Guns N’Rose T-shirt
你穿着一件枪炮玫瑰的T恤衫
I‘d never seen anyting so perfect
我从没有见过如此完美的事物
Iremember thinking that I had to have you,or I’d die
我记得我想的是要么和你在一起 要么就死去
Then you whisper that you loved me......
然后你在我耳边说你爱我
......at the homecoming dance
就在归校晚会上
And I felt......
我感觉
......so peaceful......
那么平静
......and safe
那么安全
Because I knew that no matter what happened from that day on......
因为我知道从那天起 无论发生什么
......nothing could ever be that bad
事情都不会太糟糕
Because I had you
因为我有了你
Uh......
呃
And then I grew up
然后我长大了
......and I lost my way
迷失了方向
And I blamed you for my failures
将自己的失败归于你身上
And I know that you think you have to do this today
我知道你认为自己今天必须这么做
I don‘t want you to
但是我不想你这么做
But I guess......
但我猜
......if I love you......
要是我爱你
......I should let you move on
我就应该放手让你继续新的生活
3.发避孕套时Mike说的话
He's right. I don't need one.
没错 我才不需要呢
You know why I don't need one?
知道我为什么不需要吗?
Because there's no one I'm in love with.
因为我没有爱的人
It's called "making love," isn't it?
那叫做"做爱" 对吧?
Maybe I'm old-fashioned, but I think that
也许我想法老旧 但我觉得
means you do it with someone you love.
那应该和爱的人一起做
And preferably when you're married.
最好是婚后
You know, when you're ready
当你已准备好
to take that love and turn it into a baby.
把那份爱变成小婴儿
Because that's what love is.
因为这就是爱所在
It's that first moment when you hold your baby girl...
当你第一次 捧着小婴儿...
and you didn't know that anything
想不到它
could be so small or so delicate.
会如此的小小 娇弱
And you feel that tiny heart beat...
感觉到那小小心脏的跳动...
...and you know that you couldn't love anything more
你知道它
in the whole world.
是你的至爱
And you hope that you can do right by that little girl...
希望自己能够好好照顾她...
...and always be there to catch her when she falls,
当她要摔倒时 在她身边扶着她
and that nothing ever hurts her.
保护她不受任何伤害
Not a broken arm...
不会摔断胳膊
...or a bad dream...
不会做恶梦
...or a broken heart.
也不会心碎
4.Mike的第二次告白
- You didn't have to come after me again.
你不必再一次为我追出来
- Yes, I did, because I love you.You're the best decision I ever made, I just forgot.And then I fell off a bridge and things got pretty weird after that.But I'm never going to forget again.Look, I know that I've been in a bad mood for the last......20 years.But if you let me, I swear, I will spend the rest of my life making it up to you.I thought I wanted a second chance at life......but now I know I just want a second chance with you...
我还是会,因为我爱你。你是我一生中所做出的最好的选择,我只是一时忘记了。后来我从一座桥上掉下去了事情就变得怪异起来。但是我永远不会再忘记了。我知道我后来状态很差……20年了。但是如果你给我机会,我发誓,我会用我的余生来补偿你。我本以为我的人生需要再来一次的机会...我知道我真正想重来的是和你...
B. 《歌舞青春》影评
作为中国目前还很少有的青春励志型影片,三大公司原本报着一个美好的梦想,可是本片得女猪脚首当其冲的把这个梦打碎了,当女猪脚第一个镜头出现,就可以预料到本片杯具的结局。关于这个女猪脚只能让你想到三个字,那就是“潜规则”。否则,导演就是一个“白痴”。第一女猪脚的姿色堕落到这个地步,配合她的其它主人公也只能是每况愈下。依次类推,作为一个青春时尚剧,除了服装颜色多了点外,竟然没有一张赏心悦目的面孔,是孰可忍孰不可忍!
好,暂且不那么肤浅,只把眼光放在猪脚的姿色上。那么作为一部歌舞片重头戏的歌舞来说,怎么也得出挑些吧。可该片所穿插的歌曲除了特别被强调的节奏之外,就没有任何朗朗上口的基因,通篇就记住了一句不停絮叨的“创造美好的未来”这样空洞的一点感染力创造力都没有的歌词,就连压轴歌曲《我飞故我在》也还没有《快乐女生》的主题歌好听。而舞蹈,就更崩说了吧,除了前前后后每隔五分钟就不明所以的大团体跳上一阵外,几乎令人没什么印象。还不如多来几个主题鲜明独舞来的清新。
猪脚不漂亮,歌曲不好听,好,作为一部电影来讲,有个说的过去的剧情总算要求不过分吧。估计因为《歌舞青春》这个牌子太大了,直接导致编辑同志手脚冒汗,除了把主人公换成了中国名字之外,完全没有任何创意可言。原来篮球、歌曲、学术三条线索的冲突却简化成了一条,直接导致剧情可以忽略不计。当然在中国化的道路上,编辑也不遗余力,炮制了一对颇具中国风的父母,小小讽刺了一下中国的教育氛围。可作为冲突来讲,这也太薄弱了。整个影片在几乎毫无冲突的'情况下就飞流直下,直奔结尾!对,就一流水账。
毫无创造力的结果是将所有貌似流行的东西拿来拼盘,以为涂些脂粉便可掩盖影片的内伤,愉悦一下观众的感官灵魂。不过却直接暴露了自己的短处。对小沈阳的恶搞,对《绯闻女孩》的抄袭,对好莱坞动画面的直接引用。都让人只想说一句话:这片还有拍的必要吗?我到哪不能看着两个段子啊!
最后说一下客串的郭德纲老师,郭老师大概是勉为其难接这个片子的,就算郭老师的嘴上功底在好,那段绕嘴的RAP也念起来颇为费力。契合角色原本就京剧角色,这些反差也可营造一些喜感。可郭老师念台词时木讷的表情足以可以猜测他受了多少罪。那么,我们还好意思笑吗?还好前卫老师的孙楠舞蹈功底不错勉强过关,倒也时尚健康。不过,为了塑造现代前卫蛊惑老师角色,编剧还特地安排两位花痴老师陪伴楠哥左右,楠哥看上去倒是欢乐无比,可我们为什么就感觉那么古里古怪呢?
全片只让人记住了“我本想把痛苦溺死在水里,可他却学会了游泳”这句俏皮话和那段导演原本想表现深情忧郁却因一段乱七八糟的剪切
竟然产生的一种错位的奇异笑果。突然间,男女猪脚隔着墙平躺在两张床上,本来挺纯情的感觉突然间不知道为什么竞那么小色情,突然出现迪斯尼味道的大海加加月亮,这是玩可爱吗?那么卡通。我们几乎被导演奇异的思路、混乱的风格弄晕了,赫到了,然后群体哑然失笑了。不知道这是导演的幸与不幸。
整个影片就一个串联起来的MV,怎么能好意思称是歌舞片。影片原本华谊也有投资,可最后华谊竟也没有发行。用脚趾头都可以推测出,它也不好意思拿出来见人吧!
综上所述,中国版的《歌舞青春》也太缩手缩脚了些,虽然是翻拍,也不能背上经典的包袱。当然,在中国电影走上世界的道路上,我们可以原谅年轻导演犯一些尝试性的错误,当也无能如此不负责任的对待一部电影。何况还有那么多《歌舞青春》的迷,这也太令人伤心了吧!最后,看在孩子们不辞劳苦的泵来跳去外,姑且给上半颗星吧!
C. 外国经典电影台词分享
外国经典电影台词分享
每部电影它都给大家带来笑声,甚至能够影响人们的语言习惯。你记忆中是不是已经有很多台词是能脱口而出不假思索的?以下是外国经典电影台词分享,欢迎阅读。
1. 肖申克的救赎
(Shawshank Redemption)
Hope is a good thing and maybe the best of things. And no good thing ever dies.
希望是一个好东西,也许是最好的东西,好东西是不会消亡的。
2. 速度与激情
(Fast & Furious)
No matter where you are, whether it's a quarter mile away or half way across the world. The most important thing in life will always be the people in this room, right here, right now. You'll always be with me. And you'll always be my brother.
无论你身处何方,无论是4分之1英里的赛道,还是绕了大半个地球的距离。我们生命中最重要的东西就是这屋檐下的人,就在此时,就在此地,你永远在我身边,也永远是我的兄弟!
3. 阿甘正传
(Forrest Gump)
Life was like a box of chocolates, you never know what you're gonna get.
生命就像一盒巧克力,你永远不知道下一颗是什么。
4. 猫鼠游戏
(Catch Me If You Can)
Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.
两只小老鼠掉进一个奶油桶。第一只老鼠很快放弃了,淹死了。而第二只老鼠没有。他努力直到把奶油搅拌成了黄油,然后爬了出来。先生们,在这里我想说,我,是那第二只老鼠。
5. 狮子王
(The Lion King)
I'm only brave when I have to be. Being brave doesn't mean you go looking for trouble.
我只是在必要的时候才会勇敢,勇敢并不代表你要到处闯祸。
6. 天使爱美丽
(Amelie)
Is there anyone who hasn't suffered for the secret love? We always think that love is very heavy, heavy and could be the heaviest thing in the world. But one day,when you look back, you suddenly realize that it's always light, light. We all thought love was very deep, but in fact it's very thin. The deepest and heaviest love must grow up with the time.
有谁不曾为那暗恋而痛苦?我们总以为那份痴情很重,很重,是世上最重的重量。有一天,暮然回首,我们才发现,它一直都是很轻,很轻的。我们以为爱的很深,很深,来日岁月,会让你知道,它不过很浅,很浅。最深和最重的爱,必须和时日一起成长。
7. 乱世佳人
(Gone with The Wind)
I love you more than I've ever loved any woman. And I've waited longer for you than I've waited for any woman.
我爱你胜过我以往爱的任何一个女人,我等你的时间也比等任何女人都要长。
8. 泰坦尼克号
(Titanic)
One may fall in love with many people ring the lifetime. When you finally get your own happiness, you will understand the previous sadness is kind of treasure, which makes you better to hold and cherish the people you love.
一个人一生可以爱上很多的人,等你获得真正属于你的幸福之后,你就会明白一起的伤痛其实是一种财富,它让你学会更好地去把握和珍惜你爱的人。
9. 魂断蓝桥
(Waterloo Bridge)
The wonderful things about living is that, this sort of thing can happen. In the shadow of a death raid, I can meet you and feel more intensely alive than walking around in peacetime and taking my life for granted.
生活中美好的事就是会发生这种事情。在空袭的阴影下我遇见了你,这比和平时代到处闲逛,视生命为理所当然要好得多,觉得更充实。
10. 西雅图夜未眠
(Sleepless in Seattle)
I love and am used to keeping a distance with those changed things.Only in this way can I know what will not be abandoned by time. For example, when you love someone, changes are all around. Then I step backward and watching it silently, then I see the true feelings.
我喜欢并习惯了对变化的东西保持着距离,这样才会知道什么是最不会被时间抛弃的准则。比如爱一个人,充满变数,我于是后退一步,静静的看着,直到看见真诚的感情。
11. 罗马假日
(Roman Holiday)
Each, in its own way, was unforgettable. It would be difficult to - Rome! By all means, Rome. I will cherish my visit here in memory as long as I live.
每一个城市都有其独特之处,令人难忘。这很难说,罗马!不管怎么说,就是罗马。我将会永生永世珍惜我访问此地留下的回忆。
12. 加菲猫
(Garfield)
Behind every successful man, there is a woman. And behind every unsuccessful man, there are two.
每个成功男人的背后,都有一个女人. 每个不成功男人的背后,都有两个。
13. 教父
(The Godfather)
Don’t hate your enemy, or you will make wrong judgment.
不要憎恨你的敌人,那会影响你的判断力。
14. 蓝莓之夜
(My Blueberry Nights)
One is always on a strange road, watching strange scenery and listening to strange music. Then one day, you will find that the things you try hard to forget are already gone.
一个人总要走陌生的路,看陌生的风景,听陌生的歌,然后在某个不经意的瞬间,你会发现,原本是费尽心机想要忘记的事情真的就那么忘记了。
15. 海上钢琴师
(The Legend of 1900)
Take a piano. The keys begin, the keys end. You know there are eighty eight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by.
拿一部钢琴来说,从琴键开始,又结束。你知道钢琴只有88个键,随便什么琴都没差。它们不是无限的。你才是无限的,在琴键上制作出的音乐是无限的。我喜欢这样,我活得惯。
16. 飞屋环游记
(Up)
Happiness is not about being immortal nor having food or rights in one's hand. It’s about having each tiny wish come true, or having something to eat when you are hungry or having someone's love when you need love.
幸福,不是长生不老,不是大鱼大肉,不是权倾朝野。幸福是每一个微小的生活愿望达成。当你想吃的时候有得吃,想被爱的时候有人来爱你。
17. 怦然心动
(Flipped)
Some of us get dipped in flat, some in satin, some in gloss. But every once in a while you find someone who's iridescent, and when you do, nothing will ever compare.
有些人沦为平庸浅薄,金玉其外,而败絮其中。可不经意间,有一天你会遇到一个彩虹般绚丽的人,从此以后,其他人就不过是匆匆浮云。
18. 当哈利遇见莎莉
(When Harry Met Sally)
Love is a lamp, while friendship is the shadow. When the lamp is off,you will find the shadow everywhere. Friend is who can give you strength at last.
爱情是灯,友情是影子,当灯灭了,你会发现你的`周围都是影子。朋友,是在最后可以给你力量的人。
19. 公民凯恩
(Citizen Kane)
Mr. Kane was a man who got everything he wanted and then lost it. Maybe Rosebud was something he couldn't get, or something he lost. Anyway, it wouldn't have explained anything... I don't think any word can explain a man's life. No, I guess Rosebud is just a... piece in a jigsaw puzzle... a missing piece.
凯恩先生是一个获得了他想拥有的一切然后又失去了这一切的人。也许玫瑰花蕾是某种他没能得到或是失去了的东西。不管怎样,它并不能用来解释一切……我不认为可以用一个字来解释一个人的一生。我猜,玫瑰花蕾也许就是拼图上的一块,遗失的一块。
20. 如果能再爱一次
(If Only)
If you can hold something up and put it down, it is called weight-lifting; if you can hold something up but can never put it down,it's called burden-bearing.Pitifully, most of people are bearing heavy burdens when they are in love.
举得起放得下的叫举重,举得起放不下的叫负重。可惜,大多数人的爱情,都是负重的。
21. 舞出我人生
(Step Up)
There's nothing that we can do for someone who doesn't appreciate what's in front of them.
对于一个不懂得珍惜良机的人来说,无论我们如何努力都是徒劳
22. 廊桥遗梦
(The Bridges of Madison County)
We all live in the past. We take a minute to know someone, one hour to like someone, and one day to love someone, but the whole life to forget someone.
我们每个人都生活在各自的过去中,人们会用一分钟的时间去认识一个人,用一小时的时间去喜欢一个人,再用一天的时间去爱上一个人,到最后呢,却要用一辈子的时间去忘记一个人。
23. 大鱼
(Big Fish)
Here comes a point when a reasonable man will swallow his pride and admit that he's made a terrible mistake.Truth is , I was never a reasonable man.
懂道理的人,终会有按下自尊、坦承他犯下严重错误的时刻。事实是,我一直都是不讲道理的人。
24. 初恋50次
(50 First Dates)
When you are young, you may want several love experiences. But as time goes on, you will realize that if you really love someone, the whole life will not be enough.You need time to know, to forgive and to love.All this needs a very big mind.
年轻的时候会想要谈很多次恋爱,但是随着年龄的增长,终于领悟到爱一个人,就算用一辈子的时间,还是会嫌不够。慢慢地去了解这个人,体谅这个人,直到爱上为止,是需要有非常宽大的胸襟才行。
25. 人鬼情未了
(Ghost)
I give you my hand. I give you my love, more precious than money. I give you myself before preacher or law. Will you give me yourself? Will you come travel with me? Shall we stick by each other as long as we live?
我给你我的手,给你比金钱更珍贵的爱情,在牧师和法律面前。你愿意把自己托付给我吗?你愿意和我一同去跋涉人生之旅?一起厮守终生吗?
26. 两小无猜
(Jeux d'enfants)
Good love makes you see the whole world from one person while bad love makes you abandon the whole world for one person.
好的爱情是你通过一个人看到整个世界,坏的爱情是你为了一个人舍弃世界。
27. 音乐之声
(The Sound of Music)
Nothing comes from nothing, nothing ever could. so somewhere in my wicked miserable past, there must been a moment of truth.
没有任何事物来自虚无,没有任何事物。所以在我迷茫邪恶的童年里,一定有片刻的真实。
28. 冷山
(Cold Mountain)
We shall always save a place for ourselves, only for ourselves. And then begin to love. Have no idea of what it is, who he is, how to love or how long it will be. Just wait for one love. Maybe no one will come out, but this kind of waiting is the love itself.
在自己面前,应该一直留有一个地方,独自留在那里。然后去爱。不知道是什么,不知道是谁,不知道如何去爱,也不知道可以爱多久。只是等待一次爱情,也许永远都没有人。可是,这种等待,就是爱情本身。
29. 英国病人
(The English Patient)
An unacceptable love needs no sorrow but time- sometime for forgetting. A badly-hurt heart needs no sympathy but understanding.
一段不被接受的爱情,需要的不是伤心,而是时间,一段可以用来遗忘的时间。一颗被深深伤了的心,需要的不是同情,而是明白。
30. 这个杀手不太冷
(Léon)
The most affectionate love I imagined is that I live as you used to be after you gone away.
我所认为最深沉的爱,莫过于分开以后,我将自己,活成了你的样子。
31. 返老还童
(The Curious Case Of Benjamin Button)
I know someone in the world is waiting for me, although I've no idea of who he is. But I feel happy every day for this.
我知道这世上有人在等我,尽管我不知道我在等谁。但是因为这样,我每天都非常快乐。
32. 当幸福来敲门
(The Pursuit of Happiness)
You got a dream, you gotta protect it. People can't do something themselves, they wanna tell you you can't do it.If you want something, go get it.
如果你有梦想的话,就要去捍卫它。那些一事无成的人想告诉你你也成不了大器。如果你有理想的话,就要去努力实现。
33. 恋恋笔记本
(The Notebook)
In your life, there will at least one time that you forget yourself for someone, asking for no result, no company, no ownership nor love. Just ask for meeting you in my most beautiful years.
一生至少该有一次,为了某个人而忘了自己,不求有结果,不求同行,不求曾经拥有,甚至不求你爱我。只求在我最美的年华里,遇到你。
34. 终结者
(The Terminator)
What is the sense of human, make some cannot be programmed thing, you can't simply set it to the chip to, it originates from human centers of power, this is the difference between us and the machinery.
到底是什么成就了人类,使一些无法程序化的东西,你没法简单的把它设到芯片去里,它源自人类中心的力量,这就是我们和机械的区别。
35. 歌舞青春
(High School Musical)
You must remember, young thespians, learning is never seasonal. So, do allow the shimmering lights of summer to refresh and illuminate - your fertile young minds. The future greets you with its magic mirror, reflecting each golden moment, each emboldened choice.
你们必须记住,年轻的演员们,学习是不分季节的。它允许假期内闪烁之光振作并且启发。它使年轻的思想得到充实,神奇的未来之门在向你招手,回想每个珍贵的时刻,每个英勇的抉择。
36. 阿凡达
(Avatar)
If you wish to survive you need to cultivate a strong mental attitude
如果你想活着,你需要培养一种坚强的精神态度。
37. 天生一对
(The Parent Trap)
You have a mom, I have a dad. Your mother is my mother, my father is your father.
你有一个妈妈,我有一个爸爸,你妈妈就是我妈妈,我爸爸就是你爸爸。
38. 饥饿游戏
(The Hunger Games)
Hope! It is the only thing stronger than fear. A little hope is effective. A lot of hope is dangerous. A spark is fine, as long as it's contained.
希望!这是唯一强于恐惧的。一点希望可以让人绝处逢生希望太大的话是很危险的。火花可以有,但一定得能控制住。
39. 分歧者
(Divergent)
You’ll face your worst fears and conquer them, unless they get you first.
你需要面对你害怕的事物,然后战胜他们,除非他们先战胜了你。
40. 复仇者联盟
(The Avengers)
It’s the unspoken truth of humanity, that you crave subjugation. The bright lure of freedom diminishes your life’s joy in a mad scramble for power, for identity.
这才是人性的本质,你们内心渴望被征服,疲于追逐光鲜的自由,而丢失了生活的乐趣,迷失在权力的角逐,就为获得认同。
41. 少年派的奇幻漂流
(Life of Pi)
If every unfolding we experience takes us further along in life, then, we are truly experiencing what life is offering.
如果我们在人生中体验的每一次转变都让我们在生活中走得更远,那么,我们就真正的体验到了生活想让我们体验的东西。
42. 黑客帝国
(The Matrix)
Do not try and bend the spoon. That's impossible. Instead, only try to realize the truth. There is no spoon. Then you'll see that it is not the spoon that bends. It is only yourself.
不要试图弯曲汤匙。那是不可能的。你只能试着去理解一件事实。汤匙不存在。你会发现被弯曲的不是汤匙。那只是你自己。
43. 哈利波特
(Harry Potter)
The performance of our true self, is our own choice, all this than we have the capability even more important.
表现我们真正的自我,是我们自己的选择,这比我们所具有的能力更重要。
44. 盗梦空间
(Inception)
You're waiting for a train, a train that will take you far away. You know where you hope this train will take you, but you can't be sure. But it doesn't matter - because we'll be together。
你等着一辆火车,它会把你带到远方。你明白自己希望火车把你带到哪儿,不过你也心存犹豫。但这一切都没有关系——因为我们在一起。
45. 达芬奇密码
(The Da Vinci Code)
Every faith in the world is based on fabrication. That is the definition of faith―acceptance of that which we imagine to be true, that which we cannot prove.
世界上的每一种信仰无不基于虚构。接受我们无法证明却以为是真实的东西,这就是信仰的定义。
46. 了不起的盖茨比
(The Great Gatsby)
Whenever you feel like criticizing any one, just remember that all the people in this world haven't had the advantages that you've had.
每当你觉得想要批评什么人的时候,你切要记着,这个世界上的人并非都具备你禀有的条件。
47. 血战钢锯岭
(Hacksaw Ridge)
I don't know how I'm gonna live with myself if I don't stay true with what I believe.
如果我不坚持自己的信仰,我不知道该如何活下去。
48. 指环王
(The Lord of the Rings)
There is nothing we can hold onto in this world. Only by letting go can we truly possess what is real.
把手握紧,里面什么也没有;把手放开,你得到的是一切。
49. 加勒比海盗
(Pirates of the Caribbean)
There was a time when a pirate was free to make his own way in the world. But our time is coming to an end. Our enemies are united; they vow to destroy us. The Pirate Lords from the four corners of the Earth, must stand together.
海盗们曾经以他们自己的方式在这个世界上存活着,但是我们的时代即将终结,我们的敌人团结在了一起,他们想要摧毁我们。来自于地球东南西北四个方向的海盗大佬们必须暂时将成见放在一边,共同战斗。
50. 荒野猎人
(The Revenant)
As long as you can still grab a breath, you fight. You breathe……keep breathing.
只要你一息尚存,就不能退缩。深呼吸,不要间断,深呼吸。
;D. 歌舞青春第一部的完整台词
High School Musical script
Happy New Year's, ladies.
Gabby, it's New Year's Eve. Enough reading.
But, Mom, I'm almost done.
The teen party? I've laid out your best clothes. Come get ready.
Can I have my book back?
- Thank you. - Come on.
Keep working left, Troy.
Got a guard in the championship game we're expectin'. You'll torch 'em!
- Am I going left? - Yeah.
- He looks middle, you take it downtown. - OK, like this?
Whoo! That's it, man. Sweet. Let's see that in the game.
- Boys? - Don't worry about me.
Did we really fly all this way to play more basketball?
Yeah.
It's the last night of vacation.
The party, remember?
Right, the party. The party. New Year's Eve.
Troy, they have a kid's party downstairs in the Freestyle club.
- Kid's party? - Young alts. Now go, shower up.
Come on. One more.
- Last one. - Real quick.
There we go. That's the way to end it.
Howdy, ma'am.
All right! How about that for a couple of snowboarders?
- Yeah! - Hey!
Who's gonna rock the house next?
Huh?
Ha-ha! Ho-ho!
I can't sing. No, you go.
And you! Yeah, come on.
Look, I don't sing. I can't sing. No, guys...
Get up there!
Hey, you know what? Someday you guys might thank me for this.
Or not.
# Living in my own world
# Didn't understand
# That anything can happen
# When you take a chance
# I never believed in
# What I couldn't see
- # I never opened my heart - # Oh
# To all the possibilities
# Ooh
- # I know - # That something has changed
# Never felt this way
# And right here tonight
# This could be the start of something new
- # It feels so right - # To be here with you
# Oh!
# And now I'm lookin' in your eyes
- # I feel in my heart - # Feel in my heart
# The start of something new
# Oh, yeah
# Now who'd have ever thought that
# We'd both be here tonight
- # Ooh - # Yeah
- # And the world looks so much brighter - # Brighter, brighter
- # Oh, with you by my side - # By my side
# I know that something has changed, never felt this way
- # I know it for real - # Real
# This could be the start of something new
# It feels so right to be here with you
# Oh!
# And now looking in your eyes I feel in my heart
# The start of something new
# I never knew that it could happen till it happened to me
# Oh, yeah
# I didn't know it before but now it's easy to see
# Oh!
# It's the start of something new
# It feels so right to be here with you
# Oh!
# And now I'm lookin' in your eyes I feel in my heart
# That it's the start of something new
- # It feels so right to be here with you - # Oh
# And now looking in your eyes
- # I feel in my heart - # Feel in my heart
# The start of something new
# The start of something new
# The start of something new
- Troy. - Gabriella.
But seriously, you have an amazing voice. You're a singer, right?
Just church choir is all. I tried to solo and nearly fainted.
Really? Why is that?
I looked at the people staring at me. Next thing I knew, I was staring at the ceiling.
- End of solo career. - The way you sing, that's hard to believe.
That was the first time I did that. It was so cool.
- I know! Completely! - You sound like you've sung a lot, too.
Yeah, sure. My showerhead is very impressed with me.
9, 8, 7...
...6, 5, 4...
...3, 2, 1!
I guess I better go find my mom and wish her a happy new year.
Yeah, me too. I mean, not your mom. My mom... and dad.
Uh... I'll call you. I'll call you tomorrow.
- Yeah! - Here, put your number in.
Here.
- You too. - Oh, OK.
There you go.
Just so you know, singing with you was the most fun I've had on this vacation.
So, um... where do you live?
Gabriella.
# Wildcats sing along They really got it going on
# Wildcats in the house Everybody sing out
# Wildcats. Everywhere wave your hands up in the air
# That's the way we do it let's get to it
# Time to show the world
# Wildcats. Sing along They really got it goin' on
# Wildcats in the house everybody sing out...
- Troy! How ya doing, man? - Hey, Chad, what's up?
- Hey, guys, happy new year. - Yeah!
- It's a happy Wildcat new year! - You're the man!
In two weeks we're going to the championships
with you leading us to infinity and beyond.
- What team? - Wildcats!
- What team? - Wildcats!
Ooh! Whoo-hoo!
Ooh!
The ice princess returned from the North Pole.
She spent the holidays the way she always does.
- How's that? - Shopping for mirrors.
Ooh!
Ugh, behold the zoo animals heralding the new year. How tribal.
Mom, my stomach...
Is nervous on first day at a new school. You'll do great. You always do.
I made my company promise that I can't be transferred again until you graate.
I reviewed your impressive transcripts. Your light will shine brightly at East High.
I don't want to be the school's freaky genius girl again.
Just be Gabriella.
This way.
Troy! Troy! Hey!
How's it goin'? How are you?
Miss Darbus?
- Do you remember the night before? - No, not at all.
All I remember is like, pink jelly. I...
发到你邮箱里?第二部的我也有,不过两个都没有中文的~
E. 歌舞青春3经典的十句台词
1、But most of all,I choose the person who inspires my heart.Which is why I picked a school that’s exactly 32.7 miles from you.(Troy)
2、Once a wildcat ,always a wildcat(Troy)
3、Sixteen. There's 16 minutes left in this game, guys.There's only 16 minutes left in the season.And for the seniors on this squad... guys...you've only got 16 minutes left in a Wildcat uniform.So make them count. Sixteen minutes to be a team.(教练)
4、So, another top-secret hiding place?(Gabriella)
You're the second girl I've had up here.The first was my mom.(Troy)
5、Sorry! Jeez. I thought since it was the last show, everyone would want to do it.(Kelsi)
6、What do I want? Gosh, I wouldn't know where to begin.But I know where it ends.(Sharpay)
7、Chad's hoping for two pages on himself.Maybe even a third page, just for his hair.(Troy)
8、My prom is wherever you are.If I'm going to have a last dance at East High, it's going to be with you.(Troy)
9、The problem is, East High changed when you got there.And now it's changed again because you left.You might be ready to say goodbye to East High,but East High's not ready to say goodbye to you.(Troy)
10、East High is having friends that we'll keep for the rest of our lives.And I guess that means we really are all in this together.(Troy)
这几句话都是让我印象比较深刻的吧,有的搞笑,有的感人。再看到这几组对话的时候,心中真的无比怀念~~~
F. 美国电影名言佳句
1、原文:“Bond,James Bond.” Sean Connery,“Dr.No” 译文:“邦德,詹姆斯-邦德.” 演员、影片与年份:肖恩-康纳利,《No博士》,1962 2、原文:“Of all the gin joints in all the towns in all the world,sshewalksintomine.” Humphrey Bogart,“Casablanca” 译文:“世界上有那么多的城镇,城镇中有那么多的酒馆,她却走进了我的.” 演员、影片与年份:亨普瑞-鲍格特,《卡萨布兰卡》,1942 3、原文:“It's not the men in your life that counts,it's the life in your men.” Mae West,“I'm No Angel” 译文:“并不是你生命中的男人有价值,而是你与男人在一起的生命.” 演员、影片与年份:米-怀斯特,《我不是天使》,1933 4、原文:“I'll be back.” Arnol Schwarzenegger,“The Terminator” 译文:“我会回来的.” 90年的宝贝儿阿诺德-施瓦辛格. 演员、影片与年份:阿诺德-施瓦辛格,《终结者》,1984 5、原文:“Would you be shocked if I changed into something more comˉfortable?.” Jean Harlow,“Hell's Angels” 译文:“假如我换一身更舒服的衣服你会觉得震惊吗?” 演员、影片与年份:琼-哈罗,《地狱天使》,1930 6、原文:“Life is like a box of chocolates:you never know what you're gonna get.” Tom Hanks,“Forrest Gump” 译文:“生活就像一盒巧克力:你永远不知道你会得到什么.” 演员、影片与年份:汤姆-汉克斯,《阿甘正传》,1994 7、原文:“I could dance with you'til the cows come home.On second thought,I'd rather dance with the cows until you came home.” Groucho Marx,“Duck Soup” 译文:“我可以和你一起跳舞直到母牛回家.如果再想想,我宁愿和母牛一起跳舞直到你回家.” 演员、影片与年份:格罗克-马克思,《容易事》,1933 8、原文:“Frankly my dear,I don't give a damn.” Clark Gable,“Gone With The Wind” 译文:“坦白地说,我不在乎.” 演员、影片与年份:克拉克-盖伯,《飘》,1939 9、原文:“You talkin'to me?.” Robert De Niro,“Taxi Driver” 译文:“你在跟我说话吗?” 演员、影片与年份:罗伯特-德尼罗,《计程车司机》,1976 劳勃迪尼诺练习耍酷拔枪时所说的台词. 10、原文:“Gimme a visky with a ginger ale on the side?and don't be stinchy,beby.” Greta Garbo,“Anna Christie” 译文:“给我一杯威士忌,里面兑一些姜味汽水.宝贝儿,别太吝啬了.” 演员、影片与年份:格利泰-嘉宝,《安娜-克里斯蒂》,1930。
A. 《乱世佳人》 Tomorrow is another day. B. 《泰坦尼克事情》 Jack: "Youmust do me this honor。
prom-ism me you will survive.., that you will never giveup。 no matter what happens。
no matter howhopeless。 prorrise me now, and nave(let go of-that promise." C. 《007系列》 "Bond. James Bond." 1) I love you not because of who you are, but because of who I am when I am with you. 我爱你,不是因为你是一个怎样的人,而是因为我惜华与你在一起的感觉。
2) No man or woman is worth your tears, and the one who is, won't make you cry. 没有人值得你流泪,值得让你这么做的人不会让你流泪。 3) The worst way to miss someone is to be sitting right beside them knowing you can't have them. 失去某人,最糟糕的莫过于他近在身旁,却犹如在天边。
4)Never frown, even when you are sad, because you never know who is falling in love with your smile. 纵然伤心,也不要愁眉不展,因为你不知道是谁会爱上你的笑容。 5) To the world you may be one person, but to noe person you may be the world. 对于世界而言,你是一个人;但对于某个人,你是他的整个世界。
6) Don't waste your time on a man/woman, who isn't willing to waste their time on you. 不要为那些不愿在你身上花费时间的人而浪费你的时间。 7) Just because someone dosn't love you the way you want them to, doen't mean they don't love you with all they have. 爱你的人如果没有按你所希望的方式来爱你,那并不代表他们没有全心全意的爱你。
8) Don't try to hard, the best things come when you least expect them to. 不要着急,最好的总会在最不经意的时候出现。 9) Don't try because it is over, smile because it happened. 不要因为结束而哭泣,微笑吧,为你的曾经拥有。
10) May be God wants us to meet a few wrong pepole before meeting the right one, so that when we finally meet the person, we will know how to be grateful. 在遇到梦中人之前,上天也许会安排我们先遇到别的人;在我们终于遇见心仪的人时,便应当心存感激。 参考资料: 律政俏佳人中毕业典礼上的一段话: At the very first day at Harvard, a very professor quoted Aristotle, "the law is reason free from passion!" Well,no offence to Aristotle,but in my three years at Harvard.I have come to find: Passion is the key ingredient to the study and practice of law, and of life. it was for passion, courage of conviction, strong sense of self that we take our next step into the world. rembering the first impressions are not always correct, you must always have faith in people, and most importantly you must always have faith in yourself. 在到哈弗的第一天,一位特别的教授指出亚里士多德的话:法律是不容许含有激情的。
我不是对亚里士多德的不敬,但是我在哈弗的三年里,我发现:激情是学好法律和实践的关键,也包括人生。也是拥有激情,勇气和强烈的自我意识,去进入社会。
记住,第一印象不一定总是对的,你必须一致保持自信,在人们之中保持自信,最重要的是,对你自己有信心。/z/q809526342.htm?fr=qrl&fr2=query。
sorry ,不记得那么多。
最爱的一句《歌舞青春》
Do you remenber in kindergarden,how you even meet a kid, and know nothing abaout him. then ten seconds later,you are playing like you are best friends.Because you needn't to be anything but youself.
还记得你幼儿园的时候吗?见到一个孩子,你什么都不了解,但是10秒以后,你们就像好朋友一样地玩了。因为你只要做自己就可以了。
还有一句,I've never lied,except when necessary.我从不说谎,除非需要的时候。
《ET》
ET phone home. 这就不用翻了哈~
”(明天又是新的一天),aren't you?”(你在对我说话吗。--《战栗追缉令》
“Mrs。 --《廊桥遗梦》
当我决定和你度过下半辈子时?”(罗宾森太太,你并不知道为什么,最后总算回到家。—《独立日》
很多年前你就对我说过这句话,在一个人死后,占据了你在世界上的位置。 --《刑事侦辑档案》
“不要相信漂亮的女人,是多么地渴望。因为? --《美国往事》
The end ,除非我们即将死去,只求能再次接触你一次 “There's no place like home,但从那时起我的头脑就绝对是清醒的。我夺取了你的全部生活,可你就是确定。 --《铁达尼号》
Name,我们选择了彼此?YES,命运乖舛的费雯丽站在树下迎向阳光,亨佛利鲍嘉让心爱的女人随丈夫而去后。我夺取了你的钱。 --《 American History X》
当救世主就象谈恋爱一样,有时候要停,在机场说了这句话?),我会后悔一辈子,《乱世佳人》(1939)的结尾。 --《美国美人》
真正的爱情是属于成年人的!”--《阿波罗13号》
“千万不要恨你的敌人。
“You talk in to me,由其是不穿衣服的裸体女人?)。 --《美梦成真》
我以为你的呼吸声是雨声;我肯定我们一方离另一方而去,这每一天的开始,《计程车司机》(1976)劳勃迪尼诺练习耍酷拔枪时所说的台词。”(世界上再没有地方像家一样),那只是因为我们问错了问题,《毕业生》(1967)中。虽然在我们相会之前谁也不知道对方的存在,爱一个人需要付出吗,就要控制你自己,我儿子也能给开回来!”--《人鬼情未了》
“躲在远处向人扔炸弹! --《天使之城〉
当我们没有得到正确答案时,我向你走去,我现在若不求你留下来陪我,你正在挑逗我吧,并说. Robinson, 甘霖能再一次降落我的脸庞 --《英国病人》
现在很清楚,《绿野仙踪》(1939)的小女孩桃乐斯历经重重冒险。” --《偷天陷井》
“就是一台洗衣机.但你必须给我一个继续生存下去的理由。
“我愿意付出一切,都将是我们余下生命之中的第一天,不知是武器更先进了,说出这句百折不挠的名句,is only the beginning .你跳!而且是无怨无悔的。但更我肯定。
“Tomorrow is another day,《北非谍影》(1942)中。 --《逃跑的新娘》
If you jump,我们凡事携手合作?可能不,年纪轻轻的傻小子达斯汀霍夫曼被自己女朋友的妈妈色诱,我夺取了你的一切,夺走了你的姑娘。” --《教父》 女人漂亮而灿烂的笑脸里,you're trying to sece me。 --《廊桥遗梦》
But you must give me a reason to live on。你为什么还不开枪,在我死前,我也跳,你向我走来已经很久很久了,胜于其它一切,有时候要冲 --《极速传说》
爱是能够凝视你的所爱,还是人类更胆怯了”。 --《闻香识女人》
我肯定我们会分开? 姓名,有着男人不曾也不能逾越的坎…… --《漂亮妈妈》
赛车和做人一样, I jump?--《辛德勒名单》
爱一个人需要理由吗,这会影响你的判断力。--《黑客帝国》
当你不能控制别人,我希望我的下半生赶快开始 --《当哈利遇见莎莉》
我们要学会珍惜我们生活的每一天,I think this is the beginning of a beautiful friendship,我想这是一段美好友谊的开始)。”(路易斯。
“Louis
If one only wished to be happy , this could be easily accomplished; but we wish to be happier than other people , and this is always difficult , for we believe others to be happier than they are. ——Montesquieu
如果你仅仅希冀幸福,这不难做到;但我们期望比别人更幸福,这总是难于做到,因为我们认为别人会比实际更幸福。——孟德斯鸠
The traveler was active ; he went strenuously in search of people, of adventure, of experience. The tourist is passive ; he expects interesting things to happen to him. He goes “sight–seeing”.——Daniel J. Boorstin
旅行者是主动的,他下功夫去追寻人,追寻冒险,追寻体验。而旅游者是被动的,他期待眼前发生有趣的事,他是去观光。——丹尼尔.J布尔斯廷
Everyday I get up and look through the Forbes list of the richest people in America. If I'm not there , I go to work.——Robert Orben
每天早晨起床后我都要从头到尾瞅一眼《福布斯》美国最富有者排行榜。如果我不在上面,我就去干活。——罗伯特.奥尔本
It is no use doing what you like; you have got to like what you do.一一Winston Churchill
不能爱哪行才干哪行,要干哪行爱哪行。——丘吉尔
《阿甘正传》Life was like a box of chocolates, you never know what you're gonna get. (生命就像一盒巧克力,结果往往出人意料) Stupid is as stupid does. (蠢人做蠢事,也可理解为傻人有傻福) Miracles happen every day. (奇迹每天都在发生) Death is just a part of life, something we're all destined to do.(死亡是生命的一部分,是我们注定要做的一件事) Jenny and I was like peas and carrots.(我和珍妮形影不离)。
生活就像一盒巧克力,你永远不知道你会得到什么。
电影:阿甘正传
世界上总有一半人不理解另一半人的快乐
电影:爱玛
你以为我穷。不漂亮,就没有感情吗?
如果上帝赐给我美貌和财富,我也会让你难于离开我的!
就象我现在难于离开你一样!
电影:简爱
什么是权利?当一个人犯了罪,法官依法判他死刑。
这不叫权利,这叫正义。
而当一个人同样犯了罪,皇帝可以判他死刑,
也可以不判他死刑,于是赦免了他,这就叫权利!
电影:辛德勒名单
上帝会把我们身边最好的东西拿走,以提醒我们得到的太多!
电影:四根羽毛
我们要学会珍惜我们生活的每一天,
因为,这每一天的开始,都将是我们余下生命之中的第一天。
除非我们即将死去。
电影:美国美人
"人生本就是苦还是只有童年苦?”
“生命就是如此。”
电影:这个杀手不太冷
第一、不要叫她温柔。
第二、不要让她喝三杯以上,否则她会逢人就打;
第三、在咖啡馆一定要喝咖啡、不要喝可乐或橙汁;
第四、如果她打你一定要装得很痛如果真的很痛那要装得没事
第五、在你们认识的第一百天,一定要去她班上送一支玫瑰,
她会非常喜欢;
第六、你一定要学会击剑,打壁球;
第七、要随时做好蹲监狱的思想准备;
第八、如果她说她会杀了你,那不要当真,这样你会好受些;
第九、如果她的鞋穿着不舒服,一定要和她换鞋穿;
第十、她喜欢写东西,要好好地鼓励她.
电影:我的野蛮女友
当我还是孩子的时候,妈妈带我去看白雪公主,人人都爱上了白雪公主,而我却偏偏爱上了那个巫婆。
电影:《安妮•霍尔》
恐惧让你沦为囚犯。希望让你重获自由
It takes a strong man to save himself, and a greatman to save another.
坚强的人只能救赎自己,伟大的人才能拯救他人
Remember,Hopeisagoodthing,!
记着,希望是件好东西,没准儿是件最好的东西,而且从没有一样好东西会消逝!
Get busy living, Or get busy dying.
忙活,或者等死。
电影:肖申克的救赎
我爱美国,它给了我财富,我用美国方式教育子女,告诉他们不能丢家族的脸
别跟我说你是无辜的,这让我愤怒,因为它侮辱了我的智慧
电影:教父
一个受伤的人,不知道如何接受和给予爱
电影:菊花香
世界上有那么多的城镇,城镇中有那么多的酒馆,她却走进了我的。
电影:卡萨布兰卡
我不知道为什么老是离不开他,可能是他脖子上有条领带的缘故.
电影:爱你9周半
"Frankly , my dear, I don't give a damn"
电影:Gone with the wind
电影书写的影片,籍影像与声音的关系来表达,而非靠(演员或非演员的)动作和声调的模仿。
它不分析,也不解释。它重组。
——罗伯特·布烈松(法国)要更好地理解一部影片的倾向如何,最好先理解该影片是如何表现其倾向的。——安德烈·巴赞(法国)我现在已经老了,人越老想得越深,水面上的事情我已经抓不住了,我在水底思想。
——让-吕克·戈达尔(法国)当幻想转向爱情时,直觉却并不总是跟随。——艾里克·侯麦(法国)电影艺术的基础在于剪辑。
——普多夫金(苏联)演员也同样是人,与别人并无差别。作家、画家或音乐家可以躲到角落里去舔净他的伤口,但演员却要站在大庭广众面前忍受这种伤痛。
——莫琳·斯特普尔顿(美国)我的电影从来无意写实,它们是镜子,是现实的片断,几乎跟梦一样。——英格玛·伯格曼(瑞典)我对情节的发展、事件的串联并没有兴趣,我认为我的电影一部比一部不需要情节。
——安德烈·塔可夫斯基(苏联)让一个人置身于变幻无穷的环境中,让他与数不尽或远或近的人物错身而过,让他与整个世界发生关系:这就是电影的意义。——安德烈·塔可夫斯基(苏联)电影始于格里菲斯,止于基亚罗斯塔米(阿巴斯)。
—。电影书写的影片,籍影像与声音的关系来表达,而非靠(演员或非演员的)动作和声调的模仿。
它不分析,也不解释。它重组。
——罗伯特·布烈松(法国)要更好地理解一部影片的倾向如何,最好先理解该影片是如何表现其倾向的。——安德烈·巴赞(法国)我现在已经老了,人越老想得越深,水面上的事情我已经抓不住了,我在水底思想。
——让-吕克·戈达尔(法国)当幻想转向爱情时,直觉却并不总是跟随。——艾里克·侯麦(法国)电影艺术的基础在于剪辑。
——普多夫金(苏联)演员也同样是人,与别人并无差别。作家、画家或音乐家可以躲到角落里去舔净他的伤口,但演员却要站在大庭广众面前忍受这种伤痛。
——莫琳·斯特普尔顿(美国)我的电影从来无意写实,它们是镜子,是现实的片断,几乎跟梦一样。——英格玛·伯格曼(瑞典)我对情节的发展、事件的串联并没有兴趣,我认为我的电影一部比一部不需要情节。
——安德烈·塔可夫斯基(苏联)让一个人置身于变幻无穷的环境中,让他与数不尽或远或近的人物错身而过,让他与整个世界发生关系:这就是电影的意义。——安德烈·塔可夫斯基(苏联)电影始于格里菲斯,止于基亚罗斯塔米(阿巴斯)。
——让-吕克·戈达尔(法国)很难找到确切的字眼评论基亚罗斯塔米(阿巴斯)的影片,只须观看就能理解他是多么了不起。雷伊去世的时候我非常伤心。
后来,我看到了基亚罗斯塔米的影片,我认为上帝派这个人就是来接替雷伊的。感谢上帝。
——黑泽明(日本)梦想要根植于现实。——阿巴斯·基亚罗斯塔米(伊朗)我曾反复说过,我作为一个电影人,拍了一部电影的话,观众就应当从这一部电影中,看到100部他们自己的电影,每一名观众都可以看到他自己的电影,这就是我所力争做到的。
——阿巴斯·基亚罗斯塔米(伊朗)我更喜欢让观众在影院里睡着的电影,我觉得这样的电影体贴得让你能好好打个盹,当你离开影院的时候也并无困扰。也曾有电影让我在影院里睡着了,但就是同一部片子又让我彻夜难眠,思考它直到天亮,甚至想上几个星期。
这是我喜欢的电影。——阿巴斯·基亚罗斯塔米(伊朗)梦想始于剧本,而终结于电影。
——乔治·卢卡斯(美国)每次表演一个角色时,演员都必须生活在这一角色之中。——康斯坦丁·斯坦尼斯拉夫斯基(苏联)我留下脚印,让后人来追寻。
——德里克·贾曼(英国)生活的全部,它行动的整体,乃是一部自然、生动的电影。——皮埃尔·保罗·帕索里尼(意大利)我们永远都无法预知一部电影的结果。
每部片子都有一道窄门,我们只能凭着自己的判断力决定是否应该跨进去。——克里什托夫·基耶斯洛夫斯基(波兰)最好的电影是拍给聋者和哑者看的。
人类喋喋不休,话语泛滥,都快淹死在其中了。只有看芭蕾舞,我们才能发现纯粹的美和纯粹的姿态,而这正是我的电影努力要去表现的。
——谢尔盖·帕拉杰诺夫(亚美尼亚)电影是戏,不能把它拍成偶发的事件。——小津安二郎(日本)(先锋派)的方法有这样的危险:1、作者已有结论,含含糊湖地提出猜谜似的东西,就像被小学老师提问一些根本不需要问的简单问题。
2、作者自己完全放弃想的出结论的欲望,借口把自己不懂得的问题如实提出来才是诚实,而以极低的水平提供极不完整的影象就心满意足了,自封为先锋电影的作品中,这类影片要多少有多少。——小津安二郎(日本)真假混合时,真突显出假,假却妨碍我们去相信真。
一个演员,在一艘被真的风雨拍打着的真船的甲板上,假装害怕沉船,我们既不会相信那演员,也不相信那艘船和那场风雨。——罗伯特·布烈松(法国)我的人生经验告诉我,非正常的阶级关系,没有同情心的人与人之间的关系就是现实。
——金基德(韩国)一个影像接触其他影像时必须发生转化,如一种颜色接触其他颜色时那样。放在绿、黄或红旁边的蓝不是相。
G. 谁知道<歌舞青春>的英文原版台词!!
enjoy yourself
Everyone deserves a chance to follow their dreams, but some people only get one shot. Tyler Gage (Channing Tatum) is a rebel from the wrong side of Baltimore's tracks and the only thing that stands between him and an unfulfilled life are his dreams of one day making it out of there. Nora (Jenna Dewan) is a privileged ballet dancer attending Baltimore's ultra-elite Maryland School of the Arts - and the only thing standing in the way of her obviously brilliant future is finding a great dance partner for her senior showcase. When trouble with the law lands Tyler with a community service gig at Maryland School of the Arts, he arrives as an angry outsider, until his skills as a gifted street dancer draw Nora's attention. Now, as sparks fly between them, both on and off stage, Tyler realizes he has just one performance to prove that he can step up to a life far larger than he ever imagined. Featuring the directorial debut of leading choreographer Anne Fletcher, the film also stars R&B superstar Mario, Drew Sidora as well as rap legend Heavy D, Damaine Radcliff, De'Shawn Washington and Academy Award nominee and Golden Globe winner Rachel Griffiths.
On the heels of executive procing “Mr. And Mrs. Smith,” STEP UP procer Erik Feig wanted to make the kind of classic, music-driven, character-focused movie that he and his friends had found so mesmerizing while growing up. Having been inspired by such entertainments as “Saturday Night Fever,” “Fame” and “Dirty Dancing” – and moved by recent films that ventured realistically into the hip-hop world such as “8 Mile” and “Save The Last Dance” -- Feig felt it was time to bring back the genre with a fresh, gritty take inspired by today’s youth issues and styles.
“This is an idea that I’d been thinking about for many years,” says Feig. “I remember that era when great music-oriented movies were not just aimed at girls but had a guy’s point of view, too, and that really interested me. There’s something so universal in the love of music, and I wanted to make a movie that would appeal to everyone, as much to men as to women. That’s why I liked the idea of setting STEP UP around a scrappy underdog who finds an unlikely dream and gives it his all to make it happen.” It was from a true-life, pivotal moment that the character of Tyler Gage -- who gets his one shot at a different future and an unlikely romance when he is forced to do community service at a performing arts school -- was born.
Along with his Summit Entertainment procing partner Patrick Wachsberger, Feig began to search for a director. It was then that Feig had a stroke of luck – running into renowned choreographer, director and procer Adam Shankman at his local gym. “Erik ran up to me and actually said these words: ‘Who’s the next you?’” recalls Shankman. “Why, I wondered, have I passed on? Am I done? But I came to realize that he was asking who was going to be the next great choreographer who wanted to breakout as a director, and if I knew that person."
It turns out that Shankman definitely did. He immediately had in mind Anne Fletcher, one of the contemporary film world’s leading choreographers who made her debut with the hit “Bring It On” and has gone of to choreograph key sequences for some two dozen film and television projects. "I've worked with Anne since 1990 and we were dancers together for Paula Abl on the Oscars®. She has been one of my best friends and was my assistant when I was still a choreographer,” explains Shankman. “When I started directing movies, she sort of took over my choreography career. Then, she absolutely exploded artistically.”
He continues: “When Erik told me about STEP UP, I knew it would be perfect for Anne because it she has always been incredibly strong with actors, she’s deeply passionate and most of all, she’s a really good storyteller.”
Fletcher met with the procers and they were instantly won over by her rapidly flowing ideas and enthusiasm. Eager to work with his protégé in a whole new capacity, Shankman also came on board as a procer, bringing with him his procing partner and sister, Jennifer Gibgot.
Gibgot, who has danced all her life, fell in love with the story’s mix of music, romance and explosive cultural tension – and made a catalytic suggestion: to turn the story, then focused on a young musician, into a dance film. The final decision to do so was made in part because she felt it was important to draw upon Fletcher’s incredible knowledge of and enthusiasm for the world of dance. "I think love and dance will always be a winning combination,” she observes. “But this story also has a really modern, raw feel. It's a morality tale, a movie about a kid versus the streets, about a kid who has only one chance at a long-shot dream. I think it’s a story that appeals to both young and old because it’s about having hope and finding the strength to dig yourself out from the hole that you're in."
The filmmakers began to work with screenwriter Duane Adler, who earlier made his debut with the teen hit “Save The Last Dance” starring Julia Stiles. Also brought on board was co-writer Melissa Rosenberg, who the filmmakers sought out because of the hip, current style she had honed on the extremely popular TV series, “The O.C” – only to discover she was also an accomplished dancer herself.
Adler added his turbulent experiences growing up as an outsider to the mix. “My family moved a lot when I was a kid and I personally attended six different high schools as a teenager,” he explains. “While I wasn't a foster child like Tyler, I certainly felt misplaced and it was my discovery of the arts as a junior in high school that in many ways changed my life."
He related intensely to Tyler’s struggles to make it. Adler continues: “I always saw Tyler as someone who is very gifted but faces an uphill battle. The new world of Maryland School of the Arts school becomes his salvation, but first he has to prove himself and he also has to wrestle with his feelings of loyalty to his old friends and his old way of life, while realizing at any moment he could lose it all. That’s what makes him such a moving character to me.”
Meanwhile, Rosenberg, who majored in dance in college and danced with a small troupe before becoming a writer, brought a true dancer’s POV to the storyline. "This film was an amazing experience,” she says. “It was finally a chance to dance again, on the page if not on the floor.”
Adler and Rosenberg chose stark, urban Baltimore as the story’s location because both were familiar with it and it seemed to suit the edgier tone of the story. "It has a very rugged, blue-collar vibe, and lots of history with the old row-houses and neighborhoods,” Adler notes. “But it also has a very artistic and beautiful side. The story really contrasts those two worlds as we watch Tyler go from home to school and back again."
To bring out the rhythms and pulse of today’s most talented high school teens, Adler also spent nearly six weeks observing at a local performing arts high school. "I went to classes with the students, sat in on rehearsals and lunch breaks, and watched them prepare for their spring finale performance,” he says. “The idea was always to bring as much authenticity to this story as possible.”
When Anne Fletcher read the script, she knew STEP UP would be a tremendous opportunity for her directorial debut. “I knew I could do it because I really understand the world of dance and young artists because that’s the world I grew up in,” she says. “I loved the script and I felt that it was a chance to tell a very truthful story. But I also knew that the first priority was to hire really good people, because a director is only ever as good as her team.”
From the minute she came on board, director Anne Fletcher found herself facing a major search for a cast who could bring realism, excitement and raw talent to STEP UP. She set out on a quest for a group of young actors so gifted they could not only embody the film’s characters but also do all their own dancing and singing. To make sure the film felt utterly alive and real, she absolutely refused to use doubles or voice-overs for even a single shot. It wasn’t easy, but through a combination of luck, timing and little miracles, an extraordinary ensemble was pulled together.
"We were so lucky because I think there is an astonishing amount of talent on display in STEP UP,” comments Fletcher. “These kids are the real deal and there’s no smoke and mirrors. It’s what I always aimed for. Everyone does their own dancing and singing – so the characters feel very real and you never have to cut away from what’s happening emotionally to switch to a double. I'm excited that I succeeded in that. Finding Channing Tatum was our biggest coup, followed by finding Jenna, who is an unbelievable dancer as well as being gorgeous. Most of all, there is real magic and chemistry between them that makes the story work.”
The hunt for a young man to play Tyler began with trepidation. "That character is so complex on the page,” says Erik Feig, “we knew it would be a challenge to find someone with all those qualities. We needed someone who would be charismatic yet troubled; tough but likeable; hard-edged but romantic; and an untrained yet amazing dancer. It was a lot to hope for.”
Then Channing Tatum, who grew up in a tiny town in Alabama and emerged as a new face to watch in an edgy 2002 Mountain Dew commercial, walked in for an audition. It was a moment that changed the entire film. “As soon as we saw Channing, we knew he was Tyler,” Feig recalls. “And then we saw him dance and he moved like water. There's no other way I can explain it. He is just so fluid and exciting to watch. It was just a thrill to find him. "
Adds Adam Shankman: "Trying to force someone into the Tyler character would have been disastrous. We needed someone who you feel has too much passion, too much electricity to control, and that is who Channing is. He's also quite possibly one of the best natural street dancers I've ever seen in my life. He just has so much texture in his being."
Tatum instantly related to Tyler on a deep level. "I felt I could not have written myself any better that what Tyler is in the script,” says the young actor. “He's a carefree kid who loves to dance and have fun, but he also has a self-destructive side. I think all boys at that age are kind of crazy and destructive in their own ways. That's what being a teenager is. You mess up in order to learn.”
He continues: “I also remember what it felt like not to know what you want in life and that’s a big moment to get through. Luckily for Tyler, when he gets put in a situation where he's around all these kids who really want something in their lives, it awakens something in him. Then he really starts to fall for Nora and a whole new world opens up to him.”
Although he’s been a freestyle street dancer for years, like his character, Tatum had no formal training – which meant he had to “hit the boards” in intensive sessions with hip-hop choreographer Jamal Sims. The process was a lot tougher than anything he had expected. " I could always dance and move, but learning a structured routine was hard for me because there's so much going on and it’s entirely different than just dancing on gut instinct,” he observes. “I don't know if I would have been able to do it without Jamal there. He has the patience of a Zen master. He's one of the most creative, talented people that I've ever met. It was because he had so much confidence in me that it gave me the confidence to try it.”
Tatum also credits Anne Fletcher for bringing out the best in him. "I learned so much from her. She's so free-spirited and wild, I just wanted to be around her all the time,” he says of the first-time director. “She’s a ball of energy and a finely tuned instrument for knowing reality."
With Tatum cast as Tyler, the next crux of the proction was finding a young actress with extensive enough ballet experience as well as the personality to pull off Nora. “Once we cast Channing and realized what an amazing dancer he was, the bar became extremely high for whoever would play Nora,” notes Feig. “We had to search that much harder.”
After a lengthy series of auditions, the filmmakers came across Jenna Dewan, another newcomer who has been dancing since the age of 5, has been seen in dozens of music videos and toured with P. Diddy and Janet Jackson as a dancer before breaking out into films. “When we saw Jenna, it was another great discovery,” says Feig. “We knew she had to be the kind of person that if you're Tyler Gage walking into school with a major chip on your shoulder and wanting to hate everyone, you'd stop in your tracks as soon as you saw a glimpse of her -- and would want to do everything to impress her and try to win her over. Jenna had that ineffable quality."
Like Tatum, Dewan was attracted to the story of STEP UP. “I like that it’s about two worlds coming together, and how Tyler and Nora really wind up teaching each other lessons,” she says. “I also loved that Tyler and Nora don't come together in a cliché way. Tyler’s had such a hard life and he doesn't know how to want something because every time he wants something, he feels like it goes away. But when he meets Nora, that’s all she knows how to do – to fight for something that she wants. I think that ignites a fire in him and inspires him to find out what truly matters to him. On the flipside, he shows Nora how to let go and live more and not be so rigid. He shows her what real love is. Both of their lives are changed by the other."
Also like Tatum, Dewan felt that role had been tailor-made for her. "I was so drawn to Nora because it really couldn't be written any more like me as a 15 year-old. I was Nora,” she says. “I was a true diehard about dancing. That was all I ever really wanted to do. I had that same passion – and I really didn't know what would happen if I couldn't go and pursue it.”
Things really clicked when Dewan encountered Tatum for the first time at an early reading together. "The second we met, it felt completely natural,” she recalls, “and by the time we started rehearsals it was as if we'd known each other for years. Channing’s very open and generous, plus he's an amazing dancer so just watching him develop was an inspiration to me.”
It also felt natural for Dewan to work in Baltimore – a city where she lived for several years when she was in elementary school. "I started to dance in Baltimore, and it’s where I first started doing some acting. It couldn’t have been a more exciting setting for this story.”
Surrounding Channing Tatum and Jenna Dewan in STEP UP is an accomplished cast of both young newcomers and award-winning stars. The alt side of the cast is headed up by Academy Award® nominee Rachel Griffiths, who plays the key role of the performing arts school’s Principal Gordon. Fresh off her critically acclaimed and long running role on HBO’s® dark drama “Six Feet Under,” Griffiths was looking to break out into something completely different. When she read STEP UP, she knew this was it.
“I was drawn to the film because I thought it would be great to be in such a youthful, vibrant, hopeful environment,” says the actress. “Plus I was a huge ‘Fame’ fan. There’s something so wonderful about people at the beginning of their lives. It’s not that there isn’t pain or struggle but there’s also this beautiful, sexy optimism and I wanted to be around that.”
Griffiths was also intrigued by the effect her character has on Tyler, an outsider to the school but someone in deep need of inspiration and direction. "I see Director Gordon as someone who is really tough but really fair,” says Griffiths. “She knows when kids are putting it on the line and she always wants to bring out the best in them. So that’s why she challenges Tyler to find in himself the kind of fight to pursue the positive. She really throws down the gauntlet and he responds. It's a great moment because nobody's ever asked that of Tyler – but she believes he can rise to the occasion.”
Anne Fletcher was thrilled to have an actress of Griffiths caliber take on such a key role. “We talked about who the character was and where we wanted to go with her – and then Rachel went off and created something fantastic,” she remarks. “As such a skilled actress, she was very exciting to work with.”
Another focus of casting became finding the ensemble of talented teens at the school, as well as Tyler’s fun-loving friends back in the neighborhood. One of the first young stars to be cast was Mario, the Baltimore-based, platinum-selling R&B artist who broke out when he himself was only 15 but has yet to make his mark in film. He read for the role of Miles, who helps to guide Tyler through the world of Maryland School of the Arts. “As soon as the doors shut after Mario left the reading, we all said “We have to hire him”. “He is so special ” says Anne Fletcher.
Mario was drawn to the realistic portrait of Miles. "He's a very cool character and he seemed very authentic to me,” he says “He came from the hood” and then to this school to make his life better. I like that the whole idea of the film is that you’ve got to persevere if you want to attain your dreams, which is true no matter where you come from.”
He also sees Miles as key to Tyler’s transformation: "Miles is real valuable to Tyler because he’s the one who can set him straight,” says Mario. “In the beginning, they’re kind of standoffish with each other because they're both from real bad places. But I think Miles understands that Tyler’s emotional issues comes from that fact that he really doesn’t know how to trust anyone yet – and he knows that can change.”
Starring as Nora’s best friend Lucy is newcomer Drew Sidora, a Chicago-born actress, dancer and singer who, without even an agent to rep her, sent a tape to the casting department at Disney hoping someone would give her a chance. “On the tape, Drew was just sitting in her living room reading lines, and it felt so natural and vibrant. Then she sang, a cappella, this beautiful song – and when we saw that, we just had to cast her,” says Feig.
Sidora says she wanted to be part of what she calls, "a love story told through dance." She continues, "Lucy is Nora's best friend, and is a really fun character who has her own transformation. She starts off as someone who goes after men who are not particularly good for her. But when she notices Miles, they connect and she realizes that love can be something really positive."
Rounding out the cast as Tyler’s shocked and dismayed friends from the old neighborhood are Damaine Radcliff, the six foot six actor who last played a basketball player in “Glory Road,” as Tyler’s best friend Mac; and De’Shawn Washington who plays Mac’s younger brother, Skinny, and celebrated his 16th birthday on the set. Ironically, both Radcliff and Washington are skilled dancers but neither one gets a chance to make a move in the film. Instead, their roles are more about the changes and rough roads that friendships go through.
Says Radcliff: “My character starts out tight with Tyler Gage, the best of buddies, sidekicks side by side. Then Mac becomes suspicious of who Tyler is becoming with all the dancing and everything kind of falls apart. We don’t hang out anymore. We aren’t hustling together anymore. And it takes awhile for Mac to realize it’s time for him to try to do something with his life, too.”
Also featured in the rousing finale of STEP UP are teenage brothers Damien and Tourie Escobar, a musical o known as Nuttin But Stringz. Born and raised in the Southside Jamaica
H. 电影《小时代1》中的经典台词
电影《小时代1》根据郭敬明同名小说《小时代》改编,由郭敬明编剧及导演的青春剧情爱情片。影片以上海为背景,讲述四个从小感情深厚、有着不同价值观和人生观的女生,在平静的校园相继发生着让她们措手不及的事情。下面我给大家分享一些该影片中的 经典台词 ,欢迎欣赏!
电影《小时代1》经典台词
1、但是生活永远不是连续剧。它不会再应该浪漫的时候,响起煽情的音乐;它不会再男主角深情告白的时候,就让女主角浓烈的回应;它不会再这样需要温柔和甜蜜的时刻,就打翻一杯浓浓的蜂蜜。
2、你要相信世界上一定有你的爱人,无论你此刻正被光芒环绕被掌声淹没,还是当时你正孤独地走在寒冷的街道上被大雨淋湿,无论是飘着 小雪 的清晨,还是被热浪炙烤的黄昏,他一定会穿越这个世界上汹涌着的人群,他一一的走过他们,走向你。——崇光
3、没有人能够永远年轻,但永远有人,正年轻着。
4、杨幂(林萧):你会被失望拖进深渊,被疾病拉进坟墓,你会被挫折践踏的体无完肤。但在这之前,在世界末日,在天翻地覆之前,让我陪在你们身边。
5、当青春变成旧照片,当旧照片变成回忆,当我们终于站在分叉的路口,孤独,失望,彷徨,残忍,上帝打开了那座叫成长的大门。
6、我们在浩瀚的宇宙里,漫天飘洒的宇宙尘埃,和星河光尘,我们是比这些,还要渺小的存在。
7、而我和我们,都是这个时代里,最最渺小,微茫的存在。
8、杨幂(林萧):感情没有好与不好只有爱与不爱。
9、莎士比亚说,时间会刺破青春的华美精致,会把平行线刻上美人的额角,没有什么能逃过他横扫的镰刀。
10、我并不是因为你从小就有宝马车接送而喜欢你,我也不是因为你的LV包包而喜欢你,我更不是因为你送了我D&G的靴子而喜欢你。就算你没有一分钱,我也喜欢你。
11、郭采洁(顾里)):没有物质的爱情只是一盘沙。
12、杨幂(林萧):我答应你,如果我下辈子还能找到你,我一定要嫁给你。我谁也不认识,但我只能认出你。
13、郭采洁(顾里)):每个人 包括我自己 都有愚蠢透顶的时候 每个人都应该有一次被原谅的权利。
14、南湘(郭碧婷):但有一样东西却不会被他收割,那就是我们的友谊。
15、时间一点一滴地过去,流逝告别。我们慢慢地走向一个被上帝作记号的地点。
16、很多时候,我们的人生,就像是电影里配乐的叙事片段。镜头从我们身上一个一个地切过去,然后转了一圈,又切回来。没有对白,没有台词,我们沉默地出现在这些被音乐覆盖着的镜头里。
17、郭采洁(顾里):你之所以能无所谓的说钱不重要,那是因为你没有过过没有钱的日子,如果今天我只是领补助金的学生 你顾源会爱我么?
18、人真的是一种完全以自我为中心的动物。
19、当青春变成旧照片,当旧照片变成回忆,当我们终于站在分叉的路口,孤独,失望,彷徨,残忍,上帝打开了那扇窗,叫做成长的大门。
20、如果我们的生活充满了以前另一种未知的可能性的话,那么在大学围墙范围内,这一场追逐大战,谁先遇到谁,都可以导致完全不同的结局。这就像有人在转盘里撒下一大把钢珠,在转盘没有停下来之前,谁都不知道最后的赢家会是谁。
电影《小时代1》居情简介
故事 发生在经济飞速发展时期的上海,主人公林萧、南湘、顾里、唐宛如四个女生在这座风光而时尚的城市里生活与学习、工作与成长,四个女生从小感情深厚,却各自有着不同的价值观与人生观,她们在同一个宿舍朝夕相处,转眼到了大学生涯的后期,平静的生活开始面临层出不穷的挑战,找工作实习的忙碌以及随之而来的巨大生存压力,看似平静的校园生活相继发生着种种让她们措手不及、不知如何面对、需要抉择的事情。同时,顾源、宫洛、简溪、周崇光等一群男生和这四个女生之间也正发生着千丝万缕的情感交错。
面临巨大生存压力,面对剪不断理还乱的情感纠葛,四个女生要先后经历友情、爱情,乃至亲情的巨大转变,在巨变面前,她们依然坚持自己的生活态度,续写她们精彩的青春故事。
电影《小时代1》影片评价
正面评价
作为一部青春片,影片的风格轻松舒服。对于片中的奢华场景,有造梦娱乐的功能,使得整个影片的画面更显舒服。在女演员的选取上,“Hold住姐”谢依霖的出现是个亮点,为影片增添不少幽默元素。四位女孩在上海某繁华地段看着烟花,在明亮宽敞的房子里举着香槟共饮的情节令观众印象深刻。
负面评价
叙事短板
《小时代》重场面轻情节,在对浮华都市时尚元素所堆砌的场景空间过度渲染的同时,影片情节则显得矫情而单薄,暴露出缺乏叙事“原型/原创”特质,叙事风格不统一,叙事类型化特质不鲜明等问题。
伤风败俗
2013年中国文联组织发布《2013中国艺术发展 报告 》,其中的电影艺术发展报告直截痛斥电影《小时代》的“伤风败俗”,集中表现在以物质与欲望架设的“伪现实”,发散着充满商业气质的主观化、个人化情趣;影片以物质化梦幻的“现实”替代了厚重复杂的真实现实,以扁平化、符号化、庸俗化的人物形象肤浅地诠释友情、爱情和青春,而其中诸如对唐宛如种种夸张语言、动作的设计,以及女性对男性非理性情感冲动等,还使影片以某种恶搞式的“审丑”快感,引发带动年轻受众的庸俗情感与心理“共鸣”,使影片内涵呈现了某种价值观念、道德观念上的偏颇。
不能纵容
从理性和哲学的层面,我们都不会也不必讳言物质创造的重要性和必要性。取之有道的财富,帮助我们获得尊严和体面,但是一旦对于财富的炫耀和追求,成为一个社会较大人群尤其是已经摆脱贫困的知识分子的终极目标,一个社会先知先觉阶层的知识分子的精神追求向世俗和世故下倾,整个社会的思想面目势必“喜言通俗,恶称大雅”。
我觉得这部电影表达了郭敬明对浮华生活的迷恋程度有多深,最近期《看电影》杂志有对郭敬明的专访,可以窥见郭敬明将这部电影向好莱坞青春片看齐,《歌舞青春》还是《美国派》,似乎都能觅其踪影。
I. 校园青春励志电影台词
校园青春励志电影台词
1、律政俏佳人1、2(Legally Blonde)……谁说金发美女头发黄见识短,个个头脑空空?
2、劲歌飞扬(Raise Your Voice)……小城女孩纽约孤身求学,立志闯出广阔音乐天地。
3、高校天后(Confessions of a Teenage Drama Queen)……纽约漂亮女孩到乡下小城。
4、冰上公主(Ice Princess)……一段关于滑冰少女的励志故事。
5、魅力四射1、2、3、4(Bring It On)……美少女啦啦队。
6、录取通知书(Accepted)……落榜高中生自创“南哈蒙理工学院”。
7、邻家女孩(The Girl Next Door)……隔壁的美女竟然是AV女优!
8、爱情服务生(Waiting…)……让我们品尝了一顿餐饮业的幕后味道。
9、新丁驾到(The New Guy)……倒霉男生监狱里面学做人。
10、辣妈辣妹(Freaky Friday)……怪诞星期五,母女大换身。
11、贱女孩(Mean Girls)……美国青春校园版《金枝欲孽》。
12、纽约时刻(New York Minute)……孪生姐妹纽约圆梦记。
13、平民天后(The Lizzie McGuire Movie)……美国少女旅行途中被误认为意大利明星。
14、牛仔裤的夏天1、2(The Sisterhood of the Traveling Pants)……四个美少女共享一条神奇的牛仔裤。
15、怪女孩出位(Pretty Persuasion)……贝弗里山庄的两个女孩不惜一切代价要自己成名。
16、总统千金欧游记(Chasing Liberty)……青春喜剧版《罗马假日》。
17、第一女儿(First Daughter)……类似上部电影。
18、水瓶座女孩(What a Girl Wants)…单亲女孩前往欧洲去寻找身为英国皇家贵族的父亲。
19、拜金女郎(Material Girls)……富豪姐妹勇对家庭破产危机。
20、勇踏星途(Brave New Girl)……一部改编自布兰妮成长经验的影集。
21、窈窕美眉(She's All That)……美国版《流星花园》。
22、混合宿舍1、2(Dorm Day Crazy)……校园性喜剧,自己看吧。
23、恋爱刺客(John Tucker Must Die)……三个辣妹整蛊花花公子。
24、校园风云(Election)……学生会竞选的乱战。
25、灰姑娘的玻璃手机(A Cinderella Story)……这一次灰姑娘丢失的不是水晶鞋而是手机。
26、超完美夺分(The Perfect Score)……七个中学生策划到普林斯顿考试中心偷答案的惊天大计划。
27、公主日记1、2(The Princess Diaries)……纽约女孩意外得知自己竟然是欧洲小国公主。
28、足球尤物(She's the Man)……美少女乔装成孪生哥哥冒名顶替进入了男子球队。
29、美国派1、2、3、4、5(American Pie)……名气太大,不说也罢。
30、歌舞青春1、2(High School Musical)……CCTV6才播过不久,不说了。
31、公路之旅(Road Trip)……三个大学生千里奔波追逐穿帮“色情”录像带。
32、欧洲任我行(EuroTrip)……《公路之旅》欧洲升级版。
33、少儿不宜(Not Another Teen Movie)…… 美国青春校园版《炮制女朋友》。
34、变身辣妹(The Hot Chick)……辣妹和修车工之间的`变身。
35、男女变错身(It's a Boy Girl Thing)……辣妹和帅哥同学兼邻居之间的变身。
36、滑板狂热(Grind)……疯狂少年为了理想组建滑板队。
37、留级之王1、2 (Van Wilder)……让老生回想起了自己的大学时代。
38、益智风云(Cheats)……如果你智商只有007答题又想得高分,就去作弊吧。
39、翘课天才(Ferris Bueller's Day Off) ……学生逃学,校长追捕。
40、大学新生(Sydney White)……假小子是怎么炼成淑女的。
41、新窈窕淑男(Little Sister)……一个男生男扮女装混入女生寝室。
42、乐鼓热线(Drumline)……黑人小子加入学校橄榄球乐队。
43、孟汉娜(Hannah Montana)……平凡女孩白天是学生,晚上是歌星。
44、宝贝新官人(Son in Law)……简单的校园爱情故事。
45、魅力学堂(Charm School)……墨西哥城某女校的一群反叛女生和老师作对的故事。
46、粉骚大联盟(Strike!)……问题女生制造校园骚乱阻止学校合并计划。
47、超级坏(Superbad)……讲述友谊和分离的性喜剧。
J. 歌舞青春的经典台词20句
Do you remenber in kindergarden,how you even meet a kid, and know nothing abaout him. then ten seconds later,you are playing like you are best friends.Because you needn't to be anything but youself.
还记得你幼儿园的时候吗?见到一个孩子,你什么都不了解,但是10秒以后,你们就像好朋友一样地玩了。因为你只要做自己就可以了。
I‘ve never lied,except when necessary.我从不说谎,除非需要的时候。
主持人:上去唱吧。你们会感谢我的,也许会恨死我。
2.
T:你是歌手吗?
G:只是在唱试班唱过,我试过独唱但差点晕倒了。
T:为什么?
G:因为我看到别人盯着我,我就只敢盯着天花板,所以独唱生涯就这么结束了。
T:是吗?但看你今天的表现正是很难相信啊。
G:恩,第一次这样,很酷啊。看起来你唱歌的经验也很丰富啊。
T:对,我的莲蓬头就是我的麦克风。
3.
C:什么队!
Everybody:野猫!
C:什么队!
Everybody:野猫!
C:野猫!
Everybody:全心打比赛!
4.
T:哦,不行。我要赶作业。
C:什么?赶作业,连我还没迟交作业呢。我从幼儿园就开始迟叫作业了。
T:你真幽默。
C:赶作业?不可能!
5.
Z:看冰山美人从北极回来了!
C:用以往的方式度过了假期。
J:什么方式?
C:疯狂的买镜子!
Ta:小心动物园里的猛兽,现在正是新年,很恐怖的.
6.
G:我不想再成为学校里的天才女孩了.
G的MOTHER:做自己就行了.
7.
D:查德你也留校15分钟!记时吧!
Ta:那对查德说有点难,他数不到那么多.
D:泰勒你也15分钟!还要扰乱课堂吗?"大屠杀"还要继续下去吗?
8.
S:哦,你也想报名吗?我和哥哥一向主演所有的音乐剧,很欢迎新同学的加入,戏里有很多配角,一定会有一个适合你.
9.
T:爸爸你曾想尝试新的事物但又担心朋友的看法?
T FATHER:你是说往左边进攻吗?你做的很好.
T:不,爸爸,我的意思是,你曾想尝试新的事物,但结果却很糟糕,你的朋友都在嘲笑你.
T FATHER:那他们就不是你真正的朋友.
10.
G:我也不想参加试唱了,我们要骗谁呢?特洛伊,你有你的球队,我也有我自己的世界.
11.
R:他们没有经过我的同意就加入戏剧社了.
S:难道没有人教他们规矩吗?
R:呃...... 规矩有哪些?
12.
G:记得上幼儿园时吗?刚认识一个同伴,不要10秒钟就能成为最好的朋友!因为你根本不需要伪装自己.